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Lot 345
Late 19th century albumen photograph print depicting a man with a cane posing in front of the Great Sphinx and the Great Pyramid of Giza, ca. 1857-59.Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 7 1/2 in x width: 10 1/4 in. Matted; height: 14 1/8 in x width: 14 1/8 in.Condition: There are no visible tears, losses, or restorations. The colors are slightly faded. Light to moderate creases throughout. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 334
Jean Pascal Sebah (Syrian/Armenian, 1872-1947). Late 19th century albumen photograph print depicting figures camels posing atop the Great Sphinx with the Great Pyramid of Giza in the background. Signed along the lower right in negative.Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 7 7/8 in x width: 10 1/8 in. Matted; height: 14 1/8 in x width: 17 1/8 in.Condition: There are no visible tears or restorations. The colors are slightly faded. Light to moderate creases throughout. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 324
Late 19th century albumen photograph print depicting a partially excavated Great Sphinx of Giza with pyramids in the background, ca. 1890. Ink inscription along the lower margin reading "The Sphinx."Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 11 1/8 in x width: 8 1/2 in. Matted; height: 17 1/8 in x width: 14 1/8 in.Condition: The sheet is toned. It is affixed to a board backing. There is a slight undulation to the sheet. Light wear along the edges. No visible tears, creases, or losses. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 298
Adelphoi Zangaki, Greece. Late 19th to early 20th century albumen photograph print depicting the Karnak Temple Complex and a pond. Inscribed in negative along the lower margin "No. 988 Vue generale du temple et de luc sacre Karnak." Signed in negative along the lower left.Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 8 in x width: 10 1/2 in. Matted; height: 14 1/8 in x width: 17 1/8 in.Condition: There are no visible tears, losses, or restorations. Light to moderate creases throughout. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 371
One box containing gelatin silver print or original vintage press photographic reproduction from the archives of the Star Tribune.There is a mixture of files in these boxes, please use the photographs as reference. This lot does not contain all subjects between Gi through St but rather the following: Sallal through St. Paul, South Africa through South Carolina, and Giovanni through Ginsburg.Provenance: From the archives of the Star Tribune, established over 150 years ago, Minneapolis, Minnesota.The copyrights for these images remains solely with the Star Tribune or with the issuing agency or photographer. The prints are available as a collectible item only and may not be reproduced in any form whatsoever without prior written consent from the copyright holder.(Box) Height: 10 1/2 in x width: 16 1/4 in x depth: 12 1/2 in. Weight: approx. 29 lbs.Condition: All items are in used condition. These photographs are from a working archive and contains notes, marks, labels, clippings, and/or retouching put in place by the staff at the time of publication. All may have cracks in the emulsion, losses, creases, folds, tears, smudges, and other issues associated with time, age, and use. The archive contains both silver gelatin prints and original vintage photographic reproductions. These items are offered unsorted. If there is a specific folder you would like to see, please reach out to condition@revereauctions.com and note the name you would like to examine. Individual photographs of every folder will not be provided.
Lot 291
Antonio Beato (Italian/British, ca. 1832-1906). Late 19th century albumen photograph print depicting a statue of a queen in the Temple of Abu Simbel. Captioned along the lower margin "Nubia, Exterior of the Temple of Absamboue." Signed in negative along the lower right.Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 9 1/2 in x width: 7 1/4 in. Matted; height: 17 1/8 in x width: 14 1/8 in.Condition: There are no tears, losses, or restorations. The sheet is toned, more so along the edges. Undulation throughout. Pencil inscription along the verso matching the pen inscription along the matboard. Foxing and toning to the matboard. Three tears to the matboard. The matboard appears to be somewhat brittle and has the potential to tear or damage easily. The photograph is loose and not glued down. Not framed.
Lot 294
Jean Pascal Sebah (Syrian/Armenian, 1872-1947). Late 19th century albumen photograph print depicting hieroglyphics. Depicting bas-reliefs of Seti I offering incense to Osiris at Abydos, Egypt. Inscribed along the lower margin "7729 Abydos: temple de Seti [illegible]."Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 7 3/4 in x width: 10 1/4 in. Matted; height: 14 1/8 in x width: 17 1/8 in.Condition: There are no visible tears, creases, losses, or restorations. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 284
George Platt Lynes (American, 1907-1955). Gelatin silver print photograph titled "Margaret French, Fire Island c. 1941," depicting Margaret Hoening French (American, 1889-1973) in a striped gown climbing a ladder. Inkstamp along the verso "Collection of Jon Anderson." Pencil inscribed 11195, titled, and dated along the verso.Provenance: Estate of Paul Cadmus; The collection of Jon Anderson; Private Minnesota collection.Unframed; height: 4 3/4 in x width: 3 3/4 in. Matted; height: 14 in x width: 11 in.Condition: The emulsion is mostly smooth and without breaks. Light undulation or handling marks . Small chip to the upper right corner. Minute emulsion loss to the upper left corner. The work is affixed to a non-acidic matboard backing with two small pieces of framer's tape along the upper corners of the verso. Skimming to the lower two corners along the verso. Housed between two non-acidic mats. The work is not framed.
Lot 357
One box containing gelatin silver print or original vintage press photographic reproduction from the archives of the Star Tribune.There is a mixture of files in these boxes, please use the photographs as reference. This lot does not contain all subjects between Po through Qu but rather the following: Povich through Powell, Puck through Putter, Quayle through Quinn, Priests through Puppets, and Randolph through Quail.Provenance: From the archives of the Star Tribune, established over 150 years ago, Minneapolis, Minnesota.The copyrights for these images remains solely with the Star Tribune or with the issuing agency or photographer. The prints are available as a collectible item only and may not be reproduced in any form whatsoever without prior written consent from the copyright holder.(Box) Height: 10 1/2 in x width: 16 1/4 in x depth: 12 1/2 in. Weight: approx. 29 lbs.Condition: All items are in used condition. These photographs are from a working archive and contains notes, marks, labels, clippings, and/or retouching put in place by the staff at the time of publication. All may have cracks in the emulsion, losses, creases, folds, tears, smudges, and other issues associated with time, age, and use. The archive contains both silver gelatin prints and original vintage photographic reproductions. These items are offered unsorted. If there is a specific folder you would like to see, please reach out to condition@revereauctions.com and note the name you would like to examine. Individual photographs of every folder will not be provided.
Lot 326
Late 19th century albumen photograph print depicting ruins in front of the Great Sphinx and the Great Pyramid of Giza, ca. 1860. Ink inscription along the lower margin reading "Le Sphinx et la Pyramide de Cheops."Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 8 in x width: 10 3/4 in. Matted; height: 14 1/8 in x width: 17 1/8 in.Condition: The sheet is toned. It is affixed to a board backing. There is a slight undulation to the sheet. Light wear along the edges. No visible tears, creases, or losses. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 283
Arthur Fellig "Weegee" (American, 1899-1968). Ferrotyped silver print photograph titled "Distortion (Self-Portrait with Camera)" depicting a self-portrait of the artist with his Graflex camera and a mirrored image of himself extending upwards from his forehead, ca. 1950s. Ink stamp along the verso of the print reading "Please Credit Weegee from Photo-Representatives."Sight; height: 7 3/4 in x width: 7 1/2 in. Frame; height: 21 1/2 in x width: 17 1/4 in x depth: 1/2 in.Condition: There are no tears, losses, or restorations. There is a crease along the upper right corner. Light handling marks and creases throughout. Along the lower edge, there are impressions, possibly from writing. Housed under a nonacidic mat. Framed under glass; light wear to the frame.
Lot 344
Late 19th century albumen photograph print depicting figures posing on the partially exposed paws of the Great Sphinx and the Great Pyramid of Giza, ca. 1886-1890. Depicting the Sphinx after the first clearance. The Dream Stele can be seen between the paws of the Sphinx.Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 9 1/2 in x width: 7 3/8 in. Matted; height: 17 1/8 in x width: 14 1/8 in.Condition: There are no visible tears or restorations. The colors are slightly faded. Light to moderate creases throughout. Spots of soiling or toning along the upper half. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 299
Jean Pascal Sebah (Syrian/Armenian, 1872-1947). Late 19th to early 20th century albumen photograph print depicting an interior view of The Hypostyle (Great) Hall of the Karnak Temple Complex. Inscribed in negative along the lower left "817 Karnak: Gd. temple: Salle Hypostyle (interior)." Signed in negative along the lower right.Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 10 1/2 in x width: 7 7/8 in. Matted; height: 17 1/8 in x width: 14 1/8 in.Condition: There are no visible tears, creases, losses, or restorations. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 342
P. Peridis (act. late 19th c). Late 19th century albumen photograph print depicting two women posing in front of the Great Sphinx of Giza. Two pyramids can be partially seen in the background.Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 10 1/4 in x width: 8 in. Matted; height: 17 1/8 in x width: 14 1/8 in.Condition: There are no visible tears, losses, or restorations. The colors are slightly faded. Light to moderate creases throughout. There are two pinholes along the upper left quadrant. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 301
Adelphoi Zangaki, Greece. Late 19th century albumen photograph print depicting hieroglyphics in the Karnak temple complex near Luxor, Egypt. Inscribed "Zangaki N.960 Karnak Inscription murale de spand temple" in negative along lower margin.Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 10 3/4 in x width: 8 1/4 in. Matted: height: 17 1/8 in x width: 14 1/8 in.Condition: There are no visible tears, creases, losses, or restorations. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 314
Late 19th century albumen photograph print depicting bas relief hieroglyphics along a wall in Egypt. The left-most figures depict the gods Horus and Hathor.Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 9 1/2 in x width: 7 1/2 in. Matted; height: 17 1/8 in x width: 14 1/8 in.Condition: There are no visible tears, losses, or restorations. The colors are slightly faded. Light creases throughout. Creases in all four corners. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 362
One box containing gelatin silver print or original vintage press photographic reproduction from the archives of the Star Tribune.There is a mixture of files in these boxes, please use the photographs as reference. This lot does not contain all subjects between ... through ... but rather the following: St. Cyril's Church through St. Paul's Church, Johnson, Gale through Galbraith, Gallagher, and Sadat through St. German.Provenance: From the archives of the Star Tribune, established over 150 years ago, Minneapolis, Minnesota.The copyrights for these images remains solely with the Star Tribune or with the issuing agency or photographer. The prints are available as a collectible item only and may not be reproduced in any form whatsoever without prior written consent from the copyright holder.(Box) Height: 10 1/2 in x width: 16 1/4 in x depth: 12 1/2 in. Weight: approx. 29 lbs.Condition: All items are in used condition. These photographs are from a working archive and contains notes, marks, labels, clippings, and/or retouching put in place by the staff at the time of publication. All may have cracks in the emulsion, losses, creases, folds, tears, smudges, and other issues associated with time, age, and use. The archive contains both silver gelatin prints and original vintage photographic reproductions. These items are offered unsorted. If there is a specific folder you would like to see, please reach out to condition@revereauctions.com and note the name you would like to examine. Individual photographs of every folder will not be provided.
Lot 297
Adelphoi Zangaki, Greece. Late 19th century albumen photograph print depicting the Great Hall and obelisk at the Karnak Temple Complex. Inscribed illegibly and numbered 108 along the lower right.Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 8 1/2 in x width: 11 in. Matted; height: 14 1/8 in x width: 17 1/8 in.Condition: There are no visible tears, losses, or restorations. The photograph is toned. Light to moderate creases throughout. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 338
Late 19th century albumen photograph print depicting three figures atop camels posing in front of the Great Sphinx and the Great Pyramid of Giza.Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 6 1/2 in x width: 8 3/4 in. Matted; height: 14 1/8 in x width: 17 1/8 in.Condition: There are no visible tears, losses, or restorations. The colors are slightly faded. Light to moderate creases throughout. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 328
Abdullah Freres (Ottoman). Late 19th century albumen photograph print depicting a partially excavated Great Sphinx of Giza with pyramids in the background, ca. 1890.Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 9 1/2 in x width: 7 1/2 in. Matted; height: 17 1/8 in x width: 14 1/8 in.Condition: There are no visible tears, creases, losses, or restorations. The photograph is slightly faded. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 329
Late 19th century albumen photograph print depicting two figures atop camels posing in front of the Great Sphinx and the Great Pyramid of Giza.Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 6 1/2 in x width: 8 3/4 in. Matted; height: 14 1/8 in x width: 17 1/8 in.Condition: There are no visible tears or restorations. The colors are slightly faded. Light to moderate creases throughout. A few small spots of skimming along the upper edge. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 368
One box containing gelatin silver print or original vintage press photographic reproduction from the archives of the Star Tribune.There is a mixture of files in these boxes, please use the photographs as reference. This lot does not contain all subjects between Oc through Pa but rather the following: Olds through Oliviera, Occupations through Ohio, Oil through Ouija, and Ozark through Pacificists.Provenance: From the archives of the Star Tribune, established over 150 years ago, Minneapolis, Minnesota.The copyrights for these images remains solely with the Star Tribune or with the issuing agency or photographer. The prints are available as a collectible item only and may not be reproduced in any form whatsoever without prior written consent from the copyright holder.(Box) Height: 10 1/2 in x width: 16 1/4 in x depth: 12 1/2 in. Weight: approx. 29 lbs.Condition: All items are in used condition. These photographs are from a working archive and contains notes, marks, labels, clippings, and/or retouching put in place by the staff at the time of publication. All may have cracks in the emulsion, losses, creases, folds, tears, smudges, and other issues associated with time, age, and use. The archive contains both silver gelatin prints and original vintage photographic reproductions. These items are offered unsorted. If there is a specific folder you would like to see, please reach out to condition@revereauctions.com and note the name you would like to examine. Individual photographs of every folder will not be provided.
Lot 351
One box containing gelatin silver print or original vintage press photographic reproduction from the archives of the Star Tribune.There is a mixture of files in these boxes, please use the photographs as reference. This lot does not contain all subjects between Ro through Ru but rather the following: Rose through Rosasco, Shaw through Shearer, Sheen through Sheeley, Robinson through Rodgers, and Rush through Rusche.Provenance: From the archives of the Star Tribune, established over 150 years ago, Minneapolis, Minnesota.The copyrights for these images remains solely with the Star Tribune or with the issuing agency or photographer. The prints are available as a collectible item only and may not be reproduced in any form whatsoever without prior written consent from the copyright holder.(Box) Height: 10 1/2 in x width: 16 1/4 in x depth: 12 1/2 in. Weight: approx. 29 lbs.Condition: All items are in used condition. These photographs are from a working archive and contains notes, marks, labels, clippings, and/or retouching put in place by the staff at the time of publication. All may have cracks in the emulsion, losses, creases, folds, tears, smudges, and other issues associated with time, age, and use. The archive contains both silver gelatin prints and original vintage photographic reproductions. These items are offered unsorted. If there is a specific folder you would like to see, please reach out to condition@revereauctions.com and note the name you would like to examine. Individual photographs of every folder will not be provided.
Lot 304
Possibly Antonio Beato (Italian/British, ca. 1832-1906). Late 19th century albumen photograph print depicting hieroglyphics. Depicting the Poem of Pentaur within the temple complex of Karnak.Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 7 5/8 in x width: 10 3/8 in. Matted; height: 14 1/8 in x width: 17 1/8 in.Condition: There are no visible tears, creases, losses, or restorations. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 295
Late 19th century albumen photograph print depicting bas relief hieroglyphics in the Temple of Kom Ombo. The scene depicts a sacred moment from the interior walls of the Temple of Sobek and Haroeris.Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 10 in x width: 7 1/2 in. Matted; height: 17 1/8 in x width: 14 1/8 in.Condition: There are no visible tears, losses, or restorations. Small creases along the lower edge. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 290
Jean Pascal Sebah (Syrian/Armenian, 1872-1947). Late 19th to early 20th century albumen photograph print depicting an exterior view of the Abu Simbel Temples. The temples were built by King Ramesses II around 1260 BCE. Inscribed in negative along the lower left "948 Abou-Simbel Temple (Facade) Nubre." Signed in negative along the lower right.Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 7 1/2 in x width: 10 in. Matted; height: 14 1/8 in x width: 17 1/8 in.Condition: There are no visible tears, losses, or restorations. There are minute creases along the extreme edges. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 282
Group of three original gelatin silver print photographs depicting airships or dirigibles ca. 1920s-1930s. All published by Underwood & Underwood with press information along the verso. Including:One photograph titled "Rival Air Monsters -- 'Graf Zeppelin' Makes Peaceful 'Raid' on England and Meets the 'R-100'". One airship is docked to a mooring mast while another flies past in the distance.One photograph titled "Thousands Flock to St. Hubert Airport in Canada to View Great British Dirigible, R-100." Depicting the titular airship docked to a mooring mast with a crowd of onlookers.One photograph titled "Japanese Navy Loses Its Only Dirigible When The N--3 Explodes At Sea." The photo depicts the titular airship before it met is end docked in an aircraft hanger. Printed November 25, 1927.Each, height: 8 1/4 in x width: 10 1/4 in.Condition: There are handling marks and light creases throughout. Several small tears or creases. Stamps and marks along the verso. Light wear consistent with press photography. None are framed.
Lot 372
One box containing gelatin silver print or original vintage press photographic reproduction from the archives of the Star Tribune.There is a mixture of files in these boxes, please use the photographs as reference. This lot does not contain all subjects between Vo through We but rather the following: Walgreen through Wakefield, Volpe through Von Furstenberg, Von Dell through Von Hindenburg, and Welch through Weisman.Provenance: From the archives of the Star Tribune, established over 150 years ago, Minneapolis, Minnesota.The copyrights for these images remains solely with the Star Tribune or with the issuing agency or photographer. The prints are available as a collectible item only and may not be reproduced in any form whatsoever without prior written consent from the copyright holder.(Box) Height: 10 1/2 in x width: 16 1/4 in x depth: 12 1/2 in. Weight: approx. 29 lbs.Condition: All items are in used condition. These photographs are from a working archive and contains notes, marks, labels, clippings, and/or retouching put in place by the staff at the time of publication. All may have cracks in the emulsion, losses, creases, folds, tears, smudges, and other issues associated with time, age, and use. The archive contains both silver gelatin prints and original vintage photographic reproductions. These items are offered unsorted. If there is a specific folder you would like to see, please reach out to condition@revereauctions.com and note the name you would like to examine. Individual photographs of every folder will not be provided.
Lot 278
Catherine Steinmann (American, 20th/21st c). Gelatin silver print photograph titled "Montmartre on Time" depicting the famous Parisian neighborhood as seen through the clock in the Musee d'Orsay, 1998. Editioned 4/30.Sight; height: 14 1/2 in x width: 17 3/4 in. Framed; height: 21 1/4 in x width: 24 1/4 in x depth: 1 1/2 in.Condition: The colors are bold and deep. There are no visible tears, losses or restorations. There is a small crease along the upper left edge. There is undulation throughout. Housed under a nonacidic mat. Framed under glass; light wear to the frame. Not inspected out of frame.
Lot 352
One box containing gelatin silver print or original vintage press photographic reproduction from the archives of the Star Tribune.There is a mixture of files in these boxes, please use the photographs as reference. This lot does not contain all subjects between Na through No but rather the following: Nance through Naquin, Najera through Nasser, Nash through Nelson, Nesbit through Noble, and Noel through Neuman.Provenance: From the archives of the Star Tribune, established over 150 years ago, Minneapolis, Minnesota.The copyrights for these images remains solely with the Star Tribune or with the issuing agency or photographer. The prints are available as a collectible item only and may not be reproduced in any form whatsoever without prior written consent from the copyright holder.(Box) Height: 10 1/2 in x width: 16 1/4 in x depth: 12 1/2 in. Weight: approx. 29 lbs.Condition: All items are in used condition. These photographs are from a working archive and contains notes, marks, labels, clippings, and/or retouching put in place by the staff at the time of publication. All may have cracks in the emulsion, losses, creases, folds, tears, smudges, and other issues associated with time, age, and use. The archive contains both silver gelatin prints and original vintage photographic reproductions. These items are offered unsorted. If there is a specific folder you would like to see, please reach out to condition@revereauctions.com and note the name you would like to examine. Individual photographs of every folder will not be provided.
Lot 359
One box containing gelatin silver print or original vintage press photographic reproduction from the archives of the Star Tribune.There is a mixture of files in these boxes, please use the photographs as reference. This lot does not contain all subjects between Ba through Yo but rather the following: McNull through McPherson, McVay through McLaughlin, Wright through Yoder, and Bacon through Baird.Provenance: From the archives of the Star Tribune, established over 150 years ago, Minneapolis, Minnesota.The copyrights for these images remains solely with the Star Tribune or with the issuing agency or photographer. The prints are available as a collectible item only and may not be reproduced in any form whatsoever without prior written consent from the copyright holder.(Box) Height: 10 1/2 in x width: 16 1/4 in x depth: 12 1/2 in. Weight: approx. 29 lbs.Condition: All items are in used condition. These photographs are from a working archive and contains notes, marks, labels, clippings, and/or retouching put in place by the staff at the time of publication. All may have cracks in the emulsion, losses, creases, folds, tears, smudges, and other issues associated with time, age, and use. The archive contains both silver gelatin prints and original vintage photographic reproductions. These items are offered unsorted. If there is a specific folder you would like to see, please reach out to condition@revereauctions.com and note the name you would like to examine. Individual photographs of every folder will not be provided.
Lot 339
Late 19th century albumen photograph print depicting a large group of figures posing in front of the Great Sphinx and the Great Pyramid of Giza. Illegibly inscribed along the lower right.Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 7 3/4 in x width: 10 in. Matted; height: 14 1/8 in x width: 17 1/8 in.Condition: There are no visible tears, losses, or restorations. The colors are slightly faded. Light to moderate creases throughout. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 356
One box containing gelatin silver print or original vintage press photographic reproduction from the archives of the Star Tribune.There is a mixture of files in these boxes, please use the photographs as reference. This lot does not contain all subjects between Ol through Pa but rather the following: Olson through Ortega, Pahlevi through Paine, Paisley through Palmer, Owens through Packard, Paccini through Padilla, and Pack through Page.Provenance: From the archives of the Star Tribune, established over 150 years ago, Minneapolis, Minnesota.The copyrights for these images remains solely with the Star Tribune or with the issuing agency or photographer. The prints are available as a collectible item only and may not be reproduced in any form whatsoever without prior written consent from the copyright holder.(Box) Height: 10 1/2 in x width: 16 1/4 in x depth: 12 1/2 in. Weight: approx. 29 lbs.Condition: All items are in used condition. These photographs are from a working archive and contains notes, marks, labels, clippings, and/or retouching put in place by the staff at the time of publication. All may have cracks in the emulsion, losses, creases, folds, tears, smudges, and other issues associated with time, age, and use. The archive contains both silver gelatin prints and original vintage photographic reproductions. These items are offered unsorted. If there is a specific folder you would like to see, please reach out to condition@revereauctions.com and note the name you would like to examine. Individual photographs of every folder will not be provided.
Lot 321
Antonio Beato (Italian/British, ca. 1832-1906). Late 19th century albumen photograph print depicting the Ramesseum with the Osiride Pillars. Inscribed with ink along the lower margin "Rameseum and the Broken parts of a phitpendous pyenite statue which weighed over 800 tons." Signed along the lower right.Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 8 1/8 in x width: 10 1/4 in. Matted; height: 14 1/8 in x width: 17 1/8 in.Condition: The sheet is toned. It is affixed to a board backing. Some creases throughout; there is a small, deep crease along the lower left. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 244
Signature of 18th President Ulysses S. Grant framed with an etching portrait of the President. The etching with "B.W. Smith N.Y." in print below bust. The ink signature on a sheet of paper with the heading "Head-Quarters Armies of the United States...186."(Signature, sight) height: 2 in x width: 4 in. (Etching, sight) height: 4 in x width: 3 1/2 in. (Framed) height: 9 1/2 in x width: 6 1/4 in x depth: 1/2 in.Condition: Thee are no visible tears, creases, losses, or repairs. Both sheets are housed under an acidic mat. Mat burn and toning to both. Framed under glass; light wear to the frame. Not inspected out of frame.
Lot 360
One box containing gelatin silver print or original vintage press photographic reproduction from the archives of the Star Tribune.There is a mixture of files in these boxes, please use the photographs as reference. This lot does not contain all subjects between Br through Mi but rather the following: Lindberg through Milgrom, Miles thorough Movies, and Bryan through Buchanan.Provenance: From the archives of the Star Tribune, established over 150 years ago, Minneapolis, Minnesota.The copyrights for these images remains solely with the Star Tribune or with the issuing agency or photographer. The prints are available as a collectible item only and may not be reproduced in any form whatsoever without prior written consent from the copyright holder.(Box) Height: 10 1/2 in x width: 16 1/4 in x depth: 12 1/2 in. Weight: approx. 29 lbs.Condition: All items are in used condition. These photographs are from a working archive and contains notes, marks, labels, clippings, and/or retouching put in place by the staff at the time of publication. All may have cracks in the emulsion, losses, creases, folds, tears, smudges, and other issues associated with time, age, and use. The archive contains both silver gelatin prints and original vintage photographic reproductions. These items are offered unsorted. If there is a specific folder you would like to see, please reach out to condition@revereauctions.com and note the name you would like to examine. Individual photographs of every folder will not be provided.
Lot 281
Original gelatin silver print press photograph depicting the Hindenburg disaster in May of 1937. Published by Underwood & Underwood. Inkstamps and other press information along the verso.Height: 7 3/4 in x width: 9 3/4 in.Condition: There are light handling marks and creases throughout. A few small nicks along the edges. Crease along the upper left corner. Foxing throughout. Wear consistent with press photography including annotations and handling.
Lot 336
Maison Bonfils (France). Late 19th century albumen photograph print depicting The Great Sphinx and The Great Pyramid of Giza, ca. 1890.Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 8 3/8 in x width: 10 1/2 in. Matted; height: 14 1/8 in x width: 17 1/8 in.Condition: There are no visible tears, losses, or restorations. The colors are slightly faded. Light to moderate creases throughout. Some spots of soiling along the upper half. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 343
Adelphoi Zangaki, Greece. Late 19th century albumen photograph print depicting the Great Sphinx and two of the pyramids of Giza, ca. 1860. Figures stand on the Sphinx while their camels rest in front of it. Inscribed along the lower right "No. 161 Le Sphynx et Pyramides"Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 7 7/8 in x width: 10 1/4 in. Matted; height: 14 1/8 in x width: 17 1/8 in.Condition: There are no visible tears or restorations. The colors are slightly faded. Light to moderate creases throughout. Several deeper creases along the upper left corner. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 318
Antonio Beato (Italian/British, ca. 1832-1906). Late 19th century albumen photograph print depicting the colonnade and statues in the courtyard of Ramesses II in the Temple of Luxor. Signed in negative along the lower left.Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 9 in x width: 7 5/8 in. Matted; height: 17 1/8 in x width: 14 1/8 in.Condition: There are no visible tears, losses, or restorations. There are light creases and some handling marks along the upper edge. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 276
Anatole Saderman (Russian/Argentine, 1904-1993). Gelatin silver print photograph depicting a destroyed building.Sight; height: 11 1/2 in x width: 7 1/2 in. Framed; height: 24 in x width: 20 in x depth: 1 in.Condition: The colors are bold and deep. There are no visible tears, creases, losses, or restorations. Housed under a non-acidic matboard. Framed under glass; light wear to the frame. Not inspected out of frame.
Lot 354
One box containing gelatin silver print or original vintage press photographic reproduction from the archives of the Star Tribune.There is a mixture of files in these boxes, please use the photographs as reference. This lot does not contain all subjects between Li through Mo but rather the following: Lincoln through Lind, Milkulenac through Miles, Milkman through Miller, and Montgomery through Moore.Provenance: From the archives of the Star Tribune, established over 150 years ago, Minneapolis, Minnesota.The copyrights for these images remains solely with the Star Tribune or with the issuing agency or photographer. The prints are available as a collectible item only and may not be reproduced in any form whatsoever without prior written consent from the copyright holder.(Box) Height: 10 1/2 in x width: 16 1/4 in x depth: 12 1/2 in. Weight: approx. 29 lbs.Condition: All items are in used condition. These photographs are from a working archive and contains notes, marks, labels, clippings, and/or retouching put in place by the staff at the time of publication. All may have cracks in the emulsion, losses, creases, folds, tears, smudges, and other issues associated with time, age, and use. The archive contains both silver gelatin prints and original vintage photographic reproductions. These items are offered unsorted. If there is a specific folder you would like to see, please reach out to condition@revereauctions.com and note the name you would like to examine. Individual photographs of every folder will not be provided.
Lot 315
Maison Bonfils (France). 19th century albumen photograph print depicting bas-reliefs at the Temple of Dakka. Sometimes spelled as Dakke or Dakkeh, the site was dedicated to Thoth, the god of wisdom.Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 10 1/4 in x width: 8 in. Matted; height: 17 1/8 in x width: 14 1/8 in.Condition: There are no visible tears, losses, or restorations. The colors are slightly faded. Light creases throughout. Creases in all four corners. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 333
Late 19th century albumen photograph print depicting four figures atop camels posing in front of the Great Sphinx and the Great Pyramid of Giza.Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 6 1/2 in x width: 9 in. Matted; height: 14 1/8 in x width: 17 1/8 in.Condition: There are no visible tears, creases, losses, or restorations. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 366
One box containing gelatin silver print or original vintage press photographic reproduction from the archives of the Star Tribune.There is a mixture of files in these boxes, please use the photographs as reference. This lot does not contain all subjects between Ro through Se but rather the following: Sahara-Seato, Rocky Mountain through Romania, and Sharp through Roosevelt.Provenance: From the archives of the Star Tribune, established over 150 years ago, Minneapolis, Minnesota.The copyrights for these images remains solely with the Star Tribune or with the issuing agency or photographer. The prints are available as a collectible item only and may not be reproduced in any form whatsoever without prior written consent from the copyright holder.(Box) Height: 10 1/2 in x width: 16 1/4 in x depth: 12 1/2 in. Weight: approx. 29 lbs.Condition: All items are in used condition. These photographs are from a working archive and contains notes, marks, labels, clippings, and/or retouching put in place by the staff at the time of publication. All may have cracks in the emulsion, losses, creases, folds, tears, smudges, and other issues associated with time, age, and use. The archive contains both silver gelatin prints and original vintage photographic reproductions. These items are offered unsorted. If there is a specific folder you would like to see, please reach out to condition@revereauctions.com and note the name you would like to examine. Individual photographs of every folder will not be provided.
Lot 306
19th century albumen photograph print depicting hieroglyphics on the Medinet Habu (Mortuary Temple of Ramesses III) along the West Bank of Luxor, Egypt.Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 10 1/4 in x width: 8 in. Matted; height: 14 1/8 in x width: 17 1/8 in.Condition: There are no visible tears, creases, losses, or restorations. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 348
One box containing gelatin silver print or original vintage press photographic reproduction from the archives of the Star Tribune regarding television shows.There is a mixture of files in these boxes spanning many years, please use the photographs as reference. This lot does not contain all television, news, and entertainment program subjects between through M-V, but rather an assortment including though not limited to: "The Miss Universe Pageant," "Million Dollar Babies," "The Mary Tyler Moore Show," "Mad TV," "The Untouchables," "UFO," USA Today," "Vanity Fair," and "Veronica" in addition to numerous other titles.Provenance: From the archives of the Star Tribune, established over 150 years ago, Minneapolis, Minnesota.The copyrights for these images remains solely with the Star Tribune or with the issuing agency or photographer. The prints are available as a collectible item only and may not be reproduced in any form whatsoever without prior written consent from the copyright holder.(Box) Height: 12 in x width: 12 in x depth: 23 1/2 in. Weight: approx. 53 lbs.Condition: All items are in used condition. These photographs are from a working archive and contains notes, marks, labels, clippings, and/or retouching put in place by the staff at the time of publication. All may have cracks in the emulsion, losses, creases, folds, tears, smudges, and other issues associated with time, age, and use. The archive contains both silver gelatin prints and original vintage photographic reproductions. These items are offered unsorted. If there is a specific folder you would like to see, please reach out to condition@revereauctions.com and note the name you would like to examine. Individual photographs of every folder will not be provided.
Lot 364
One box containing gelatin silver print or original vintage press photographic reproduction from the archives of the Star Tribune.There is a mixture of files in these boxes, please use the photographs as reference. This lot does not contain all subjects between Bu through Ro but rather the following: Bubb through Buckingham, Burch through Burden, Movies - National Lampoon's Class Reunion through Movies - Never Cry Wolf, and Roads through Philbrick.Provenance: From the archives of the Star Tribune, established over 150 years ago, Minneapolis, Minnesota.The copyrights for these images remains solely with the Star Tribune or with the issuing agency or photographer. The prints are available as a collectible item only and may not be reproduced in any form whatsoever without prior written consent from the copyright holder.(Box) Height: 10 1/2 in x width: 16 1/4 in x depth: 12 1/2 in. Weight: approx. 29 lbs.Condition: All items are in used condition. These photographs are from a working archive and contains notes, marks, labels, clippings, and/or retouching put in place by the staff at the time of publication. All may have cracks in the emulsion, losses, creases, folds, tears, smudges, and other issues associated with time, age, and use. The archive contains both silver gelatin prints and original vintage photographic reproductions. These items are offered unsorted. If there is a specific folder you would like to see, please reach out to condition@revereauctions.com and note the name you would like to examine. Individual photographs of every folder will not be provided.
Lot 327
Maison Bonfils (France). Late 19th to early 20th century albumen photograph print depicting The Great Sphinx and the Pyramids of Giza, ca. 1890-1900. Signed in negative along the lower right quadrant; inscribed in negative along the lower left "1439 Le Sphinx et les Pyramides de Cheffren et de [illegible]."Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 8 1/4 in x width: 10 1/2 in. Matted; height: 14 1/8 in x width: 18 1/8 in.Condition: There are no visible tears, losses, or restorations. Light to moderate creases throughout. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 303
Late 19th to early 20th century albumen photograph print depicting an interior view of The Hypostyle (Great) Hall of the Karnak Temple Complex. Inscribed in negative along the lower margin "2054 Karnak salle hypostyle, 20."Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 10 3/4 in x width: 8 1/4 in. Matted; height: 17 1/8 in x width: 14 1/8 in.Condition: There are no visible tears, losses, or restorations. The colors are slightly faded. Light to moderate creases throughout. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 293
Maison Bonfils (France). Late 19th to early 20th century albumen photograph print depicting the Gateway of Ptolemy III, the entrance to the Temple of Khonsu. The temple is located within the precinct of Amun-Re at Karnak in Luxor, Egypt. There is a penned inscription along the verso reading "Bonfils 1850-55"Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 7 3/4 in x width: 10 1/2 in. Matted; height: 14 1/8 in x width: 17 1/8 in.Condition: There are no major tears, losses, or restorations. The sheet is toned. There are light creases throughout and two deeper creases along the upper corners of the photograph. Affixed to a board backing. Housed between two nonacidic mats. Not inspected out of the matting.
Lot 279
Lynn Geesaman (American, 1938-2020). Chromogenic (C-print) photograph on Fujifilm archival paper titled "Foret de Ceresy, France" depicting a moss-covered tree in a forest, 1995. Signed, dated, and titled along the verso.Height: 24 in x width: 20 in.Condition: The colors are bold and deep. No tears, losses, or restorations. The work is not framed.
Lot 320
Adelphoi Zangaki, Greece. Late 19th to early 20th century albumen photograph print depicting the statue of Ramesses II at the Luxor Temple. Signed in negative along the lower left. Inscribed in negative along the lower right "No. 968 Louseor Statue de Ramses III."Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 10 3/8 in x width: 8 in. Matted; height: 17 1/8 in x width: 14 1/8 in.Condition: There are no visible tears, losses, or restorations. The colors are slightly faded. Light to moderate creases throughout. Creases in all four corners. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 286
Frank Albert Rinehart (American, 1861-1928) and Adolph F. Muhr (American, 1860-1913). Platinum print photograph titled "Chief Goes to War (Sioux)," depicting a portrait of a man in fine dress, 1898. Signed and dated in negative along the lower left; titled in negative along the lower center. The work was likely numbered "762" along the now missing lower right corner.Sheet; height: 9 1/4 in x width: 7 1/4 in. Matted; height: 18 in x width: 14 in.Condition: There are no creases or restorations. There is a loss to the bottom right corner. There is faint discoloration to the left side of the face. The sheet is toned. There are no signs of restoration. The work is not framed.
Lot 346
Maison Bonfils (France). 19th century albumen photograph print depicting The Great Pyramid of Giza with the Sphinx and the ruins of the Temple of Khafra, ca. 1870. The Great Pyramid is in the background. Ink inscription along the lower margin reading "Caire. Le Temple de Haffra, Le Sphinx et la Grande Pyramide."Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 7 3/4 in x width: 10 1/4 in. Matted; height: 14 1/8 in x width: 17 1/8 in.Condition: The sheet is toned. It is affixed to a board backing. Light wear along the edges. No visible tears, creases, or losses. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 300
Jean Pascal Sebah (Syrian/Armenian, 1872-1947). Late 19th century albumen photograph print depicting hieroglyphics. Depicting reliefs at the Karnak Temple complex. Inscribed along the lower margin "831 Karnak Gd. temple: Apparlement de granit les barques Sacrees." Signed along the lower right.Lot Essay:These 1855-1900s albumen photographs of "The Rediscovery of Egypt" represent the earliest days of the successful use of commercial photography. For the first time photographic images could be produced from glass plate negatives allowing European travelers to return home with actual images of Egypt's great treasures. Photographers include Felice Beato (Italian/British, 1832-1909), Antonio Beato (Italian/British, ca. 1832-1906), Adelphoi Zangaki (Greece), Jean Pascal Sebah (Syrian/Armenian, 1872-1947), and Maison Bonfils (France).Many of the images offered in this sale capture ruins and artifacts that have since collapsed, moved to museums or, in some cases, are under water. The remarkable series of photographs of the Great Sphinx of Giza show it in various states of revelation - from seeing only its head to its excavation and re-excavation, until the now well-known lion's paws were finally revealed. There are additionally many photographs of hieroglyphics, temple ruins, and the Great Pyramid.Sight; height: 8 in x width: 10 in. Matted; height: 14 1/8 in x width: 17 1/8 in.Condition: There are no visible tears, losses, or restorations. Light creases throughout including all four corners. Housed between two non-acidic mats. With plastic sleeve wrapped around and affixed to the verso of the matboard. Not inspected out of matting.
Lot 272
John "Jock" Sturges (American, b. 1947). Gelatin silver print photograph of a young girl resting in a tent.Sight; height: 18 3/4 in x width: 15 in. Framed; height: 26 1/2 in x width: 22 3/4 in x depth: 1/2 in.Condition: The emulsion appears smooth and without breaks. There are no visible tears, creases, losses, or restorations. Housed under a non-acidic mat. Framed under glass. Light wear to the frame. Not inspected out of frame.
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