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Lot 323

RAF Pilot Alex Henshaw Signed Frank Wootton Print, Titled Sigh Of A Merlin. 19x16 in size. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Lot 327

RAF Multi-Signed print 17x12 in size. Tornado GR4 ZG756 'BX' 14 Squadron RAF Lossiemouth print signed by No. 16 RAF squadron personnel. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Lot 328

RAF Multi-Signed print 17x12 in size. Tornado GR4A ZA395 12(B) Squadron RAF Lossiemouth print signed by 2 RAF squadron members. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Lot 330

Desert Storm 1991 12x17 F-15E Strike Eagle 336th Fighter Squadron Seymour Johnson AFB, North Carolina commemorative print signed in pencil by two RAF and USAF conflict veterans. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Lot 332

World War II Multi-signed print. 20x19 in size, matted. print titled Safely Home limited edition 50/300 by Artist Nicolas Trudgian. Signed by Battle of Britain Pilots Bill Reid, tony Iveson, Laurence Thurgood, Ray Langston, Bas Knight, Jerry Fray, Norman Scrivener, Beck Parsons, Norman Boxer and Others. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Lot 333

RAF Multi-Signed Jeff Crain print. 20x23 in size. picturing Tornado GR4 ZA585, Signed by 5 RAF personnel and veterans including Wally Grout, David Robertson, Paddy Teakle, Gordon Milner and one other. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Lot 334

Multi-Signed World War II Print. 20x17 in size, matted. Print titled 'Wellington' Publishers Proof 35/40 signed in pencil by the artist Gerald Coulson, Harry Hughes, and four others. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Lot 336

B2 Rare Robert Taylor "Helping Hand" signed by an impressive 16 famous Luftwaffe, USAAF, RAF and RCAF WW2 Aces and veterans. When originally issued in 1989, "Helping Hand" was signed only by the artist, Robert Taylor, this print being number 124 from an issue of 1250 and today is a sought after print in its own right. However, over the years this particular print has benefited greatly by being additionally autographed by 16 extremely well known WW2 aircrew from the Luftwaffe, the RAF and the USAAF including many leading Aces. This print is supplied with a Vector Fine Arts Certificate of Authenticity from 2007 confirming that this is one of just three prints to carry this combination of 16 autographs and giving details of the signatories (see photographs). This print is signed by the artist, Robert Taylor and Colonel Bob Morgan Pilot of the B-17 Memphis Belle, Lt. Colonel Francis "Gabby" Gabreski (Ace) 56th Fighter Group, General Gunther Rall (Ace) JG52, Lt. General Walter Krupinski (Ace) JG52 JV44, Colonel Don Blakeslee (Ace) Officer Commanding 4th Fighter Group, Lt. Colonel Robert S Johnson (Ace) 56th Fighter Group, Colonel "Hub" Zemke (Ace) Officer Commanding 56th Fighter Group, General Chesley "Pete" Peterson (Ace) Fourth Fighter Group, Wing Commander Geoffrey Page (Ace) 56 Squadron Battle of Britain, Colonel Walker Bud Mahurin (Ace) 56th Fighter Group, Air Vice Marshal Johnnie Johnson (Ace) Canadian Wing, Lt. Colonel Don Lopez (Ace) Flying Tigers, Major General Robert "Bob" Landry B-17 Pilot, Cliff Peterson P-51 Pilot, Squadron Leader Rod Smith (Ace) RCAF and 2nd Lieutenant John C "Red" Morgan Co Pilot B17 Congressional Medal of Honour Holder received for his actions during a 1943 bombing run over Germany, which also inspired the character of 2nd Lieutenant Jesse Bishop in the novel and film Twelve O' Clock High. The print measures approximately 84cm x 60cm (33 x 23. 5 inches) and has been stored flat, out of the light and is in very. Print Historical Detail: The scene is a familiar one back in 1944. A damaged B-17 Flying Fortress, down on power and speed, has lost touch with the formation and is alone in a hostile sky - easy prey for the enemy fighter. With crew members injured and unable to bale out, the skipper has elected to stay with his ship in an effort to bring his crew home. All on board knew the drill: Once hit, damaged, slowed down and unable to maintain their position in the formation they were on their own. Losing height and dropping out of the relative safety of the group they would become a prime target for the marauding high-altitude fighters of the Luftwaffe, and their chances of survival would be slim. But this day was different. Their luck was in! High above, a P-51 Mustang long-range escort pilot, himself low on both fuel and ammunition and weary from combat with German fighters, has assessed the plight of the B-17 and closed in to 'ride shotgun' for the long journey home. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Lot 337

B3 RARE Robert Taylor "Knights Cross" Limited Edition Print signed by Luftwaffe Ace Oberst Erich Hartmann KC with Oak Leaves, Swords and Diamonds. This is the Limited Edition number 631 / 1250 published in 1989 and is supplied with the original Certificate of Authenticity. This is a rare, reasonably early Robert Taylor print and it is hard today to find examples such as this one. The print is signed by the artist, Robert Taylor and Oberst Erich Hartmann KC (1922 - 1993), also nicknamed "The Blond Knight Of Germany" by friends and "The Black Devil" by his enemies, who is the most successful fighter ace in the history of aerial combat. He claimed 352 enemy aircraft shot down (of which 345 were flown by the Soviet Air Force, and 260 of which were fighters) in 825 combat sorties while serving with the Luftwaffe, Germany's air force, in World War II. The print measures approximately 84cm x 61cm (33 x 24 inches) and has been stored flat, out of the light and is in very. Print Historical Detail: Erich Hartmann in his Me109 closes in to within 100 metres of a Russian Ilyushin II, one of his many close encounters high over the Eastern Front. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Lot 338

B4 Robert Taylor "Steinhoff Tribute" Ltd. Edition signed by General Johannes Steinhoff KC with Oak Leaves and Swords. This print is from the original Limited Edition number 233 / 1250 published in 1994 and is supplied with the original Certificate of Authenticity. The print is signed by the artist, Robert Taylor, and General Johannes "Macky" Steinhoff (1913 - 1994) who was a Luftwaffe fighter ace during World War II, German general, and NATO official. He was one of very few Luftwaffe pilots who survived to fly operationally through the whole of the war period 1939-45. Steinhoff was also one of the highest-scoring pilots with 176 victories, and one of the first to fly the Messerschmitt Me 262 jet fighter in combat as a member of the Jagdverband 44 squadron led by Adolf Galland. The print measures approximately 84cm x 64cm (33 inches x 25. 25 inches) and has been stored flat, out of the light and is in very. Print Historical Detail: A unique limited edition published in tribute to one of the Luftwaffe's highest scoring Aces, and greatest fighter leaders. Macky Steinhoff in action over the White Cliffs of Dover. It is August, and the height of the Battle of Britain: Heinkel 111 bombers have attacked airfields and radar stations along the south coast, and a frantic dog-fight has developed as Bf109s of JG-52 clash with Hurricanes of the RAF's No. 32 Squadron. Macky's Bf109E, which dominates the picture, provides a magnificently detailed study of this superlative fighter, as he and his fellow Luftwaffe pilots do their best to protect the retreating Heinkels. Below is a wonderful panoramic aerial view of Dover Harbour, the legendary White Cliffs, and the carefully researched landscape showing the south-eastern tip of the British Isles as it was in 1940. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Lot 339

B5 Gerald Coulson "Top Cover" Aces Edition signed by 5 American WW2 P51 fighter aces. This print is from the rarer Aces Edition number 74 / 250 published in 2004 and is supplied with the original Certificate of Authenticity. Signed by the artist, Gerald Coulson, and 5 highly decorated P51 fighter Aces who flew in combat during WW2: Colonel Clarence E 'Bud' Anderson, Lieutenant Colonel Robert A. Karr, Lieutenant Colonel Clyde B. East, Captain James L. Brooks and Colonel Bob Goebel. The print measures approximately 75cm x 62cm (29. 5 inches x 24. 25 inches) and has been stored flat, out of the light and is in very. Print historical detail : Every day when weather permitted, the bomber crews of the USAAF Eighth Air Force flew missions deep into Germany and other destinations under the rule of Nazi Germany. And every day they knew the enemy fighters were waiting for them. Only the fighter escorts stood between the bombers and potential decimation. Big Brothers and Little Friends - this was the enduring bond between the bomber crews and fighter pilots of the USAAF Eighth Air Force in their prolonged and hotly contested air war against Hitler's Nazi Germany, 1942-1945. Renowned Aviation Artist Gerald Coulson has reconstructed the deadly war game being played out in the icy, thin stratosphere high above a hostile territory, February 1944. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Lot 340

B6 Robert Taylor "First of Many" Special Edition Douglas Bader Tribute Print signed by 4 highly decorated RAF Fighter Aces all of whom flew in The Battle of Britain. This is a framed Special Edition Douglas Bader Tribute print limited to 600 copies published in 1981 and is supplied with the original Certificate of Authenticity. The print is signed by the artist, Robert Taylor and by four famous RAF Fighter Aces that flew Hurricanes and Spitfires with Douglas Bader during the Battle of Britain in 1940 these being Air Commodore Pat 'Jamie' Jameson CB DSO DFC, Wing Commander Bob Stanford-Tuck DSO DFC & 2 Bars, Group Captain Duncan Smith DSO DFC AE and Group Captain Peter Townsend CVO DSO DFC & Bar. The print is framed and overall measures approximately 67cm x 53cm (26. 5 inches x 21 inches) and is in very with no sign of any fading. Print Historical Detail: Just after 7am on the morning of 11 July 1940, the phone rang in the dispersal hut of 242 Squadron. "Bandit approaching Cromer. Can you get a section off?" The new squadron commander, Douglas Bader, peered into the driving rain. "No! The weather is too bad. I'll go myself. "In terrible conditions, he scrambled his new Hurricane alone, climbing into thick, turbulent cloud where he spotted a Dornier 17. Hauling his Hurricane around, Bader brought his guns to bear managing several bursts before the enemy bomber disappeared into the murk. It was not until Bader landed that he learned the Dornier had crashed into the sea off Cromer. It was 242 Squadron's first victory of the war and the First of Many achieved by the squadron and its mercurial commander. Each print in this special Tribute Edition is signed by four famous RAF Fighter Aces that flew Hurricanes and Spitfires with Douglas Bader in the Battle of Britain in 1940. Sadly, none of these renowned pilots are still with us today:. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Lot 341

B7 RARE - An early Battle of Britain Museum Appeal Spitfire print signed by 23 RAF pilots who all flew the famous Spitfire during the Battle of Britain. This print commemorates the 40th Anniversary of The Battle of Britain and was issued as a signed limited edition by The Battle of Britain Museum in 1980. This early print was signed at a time when ink was still commonly used and this makes this particular issue of print subject to signature fading if exposed to natural light for a prolonged period of time. This atheistically pleasing print carries a very good selection of signatories and is now widely considered by collectors to be a classic making it highly sought after particularity in. This print has been stored out of natural light for many years and is in very for this issue. The print shows a Supermarine Spitfire Mk 1A of 19 Squadron and is signed by the artist, Keith Broomfield and the following RAF pilots who all flew Spitfires during the Battle of Britain: Wing Commander. P P C Paddy Barthropp DFC AFC 602 Squadron, Flight Lieutenant J H Burgess 222 Squadron, Flight Lieutenant W J Corbin DFC 66 & 610 Squadrons, Wing Commander I H Cosby DFC 610 & 72 Squadrons, Group Captain H S Darley DSO 69 Squadron, Wing Commander Lord Dowding of Bentley Priory 74 Squadron, Warrant Officer R H Gretton DFC 266 & 222 Squadrons, Flight Lieutenant R M D Hall DFC 152 Squadron, Flight Lieutenant L W Harvey 54 & 245 Squadrons, Wing Commander R E Havercroft AFC 92 Squadron, Flight Lieutenant R L Jones 64 & 19 Squadrons, Air Vice Marshall A V R Johnstone CB DFC AE DL 602 Squadron, Group Captain D P D G Kelly DFC 74 Squadron, Wing Commander D E Kingaby DSO AFC DFM 266 & 92 Squadrons, Group Captain C B F Kingcombe DSO DFC 92 Squadron, Flight Lieutenant L A Martel 54 & 603 Squadrons, Wing Commander D A P McMullen DFC 44 & 222 Squadrons, Wing Commander C Merrick DFC 610 Squadron, Squadron Leader S N Rose 602 Squadron, Squadron Leader R L Stillwell DFC DFM 65 Squadron, Squadron Leader F Usmar 41 Squadron, Flight Lieutenant W L B Walker 616 Squadron and Group Captain A R Wright DFC AFC 92 Squadron. The print is framed, in very and has the original Battle of Britain Museum Certificate of Authenticity signed by Michael A Fopp (son of Australian Battle of Britain pilot Desmond 'Dizzy' Fopp) attached to the back. The print overall in frame measures approximately 56cm x 39cm (21. 75 inches x 15. 25 inches). Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Lot 344

B10 The Spirit of Alamein by J Lawrence Isherwood signed by Field Marshall Montgomery of Alamein. The full title of this early framed print is "The Spirit of Alamein After The Oil Painting by J Lawrence Isherwood FRSA. FIAL. " this being number 26 of just 75 published by Henry Donn in 1971. Signed by the artist J Lawrence Isherwood (1917-1989) and an icon of Second World War history, Field Marshal Bernard Law Montgomery (1887 - 1976), 1st Viscount Montgomery of Alamein, KG, GCB, DSO, PC, DL, nicknamed "Monty" and "The Spartan General", was a senior British Army officer who served in the First World War, the Irish War of Independence and the Second World War. This print has been stored out of natural light for many years and is in. The print is framed and overall in frame measures approximately 70 cm x 63 cm (27. 5 inches x 24. 75 inches). Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Lot 347

B13 RARE Philip West ORIGINAL PENCIL DRAWING "Final Concept Sketch - A Bat Out Of Hell" signed by Philip West and dated 1998. This is an original hand drawn final concept sketch by one of the world's finest aviation artist featuring a stunning image of a North American F-86 Sabre, sometimes called the Sabrejet, transonic jet fighter. The Sabre is best known as the United States' first swept wing fighter that could counter the swept-wing Soviet MiG-15 in high-speed dogfights in the skies of the Korean War (1950-1953), fighting some of the earliest jet-to-jet battles in history. Considered one of the best and most important fighter aircraft in that war, the F-86 is also rated highly in comparison with fighters of other eras. Although it was developed in the late 1940s and was outdated by the end of the 1950s, the Sabre proved versatile and adaptable and continued as a front-line fighter in numerous air forces until the last active operational examples were retired by the Bolivian Air force in 1994. This original drawing is probably a concept sketch for the Philip West print "Combat Over Korea" and is supplied professionally double mounted and protective wrapped, ready for framing or display as is, overall size is approx. 54 cm x 40 cm (21. 25 inches x 16 inches), visible image / aperture size is approx. 42 cm x 28 cm (16. 5 x 11 inches), this drawing has been stored flat, out of the light and is in very. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Lot 348

B14 RARE Philip West ORIGINAL PENCIL DRAWING "Concept Sketch Number 2" signed by Philip West. This is an original hand drawn final concept sketch by one of the world's finest aviation artist featuring a stunning image of a North American F-86 Sabre, sometimes called the Sabrejet, transonic jet fighter. The Sabre is best known as the United States' first swept wing fighter that could counter the swept-wing Soviet MiG-15 in high-speed dogfights in the skies of the Korean War (1950-1953), fighting some of the earliest jet-to-jet battles in history. Considered one of the best and most important fighter aircraft in that war, the F-86 is also rated highly in comparison with fighters of other eras. Although it was developed in the late 1940s and was outdated by the end of the 1950s, the Sabre proved versatile and adaptable and continued as a front-line fighter in numerous air forces until the last active operational examples were retired by the Bolivian Air force in 1994. This original drawing is probably a concept sketch for the Philip West print "Combat Over Korea" and is supplied professionally double mounted and protective wrapped, ready for framing or display as is, overall size is approx. 43. 5 cm x 36 cm (17 inches x 14 inches), visible image / aperture size is approx. 31. 5 cm x 24 cm (12. 5 inches x 9. 5 inches), this drawing has been stored flat, out of the light and is in very. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Lot 349

B15 RARE Philip West ORIGINAL PENCIL DRAWING "Concept Sketch Colour" signed by Philip West. This is an original hand drawn colour final concept sketch by one of the world's finest aviation artist featuring a stunning image of a North American F-86 Sabre, sometimes called the Sabrejet, transonic jet fighter. The Sabre is best known as the United States' first swept wing fighter that could counter the swept-wing Soviet MiG-15 in high-speed dogfights in the skies of the Korean War (1950-1953), fighting some of the earliest jet-to-jet battles in history. Considered one of the best and most important fighter aircraft in that war, the F-86 is also rated highly in comparison with fighters of other eras. Although it was developed in the late 1940s and was outdated by the end of the 1950s, the Sabre proved versatile and adaptable and continued as a front-line fighter in numerous air forces until the last active operational examples were retired by the Bolivian Air force in 1994. This original colour drawing is probably a concept sketch for the Philip West print "Combat Over Korea" and is supplied professionally double mounted and protective wrapped, ready for framing or display as is, overall size is approx. 47 cm x 41 cm (18. 5 inches x 16. 25 inches), visible image / aperture size is approx. 34 cm x 28 cm (13. 5 inches x 11 inches), this drawing has been stored flat, out of the light and is in very. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Lot 366

Leonard Cheshire VC Signed Robert Taylor Print. Titled "Limping Home". 24x20 in size. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Lot 367

Sgt Eric Quinney, Pilot 'P-Popsie' Dambusters film Signed Robin Smith Print. Titled Too Low…Too Slow?(Four Days To Go). Signed in pencil. Limited Edition 25/150. 20x17 in size. The image depicts Les Munro in his Lancaster AJ-W on the 12th of May 1943 taking a smack up the bum from the massive and unpredicted force of the splash. In his own words this was probably due to the aircraft flying too low or too slow. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Lot 368

Leonard Cheshire Signed Terence Cuneo Print. Titled "Mosquito Mk:VI". Also signed by the Artist Terence Cuneo. Limited Edition 647/850. 22x20 in size. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Lot 369

Multi-Signed Frank Wootton Print. Titled "Lancaster Bale Out". Signed in pencil by Norman Jackson, Bill Reid and the artist Frank Wootton. Limited Edition 532/850. 24x20 in size. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Lot 370

Multi-Signed Bill Perring Print. Titled "Lancaster!". Signed in Pencil By Battle Of Britain, Bomber Pilots:- Les Smith, Richard Todd, John Bell, Johnny Johnson, Ray Grayston, Ken Lucas, Ron Smith, Frank Tilley and others including the Artist. Limited Edition 543/850. 25x18 in size. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Lot 371

Nicholas Trudgian, signed limited edition print 'On route to the Tirpitz', 7196/300, signed by the artist, further signed by Group Captain James Tait DSO DFC ADC, Flight Lieutenant Castagnola DSO DFC, Warrant Officer Frank Tilley, Squadron Leader Malcolm Hamilton DFC, Colin Cole, Basil Fish, Benny Goodman, Tony Iveson, Bas Knight and others. Picture measuring 44 x 26cm,. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Lot 372

Nicolas Trudgian print. Titled "SINKING THE TIRPITZ" Signed Print. Limited Edition 471/550. Signatures from Dambuster 617 Squadron include Bas Knight, Tony Iveson, Sydney Grimes, Freddie Watts, James Tait, Norman Boxer and Jim Bennet. All Signed in pencil. 27x19 in size. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Lot 373

Multi-Signed Keith Aspinall Print. Titled "Bergen Incident". Limited Edition 173/300. Signed by Tony Iveson, Des Phillips, Ted Wass, John Leavitt, Dennis Oldham, Colin Cole, The Artist Keith Aspinall and one other. 22x17 in size. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Lot 374

Multi-Signed Jan Walton Print. Titled "Faith". This is Artists Print Copy. Signed in pencil by Les Munro, Beck Parsons, Ken Lucas, Ray Langston, Basil Fish and others. 24x19 in size. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Lot 375

Philip E West Multi-Signed Print. Titled "Legends Of The Air". This is Artist Proof Copy 18/50. signed in pencil by:- Dame Vera Lynn, Benny Goodman, Basil Fish, F Watts, James Tait, Ted Wass, Colin Cole, Tony Iveson, Denis Avery, John Bell and The Artist Philip E West. 28x16 in size. ,. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Lot 005

Robert Lenkiewicz (1941-2002) 'Study of Anna' signed limited edition print 509/750, with certificate of authenticity, 36cm x 36cm, framed and glazed.

Lot 006

Robert Lenkiewicz (1941-2002) 'Study of Lisa' signed limited edition print 531/750, with certificate of authenticity, 36cm x 36cm, framed and glazed.

Lot 007

Robert Lenkiewicz (1941-2002) 'Karen Standing' limited edition print 450/500, with embossed signature, 73cm x 25cm, unframed.

Lot 009

Robert Lenkiewicz (1941-2002) 'Silver Lake' signed limited edition print 199/475, 59cm x 59cm, framed and glazed with certificate of authenticity.

Lot 010

Robert Lenkiewicz (1941-2002) 'Study of Lisa' signed limited edition print 28/750, 36cm x 36cm, framed and glazed.

Lot 011

Robert Lenkiewicz (1941-2002) 'Self Portrait-Project 10' signed limited edition print 316/500, 41cm x 71cm, framed (damage to the frame and scratch mark to the print).

Lot 012

Robert Lenkiewicz (1941-2002) 'Self Portrait' signed limited edition print 12/450, 38cm x 38cm, framed and glazed.

Lot 020

A print of an original photograph of Robert Lenkiewicz and Lisa in his studio, 49cm x 52cm, framed and glazed.

Lot 021

Robert Lenkiewicz (1941-2002) 'Study of Lisa' signed limited edition print 432/750, 37cm x 37cm, framed and glazed.

Lot 214

Beryl Cook (1926-2008) 'Dining In Paris', signed limited edition lithograph print 537/650, published 2001, mounted, 44cm x 50cm.

Lot 215

Beryl Cook (1926-2008) 'Happy Days' poster, now out of print issued in 1995 by her publisher Victor Golancz for the launch of her then book Happy Days, 58cm x 41cm, framed.

Lot 216

Beryl Cook (1926-2008) 'Anyone For Tennis', signed limited edition print 255/300, issued in 1990, rare US edition printed on archival arches paper, framed and glazed, 67cm x 84cm.

Lot 223

After Andy Warhol, 'Mickey Mouse' limited edition print 1111/2400, Carnegie Museum Of Art, Pittsburgh, mid 1980's produced, 60cm x 60cm, unframed.

Lot 234

Janet Bell, 'Beach Huts' print on canvas, Villarospo 'Haze' oil on canvas and another, 60cm x 60cm (3).

Lot 243

H.M.Col, 'Beach Combing' framed and glazed together with Gill Turner print, 39cm x 39cm, framed and glazed (2).

Lot 244

Richard Lannowe Hall, 'Black' Feb. 08 with two others including Andrew Ray 'Winters Sunset' print, 55cm x 55cm (4).

Lot 275

Egon Schiele (1890-1918) 'Sitting Women' print, 81cm x 54cm, framed and glazed.

Lot 281

Fred Yates (1922-2008) 'Street Scene' signed limited edition print 14/95, 46cm x 59cm, unframed.

Lot 298

Beryl Cook (1926-2008) 'The Last Gasp' limited edition print 621/650, 51cm x 21cm, mounted, unframed, with certificate of authenticity.

Lot 117

Make & Model: Mazda CX-5 Sport Nav D 4X4Date of Reg: VO64 ETRColour: Redcc: 2191MoT: 29-06-2022Fuel Type: DIESELMileage: 93kTransmission: MANUALSummary: Seven entries on Mazda digital service print plus one other stamp. Two keys (not tested).Vehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=149117

Lot 166

A John and William Cary 2 ¾-inch pocket globe, English, early 19th century,the cartouche printed NEW CELESTIAL GLOBE, printed just outside the cartouche by J & W Cary Strand, with two pivots at the poles, in fish-skin covered case with inner surface applied with coloured map The WORLD as known in Caesar's Time agreeable to D'Auville, the other hemisphere with print A TABLE of Latitudes and Longitudes of Places not given on this GLOBE, 3 1/4in (8.3cm) diameter Footnotes:Provenance:The Stephen Edell Collection.John Cary (1755-1835) founded the family firm, which went on to become one of the most prolific map-makers of the 19th century. John collaborated with his brother William (1758-1798), before his sons entered the firm in the 1820s. After John Cary Jr. died in 1852 the firm's name was updated to 'William Cary'.Literature:Elly Dekker, Globes at Greenwich, London, 1999.For further information on this lot please visit Bonhams.com

Lot 167

A John and William Cary 3-inch pocket globe in case, English, circa 1800,the cartouche printed CARY'S Pocket Globe agreeable to the latest DISCOVERIES London Pubd. by J & W Cary Strand Apr 1 1791, the sphere with twelve hand coloured and printed gores, Cook, details include Cook's tract 1775 and Owyhee where Cook was killed 1779, in fish-skin covered case with inner hemispheres applied with a print A TABLE of Longitudes & Latitudes of Places not given on this GLOBE and the other hemisphere with coloured print The WORLD as known in Caesar's Time agreeable to D'Anville, 3 1/4in (8.2cm) diameter Footnotes:Provenance:The Stephen Edell Collection.John Cary (1755-1835) established the family firm in the late 18th century, initially making his globes as a collaborative enterprise with his brother William Cary (1759-1825). The earliest known advertisement for Cary globes was in the 1 January 1791 edition of Traveller's Companion, in sizes ranging from pocket globes to 21in diameter mounted globes. Additional size options were produced by Cary in subsequent years, indicating that the globe-trade was in a healthy and growing state in the early 19th century.Literature:Elly Dekker, Globes at Greenwich, London, 1999.For further information on this lot please visit Bonhams.com

Lot 33

A M-209-B ENCRYPTION MACHINE, SUPPLIED BY L.C. SMITH & CORONA TYPEWRITER INC., American, mid 20th century,Serial no.126482, the green metal casing with 6 adjustable key wheels at the front, the left side with enciphering knob and power lever on the right, letters printed on paper tape, complete with hinged lid mounted with paper tape reel and associated accessories, together with print-out copy of the 1942 instruction manual, 7in (18cm) wide Footnotes:The M-209-B was designed by the Swedish cryptographer Boris Hagelin, and produced by the New York-based manufacturers Smith & Corona. The machine was used by the United States armed forces throughout World War II and saw continued service during the Korean War. Entering text was a manual process performed by setting the alphabet ring to the desired letter, then turning the right-hand knob one full rotation, repeating for each individual letter. This laborious process was offset by the machine's compact size and it not requiring any electricity to operate, which provided greater portability compared to the German Enigma machines.For further information on this lot please visit Bonhams.com

Lot 173

A James Ferguson 2 ¾-inch pocket globe in case, English, circa 1756,the cartouche printed A New GLOBE of the Earth by James Ferguson, the terrestrial globe with twelve hand coloured engraved gores, the name of the engraver J Mynde Sc. printed just below the cartouche, California is drawn as a peninsular, the Chinese Wall is shown, Tasmania is titled Van Dimens Land , Anson's outward and return tracks, in fish-skin covered case with print of the heavens applied to the inner hemispheres, 3in (7.5cm) diameter Footnotes:Provenance:The Stephen Edell Collection.James Ferguson (1710-1776) was an instrument maker who acquired the stock of globes from the late John Senex in 1755. this included all the original Senex engraved copper plates for the printed gores apart for the smallest 2/3/4in diameter pocket globe. It is for this reason that he designed his own example in 1756 however the enterprise did not last long as the globe business transferred to Benjamin Martin in 1757.Literature:Elly Decker, Globes at Greenwich, London, 1999.For further information on this lot please visit Bonhams.com

Lot 102

PLOUGH PRESSThe Wakeman family collection of Plough Press books and pamphlets, comprising the near complete output of the Press (seemingly lacking only one pamphlet, 'Law & Ordure 1969. A Squib'), many illustrated with actual specimens of printing, most with prospectuses and other related ephemera inserted or loose in folders, together with correspondence etc., various bindings and sizes, 1968-2017Footnotes:The Plough Press was founded by Geoffrey Wakeman in 1967, the name deriving from a collection of blocks of ploughs brought back from Trinidad by Roderick Cave, and used in the first book issued by the press. 'Wakeman was a noted professor of printing history, author, and printer, and his work on papermaking, color illustration and printing processes, and binding techniques remains a lasting contribution to the study of print culture... The first book printed by the press was Share of Ploughs (1968), consisting of a series of color prints of plows with accompanying verses about plows and plowing. The first major Plough Press publication was XIX Century Illustration (1970). It describes sixteen printing processes with accompanying contemporary specimens. Such leaf books became a regular feature of Plough Press publications, as Wakeman believed the only way to properly study the history of paper and printing was by examining actual specimens' (University of Delaware website). The collection comprises:PLOUGH PRESS PUBLICATIONS BY GEOFFREY WAKEMAN:XIX Century Illustration. Some Methods Used in English books, NUMBER 1 OF 75 COPIES, with 2 original prospectuses and a bidding slip notice from Sotheby's dated June 1975 informing Geoffrey Wakeman of unsuccessful bids at auction, loose as issued in 15 fascicules preserved in linen-backed chemise and slipcase, folio, Loughborough, 1970 The Production of Nineteenth Century Colour Illustration, NUMBER 1 OF 100 COPIES, original cloth-backed textured boards; another copy, NUMBER 17 OF 100 COPIES, red morocco-backed marbled boards (described in prospectus as 'Alternative binding by Gray's of Cambridge to order', additional £10 as opposed to £5 for the cloth binding), both with original prospectus, folio, Loughborough, 1976Plates To Accompany Victorian Book Illustration, NUMBER 1 OF 23 COPIES, with original prospectus slips, original morocco-backed marbled boards, slipcase, folio, Loughborough, 1974Victorian Colour Printing, NUMBER 1 OF 150 COPIES, with original prospectus, proof illustrations and other samples in pocket at rear, original morocco-backed marbled boards, small folio, Loughborough, 1981Graphic Methods in Book Illustration, NUMBER 1 OF 120 COPIES, printed on Golding Pearl and Albion hand presses, with prospectus, loose as issued in fascicules preserved in solander box, 4to, Loughborough, 1981English Hand Made Papers Suitable for Bookwork, NUMBER 1 OF 75 COPIES, numerous sample papers bound in, with prospectus and some other samples etc. loosely inserted, original red morocco-backed cloth, folio, Loughborough, 1972A Leaf History of British Printing from 1610 to 1774, NUMBER 1 OF 110 COPIES, tipped-in samples in fascicules, loose with original prospectuses in cloth solander box, folio, Kidlington, 1986; together with a second solander box containing archival material for the work, correspondence, invoices, loose sheets, prospectuses etc.English Marbled Papers. A Documentary History, NUMBER 1 OF 112 COPIES, ONE OF 10 with additional samples and bound in full morocco; another copy, NUMBER 110 OF 112 COPIES, morocco-backed cloth, both with prospectuses, 4to, Loughborough, n.d.The Literature of Letterpress Printing 1849-1900, NUMBER 1 OF 120 COPIES, ONE OF 30 in full morocco gilt and with slipcase; another copy, NUMBER 3 OF 120 COPIES, quarter morocco, both with prospectuses, 4to, Kidlington, 1986[with PAUL WAKEMAN] The Plough Press 1967-1981. Fifteen Years Printing in a Loughborough Garage, NUMBER 1 OF 120 COPIES, illustrations and tipped-in samples, with prospectus, quarter Morocco, 8vo, Kidlington, 1982Printing Relief Illustrations. Kirkall to the Line Block, NUMBER 1 OF 100 COPIES, tipped-in samples, cloth, small 4to, Loughborough, 1977 Bradbuy & Evans Colour Printers, NUMBER 1 OF 100 COPIES, ONE OF 25 in quarter morocco, with 'Books Forthcoming' from The Plough Press loosely inserted, 8vo, Kidlington, 1984Twentieth Century English Vat Paper Mills, NUMBER 1 OF 102 COPIES, with prospectus, additional samples in pocket at end, quarter Morocco, small 4to,Loughborough, 1980Nineteenth Century Trade Binding, NUMBER 1 OF 150 COPIES, with samples of binding materials and brass type in a separate folder, but without the decorative tool issued with the first c.45 copies, folder and text in uniform linen within single matching slipcase; another copy, ONE OF 150, unnumbered, with samples as above, both copies with prospectuses, 4to, Kidlington, 1983Loughborough Marble, NUMBER 1 OF 18 COPIES, printed on J. Green & Son's 'Cranmer' paper, comprising 5 samples tipped-in on a single leaf, folding concertina style into cloth folder, 110 x 84mm., [Loughborough], 1971[with GRAHAM POLLARD] Functional Developments in Bookbinding, NUMBER 1 OF 180 COPIES, ONE OF 35 in half morocco over marbled boards, illustrations in pockets at rear, with prospectus; another copy, NUMBER 36 OF 180, bound in linen, 4to, New Castle, Delaware and Kidlington, 1993The Art of Anastatic Printing. Three Mid 19th Century Accounts... introduction by Geoffrey Wakeman, NUMBER 1 OF 150 COPIES, comprising introduction, 3 facsimile pamphlets and one plate, loose with 2 prospectuses in quarter buckram folder, 4to, Kidlington, 1986PLOUGH PRESS - OTHER AUTHORS AND EPHEMERA:FRANCES DOCKER [MRS F.M. WAKEMAN] John Paas & James Cook. Provincial Bookbinding in the Eighteen thirties, NUMBER 1 OF 200 COPIES, ONE OF 25 in quarter morocco, with prospectus; another copy, ONE OF 200 COPIES, unnumbered, cloth, Loughborough, 1979ANNE MORRIS. The Private Press in Leicestershire, 2 copies, NUMBER 8 AND 'PRESENTATION COPY' OF 100 COPIES bound in full cloth, limited to 500 copies overall, one with prospectus, 4to, Loughborough, 1976; together with 2 copies of the trade edition, limited to 500 copies, wrappersBARRY MCKAY. Patterns and Pigments in English Marbled Papers, 2 copies, NUMBERS 1 AND 21 OF 160 COPIES, quarter morocco and cloth respectively, 4to, [Printed at the September Press], 1988Anaglyptography... Reprinted... from the Art Exemplar [1859] by William John Stannard, NUMBER 1 OF 200 COPIES, 2 plates, wrappers, 8vo, Loughborough, 1967The Printer, LIMITED TO 100 COPIES, letterpress pamphlet, 8pp., printed wrappers, 4to, Kidlington, 1986The Paper Maker. Reprinted from the Book of Trades, NUMBER 1 OF 60 COPIES, with prospectuses, marbled paper wrappers, 8vo, Loughborough, 1971GAVIN BRIDSON and GEOFFREY WAKEMAN. Printmaking & Picture Printing: A Bibliographical Guide, cloth, dust-jacket, 4to Kidlington, 1984; and 2 other copies, one an unbound proof GAVIN BRIDSON and GEOFFREY WAKEMAN. A Guide to Nineteenth Century Colour Printers, cloth, dust-jacket; another copy, interleaved and annotated by GW, with loosely inserted correspondence and related ephemera, quarter cloth, 8vo, [Loughborough, 1975]C.W. WOOLNOUGH. The Whole Art Of Marbling, facsimile reprint of 1881 edition, with marbled paper samples by Katherine Davis of Payhembury, with her business card inserted (asking if the samples were acceptable) and 2 prospectuses, cloth, 8vo, Kidlington, 1985The Art of Making Paper Taken from The Universal Magazine, facsimile reprint by Skelton's Press, limited to 200 copies, with prospectuses, full buckram, 8vo, Loughborough,... This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 111

SUN YAT-SENCabinet portrait by H.T. Thompson, SIGNED BY SUN YAT-SEN in black ink, gelatin silver print on on original thick card mount with tissue guard, tipped-in to original presentation folder (this with very slight creases at edges and chips at corners), mount 215 x 126mm., [1911?]Footnotes:A boldly signed portrait in fine condition, presumably taken on Sun's return to China after the 1911 revolution. Thompson's portrait, with a similar signature, was reproduced as the frontispiece to Sun Yat Sen and the Awakening of China by James Cantlie and C. Sheridan Jones, published in 1912.Provenance: Sir James and Mabel Cantlie; and thence by descent to the present owner.For further information on this lot please visit Bonhams.com

Lot 17

SCHEDEL (HARTMANN)Liber chronicarum, FIRST EDITION, 325 leaves (of 326, without final blank), 65 lines plus headline, gothic letter, woodcut title, approximately 1809 woodcut illustrations printed from 645 blocks by Michael Wolgemut, Wilhelm Pleydenwurff and their workshop, including Albrecht Dürer, comprising 29 double-page town views, 8 full-page woodcuts and double-page maps of the World [Shirley 19] and of Europe by Hieronymus Münzer after Nicolas Khrypffs, washed, title laid down, a handful of stains, a very few leaves shaved touching headline, occasional repaired tears at edges, reaching into text on 6 leaves, fol. 101 repaired at head of gutter with loss to a couple of words and border of illustration, fol. 129-130 mounted on guard, fol. 291 and 296 repaired at blank lower fore-corners, Europe map shaved at fore-edges and with cleanly-repaired tear lower left, sixteenth century blindstamped vellum, rubbed, one corner repaired, new endpapers [ISTC is00307000], folio (410 x 285mm.), Nuremberg, Anton Koberger, 12 July 1493Footnotes:The Nuremberg Chronicle, a pictorial history of the world, is the most lavishly illustrated book of the incunable era. The twenty-nine large double-page city views, many illustrated for the first time, are accurate in depicting particular distinguished features of each city. In addition it includes many details of fifteenth-century daily life: carpenters with their tools, astronomers and their instruments, archers, bridges, derricks, dishes, furniture, windmills, ships, beds, houses, fortifications, weapons, tents, wharves, ferries, books, drawing materials, dogs, horses, and other animals, as well as costumes. Hartmann Schedel's Nuremberg Chronicle epitomizes 'the commercial sophistication, economic power and technical virtuosity that brought the art of print to this extraordinary climax' (Pettegree, The Book in the Renaissance, New Haven, 2011 p.42).Provenance: 'Joannis Baptista Gadii militis', ownership inscription on title.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 2

ALBUM – NAPOLEONIC ERA & NOBILITYAlbum titled 'Lady/ Emily/ Bathurst's/ Scrap/ Book/ 1818', comprising some 20 watercolours and 70 drawings in pencil, pen, ink and wash, with silhouettes and other printed ephemera, the majority affixed to the album page, others tipped in, including: small group of watercolours of Napoleonic interest (including 'Lord Anglesey had his leg amputated in this House at Waterloo June 18th', dated 'Sept. 19 1815'; 'View of the Bugio Fort & Light House entering the Tagus' (initialled G.B.); Napoleon in profile (after Ibbetson); 'Longwood' (initialled G.H.B. and dated 1818); and two pencil drawings, 'Waterloo Church' and 'Hougemont' by Lady Georgiana Fane, 1820); other subjects include views of houses ('Earl of Bristol's Villa at Putney Heath', 'Lord Bathursts House at Cirencester'), 'The Landing of the Cesar at Plymouth', 'The Diving Bell at Plymouth Docks'; six silhouettes by Lady Hardy including that of a Napoleonic soldier; two pen drawings 'made by an automaton'; group of pencil drawings and caricatures by Sir Henry Bunbury (son of the caricaturist) and two drawings captioned 'By Sir T. Lawrence'; with further contributions by Vice Admiral Lord Mark Robert Kerr (five), his daughter the silhouette artist Lady Letitia Louisa Kerr (pen drawings taken 'from an old print'), her brother the Hon. Seymour Bathurst, the Hon. Charles Percy (two playing cards), the Hon J. Stanhope, Captain Napier ('Mr W... On his return from his travels giving an account of them at dinner in Stanhope Street, 1820'), Thomas Hyde Villiers, Peregrine Maitland (whose maternal aunt married the brother of Jane Austen), and many others; interspersed with manuscript poems, charades, riddles and anagrams in several hands ('What does Honor est a Nilo make?/ Horatio Nelson' and 'Thus the English have gout, & the Frenchman has goüt/ And what fills a French heart fills an Englishman's shoe'), cut signatures and a note from Mr Gore sending 'the Queen's footman to enquire if the Countess of Bathurst is in London & has been at Court within the twelvemonth' dated 9 March 1818; printed ephemera including three theatre bills from the Theatre, Mont St Martin, 1817; and two linen-backed printed and embossed tickets for the coronation of George IV issued to The Lady Emily Bathurst, one signed by Frederick Duke of York, c.90 leaves, contemporary black morocco gilt with brass clasp, titled in gilt on red spine label, g.e., 4to (234 x 178mm.), c.1818-1823Footnotes:'AN ENIGMA SUPPOSED TO BE WRITTEN BY LORD BYRON': WATERCOLOURS OF NAPOLEON AND A MENTION OF JANE AUSTEN.This charming album was compiled by the young Lady Emily Charlotte Bathurst (1798-1877), daughter of Henry Bathurst, 3rd Earl Bathurst (1762-1834) and Lady Georgina Lennox (1765-1841) of Cirencester Park. Begun in 1818, a postscript indicates it was completed in 1823 prior to her marriage to Major-General Hon. Sir Frederick Cavendish Ponsonby in 1825. Contributors to the album reflect a complicated web of aristocratic family connections and include accomplished amateur watercolourists such as Vice Admiral Lord Mark Kerr (1776-1840), his daughter Lady Louisa Kerr (1800-1885), who later became well-known for her finely executed silhouettes, although here she offers delicate pen and ink drawings, Sir Henry Bunbury (1778-1860), son of the famous caricaturist, and members of the Lennox family. The contents reflect the English obsession with Napoleon, now safely in exile on St Helena, with several watercolours and drawings of scenes around Waterloo and at Longwood – the initials 'G.H.B.' on the latter could possibly be those of Lady Emily's mother.An enjoyment of puzzles and parlour games is evident here, and the album is filled with clever riddles, charades and anagrams. Of particular note is the inclusion of a celebrated riddle on the letter 'H' by Catherine Maria Fanshawe, entitled 'An Enigma supposed to be written by Lord Byron' and beginning ''Twas whispered in heaven, 'twas muttered in hell,/ And echo caught faintly the sound as it fell'. As the title suggests these verses were often attributed to Byron: 'These lines thus first introduced were soon well-known and admired throughout the country, and from their style and curious felicity were attributed to Byron, the popular poet of the age. They afterwards crept into some foreign editions of his works, and are even at the present day often ascribed to him.' (The Rev. A.G. L'Estrange, Literary Life of the Rev. William Harness, 1871, p.101-102.). L'Estrange writes that Harness, a friend of Byron, noted that the original commenced 'Twas in Heaven pronounced'. Our version also has the word 'pronounced' as in the original but crossed out and replaced with 'whispered'. A playful note below the poem includes an early mention of Jane Austen but concludes that Fanshawe was indeed the author: 'not by Lord Byron but by Miss Fanshawe not by Miss Fanshawe but by Miss Austen – It was by Miss Fanshawe'. The name of Jane Austen had not long been in the public domain when this album was begun. Prior to her death in July 1817 her publications, although best-sellers, had not included her name on the title page and it was not until December 1817 in a biographical note by Henry Austen that she had been identified as the author of Persuasion and Northanger Abbey. Provenance: Lady Emily Charlotte Bathurst (1798-1877); her son General Rt. Hon. Sir Henry Frederick Ponsonby (1825-1895); by descent in the Ponsonby family; private collection.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 97

PRINT, colour print, Lees Road street-scene by Helen Bradley (signed to lower white border), she was a contemporary of Lowry, 15 x 11.5, overmounted, framed & glazed, 22.5 x 19.5 overall, VG

Lot 98

PRINT, colour print, garden shed scene by Allan Tronski, signed to lower white border, LE199/500, 20 x 15, overmounted, framed & glazed, 26 x 21 overall, VG

Lot 332

COUNTY PRINT SERVICES, Cricket Autograph Collector Cards, complete, unsigned, in company ring-binder, EX, 216

Lot 475

CRICKET, modern trade, mainly complete (17), inc. CPS, Marks, Brindley, CBS, Cofton, Sport in Print etc., in modern album, VG to MT, Qty.

Lot 51

POP MUSIC, Pink Floyd, colour print of an early concert poster, signed to lower white border by the artist B. Bancroft, LE211/500, 16 x 22, framed in perspex, EX

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