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Lot 1
*CHRISTINE KEELERRay Bellisario (1936-2018): 'Freedom - First Day Out Of Prison, Lying In A Field' (Full Length) Signed By Christine Keeler, 1964photograph printed later, no.7/10, the silver gelatin print, hand-printed from the original negative, depicting Christine Keeler in a field on the day she was released from Holloway prison in June, 1964, having served four and half months of a nine month sentence for perjury, signed by both the photographer and Keeler in black ink to the lower borderProvenance: Copyright purchased by the vendor in 2013, and following this an edition of 10 prints of this image were produced, all signed by Christine Keeler.*Artist's Resale Right may apply to this lot.Condition report: Mint condition.
Lot 577
An Elvis Presley period colour movie poster for World Fair 150cm by 100cm and a modern print Elvis Presley movie poster from the German Paramount release of GI Blues 84cm by 60cm with Elvis Presley booklets Condition Report: Both posters have vertical and horizontal folds, the World Fair poster has fold tears.
Lot 161
A Worcester teapot and cover, circa 1756-7Of slightly compressed globular form with a pointed mushroom finial, printed in brown with 'La Cascade', the reverse with a group of five sheep, the cover with smaller vignettes, within delicately painted formal borders, signed in the print below the fountain 'R Hancock fecit' 12.2cm high (2)Footnotes:ProvenanceE and J Handley Collection, Simon Spero exhibition 2000, no.16Ralph Kenber CollectionIllustrated by Joseph M Handley, 18th Century English Transfer-Printed Porcelain and Enamels (1991), p.52. The source is a painting by Watteau via an engraving by G Scotin. For a matching teabowl see Sandon and Spero, The Zorensky Collection (1996), p.380, no.490.For further information on this lot please visit Bonhams.com
Lot 166
A rare Worcester porringer, circa 1757-58Lightly moulded with spiral wreathing and an ozier border, with twin twig handles, the interior transfer-printed in black with 'Les Garçons Chinois', two chinoiserie figures climbing a rococo branch, picked out in coloured enamels, a compressed version of the print repeated three times below the rim, the exterior painted with scattered sprigs in various tones of blue, 17.8cm wide across the handlesFootnotes:ProvenanceRalph Kenber CollectionTwo-handled shallow bowls or porringers are rare in English porcelain, this Continental shape most likely copied from contemporary Meissen or Chantilly. Other Worcester examples identified as porringers have been noted with the principal decoration placed inside the bowl, as here, and none of these have been recorded with a lid. This suggests these vessels were intended to be left open and not covered.For further information on this lot please visit Bonhams.com
Lot 167
A Worcester creamjug, circa 1754-55Of baluster shape, with a sparrow beak spout, spreading foot and grooved loop handle, transfer-printed in black with 'The Haymakers', a young couple with harvesting tools, strolling through a rural landscape, 8.1cm highFootnotes:ProvenanceNorman Stretton Collection, Phillips sale, 21 February 2001, lot 17Ralph Kenber CollectionThis is one of the earliest versions of 'The Haymakers' print. A similar jug is illustrated by Simon Spero, The Klepser Collection (1984), p. 154, no. 178.For further information on this lot please visit Bonhams.com
Lot 168
A Worcester coffee cup, circa 1754Of 'Scratch Cross' type and of plain shape with a grooved handle, transfer-printed in black with a 'Smoky Primitive' type print of 'The Fortune Teller', depicting a peasant woman with a baby on her back and a little boy at her side, reading the palm of an elegant lady, her companion nearby, a fine house in the distance, all picked out in bright colours, 6.4cm high, scratch cross and incised lineFootnotes:ProvenanceBillie Pain Collection, Bonhams sale, 26 November 2003, lot 166Ralph Kenber CollectionThere are a small number of coffee cups with this print extant, but they would appear to be left uncoloured save for the current lot. See The Watney Collection, sold by Bonhams, 22 September 1999, lots 179 (sepia) and 180 (black) and The Liane Richards Collection, also sold by Bonhams, 13 April 2016, lot 134 (sepia). For an extensive footnote discussing this class of early transfer printed cups, probably carried out in Birmingham, see p.94 of The Watney Collection, part 1.For further information on this lot please visit Bonhams.com
Lot 169
A rare Worcester coffee can, circa 1754Of slightly flared shape with a grooved loop handle, decorated with a 'smoky primitive' chinoiserie print, two men conversing by a fenced terrace in front of an ornate pavilion, a jagged rock and willow tree to the right, all picked out in enamel colours, 6.6cm high, workman's mark and incised lineFootnotes:ProvenanceZorensky Collection, Bonhams sale, 23 February 2005, lot 254Ralph Kenber CollectionIllustrated by Sandon and Spero, The Zorensky Collection (1996), no.491. A similar can was sold by Bonhams on 8 June 2005, lot 166.For further information on this lot please visit Bonhams.com
Lot 172
A rare large Worcester mug, circa 1754Of 'Scratch Cross' type, bell-shaped on a wide foot with a grooved strap handle, transfer-printed in black with fancy birds, two long-tailed 'Pheasants', smaller birds squabbling in a tree above, also printed with a more plausible heron and duck, 14.5cm high, scratch cross and incised lineFootnotes:ProvenanceMrs von de Porten CollectionSir William Mullens CollectionE and J Handley CollectionSimon Spero exhibition 2000, no.29Ralph Kenber CollectionBased on a contemporary silver shape, this mug or tankard represents the earliest period of transfer-printing on English porcelain and would have provided a large 'canvas' on which to experiment with the new technique. The printed design appears in 'The Ladies' Amusement', the long-tailed birds referred to as 'pheasants'. A smaller mug with the same print from the Dyson Perrins Collection is illustrated by Cyril Cook, The Life and Work of Robert Hancock (1948), item 83, fig. 1.For further information on this lot please visit Bonhams.com
Lot 177
A Worcester coffee pot and cover, circa 1768-70Of 'Warmstry Fluted' baluster shape, the scroll handle with pronounced thumbrest and the domed cover with a flower finial, transfer-printed in purple with the 'Tea Party no.2' and the 'Fortune Teller', classical ruins printed on the cover, and further formal decoration on the spout, the rims picked out in gold, 24cm high, square mark in underglaze blue (2)Footnotes:ProvenanceE and J Handley CollectionSimon Spero exhibition 2000, no. 26Ralph Kenber CollectionThis rare variant on the 'Tea Party no.2' print includes an attendant ready to serve tea to the seated couple and the unusual addition of an exotic cat amongst musical instruments in the foreground.For further information on this lot please visit Bonhams.com
Lot 179
A Worcester spoon tray, circa 1770Of lobed hexagonal shape, printed in puce with a scene of classical ruins, triumphal arches in the foreground, a fine line border inside the rim, 15.2cm longFootnotes:ProvenanceRalph Kenber CollectionThe source for this print, 'The Ruins of Palmyra' was published by Robert Wood in 1753. A similar spoon tray from the Barbara Leake Collection was sold by Bonhams, 12 March 2008, lot 208.For further information on this lot please visit Bonhams.com
Lot 605
A hand-coloured engraving, South Elevation of Winstanley's Lighthouse upon the Edystone Rock, as it was finished in the Year 1699. Drawn orthographicaly from a perspective print thereof. Published by himself, engraved by Hen. Roberts, 1762, plate 53.6 x 35.2cm, 56.9 x 37.4 to full margin, (light foxing, water damage to right-hand side edge, repaired tear to bottom left corner), unframed.
Lot 606
A hand-coloured engraving, No.4, South Elevation of the Original Lighthouse Built upon the Edystone Rock, according to the First Design of Mr Winstanley. Taken from a perspective print, drawn at the rock by Jaaziell Johnston, Painter, engraved by Hen. Roberts, 1761, plate 40.1 x 25.2cm, 56.3 x 36.6cm to full margin, (light foxing, pencil marks to top right corner of surround), unframed.
Lot 627
Thomas Pole (1753 - 1829) Elizabeth Cadbury. Painted silhouette within sepia landscape with memorial urn and personal mementos, to be engraved as an obituary print, framers' label inscribed in pencil Wife of Richard Tappen Cadbury 1768 - 1851, (née Head) verso, 25 x 18cm in burr walnut frame, 30 x 23cm overall. [no.86 Silhouette, The Art of Shadow by Emma Rutherford].
Lot 97B
After Sidney R JonesEtching"Inner Hall, Middle Temple", signed in pencil to the margin, unframed, 33.5cm x 29.5cm Coloured print Six churches "St Mildreds, Bread Street", "St Marys, Aldermanbury", "St Marys, La Bow, Cheapside", "St Mildreds, Poultry", "St Michaels, Cornhill" and "St Peters, Cornhill", 36cm x 23cm (2)
Lot 230A
Tachibana Morikuni - A Japanese Diptych woodblock print of carp swimming upstream over a rocky riverbed, Meiji period circa1890, image size 17.5 cm x 28 cm to/w Nishiyama Kanei (1833-97) A Japanese double page illustration hand coloured woodblock print of a cricket amongst rice plants, Meiji period, framed and glazed, image size 26.5 cm h x 35 cm w (2)
Lot 246
Two 19th century Chinese watercolours on silk of mountain landscapes with figures and dwellings, one with inscription and seal marks, in simulated bamboo frames, late Qing period, image size 60 cm x 30 cm, to/w a later framed and glazed Chinese landscape print 65 x 43 cm (3)All three items in this lot are in good condition
Lot 378
Laurence Stephen Lowry (1887-1976) - 'Mrs Swindell's Picture', offset lithographic print, pencil signed to lower right margin, Fine Art Trade Guild blind stamp to lower left, 43 x 31.5 cmProv - Purchased by the vendor's family in the 1970sARR applicableOriginal conditon - as with all prints a faint element of fading
Lot 380
Laurence Stephen Lowry (1887-1976) - 'Industrial Scene', offset lithographic print, pencil signed to lower right margin, Fine Art Trade Guild blind stamp to lower left, 37.5 x 26.5 cm, published 1974 Venture Prints, BristolProv: Purchased by the vendor's family in the 1970sARR applicableOriginal condition, as with all prints possibly some faint fading
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314783 item(s)/page