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EATON, Seymour (ed) 'Shakespeare Rare Print Collection', Connoisseur Edition, 12 parts in folder. Tog.with BARTLETT, John, 'A New & Complete Concordance...in the Dramatic Works of Shakespeare', Macmillan, 1913, lge. 4to. plus SAINTE-BEUVE, M. 'Oeuvres de Molliere', Hetzel, Paris, leather scuffed. Plus others. 8
CSARBA MASKUS 'Toscana', Ltd edition print, signed and numbered 139/350, 36" x 24"; two skiing lithographs by Duncan Hamilton Fraser, a Mediterranean view, lithograph, a collection of six nude studies and an etching by Marcel Jacque - Logging in the Barbizon Forest, all but the last item unframed (11).
Francis Leke b.1912- Shipping scene; watercolour, signed and dated 73, 25x35cm: Robert Morden act 1668-1703- "Darby Shire", publ by Abel Swale Awnsham and John Churchill; hand-coloured engraved map, 38x43cm: After Dudley Hard RBA RI ROI 18626-1911- "Off the Breakwater"; colour reproduction print, in a gilt frame: John Laurence b.1934- Two girls at the seaside; watercolour, signed, 24x19cm., (4)
Edgar Thomas Wood 1860-1935, exh 1895-1934- View of a harbour town; watercolour, signed, 25x20cm: John V Ewans, late 20th century- "Changing the Guard"; watercolour: together with other 19/20th century engravings, watercolour and print studies after various hands, (a lot) (may be subject to Droit de Suite)
An Indian Miniature Painting, late 20th century, depicting a nobleman riding an elephant with an attendant on horseback in a landscape, opaque watercolour on paper, 23.5x18cm: After Ishikawa Shuha Toyonobu, Japanese 1711-1785- Kabuki actor; colour woodblock print, signed and sealed, 28.5x13cm., (2)
Sara Young b.1947- "Seahorse; linocut, signed, titled and numbered 259/300, in pencil, 13x13cm: Howard Phipps 20th century- "The Dining Room, Whittington Court; wood block printed in colours, signed and dated 1991, together with further watercolour and print studies by and after various hands, (a lot) (may be subject to Droit de Suite)
Francesco Barbazza, Italian 18th century- "Veduta Piazza Colonna con in mezzo la magnifica Colonna di Antonio Pio che da il nome alla detta Piazza ornata con Chiesa Palaze Fontana", after Francesco Panini; reproduction print, 48x70.5cm: together with seven other similar reproduction prints all in matching ebonised frames, (8)
Roy Godfrey Botting 1909-1999- "Night on the River, Chelsea"; mono-type, signed, titled in pen and dated 1958, 21x28cm: together with nine other lithograph and print studies depicting mostly landscapes, most signed and dated, Note: Painter, printmaker and teacher, born in London, studied at the Royal College of Art. Taught at several London art schools, later holding a lectureship in printmaking at Harrow College of Arts and Technology. (a lot) (unframed)
After Sandro Botticelli c.1445-1510- "The Virgin and Child with the Young St John the Baptist and an Angel", published by A & C Black, Soho, London from the Menpes series of great masters; colour reproduction print, in a gilt tondo frame, 41cm., dia. Note: The original is held by the National Gallery, London
Norman Stevens 1937-1988- "Stonehenge"; etching with aquatint, signed, titled, numbered 56/83 and dated 74 in pencil, 44x46cm: After Fleur Cowles, 20th century- "Bunch of Flowers"; published by the Adam Cavendish collection Ltd, 1978, signed dated 78 and numbered 145/451 in pencil, reproduction print, (2)
Ken Ferguson, late 20th century- "The Betting Slip"; pastel on paper, signed, 46x36cm: Provenance with the Brandler Galleries, Essex : After Ruskin Spear RA CBE 1911-1990- "The Arty Tie"; reproduction printed in colours, signed within the plate, bears signature, title and numbered 14/150 in pencil, 70x72cm: After Sir Stanley Spencer 1891-1959- "Stan & Mary, Drawing Each other"; reproduction print, signed within the plate, bears signature and inscription in pencil, numbered 41/75 in pencil, 42x28cm: After Helen Layfield Bradley 1900-1979- Figures by a country cottage; reproduction printed in colours, signed within the plate, bears signature in pencil: together with one other reproduction printed in colours after the same hand, (6) (part unframed)
Joseph Constantine Stadler fl late 18th-early 19th century- "The Bay of Acre, from the Top of Carmel", after Cooper Williams, publ by I White, Fleet Street London, 1801; hand-coloured aquatint, 18.5x25cm: Willam Henry Bartlett 1809-1854- "Approach to Caipha, Bay of Acre", after after T Jeavons, publ Fisher Son & Co London & Paris 1837; hand-coloured engraving, 17.5x23.8cm: together with a hand-coloured print of the Covent-Garden Theatre, London from The London Illustrated News, (3)Note: The Siege of Acre where Bonaparte was repulsed, begun on 20th May 1799

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314783 item(s)/page