PAUL MCCARTNEY - MEMORY ALMOST FULL LP (ORIGINAL 2007 US COPY - HMLP-30383). The quickly out of print June 2007 studio LP from Macca, this the original US copy on Hear Music/MPL (HMLP-30383). The record is in Ex+ condition showing just a couple of extremely minor, faint and wispy paper marks. Complete with printed inner. The outer poster sleeve is in sharp Ex condition with a couple of light and minor creases.
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Louis Vuitton, Limited Edition Emeraude Patent Lambskin Leather Raindrop Besace Bag, glänzendes patentiertes Lackleder in Smaragdgrün mit frontalem Vintage-Signature-Print, goldfarbene Hardware, abnehmbarer und verstellbarer textiler Schulterriemen mit Details aus cognacfarbenem Rindsleder, orangefarbenes Zugband, textiles Innenleben, oberer Teil als Überschlagslasche umklappbar, lagerspurig, leicht fleckig, aufgeklappt ca. 62,5 x 49 cm
LAFITAU, Pe. Joseph François, S.J.- Histoire des decouvertes et conquestes des portugais dans le Nouveau Monde.- Paris: Chez Saugrain Pere; Jean-Baptiste Coignard Fils, Imprimeur du Roi, 1733-1734.- 4 vols.: 15 gravuras, 1 mapa desdobr.; 16 cm.- E., Father Lafitau (1681-1746), Jesuit missionary, historian and scientist, spent six years in Canada, where he studied the Iroquois Indians, and he was also indebted to the discovery of ginseng. Second edition, enlarged in relation to the first, published in the same year, consisting of only two volumes. This is also illustrated with an allegorical frontispiece (representing Lisbon and the Armada of Indias) and 14 folding engravings, copperplate print, portraits and views of strongholds in Africa and India, namely Goa, Daman, Diu, Chaul, Vasai (Baçaim), Mombassa, Kilwa Kisiwani, Sofala, etc. It also includes a larger world map (28x48 cm), with the conquests and discoveries of the Portuguese. The collation of each one of the volumes is as follows: I - [6], XL, 432 p.: 1 allegorical frontispiece, 1 unfolded map, 4 unfolded engrav.; II - [2], 381, [79] p.: 2 unfolded grav.; III - [2], 512 p.: 2 unfolded engrav.; IV - 388, [147, 1 br.] p.: 6 unfolded engrav. Complete and clean copy, lightly cropped (carmine edge), with all engravings well folded. Bookmark typographed by J. P. Petit in all volumes. Contemporary bindings, full sheepskin, preserving the original endpapers in marbled paper. Samodães, 1679. Duarte de Sousa, 457. Auvermann, 123 (for the first edition).
SKETCHES of Portuguese life, manners, costume, and character / by A. P. D. G.- London: Geo. B. Whittaker, 1826.- XXV, [3], 364 p.: il.; 23 cm.- E., Rare title in the foreign bibliography on Portugal, whose author, who signs only with his initials, remains to this day unidentified. Of him it is known only that he served in the British army in Lisbon and accompanied the royal family in their retreat to Brazil. The 20 aquatints (plus an engraving with musical notation of a modinha, with foxing), hand-coloured, which illustrate the edition, mainly represent customs and scenes of daily life in Lisbon and Rio de Janeiro and present a caricature and satirical nature. Copy with the half-title missing, as in most known copies, a little cropped, with the detriment of the marks (of the plates) of some engravings, on the outer edge. Engravings sometimes with small stains on the same outer edge (fore edge); modinha print with foxing. Occasional small stains and slight offset (contact transfer) to the adjacent sheets, caused by the colour of the prints. Good contemporary binding, full in crushed morocco, made in the United Kingdom, with a beautiful gold ornamental border on the covers (vines and bunches of grapes) and finished with blind tooling decoration; roll on the squares and in the thickness of the covers; panels gold closed on the spine (with slightly weak joints). Duarte de Sousa, 3. Tooley, 453. Foulché-Delbosc, 255.
BRADFORD, Rev. William.- Sketches of the country, character, and costume, in Portugal and Spain, made during the campaign, and on the route of the British Army, in 1808 and 1809. / Engraved and coloured from the drawings by the Rev. William Bradford...- London: printed for John Booth, by William Savage, 1810.- [2], 38 f.: [1, 40] gravuras color.; 36 cm.- E., together with: -----.- Sketches of military costume in Spain and Portugal. Intended as a supplement to the Rev. Mr. Bradford's Sketches of country, character, and costume, in Portugal and Spain.- London: printed by William Savage, for John Booth, 1810.- [2], 8 p.: [13] gravuras coloridas; 36 cm.- E., The Reverend William Bradford (1780-1857) was a military chaplain and accompanied Wellington's forces in the Peninsular campaign against Napoleon's troops. His drawings were perfected and engraved by J. Clark to illustrate one of the most beautiful books on Portugal and Spain published in the 19th century. Variant of the 1809 edition, containing both parts in English. The first part (Sketches of the country...) is illustrated with a monochromatic frontispiece, copperplate print (etching and stipple) and 40 hand-coloured aquatints, representing, above all, popular costumes and views of localities. The second part (Sketches of military costume...), with its own title page, includes 13 aquatints, also hand-coloured, with Portuguese, French and Spanish military uniforms. The engravings exactly match the index (List of plates) that appears on the second sheet (after the main title page). Clean copy, slightly cropped (marbled edges). The plates have great freshness and the original cellophane separators. 19th century binding, full crushed sheepskin, with light wear, triple gold fillet and blind tooling roll, squared on the covers and golden roll on the squares, with new endpapers in plain wrought paper. Duarte de Sousa, 102 (for the 1809 edition). Tooley, 107.
GOYA Y LUCIENTES, Francisco de.- Los proverbios: coleccion de diez y ocho laminas inventadas y grabadas al agua fuerte / por Don Francisco Goya.- Madrid: Publicala la Rl. [Real] Academia Nobles Artes de San Fernando, 1864.- 1 f. litografada: 18 gravuras; 31x43 cm.- E., Complete set, no complete series printed in the artist's life is known. Album published in 1864 by the Real Academia de Nobles Artes de San Fernando, shortly after having acquired the respective plates, containing the 18 proofs of the hitherto known engravings, numbered from 1 to 18, in an unjustified print run of 300 copies. It features a lithographed title page and includes apparently non-contemporary cellophane dividers. The matrices, etched and aquatint engraved, sometimes retouched with drypoint, do not show any date. Copy with occasional light stains or foxing. Non-contemporary full sheepskin binding, very dehydrated, with damask silk endpapers and elaborate gold-decorated doublure, signed “Enc. da Biblioteca Nacional 1928” (na contracapa anterior) e “Dourador A. Pinheiro” (na contracapa posterior). Palau, 106 558. Augusto L. Mayer (Francisco de Goya), p. 120-123 e 276-281 (V, nº 1 a 22). Tomás Harris (Goya: engravings and lithographs), p. 193-198 e fig. 248 a 269.
CUMBERLAND JUNIOR, George.- Views in Portugal and Spain, taken during the campaign of His Grace the Duke of Wellington / by G. Cumberland, Jun.- London: Printed by William Nicol, 1823.- [3], 20 [i.é 19] litografias color.; 27x37 cm.- E., The author, of whom little is known, should not be confused with his father and namesake (1754-1848), an English writer, poet and collector, who was part of William Blake's circle of friends and to whom the work is usually attributed. In fact, it is known that Cumberland (son) accompanied Wellington on his Iberian campaign “...and produced a beautiful book of watercolour illustrations in 1823 called Views in Spain and Portugal” (see Cumberland Family, www.manfamily.org), while his father never visited the Peninsula. The title was taken from the gilt engraving of the upper cover, as the title page was never printed. It was, however, printed on a label which in some copies is glued on a protective cover (not printed) and which the present copy does not have. The edition had a print run of only 100 copies, each consisting of three pages with the explanation of the prints and 19 hand-coloured lithographs (the last print is wrongly numbered with nº 20). According to the «Description of the views» (p. 1), the set includes the following prints: I - The Aqueduct...; II - View of the Duke of Wellington’s lines covering Lisbon...; III - ... the principal entrance to a small church at Golegã; IV - Tomar; V - A fountain in Elvas; VI - A view of Elvas, with the aqueduct, and Fort La Lippe; VII - North view of Elvas...; VIII - Badajos...; IX - Porta-legre...; X - The Army crossing the Tagus at Villa Velha...; XI - Castello Branco, with the Serra de Estrella...; XII - Celorico...; XIII - Panoramic view from the Castle of St. Sebastian; XIV - Palace of San Ildefonso...; XV - Palencia...; XVI - Santander...; XVII - Vitoria...; XIX - View of the river Douro at Toro... Excellent copy, signed by the author, very clean and with large margins. Full morocco binding, with gold tooling on the squares and magnificent moirée silk doublures, signed “bound by Zaehnsdorf, London, England”. Francisco de Saldanha da Gama Ferrão de Castelo Branco' Bookmark (nº 246 of the catalogue nº 43 of Soares & Mendonça, prepared by bookseller Manuel Ferreira). Lot 299 at Silva’s/Pedro de Azevedo auction, May 2000 (same copy). Duarte de Sousa, 201.
DUPAIN DE MONTESSON, Louis Charles].- Divertimentos militares, obra agradavel, e instructiva, utilissima para todos os militares. Idea da obra. Hum fidaldo, que se destina para ser militar [...] / traducção feita, e accrescentada por H..um amante, e zeloso D..a P..atria.- Lisboa: Na Officina de Miguel Manescal da Costa, 1762.- [16], 305, [5] p.: 1 frontispício, [16] gravuras; 20 cm.- E., Translation published without the author's name (ca. 1709-ca. 1790), French military engineer and mathematician. Original edition only with the initials of the translator, Henrique de Pradt (the original edition came out in Paris, just five years earlier). Illustrated edition with an engraved frontispiece and 16 engravings signed by Juzarte, 10 of which are double (two per sheet) and the remaining six on folding sheets. The subscription to the engraving “3rd part, 2nd print” is especially interesting: Joaquim António Juzarte Abrio E mora Na travessa Dos ladroins (Ernesto Soares, «História», 1219). Copy slightly manipulated, with some engravings badly folded, with occasional tears, without lack of support. Mathias Lima’s bookmark. Remarkable contemporary binding, fully vieux rouge sheepskin, with gilt ornamental borders and florets on the covers, with the coat of arms of Portugal (D. José I) on book stamps, gold gauffered at the centre of both covers and closed panels on the spine; unglued pastedowns. Inocêncio, III, p. 187. Gonçalves Rodrigues (Translation), 1022.
POPE, Alexander.- Ensaios moraes de Alexandre Pope em quatro epistolas a diversas pessoas / traduzidas em portuguez pelo Conde de Aguiar. Com as notas de José Warton, e do traductor.- Rio de Janeiro: na Impressão Regia, 1811.- 1 f. grav., VII, [1 br.], IX, [1], 203, [1] p.; 25 cm.- E., First edition of the first translation by an English-language author printed in South America. The translator was Fernando José de Portugal e Castro (1752-1817), 1st Count of Aguiar and 14th Viceroy of Brazil. Bilingual edition with texts on facing pages and extensive notes. Complete copy, very clean, of the unjustified special run, printed on heavy paper (“grand papier”). The edition presents the following collation, a little confusing: engraved title page (blank verso); Prefacção (p. [I] to VII, with blank verso); Ensaios Moraes... (false title, 1 f. unpaged with blank verso); Advertências (p. [III], IV, V, with blank verso); Epistola I. (p. [VII], VIII and IX); on verso (not paginated), Epistola I., followed by Epistola I. (not paginated, but p. [3]), followed by the rest of the text (p. 4 to 203, on verso, Errata). Recent full shagreen binding with simple triple ornamental borders on the covers, closed panels on the spine, roll on the squares and top edge gilt. Vale Cabral, 205. Bibliography of the Royal Print, 225.
Utagawa Kunisada (1786-1865) Kazusa Shichibei Kagekiyo wearing a monks robe from the series Goketsu Hakkei, 36cm x 24cm together with two further wood block prints by Kunisada of courtesans Provenance: purchased from the Gordon Reece Gallery, KnaresboroughCondition report: The actor woodblock print paper somewhat browned, the colour somewhat faded; the courtesan by a well colours a little faded; the courtesan beneath a willow tree colours a little faded and paper a little browned in places
Late 20th century English school 'Dockland', screen print, triptych, signed and dated '87 with title and numbered 1/3, each section 137.5cm x 59.5cmCondition report: the three pictures in good condition, each set within a silvered simple frame, the frames with minor marks, dents and knocks, each frame 69.5cm wide x 147cm high

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314753 item(s)/page