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Lot 395

Arthur William Brown (1881-1966), Continental market scene, print in colours, signed by the artist, 47cm x 67cm

Lot 348

A Worcester octagonal coffee cup circa 1756 applied with a double scroll handle, transfer-printed with a finch on a branch and two smaller birds in flight, all carefully enamelled in colours, a green ground diaper border inside the rim reserved with stylised flower panels in black, unmarked, 5.4cm high (tight hairline cracks) Provenance: Ex. Wychwood Collection. Previously ex. Billie Pain Collection, lot 184 sold at Bonhams in November 2003. Notes: No other coloured version of this print has been recorded, it is also rare to find a print on this early octagonal cup shape.

Lot 351

An unusual Worcester outside-decorated and dated mug, dated 1760 of plain cylindrical form with a grooved handle, printed in underglaze blue with the rare 'Man Leaning on a Fence' pattern, including chinosierie fanciful landscape to the reverse, the print over-filled with opaque pink, orange and green enamel colours with traces of gilding, inscribed below handle with the initials R.D and the date 1760, further traces of inscription to the base, 11.7cm high (cracked in two and riveted) Notes: This mug was discussed by Branyan, French and Sandon (1989), pattern II.A.14. Related painting in enamels exist on other early Worcester blue transfer-prints, suggesting this particular 'clobbering' was the work of a contemporary independent decorator, making this mug the earliest known dated piece of blue transfer-print. Provenance: Ex.Wychwood Collection. Previously ex. Godden Reference, McWilliams and Jeremy Lever Collections, most recently purchased at Bonhams on 7 March 2007, lot 54.

Lot 359

A very rare Worcester potted meat pot circa 1760 of oval shape with gently tapered sides, the rococo embossed panels printed in blue with the 'Early Peony Print' pattern, the interior further printed in blue with the 'Floral Gift' pattern of a young Chinese boy holding a flowerpot beside a large peony, crescent mark, 13.3cm long (fine crack to base) Provenance: Ex. Wychwood and Zorensky Collection. Purchased at Bonhams Zorensky Collection Part 1, 16th March 2004, lot 372. This example is also illustrated by Branyan French and Sandon, patterns II.A.18 and II.C.4.

Lot 612

Fornasetti small pedestal table, the circular top decorated with a band of mythological creatures and nymphs in a yellow monochrome print against a simulated hardstone ground, all raised on a black painted cast metal trumpet base, original label 'Fornasetti Milano', 60cm diameter, height 41cm

Lot 1017

William Nicholson, wood-cut print, Queen Victoria, published 1897, 9" x 8.5", original frameVery good condition, frame lightly scratched

Lot 1078

Connor Brothers, colour print, those who say it cannot be done, signed in pencil, no. 27/84, image 14" x 9.5", unframedPerfect condition

Lot 1079

Connor Brothers, colour print, I don't want to go to heaven, signed in pencil, no. 23/50, image 13.5" x 9", unframedPerfect condition

Lot 1080

Connor Brothers, colour print, those who say it cannot be done, signed in pencil, no. 25/84, image 14" x 9.5", unframedPerfect condition

Lot 1081

Connor Brothers, colour print, we must be careful, signed in pencil, no. 24/50, image 13" x 9.5", framed

Lot 1082

Connor Brothers, colour print, I drink to make other people more interesting, signed in pencil, no. 38/95, image 26" x 16.5", unframedPerfect condition

Lot 1083

Connor Brothers, colour print, the truth is rarely pure and never simple, signed in pencil, no. 76/100, image 25" x 16", unframedPerfect condition

Lot 1084

Connor Brothers, large colour print, truth is weirder than any fiction I've seen, signed in pencil, no. 14/35, image 42" x 25", framedPerfect condition

Lot 1085

Pure Evil (born 1968), colour print, head study, signed in pencil, no. 75/100, image 31" x 26.5", framedPerfect condition

Lot 1109

Phil Greenwood, 3 coloured etchings, landscapes, all signed in pencil, framed (3)Large print perfect, medium print paper discoloured, smallest perfect

Lot 1120

Stan Rosenthal, print, Hastings fishing boats, signed in pencil, no. 6/125, sheet size 19" x 23", framedVery good condition

Lot 1121

Stan Rosenthal, colour print, Hastings, signed in pencil, artist's proof, image size 17" x 17", framedVery good condition

Lot 1154

Hachiguchi Goyo, woodblock print, kimono, 12.5" x 5.5", mountedVery good condition

Lot 1217

John Piper, screen print, Stones and Bones Two, from an edition of 50 plus 15 proofs, Kelpra Studios 1978 (Levinson 291), sheet size 23" x 31", unframedA slight mark top right-hand edge, no foxing or tears

Lot 1310

A W Seaby, colour woodcut print, flying swans, signed in pencil, image 8.5" x 14.5", framedVery good condition

Lot 389

A Worcester 'Milkmaids' pattern teacup and saucer circa 1765 printed in black after Robert Sayer, engraved by Robert Hancock, the saucer a farmyard scene, with a milkmaid carrying a pail on her head and another being relieved of her pail by a man, before a hay barn, the cup with similar print to exterior and a single swan to the exterior, the verso with herder and his cows, saucer 12cm diameter, teacup 4.2cm high (small foot rim chip to teacup) Provenance: Ex. Wychwood Collection.

Lot 402

A Worcester coffee cup circa 1762 transfer-printed in black 'The Red Bull' pattern, comprising Chinse peasants in a landscape with two buffalo, enamelled in colours, black line to the interior rim, unmarked, 5.8cm high Provenance: Ex. Wychwood Collection. Notes: An early Worcester pattern first used in 1754, the origin is an uncommon Chinese famille rose pattern from the Yongzheng period faithfully reproduced in a coloured-in black print first used in 1754.

Lot 455

Three Worcester blue and white transfer-printed coffee cups circa 1775-85 comprising a cup with a print from the European Landscape Group, featuring windmill and figures beside buildings, disguised numerals mark, 6.2cm high, a cup with 'The Bat' pattern, hatched crescent and painted triangle in gilt, 5.9cm high and another cup, circa 1780-90, with the 'Bandstand' pattern, 6.2cm high (3) Provenance: Ex. Wychwood Collection.

Lot 462

A Worcester saucer circa 1756-60 transfer-printed in overglaze black with 'The Tea Party' no.3, with lady and gentleman seated having tea around a tripod table, a dog at their feet, by a sparsely decorated tree and ornamental fountain, painted black line crowsfoot border, 12.5cm diameter Provenance: Ex. Wychwood Collection. Notes: This is a rare version of this print.

Lot 149

Gary HodgesGreen Turtlelimited edition print 346/850, signed in pencil50 x 33 cm

Lot 150

Gary HodgesNarwhallimited edition print 346/850, signed in pencil50 x 33 cm

Lot 154

Gary HodgesDemure Lemurlimited edition print 443/850signed and personally inscribed '9820 x 40 cmand 'Dreamtime'144/85017 x 14.5 cm (2)

Lot 155

Gary Hodges'Vanishing' - Scimitar-horned Oryxlimited edition print 675/700signed in pencil21.5 x 60 cmand 'Crowning Glory' - Sable Antelope200/750, signed in pencil27 x 25.5 cm

Lot 156

Gary HodgesSitting Prettylimited edition print 1140/1250signed in pencil30.5 x 22.5 cmand 'Brown Bear Club'197/800, signed in pencil14 x 11 cm (2)

Lot 249

A collection of bone and turned wood lace bobbins, some with glass beads, a lace pillow stand and a print of Honiton lace making

Lot 116

Wu Zuoren (1908-1997), print of camels. 28 cm x 42 cm, framed.

Lot 138

A Japanese woodblock print of a gardener, 19th century Oban.

Lot 691

An antiquarian print, "East Prospect of The Town and Harbour of Whitehaven", to The Honourable James Lowther. 22 cm x 42 cm, framed.

Lot 726

After Lawrence Stephen Lowry R.A. (British 1887-1976), "Landscape with Farm Buildings", signed in pencil in margin, with Fine Art Trade Guild blind stamp and further blind stamp initials CDD, colour reproduction, published in 1974 by Venture Prints Ltd., Bristol, England. Image 40 cm x 50 cm (see illustration). ARR CONDITION REPORT: The print is glazed, framed and mounted. The back of the picture is board and we have not attempted to see if the print is stuck down. It has clearly been professionally framed so we would imagine that it has been mounted correctly but cannot guarantee that is has not been stuck down. There is no foxing or damage to the print. It is signed bottom right in pencil. It has the stamps to the bottom left corner. At the top of the print it stated “Published in 1974 by Venture Prints Ltd., Bristol, England, Copy right in all countries including the USA. Printed in England.” The colours in the print are strong and in our opinion not faded. The colours are as the image online.

Lot 784

A late 19th century coloured print, young girls dancing. 52 cm x 60 cm.

Lot 787

A large canvas print after Chas-Cameron Baillies, pixies carousing, 152 cm x 100 cm.

Lot 798

A watercolour huntsman in full gallop", 24 cm x 34 cm, framed together with a print of a huntsman.

Lot 600

TWO  VICTORIAN  ORIGINAL INK AND WATERCOLOUR ILLUSTRATIONS ON LINEN OF QUEEN VICTORIA AND THE PRINCE CONSORT, ONE INCORPORATING A CONTEMPORARY PHOTOGRAPH (ALBUMEN PRINT) DATED 1865 or 1866  each subject in floral surround beneath HRH and ship at sea beyond, inscribed PENMANSHIP DESIGNED BY JNO PICKARD UNDER ROYAL PATRONAGE DEDICATED TO MR AND MRS BEAVAN [OR MR AND MRS HYDE...]  and dated, 29 x 22.5cm, bird's eye maple frames, as a pair Lightly age toned/browned, the glass in one frame chipped on upper left corner, frames with old marks and scratches

Lot 17

*Pablo Picasso (1881-1973). 'Citando a Matar' La Tauromaquia, signed and titled print, stamped Copi D'Epreuve, 18cm x 26cm. Label verso Magdalene Street Gallery Cambridge.*Subject to ARR

Lot 215

An Art Deco desk calendar, on wooden stand, with articulated centre, showing various dates, 21cm W, After David Shepherd elephant print, etc. (a quantity)

Lot 224

Caroline Cook. After the Rain, artist signed, limited edition print, another similar horse racing print, after Anne Stutt and a pair of Victorian hand painted prints, each depicting various agricultural subjects. (5)

Lot 226

Mick Cawston (1959-2006). Dalmations, artist signed limited edition print, 30cm x 36cm, another similar limited edition print, titled Lets Play, by Paul Doyle (b1964), a limited edition print of three ducks, by Dorothia Buxton Lloyd Hyde (b1942), and a reproduction print titled Throwing In, after Douglas. (4)

Lot 227

Sir William Russell Flint (1880-1969). Semi nude Spanish ladies, limited edition print, number 739 of 850, 41cm x 57cm.

Lot 228

A map of Worcestershire after S Hall, various botanic prints, a print of Droitwich and a similar print of Pershore. (a quantity)

Lot 233

Jeremy King (b1933). River landscape with boats, figures, etc., artists signed limited edition print, 41cm x 45cm, a set of four.

Lot 236

A 19thC poster or print titled Jesus Christ Son of God, etc., with hand coloured embellishment of angels to each corners, etc., 49cm x 35cm.

Lot 239

Ben Maile (1922-2017). The sinking of the Mary Rose, limited edition print number 532/650, produced by the Lord Chamberlains office for use of the 1545 Royal coat of arms of Henry VIII, 54cm x 75cm.

Lot 241

After A G Veal. Race horses jumping a fence, coloured print, mounted onto ceramic panel, various red printed marks etc. to the reverse, image size 30cm x 40cm.

Lot 246

Late 19thC School. Still life with melons and delft vase, watercolour, unsigned, 27cm x 18cm and a Continental coloured print, with arch mount, 53cm H. (2)

Lot 247

Joy Kirton Smith. Solitude, artist signed limited edition print with certificate, No. 269/600, 51cm x 64cm.

Lot 249

After J Severn. Lady with child beside a tree, 19thC monochrome engraving, 35cm x 23cm, and a print after John Gardener of the three masted sailing ship The Thermapylae.

Lot 534

Ladies vintage clothing, to include a floral print day dress, velvet A line dress, 1960s shift dress, etc. (1 box)

Lot 604

Vincent Haddelsey (1934-2010). The Paddock, Market Rasen, artist signed limited edition print, 66/500, 30cm x 46cm.

Lot 605

Vincent Haddelsey (1934-2010). The Waterjump, Market Rasen, artist signed limited edition print, 68/500, 30cm x 46cm.

Lot 787

After Arthur Streeton (1867-1943). The Old Inn Richmond, Hawkebury River, 1896, coloured print laid onto board, 26cm x 23cm.

Lot 179

After Sir Frank Brangwyn, theatrical study, portrait of two figures, coloured print. Alexander gallery label verso, 35 x 23cm approx, framed and glazed.(B.P. 24% incl. VAT)

Lot 190

After Susan Crawford (S.L Crawford, British 20th Century), 'Dettingen, the drum horse of the Queen's own Hussars', limited edition coloured print no. 7/500, signed by the artist. 50 x 61cm approx. Framed and glazed. (B.P. 24% incl. VAT)

Lot 224

After Sally Crawford, famous racehorses, Arkle, Redrum and Desert Orchid, coloured print. 37 x 63cm approx. (B.P. 24% incl. VAT)

Lot 225

After Frank Brangwyn, coloured print, river bridge with figures, signed by the artist. 32 x 43cm approx. (B.P. 24% incl. VAT)

Lot 235

Richard Langford Lear, 'Vale of Aeron foxhounds', signed with a monogram, watercolours. 27.5 x 37cm approx. Together with a hunting print, 'The Bid Leap', 17 x 26cm approx. Framed and glazed. (2)(B.P. 24% incl. VAT)

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