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After E Peters, view of the Port of Flushing, Netherlands, an 18th century coloured print, engraved by Sparrow for Bankes New System of Geography, inscribed, 23cm by 33cm, after Marianne Colston, the Temple of Minerva, near Rome, an early 19th century coloured print, 28cm by 37cm, and a coloured etching of an estuary with ships at anchor, 16cm by 44cm
A George III whitewood sewing box of rectangular form, the lid with multiple line inlay borders centred by an octagonal monochrome print of figures outside a rural cottage, the compartmentalised interior with two fitted triple reels, netting cylinder, pincushion, set of four ivory cotton barrels, thimble, bone cylinder tape measure, needlebook and central embroidered lid, 25.5cm x 17.5cm x 7cm.
A Georgian whitewood sewing box of rectangular form, the lid originally with oval print within a burr yew wood surround and decorative inlay border, compartmentalised interior with box form pincushion, bone tape measure, thimble, and a few other accessories, the front fitted with a drawer, 23cm x 17.5cm x 12cm.
Reel boxes and related items, comprising; a Mauchline ware box for 'Wm. Paton Ltd., Johnstone Mills, Johnstone, Scotland', additional side inscriptions and colour printed internal lid label, 9.5cm square, another, black ground with floral lid print, internal lid label for 'Brook's Sewing Cotton', 14cm square, a rectangular cardboard box with lid label for 'Keir & Clark's' with nine reels, 15cm, a Clark's Scintilla cardboard reel box, and a J and P Coates one mile reel with facsimile label to one end of the plastic reel, with original red 'tartan' box. (5)
Two needle packet boxes, comprising; a tortoiseshell sarcophagus form example, with bowed lid and bolsters, white metal tablet inscribed 'Needles', on silvered ball feet, small loss to back of lid, 5.6cm, and a tooled red leather book form example, the lid with colour print of a girl, 4.8cm. (2)(From The Collection Of Sylvia Norton)
A Regency painted whitewood sewing box, possibly early Tunbridge ware, of sarcophagus form, the lid brightly painted with rural buildings within decorative painted borders, the sloping sides with a broad floral border between red and black borders, gilt brass jardini¿re ring side handles, on scroll and paw feet, paper lined interior with a colour print of 'Bustlesham or Bysham Monastery ...', general wear, 22.5cm x 17cm x 11cm.
Three pieces of Mauchline ware, comprising; a rectangular black ground box, the lid with a print of a Tyrolean young man and containing three miniature reels, 6.5cm, a cylinder needlecase with robin and foliage (A Happy Christmas), 8.7cm, and a disc form pincushion, black ground (St. Botolphs Priory, Colchester), floral border, 5cm diameter. (3)
An early painted Tunbridge ware small format sewing pannier, line painted sloping sides with pin hinge rectangular lid painted with a rural landscape, bone knob below a swing handle with turned bone mounts, pink paper lined compartmentalised interior with print to interior of lid, 14cm x 10cm x 4.5cm.
Peter Blake (b.1932) - Tattooed Man ink jet print in colours, 2015, signed in pencil, numbered 49/150, published by Dark Matter Studio, London, on wove paper, with full margins, sheet 285 x 210 mm (11 1/4 x 8 1/4 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Cecily Brown (b.1969) - Untitled 1 archival pigment print in colours, 2012, on wove paper, with full margins, sheet 358 x 280 mm (14 1/4 x 11 in) This work is accompanied by a certificate of authenticity signed by the artist. IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Peter Doig (b.1959) - Imaginary Boys pigment print in colours, 2013, signed and dated in pencil, numbered 134/500, on wove paper, the full sheet printed to the edges, sheet 864 x 639 mm (34 x 25 1/8 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Anthony Gross (1905-1984) - Pont Neuf, Toulouse etching, 1929, signed, titled and dated in pencil, the only known print from this plate, on wove paper, with margins, 150 x 300 mm (5 7/8 x 11 7/8 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Antony Gormley (b.1950) - Body pigment print in colours, 2014, signed, titled and dated verso, numbered 95/250, on thick wove paper, with full margins, sheet 280 x 217 mm (11 x 8 1/2 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Antony Gormley (b.1950) - Shared Visions pigment print, 2011, signed in pencil, numbered 95/150, published by Oak Tree Fine Press on wove paper, with full margins, overall size 280 x 215 mm (11 x 8 1/2 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
David Hockney (b.1937) - Riding around on a Cooking-Spoon (T.104) etching with aquatint, 1969, signed in pencil, numbered 61/100, from Illustrations for Six Fairy Tales From the Brothers Grimm , printed by the Print Shop, Amsterdam, Published by Petersburg Press, London, on Hodgkinson handmade paper, with full margins, 160 x 250 mm (6 3/8 x 9 7/8 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Harland Miller (b.1964) - Love Conquers Nothing giclee print in colours, 2011, signed in pencil, numbered 27/35, published by Other Criteria, London, on wove paper, the full sheet printed to the edges, sheet 420 x 336 mm (16 1/2 x 13 1/4 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Jonathan Yeo (b.1970) - Kevin Spacey and Richard III inkjet print in colours, 2011, signed in pencil, numbered 6/50, on wove paper, the full sheet printed to the edges, sheet 560 x 560 mm (22 x 22 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
KNIGHTON HAMMOND; watercolour depicting Grimaldi, a frontier between Italy and France, 59 x 44cm, after GEORGE VERNON STOKES; a limited edition hand coloured etching depicting a pair of shitzu, signed lower right, 31 x 25cm, a print depicting a ghost like ballet dancer, an oak framed print depicting two angelic children and a coloured print depicting a lady in costume (5).
UNATTRIBUTED; a hand painted ivory plaque, with figures of Oriental gentlemen playing polo in a painted and gilded frame, after Hiroshige Ando (1797-1858); a woodblock print, "Shono, one of the Tokado 53 Stations" and after Yu Yuen Hong; an etching on grass fibre paper of a fish, signed to the base, all three are framed and glazed (3).

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314783 item(s)/page