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Lot 102

Trevor Haines, (contemporary), after, a Ltd Ed print, Castle Dairy Kendal, signed and num 128/200, 24 x 31cm, mounted, 37 x 42cm

Lot 108

Le Blond, (19th century), after, a print, oval, cottagers, 15 x 18cm, gilt effect foliate framed, 32 x 37cm, and (19th century), Rowlandson, after, a pair of prints, Doctor Syntax, 13 x 20cm, later mounted framed and glazed, 23 x 28cm

Lot 110

Tauber, (20th century), after, a print, Low Country landscape, 40 x 78cm, mounted framed and glazed, 47 x 86cm

Lot 113

After D Rothwell Bailey, colour print entitled 'A Winter Evening' limited edition number 125/300, mounted framed and glazed 45cm x 55cm overall

Lot 117

(20th century), a re-print, ecclesiastical devotion, 56 x 37cm, mounted framed and glazed, 70 x 51cm

Lot 118

Peter McKay, (contemporary), after, a Ltd Ed print, Lakeland landscape, signed and num 34/500, 32 x 46cm, mounted framed and glazed, 49 x 64cm

Lot 25

Thomas H Shuttleworth, (contemporary), after, a Ltd Ed print, Tall Ships Tall Stories, signed and num 1/650, 38 x 56cm, 38 x 56cm, mounted wood framed and glazed, 60 x 77cm

Lot 4

Bernard Dufour, (1922-2016), after, a texured print, harbour scene, signed, 37 x 45cm, canvas mount framed and glazed, 43 x 51cm

Lot 41

Jill Aldersley, (1943-2007), after, a print, Buckle Yeat Near Sawrey, signed, 19 x 25cm, mounted framed and glazed, 36 x 41cm

Lot 5

Vladimir Grigoryevich Tretchikoff (Russian 1913-2006) colour print, Zulu maiden, within an angled oak frame, under glass 64cm x 54cm overall

Lot 56

After Alan Stones (Local Contemporary) a limited edition lithographic print, entitled 'Couple (IV)' limited edition number 36/85, signed and dated 2003, entitled and numbered in pencil, within a plain card mount and black stained frame, bearing artists label verso, 45cm x 59cm & 65cm x 79cm

Lot 59

After Thomas Moule (1784-1851) A modern reproduction coloured print of Lancashire, framed and glazed 53cm x 43cm overall

Lot 61

After George Pickering (1794-1857) two 19th century hand-coloured engravings, entitled Derwent and Bassenthwaite Lakes and Rydale Water & Grassmere, each mounted framed and glazed 14cm x 19cm & 30cm x 35cm sold along with a 19th century engraving after Thomas Shepherd St Paul's Cathedral, a print of Bridge House Ambleside, after Colin Williamson and monochrome print of star gazing lovers

Lot 62

After William Heaton Cooper (British 1903-1995) a colour print, entitled Wind and Sun Wastwater, signed and entitled in pencil to margin, mounted framed and glazed, 28cm x 40cm & 44cm x 57cm the mount has been painted poorly with two patches of paint transfer to sky.

Lot 73

After Alfred Heaton Cooper (British 1863-1929) coloured print, The Bield at Langdale, mounted , framed and glazed 27cm x 38cm & 43cm x 53cm

Lot 83

Peter Mckay, (contemporary), after, a Ltd ed print, Honister Pass, signed and num 12/500, 32 x 46cm, mounted framed and glazed, 49 x 64cm

Lot 88

A modern photographic print of the terracotta soldiers, within a plain mount, modern wood effect frame, under glass 58cm x 48cm overall

Lot 89

George Romney, (1734-1802), after, a print, Serena/Emma Hart reading, 47 x 36cm, gilt plaster edge framed and glazed, 57 x 49cm

Lot 107

A 19th Century print of Washington, 34" x 27", (86x68.5cm).

Lot 131

L. Bailey, a print, 'Reassuring', a man seated at a table with a butler standing by, inscribed and signed, 8" x 6", (20x15cm).

Lot 180

George Donald (b.1943) an untitled mixed technique and collage print, signed in pencil, A/P, 15" x 11" (38 x 28cm).

Lot 322

John Bevis (20th Century) An abstract with circles, screen print, numbered 11/25, signed and dated 1974, 19.5" x 13.25", (49.5x33.5cm).

Lot 325

Appleton after Gainsborough, a portrait of a lady standing by fluted classical columns, colour print, 29" x 22.5" (74 x 57cm).

Lot 337

Michael W. Potter (b.1951) '1st Post', limited edition screen print, numbered 35/200, inscribed and signed in pencil, 19" x 14", (36x35.5cm).

Lot 34

A Lowry print, numbered 526/850, figures waiting on the street, Medici Society Ltd label verso, 12.75" x 19.5", (32.5x49.5cm).

Lot 372

Beryl Cook (1926-2008), 'Birthday Cake', print in colour, signed and numbered 104/650, certificate verso, 21.5" x 15.5", (54.5x39.5cm).

Lot 77

Christopher Whitford (20th Century), Teddies orienteering, an original watercolour, signed, 2.5" x 2.75", (6x7cm), shown together with the limited edition print no 1/600, signed and numbered in pencil.

Lot 78

Christopher Whitford (20th Century), Teddies playing rounders, an original watercolour, signed, 2.5" x 2.75", (6x7cm), shown together with the limited edition print no 1/600, signed and numbered in pencil.

Lot 98

A 19th Century Continental print of three maidens washing garments in a pool, with a seascape and sailing boats beyond, 10" x 15", (25.5x38cm).

Lot 114

19th Century black and white print, West View of Temple Bar, 38cm wide x 46cm high, housed within and ebonised and glazed frame

Lot 115

Spy print, Men of the Day No. 464 Mr S.D. Muttlebury, housed in an ebonised glazed frame, the print 34cm x 21.5cm

Lot 156

Collection of 20th century maritime and sea scape paintings, oil on board, oil on canvass and one print, some signed, largest 64cm by 50cm (5)

Lot 75

Christopher White (British, Contemporary) 'Salt Marsh and Blakeney Sea Wall' coloured print 47 x 56cm

Lot 212

WALL MIRROR, 170cm x 80cm, faux crocodile print, black leathered frame.

Lot 228

AFTER JOHN DOWNING, Steve McQueen with a gun, photographic print, framed and glazed, 54cm x 74cm.

Lot 248

SIDE TABLE, 61cm x 61cm x 61cm, 1950s Italian style design, diamond print pattern to top, gilt metal base.

Lot 276

CONSOLE TABLE, 76cm H x 111cm W x 44cm D, ebonized with zebra print accents to drawers.

Lot 33

ALBERTO KORDA (Cuban photographer 1928-2001) 'Fidel and Hemingway', gelatin silver print signed and studio stamped, 42cm x 32cm, framed.

Lot 643

A large framed print of a galleon, signed 'Montague Dawson' lower right, overall size 99cm x 85cm. 'Published in 1964 by Frost & Reed Limited of Bristol and London'.

Lot 113

Walter Geikie R.S.A. (Scottish, 1795-1831), A Market Scene, and The Gossips, a pair, each signed lower right, pen ink and wash, framed. 13cm by 16cm and 13cm by 18.75cm (2). Note: Walter Geikie is best known for his drawing and print-making. Born in Edinburgh, he was rendered deaf and dumb as a two-year old. He went on to do much to further deaf education and signing in Edinburgh. His drawings and prints are often humorous depictions of everyday life.

Lot 149

•Paul Furneaux R.S.A. (Scottish, b. 1962), "View from London Road", silkscreen print, signed in pencil, edition 1/4, framed. 71cm by 51.5cm. Note: this lot may be subject to ARR.

Lot 150

•Calum Colvin R.S.A. (Scottish, b. 1961), Portrait of Sir Walter Scott, limited edition digital print on canvas, signed verso, dated (20)02 and edition number 2/10. 102cm by 82cm. Note: this work forms part of a series of large digital prints on canvas based on James McPherson's "The Poems of Ossian and Related Works" (1765). These works formed the core of Colvin's Exhibition "Ossian, Fragments of Ancient Poetry" commissioned by the National Galleries of Scotland in 2002. This lot may be subject to ARR.

Lot 158

•William McCance (Scottish, 1894-1970), The Venus of Laussel, coloured linocut, framed. Image 29.5cm by 22cm. Note: not removed from frame, this print will almost certainly be signed, numbered and dated in the margin which has been obscured by the framing. Provenance: Bonhams, lot 113, 11th April 2002. This lot may be subject to ARR.

Lot 104

Signed framed limited edition print by neil cawthorne number 56/250and a signed drawing by Fortune largest measures approx 20 inches tall 24 inches wide

Lot 127

Framed vintage pears print "Playmates" measures approx 29.5 inches wide 23 inches tall

Lot 149

Framed Jesus Christ print, frame measures approx 27 inches by 21 inches

Lot 162

Large framed print measures approx 32 inches tall 40 inches wide

Lot 40

1937 London Underground Metropolitan Line CAR DIAGRAM (map) for compartment stock showing the lines to Watford, Chesham and Aylesbury from North Harrow through the Chiltern Hills. Both the line and the early LT bullseye are coloured green. Print-code: 37-4607-3,000. Printed on thick card, size: 24.5" x 8.5" (62cm x 21cm). Folded once vertically and a little damp ingress at the lower edge but generally in good, ex-use condition. [1]

Lot 170

Richard Tuff (b.1965), "St. Ives", limited edition print in colours, 165/250, signed in the margin, 50 x 65cm

Lot 188

Christian Schwetz (1967-2022), Still life of rhubarb with a butterfly on weighing scales and of wild flowers with a moth, beatles and snails, photographic print on board, signed, 43.5 x 59.5cm. (Provenance: From the Artist's Studio). (2)

Lot 189

Christian Schwetz (1967-2022), Studies of a white horse, photographic print on paper, signed, largest 41 x 59cm, (mounted, unframed in cellophane wrapping). (Provenance: From the Artist's Studio). (2)

Lot 190

Christian Schwetz (1967-2022), Studies of a brown horse, photographic print on paper, signed, 41 x 58cm, (mounted, unframed in cellophane wrapping). (Provenance: From the Artist's Studio). (2)

Lot 191

Christian Schwetz (1967-2022), Studies of horses, photographic print on paper, signed, largest 39.5 x 54.5cm, (mounted, unframed in cellophane wrapping). (Provenance: From the Artist's Studio). (3)

Lot 192

Christian Schwetz (1967-2022), Studies of a black horse, photographic print on paper, signed, largest 39.5 x 54.5cmcm, (mounted, unframed in cellophane wrapping). (Provenance: From the Artist's Studio). (2)

Lot 193

Christian Schwetz (1967-2022), Study of a Bentley Blower and a Lamborghini Aventador, photographic print on paper, signed, largest 41 x 58.5cm, (mounted, unframed in cellophane wrapping). (Provenance: From the Artist's Studio). (2)

Lot 194

Christian Schwetz (1967-2022), Two hunting scenes depicting shotgun and hung game, photographic print on paper, signed, 41 x 58cm, (mounted, unframed in cellophane wrapping). (Provenance: From the Artist's Studio). (2)

Lot 195

Christian Schwetz (1967-2022), Hunting scene depicting shotgun and hung game; still life of shot ducks with fruit, photographic print on paper, signed, 41 x 58cm, (mounted, unframed in cellophane wrapping). (Provenance: From the Artist's Studio). (2)

Lot 196

Christian Schwetz (1967-2022), Still life of wild flowers, moth and snails, photographic print on paper, signed, 86 x 60.5cm, (unmounted and unframed); still life of foxgloves, 59 x 41.5cm, (mounted, unframed in cellophane wrapping). (Provenance: From the Artist's Studio). (2)

Lot 227

Antoine Gaymard, after Camille Jean-Baptiste Corot, Shepherd resting under a tree, engraving in colours, signed in pencil in the margin, 36 x 47.5cm; "So Nice", Baxter print, 13.3 x 9.2cm, and another engraving of a singer. (3)

Lot 239

Seah Kim Joo (b.1939) 'Dyak Musicians', giclee print, signed, framed, 83 x 47.5, and Figures and Rickshaws, Singapore, Batik, 48.5 x 84cm, a/f. (2)

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