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Lot 188
C19th Engravings drawn by H Alken, inc. Going Over a Difficulty, Sweeping the Bank, Flying with Difficulty, A Sweep at New Enclosure, Hock-ing a Difficulty, Bucking a Flight of Ox Rails, Going to Cover, A Neat Cover Hack-One That Can Go Straight, Going Down at a Difficulty, Getting over a High Wattle Fence - Ditch on Both Sides & Going Through a Difficulty Charging a Park Fence, (m/f/g), print size 11 1/4` x 8 3/4` (6)
Lot 295
Eugene Bejot (1867-1931)/Les Lavoirs/signed in pencil, dated 1908/Laran 274, edition of c. 40 impressions/etching and aquatint, 29.25cm x 20.25cm (11.5"x 8")/Provenance: exhibited in the 1909 Salon; reproduced in 'The Studio' p.60, Autumn 1915/Palais D'Orsay, Paris signed in pencil, dated 1914/etching, 21.5cm x 29.25cm (8.5" x 11.5")/Le Cheval Blanc, Honfleur signed and dated 1919, dedicated to Pierre-Louis Moreau, an artist friend of Bejot staying with him at the Cheval Blanc at the time/Laran 334 ii/2/etching, 15.25cm x 22.75cm (6"x 9")/paper watermarked 'Eug Bejot'/Provenance: exhibited in the 1920 Salon Condition Report: This is all glazed and framed. Small mark lower left. Palais d'orsay print. Otherwise in good condition.
Lot 299
Rembrandt Harmenz van Rijn (1606-1669)/Jan Uytenbogaert, Preacher of the Remonstrants/signed Rembrandt f and dated 1635 Haarlem/4th or 5th state of six, Bartsch 279, Hind 128/etching and drypoint, 22.75cm x 19cm (9"x 7.5")/Note: the plate started off rectangular, it was cut to this form and the inscriptions were added in the 4th state/see illustration Condition Report: This Rembrandt print has slight discoloration to the paper.
![Malcolm Osborne R.A. P.R.E. A.R.C.A. (1880-1963) [ARR]/City of Avignon/signed in pencil/drypoint, 22.75cm x 43.75cm (9" x 17](http://lot-images.atgmedia.com/SR/1804/2898343/309-2014210112740_468x382.jpg)
Lot 441
Raymond Guerrier (French, 20th century), Horses on the plains, signed and titled in pencil in the margin, screen print, 35.5 x 50.5cm.; 14 x 20in, together with Stephen Lawlor (b.1958), "Horse and Rider", signed and titled in pencil, numbered 3/11, lithograph, sheet size 66 x 50.5cm.; 26 x 20in (2). Condition report: see terms and conditions.
Lot 443
After Mary Fedden (British, 1915-2012), "Cat on a Cornish Beach", signed and numbered 244/500 in pencil in the margin, published in 2000 by Bow Art, with publisher`s blindstamp, colour reproduction print, image size 29 x 40cm.; 11.5 x 15.75in. Artists` Resale Right ("droit de suite") may apply to this lot. Condition report: see terms and conditions.
Lot 444
After Mary Fedden (British, 1915-2012), "Red Sunset", signed and numbered 171/500 in pencil in the margin, published in 2000 by Bow Art, with publisher`s blindstamp, colour reproduction print, image size 29 x 36cm.; 11.5 x 14.25in. Artists` Resale Right ("droit de suite") may apply to this lot. Condition report: see terms and conditions.
Lot 445
After Mary Fedden (British, 1915-2012), "The Orange Mug", signed and numbered 432/550 in pencil in the margin, published in 2000 by Bow Art, with publisher`s blindstamp, colour reproduction print, image size 23 x 27.5cm.; 9 x 11in. Artists` Resale Right ("droit de suite") may apply to this lot. Condition report: see terms and conditions.
Lot 446
After Laurence Stephen Lowry R.A. (1887-1976), "Burford Church", signed in pencil in the margin and numbered 212/850, published by Grove Galleries Ltd., Manchester, colour reproduction print, image size 60.5 x 46cm.; 23.75 x 18in. Artists` Resale Right ("droit de suite") may apply to this lot. Condition report: see terms and conditions.
Lot 447
After Laurence Stephen Lowry R.A. (1887-1976), "The Football Match", signed and numbered 162/850 in pencil in the margin, with blindstamp, black and white reproduction print from an original pencil drawing, image size 25 x 36cm.; 10 x 14.25in. Artists` Resale Right ("droit de suite") may apply to this lot. Condition report: see terms and conditions.
Lot 33
Moll, Herman 1736 A New Map of the Whole World with the Tradewinds According to ye Latest and Most Exact Observations Very nice map with California as an Island. Northwestern North America is largely left blank, with Annian Str. appearing north of California. The eastern seaboard is labeled as the English Empire. Northeast Asia is only partially delineated, with a note in northern Russia that reads, ""Parts Unknown."" The borders of Australia and Tasmania are incomplete. Above the hemispheres is a north polar projection. The bottom is filled with unusual male representations of the continents and other interesting allegorical scenes. This early thematic map uses arrows to depict the trade winds and their directions. A note at top discusses trade winds and monsoons and incorporates a list of the zodiac signs. Imprint below bottom neatline notes that the map was printed for Thos. Bowles Print and Map Seller next ye Chapter House in St. Pauls Churchyard, and John Bowles Print and Map Seller at the Black Horse in Cornhill, London. 10.3"" W x 7.9"" H Issued folding, now pressed flat, with attractive color. There is a faint damp stain in the blank right margin, well away from image.
Lot 158
Delisle/Covens & Mortier, 1733 Carte de la Louisiane et du Cours du Mississipi Dressee sur un Grand Nombre de Memoires entr`autres sur ceux de Mr. le Maire This is a later edition of Delisle`s influential map of the French possession of Louisiana that drew together the cartographic work of the previous half century and had a tremendous impact on the history of cartography. When originally published in 1718, it was the first detailed map of the Gulf region and the Mississippi, and the first to show the explorations of De Soto, Cavelier, Tonty, Moscoso and Denis. The map was designed for the political purpose of invalidating the English claims west of the Appalachian Mountains and laid claim to Carolina by the French, which provoked an angry English response. The name Texas made its first appearance in print on the earlier edition of this map, with the legendary Mission de los Teijas, established in 1716. The notation of Indiens errans et anthrophages along the Gulf Coast warns of cannibals. However, it is the cartography of the Mississippi Valley for which the map is notable today. An inset of the Mississippi Delta and Mobile Bay fills the lower right corner, titled Carte Particulière des Embouchures de la Rivière S. Louis et de la Mobile. This is the Covens & Mortier edition, a re-engraving of the original plate, updated with the addition of New Orleans. 23.4"" W x 17.2"" H Original color on watermarked paper with good margins and just a hint of offsetting.
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