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Lot 1
-. Fratelli Alinari. Florence, the Campanile of Giotto, albumen print, 430 x 295mm., numbered 158 in the negative, on contemporary mount with blindstamp of the Architectural Photographic Association, verso with ink stamp of Turnbull, mounting board makers, c.1860 ~ Philpot (J.B.) Detail of Ghiberti's Baptistry doors, albumen print, 270 x 425mm., on original mount with Philpot's Florence blindstamp, titled in Italian faintly in pencil, c.1860; and the interior of Saint Peter's, Rome, albumen print, 290 x 395mm., on original mount with Spithöver's blindstamp, c.1860 (3).
Lot 1
-. Suschitzky (W.) Sardinian shepherd with a lamb, silver print, 130 x 100mm., framed and glazed, credit and copyright caption transcribed on verso of frame, c.1950; with copies of Suschitzky's manuals Photographing Children and Photographing Animals, tipped in photographic plates, 1940-41 (3).
Lot 1
Theatre.- Portraits of Henry Irving and Ellen Terry, in character as Mathias in "The Bells" and Lady Macbeth, two albumen print cabinet cards by the London Stereoscopic Co. and Window & Grove respectively, each c.140 x 100mm., in contemporary card window mounts, each with the subject's ink signature mounted below, framed and glazed, late 19th century (2).
Lot 1
Japanese Woodblock Prints.- Eishi. Bijin-ga Portrait of a Young Lady threading a Needle, woodblock print, 365 x 235mm., unexamined out of frame, printed in the limited pastel colours of the beni-girai, slight fading, and surface wear, light creasing, with censor seal and publisher's seal of Yeijudo of Yedo, framed and glazed, 1790s; with 8 other Japanese colour woodblock prints, including a memorial portrait of an artist by Toyokuni and a warrior hero of the Seikoden by Kuniyoshi, also a panoramic triptych of an army marching around a bay, average 360 x 245mm., the triptych 345 x 710mm., occasional surface dirt and slight damp-staining, minor losses at edges of three prints, three others in frames, 19th century (9).
Lot 1
-. Kunisada. Bijin-ga Portrait of a Young Lady Writing, against a calligraphic background of floating pages of script, colour woodblock print, 365 x 250mm., surface dust and slight spotting, taped at edges into mount, with date seal and publisher's stamp of Iseya-Rihei, early 19th century; with 3 other woodblocks by Kunisada, as Toyokuni III, each with 3 portrait roundels of Kabuki actors, another Kabuki portrait by Kunichika, a dramatically posed scene from a play by Shigeharu, and a triptych of fighting warriors by Kuniyoshi, colour woodblock prints, each c.355 x 245mm., the triptych 355 x 730mm., overall, this with a few pin holes at corners, laid down and framed, the others hinged into mounts, only, occasional spotting and other minor defects, early to mid 19th century (7).
Lot 1
Julien (Edouard) The Poster of Toulouse-Lautrec, Boston, 1966 § Belli (Gabriella) Gustav Klimt Masterpieces, 1990 § Visona (Monica Blackmun) and others. A History of Art in Africa, 2000 § Melot (Michel) The Impressionist Print, New Haven and London, 1996 § Friedman (Martin) Hockney Paints the Stage, 1983, illustrations, including colour plates, original cloth, second to fifth mentioned dust-jackets; and c.30 others, Fine Art, v.s. (c.35).
Lot 1
Karshan (Donald) Malevich, The Graphic Work: 1913-1930, A Print Catalogue Raisonne, original printed wrappers, very slightly rubbed, Jerusalem, 1975 § Zhadova (Larissa Alekseevna) Tatlin, 1988 § Gray (Camilla) The Great Experiment: Russian Art 1863-1922, 1962, plates and illustrations, all except first mentioned in original cloth and dust-jackets; and 9 others, Russian Art, 4to & 8vo (12).
Lot 1
AFTER MICHAEL LYNE (1912-1989) (HUNT IN OPEN COUNTRY) Colour reproduction, published by Frost and Reed, 1954, with blindstamp, signed in pencil 38 x 53cm.; with a signed print of The Duke of Beaufort's, after John King, signed, 33.5 x 50.5cm. (2) ++ The former generally good, the latter discoloured.
Lot 1
Two postcards of the RMS Titanic: a pre-disaster RP by Reginald Silk of Portsmouth captioned "RMS Titanic on her maiden voyage, 10 April 1912, Silk 2, stern view, showing the vessel's great length", together with a post-disaster print by Valentine titled "Among the Icebergs" with caption detailing the event and further information on the back
Lot 1
Two small postcard albums containing approximately 190 cards, mostly topographical, including various good RP cards of West Somerset (Weacombe, Williton, St. Audries), also some of Wanstrow (including the GWR station), several art-drawn views by Wimbush and others, a print of the GWR station at Pilning, two prints of the Berks and Bucks Stag Hounds, various views of Almondsbury, St. Annes, Liverpool, Chester, etc.
Lot 1
A postcard album containing approximately 260 cards, mixed subject and British and overseas topographical views, including military (with seven by Harry Payne), the King at the Front, Bruce Bairnsfather (12), Ellam "For Home and Beauty" series (5), street scenes of Fermoy, Quinton (4), a print of Trawsfynydd station, RP views of Church Walk in Hayes, Holywell Hill at St. Albans, Didcot Camp (from the air), and the troopship "Braemar Castle"
Lot 1
Three postcard albums containing approximately 460 cards, mostly assorted topographical, cards noted including a print of stone quarries at Tytherington, a set of eight cards of the 1902 Leckhampton Hill rights of way dispute, a print of the Cirencester & District Motor Omnibus, a print of the New Cheltenham Steam Fire Engine, four embossed Tuck Empire cards of battleships, a print of the Brendon Hill incline, a scene of early submarines in dock, four good RPs of Wanstrow (including the GWR station), and a good selection of other village and street scenes.
Lot 1
Four wooden jigsaw puzzles, three probably cut by Dinn of Spondon for the British Jigsaw Puzzle Library, comprising "The Veterinary" from a Pears print (44 x 57cm, complete but minor damage), "The New Mount" (57 x 38cm, one replacement piece) "At the Well" (29 x 60cm, 4/5 pieces missing), and "Street in a Country Town" after RS (27 x 35cm, complete); all unboxed. (see illustration for "The Veterinary")
Lot 1
Four wooden jigsaw puzzles cut by Dinn of Spondon for the British Jigsaw Puzzle Library, comprising "Wellington in the Making" from a Pears print (41 x 55cm, complete), "The Reprieve" after R. Caton Woodville (45 x 67cm, complete), "The Thin Red Line" after Robert Gibb (33 x 66cm, complete), and "Naval Occasion" after Fred Roe (36 x 57cm, complete); all unboxed.
Lot 1
Five wooden jigsaw puzzles cut by Dinn of Spondon for the British Jigsaw Puzzle Library, comprising "The Gossips" after M. Dovaston (44 x 60cm, complete), "The Return" (43 x 56cm, 2/3 pieces missing), "The Meet" from a Pears print (35 x 47cm, complete), "None But the Brave" from a Pears print (35 x 45cm, complete), and "Bringing in the Lobster Pots" (35 x 50cm, one replacement piece); all unboxed.
Lot 1
Mottram (J.C.) Sea Trout and Other Fishing Studies, [viii], 157pp., [3pp.], half-titles, illustrations, 3pp. advertisements at end, original green cloth, gilt, The Field Press, n.d., [c.1922]; Trout Fisheries, Their Care and Preservation, 186pp., [6pp.], illustrations, 6pp. advertisements at end, original green cloth, Herbert Jenkins, 1928; Thoughts On Angling, 144pp., illustrations, bookplate of Edward W. Schlechter, original cloth, spine a little faded, dust-jacket, lower cover slightly rubbed, some chipping, Herbert Jenkins, n.d., [1948], first editions, 8vo (3). *** The third mentioned was the author's last book, published 3 years after his death. Mottram was much admired by Gingrich, who devoted a chapter to him in "Fishing in Print".
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314796 item(s)/page