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A Worcester octagonal coffee cup circa 1756 applied with a double scroll handle, transfer-printed with a finch on a branch and two smaller birds in flight, all carefully enamelled in colours, a green ground diaper border inside the rim reserved with stylised flower panels in black, unmarked, 5.4cm high (tight hairline cracks) Provenance: Ex. Wychwood Collection. Previously ex. Billie Pain Collection, lot 184 sold at Bonhams in November 2003. Notes: No other coloured version of this print has been recorded, it is also rare to find a print on this early octagonal cup shape.
An unusual Worcester outside-decorated and dated mug, dated 1760 of plain cylindrical form with a grooved handle, printed in underglaze blue with the rare 'Man Leaning on a Fence' pattern, including chinosierie fanciful landscape to the reverse, the print over-filled with opaque pink, orange and green enamel colours with traces of gilding, inscribed below handle with the initials R.D and the date 1760, further traces of inscription to the base, 11.7cm high (cracked in two and riveted) Notes: This mug was discussed by Branyan, French and Sandon (1989), pattern II.A.14. Related painting in enamels exist on other early Worcester blue transfer-prints, suggesting this particular 'clobbering' was the work of a contemporary independent decorator, making this mug the earliest known dated piece of blue transfer-print. Provenance: Ex.Wychwood Collection. Previously ex. Godden Reference, McWilliams and Jeremy Lever Collections, most recently purchased at Bonhams on 7 March 2007, lot 54.
A very rare Worcester potted meat pot circa 1760 of oval shape with gently tapered sides, the rococo embossed panels printed in blue with the 'Early Peony Print' pattern, the interior further printed in blue with the 'Floral Gift' pattern of a young Chinese boy holding a flowerpot beside a large peony, crescent mark, 13.3cm long (fine crack to base) Provenance: Ex. Wychwood and Zorensky Collection. Purchased at Bonhams Zorensky Collection Part 1, 16th March 2004, lot 372. This example is also illustrated by Branyan French and Sandon, patterns II.A.18 and II.C.4.
Fornasetti small pedestal table, the circular top decorated with a band of mythological creatures and nymphs in a yellow monochrome print against a simulated hardstone ground, all raised on a black painted cast metal trumpet base, original label 'Fornasetti Milano', 60cm diameter, height 41cm
A Worcester 'Milkmaids' pattern teacup and saucer circa 1765 printed in black after Robert Sayer, engraved by Robert Hancock, the saucer a farmyard scene, with a milkmaid carrying a pail on her head and another being relieved of her pail by a man, before a hay barn, the cup with similar print to exterior and a single swan to the exterior, the verso with herder and his cows, saucer 12cm diameter, teacup 4.2cm high (small foot rim chip to teacup) Provenance: Ex. Wychwood Collection.
A Worcester coffee cup circa 1762 transfer-printed in black 'The Red Bull' pattern, comprising Chinse peasants in a landscape with two buffalo, enamelled in colours, black line to the interior rim, unmarked, 5.8cm high Provenance: Ex. Wychwood Collection. Notes: An early Worcester pattern first used in 1754, the origin is an uncommon Chinese famille rose pattern from the Yongzheng period faithfully reproduced in a coloured-in black print first used in 1754.
Three Worcester blue and white transfer-printed coffee cups circa 1775-85 comprising a cup with a print from the European Landscape Group, featuring windmill and figures beside buildings, disguised numerals mark, 6.2cm high, a cup with 'The Bat' pattern, hatched crescent and painted triangle in gilt, 5.9cm high and another cup, circa 1780-90, with the 'Bandstand' pattern, 6.2cm high (3) Provenance: Ex. Wychwood Collection.
A Worcester saucer circa 1756-60 transfer-printed in overglaze black with 'The Tea Party' no.3, with lady and gentleman seated having tea around a tripod table, a dog at their feet, by a sparsely decorated tree and ornamental fountain, painted black line crowsfoot border, 12.5cm diameter Provenance: Ex. Wychwood Collection. Notes: This is a rare version of this print.
After Lawrence Stephen Lowry R.A. (British 1887-1976), "Landscape with Farm Buildings", signed in pencil in margin, with Fine Art Trade Guild blind stamp and further blind stamp initials CDD, colour reproduction, published in 1974 by Venture Prints Ltd., Bristol, England. Image 40 cm x 50 cm (see illustration). ARR CONDITION REPORT: The print is glazed, framed and mounted. The back of the picture is board and we have not attempted to see if the print is stuck down. It has clearly been professionally framed so we would imagine that it has been mounted correctly but cannot guarantee that is has not been stuck down. There is no foxing or damage to the print. It is signed bottom right in pencil. It has the stamps to the bottom left corner. At the top of the print it stated “Published in 1974 by Venture Prints Ltd., Bristol, England, Copy right in all countries including the USA. Printed in England.” The colours in the print are strong and in our opinion not faded. The colours are as the image online.
TWO VICTORIAN ORIGINAL INK AND WATERCOLOUR ILLUSTRATIONS ON LINEN OF QUEEN VICTORIA AND THE PRINCE CONSORT, ONE INCORPORATING A CONTEMPORARY PHOTOGRAPH (ALBUMEN PRINT) DATED 1865 or 1866 each subject in floral surround beneath HRH and ship at sea beyond, inscribed PENMANSHIP DESIGNED BY JNO PICKARD UNDER ROYAL PATRONAGE DEDICATED TO MR AND MRS BEAVAN [OR MR AND MRS HYDE...] and dated, 29 x 22.5cm, bird's eye maple frames, as a pair Lightly age toned/browned, the glass in one frame chipped on upper left corner, frames with old marks and scratches
Mick Cawston (1959-2006). Dalmations, artist signed limited edition print, 30cm x 36cm, another similar limited edition print, titled Lets Play, by Paul Doyle (b1964), a limited edition print of three ducks, by Dorothia Buxton Lloyd Hyde (b1942), and a reproduction print titled Throwing In, after Douglas. (4)

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314766 item(s)/page