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Lot 1

A print of the Duke of Westminster in his Hunting dress, 14 x 25, dated 1872

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SNAFFLES, coloured print, 'Blimey Wot a Life', 12 x 20in

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SNAFFLES, coloured print. 'The Glad Throng that goes Laughing Along' 13 x 40in

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SNAFFLES, coloured print, 'Landing his Wager' (four framed as one), 11 x 35in in overall

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SNAFFLES, coloured print, ''A Fire Eater', embossed and signed in pencil (three framed as one), 11 x 32in

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SNAFFLES, coloured print, 'Not Taking Any', 19 x 21in

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SNAFFLES, coloured print, 'A Sight to take Home and Dream About', (signed in pencil), 19 x 24

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J.W. Bramham - Downland Landscape with Rising Smoke, 20th Century watercolour, signed, together with an oil on canvas by Lehnea, Mountainous Landscape, and a print.

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A late 19th Century hand-coloured print, 'The Fern Gatherers'.

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Late 19th/early 20th Century British School - View of Arundel Castle, watercolour, together with another watercolour by E.L. Glassby and a print.

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After E. Fletcher - Coastal View with Sailing Vessels and Tugs at Twilight, monochrome print, signed in pencil, within a stained wood frame.

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After Henry Edridge - 'Rear Admiral Sir Horatio Nelson' (Oval Portrait), late 18th Century stipple engraving by W. Evans, together with another monochrome print.

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A late 19th/early 20th Century colour print, Woman Holding a Dog, within a fabric frame with ropetwist cord.

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After Francis Russell Flint - Figures on Horseback outside an Archway, 20th Century colour print, signed.

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After Frank Woottoon - 'Battle Over London - 1940', 20th Century colour print, signed in pencil by Woottoon, H. Bird-Wilson and F.J. Does, together with two other colour prints, after Robert Taylor.

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After Pieter de Hooch - Interior with a Woman peeling Apples, 20th Century colour print, within a faux tortoiseshell Dutch ripple style frame, together with two similar prints.

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After Angelica Kauffman - 'The Death of Mark Anthony', 19th Century stipple print by J.M. Delattre, together with two prints and two ink drawings.

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After Charles Simpson - 'The Brook', 20th Century colour print, within an oak frame of wide section, together with a collection of prints and frames.

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TAYLOR, ROBERT, Framed print of Spitfires over the Normandy beaches 6th June 1944, signed by Johnnie Johnson D.S.O, D.F.C.

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*Schmalz (Herbert Gustave, 1856-1935). Mary Magdalene, pub. Fairless & Beeforth, The Gallery of Modern Art, [1898], uncol. lettered proof mezzotint printed on India paper, image approx. 670 x 430mm, together with Cattaneo (A. Barzaghi), Lady Jane Grey, Tower of London, Feb. XII, MDLIV, pub. Fairless & Beeforth, 1887, uncol. lettered proof mezzotint printed on India paper, image approx. 680 x 230mm, plus Paton (Sir Joseph Noel, 1821-1901), The Devil and Christ in the wilderness, pub. Printsellers Association, print dated 1874, uncol. mezzotint, unlettered proof on India paper, signed in pencil to lower margin, with Printsellers Association blind stamp, approx. 520 x 685mm, and Short (Sir Frank, 1857-1945), Landscape with country lane and view beyond, uncol. mezzotint proof, printed before letters on India paper, signed in pencil to lower margin, approx. 440 x 670 mm (incl. plt. mark) (4)

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*Long (Richard, 1945-). A climb up the Avon Gorge, Bristol, 1995, colour screen print, signed and numbered 38/50 in pencil, sheet size approx. 675 x 560 mm, mounted (1)

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*Lowry (L.S., 1887-1976). An Industrial Town, colour print, signed in pencil, approx. 435 x 595 mm, framed and glazed Limited edition 281/500. (1)

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*Miro (Joan, 1893-1983). Femme et Oiseaux (Constellations series), hand-coloured pochoir print, approx. 355 x 430 mm (14 x 17 ins), framed and glazed, with Redfern Gallery label to verso (1)

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*Miro (Joan, 1893-1983). Femmes sur la plage (Constellations series), hand-coloured pochoir print, approx. 350 x 425 mm (13.75 x 16.75 ins), framed and glazed, with Redfern Gallery label to verso (1)

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*Miro (Joan, 1893-1983). Le passage de l'Oiseau Divin (Constellations series), hand-coloured pochoir print, approx. 430 x 355 mm (17 x 14 ins), framed and glazed, with Redfern Gallery label to verso (1)

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*Miro (Joan, 1893-1983). Le chant du rossignol à minuit et la pluie matinale (Constellations series), hand-coloured pochoir print, approx. 350 x 430 mm (17 x 13.75 ins), framed and glazed, with Redfern Gallery label to verso (1)

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*Paolozzi (Eduardo, 1924-). Plate VI, Miss Helen Wills, Harmonic Analysis, 1997, colour screen print, pub. Kestner Gesellschaft, signed, dated and numbered 5/40 in pencil, sheet size approx. 725 x 560 mm, mounted (1)

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*Loysel's Patent Chivalric Game of Tournoy. A Combination of Chance and Skill, n.d., mid 19th c., comprising a silver plated miniature roulette wheel with hinged flaps engraved with the names of the pieces (the Queen, the Chevalier, the Connetable, the Herald, the Page, the Dwarf), an ivory ball, a scoreboard with two dials, eighteen porcelain playing disks with transfer-print allegorical drawings representing the six characters, plus folding playing board and 16 pp. instruction booklet, all contained in orig. fitted mahogany box, approx. 8 x 8 in (20 x 20 cm) when closed 'The Inventor has no thought of introducing the game of Tournoy either as a rival to, or an improvement on the noble game of Chess; but, merely as an agreeable mode of recreation of quite a different order'. (1)

Lot 1

Beerbohm (Max). Rossetti and His Circle, Heinemann, n.d., c.1922, tipped-in col. plts. with captioned tissue guards, a.e.g., orig. cloth gilt, sl. rubbed, spine yellowed, 4to, ltd. ed. 375/380 signed by Beerbohm, together with Observations, Heinemann, 1926, col. frontis. and tipped-in b&w plts., signed Beerbohm print in pocket at rear, a.e.g., orig. cloth gilt, some light minor edge wear, 4to, ltd. ed. 2/280 signed by Beerbohm, plus Things New and Old, Heinemann, 1923, col. frontis. and tipped-in b&w plts., signed Beerbohm print in pocket at rear, a.e.g., orig. cloth gilt in creased and torn d.j. with loss, 4to, ltd. ed. 217/380 signed by Beerbohm, together with Caricatures of Twenty-Five Gentlemen, Smithers, 1896, b&w illusts., orig. gilt dec. cloth, spine darkened, 4to, and A Peep into the Past, privately printed, NY, 1923, illusts., orig. boards in broken slipcase, 8vo, one of 300 copies on japan vellum (5)

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Frank Morley Fletcher (born 1866 British) woodblock print after John D.Batten, Celtic king and demons, 30 x 15cms

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An erotic Japanese print, 20 x 28cms, and a larger print of a geisha (2)

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A large Victorian chromolithograph of St.Bernard dogs rescuing a man, 44 x 59cms, and a colour print of an 18th century girl and dog (2)

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Manner of Luigi Garzi, pencil heightened with white, Madonna and child with St.Joseph, bears signature, 26 x 20cms, together with a red chalk study of 4 figures, a chalk portrtait of Ronald Smith, and a print after Durer (4)

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After Sir Hugh Casson "Oriel College, Oxford", reproduction print in colours, pencil signed by the artist and numbered 284/500, 10" x 14 1/2" and a further print of Oriel (2)

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*British Topography. Two photo. albums, late 19th-century, one relating to the Budd family of Leatherhead in Surrey, comprising some albumen print views plus photos. of dogs and horses, approx. fifty pages in total, contemp. half morocco, crudely rebacked, some wear, folio, the other with approx. thirty albumen print views and church interiors in southern England, contemp. morocco, foot of spine damaged, 4to (2)

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*Great Britain. A group of thirty albumen print and gelatin silver print views, late 19th and early 20th c., mostly loose with some on mounts back to back, places include Brighton, Bournemouth, Weymouth, Southsea, Jersey, etc., approx. 20 x 28 cm, and smaller (30)

Lot 1

*Hong Kong & Ceylon. An album of albumen print and platinum print photos. and snapshots, c. 1900, including two larger format view of Hong Kong, a Chinese junk, six views of Ceylon, plus six views of Suez and Port Said, all approx. 20 x 26 cm, corner mounted, plus fourteen platinum and gelatin silver print photos. of Shanghai and Foo-Chow, plus ten other photos. pasted-in of Hong Kong, etc., contemp. Japanese style canvas over boards, a little corner wear, oblong folio (1)

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*Japan. An album of thirty-eight albumen prints, c. 1900, mostly hand-tinted, mostly identified in English in the negative, 20 x 26 cm, all corner mounted, thirty-six smaller format photos. and postcards, including platinum print snapshots of Japanese tea-houses, Russian prisoners, straw and rice stacking, etc., contemp. Japanese style canvas boards, a little corner wear, oblong folio (1)

Lot 1

*Man (Felix H., 1893-1985). Paul Nash, Oxford, c. 1944, vintage gelatin silver print of Nash in his studio holding one of his landscape posters, unfurled, photographer's signature, ink stamp and pencil notes to verso, 19.5 x 23.5 cm (1)

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*Man (Felix H., 1893-1985). Oskar Kokoschka in Vienna, 1930, vintage gelatin silver print showing Kokoschka standing full length in check suit adjusting an oil painting on an easel, slight horizontal crease, author's signature, title and date (in black felt tip), and inkstamp and monograms to verso, 21 x 16 cm (1)

Lot 1

*Man (Felix H., 1893-1985). Graham Sutherland viewing his "Northampton Crucifixion" through a Claude mirror, 1946, vintage gelatin silver print pasted on card with photographer's autograph identification and inkstamps to verso, a little surface rubbing and three small brown spots to photo. surface, 20 x 25 cm (1)

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*Man (Felix H., 1893-1985). Le Corbusier in his Paris office, 1949, vintage gelatin silver print showing Le Corbusier seated with an angle-poise table lamp shining on the "Modulor" on his wall, photographer's autographs and title plus inkstamp to verso, 25 x 17 cm (1)

Lot 1

*Misc. photography. A large group of miscellaneous albumen print photographs, late 19th-century, incl. British and European views, churches, etc., mostly mounted on loose album leaves, together with broken albums (2 cartons)

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*Spain and Gibraltar. An album of photos. and neatly hand-drawn sailing charts, showing the track of H.M.S. Royal Sovereign on a winter cruise, 1894-95, including photos. and snapshots of the "Channel Squadron" at Gibraltar, Vigo, Alameda Parade, Gibraltar, The Rock, Palma de Mallorca, The Mole, The Exchange, Windmills, The Harbour at Palma, a folding panorama albumen print of Port Mahon, Minorca, a few group portraits, blueprints of ships, Las Palmas, Gran Canaria, etc., many with neat ink manuscript identification beneath, a few photos. of the Kiel Canal and Copenhagen at rear, contemp. half morocco, neat reback, rubbed, oblong folio (1)

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*Sutcliffe (Frank Meadow, style of). A large carbon print of a boat with mast on grassland, late 19th-century, showing figures on the boat and a cart with three horses adjacent, a wooded hillside in the distance, 51 x 61 cm, framed and glazed (1)

Lot 1

Maps. Philip (George & Son Ltd.), Philips' New Large Print Map of London and its Outer Districts, c.1900, colour printed folding map laid onto linen, some fold repairs, the whole approx. 950 x 1140 mm, together withEndicott (G. & W.), Agricultural Map of the State of New-York, c.1854, hand coloured lithograph map, approx. 470 x 600 mm, together with other maps including a Tallis map of England and Wales, county maps by Moule, Fullarton and Dugdale, and others various (approx. 70)

Lot 1

Wales. The Right Honourable Lord Tredegar to the Alexandra (Newport & South Wales) Docks & Railway Company, pub. Robert J. Cook, c.1910, folding map with printed colour showing the conveyancy agreements and ownership of the land depicted, laid onto linen, the whole approx. 870 x 1050 mm, contemp. cloth boards, together with a signed limited edition colour print entitled 'Cardiff Bay 1956' by Tony Bertas?, approx. 310 x 420 mm, framed and glazed (2)

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AFTER ALEXANDER STRAHAN BUCHANAN portrait of a young girl, reprodution print in colours, 8" x 6"

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A 19TH CENTURY BAXTER PRINT, classical figures and a baby beside a waterfall in a tropical gorge, 14"x 10".

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JOHN WETTEN BROWN (20th Century Scottish School), "Fire Fighters of Avalon", screen print, pencil signed in the margin, titled, no. 12 of 15, 8 1/2"x 12".

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HIROSHIGE, A street scene with figures, Mount Fuji in the distance, double fold woodblock print with hand colouring, 14 1/4" x 27 1/2", unframed

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HEDLEY FITTON (1857-1929) "Bakehouse Cross, Cannon Gate, London", signed and dated 1910, pencil drawing, 9 1/2" x 5 1/2" together with three other works by other hands to include "Old houses Hitchin"; a pencil drawing of a gentleman dressed in gown; and a French print "ne Buvez Jamais d'eau" (4)

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Raoul Millais, Royal Procession, colour print Limited Edition, 500 copies, signed

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A Clip Frame of prints, a pencil study of Trigger, a print of Roy Rogers and Trigger and ten other framed prints (13)

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A Roy Rogers 'Wonder - the thrills and laugher Comic' advertising sign, a signed print, two tin plate signs and a French film poster

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J A Holland Horton Road Engine Shed, Gloucester Silk screen print, circa 1966 Ltd 8/34 30in x 21in

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David Shepherd Scotsman '34, colour reproduction print Signed 18.5in x 32in

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Stirling's Greatest Drive, a signed Limited Edition Colour Print of the 1961 Monaco Grand Prix, signed by the artist Tony South. 17in x 23 in

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An interesting and unusual early 19th Century printed and yew wood Sewing Box. Central cartouche print with a woman, a dog and a child sitting on a day bed, the hinge lid opens to reveal a fitted interior, contains more recent accessories including brass buttons etc. 10.75in (27.5cms) wide ++ varnish heavily flaked

Lot 1

Terence Cuneo. A Britannia Class Locomotive, colour reproduction print 814/850, signed. 19.5 x 24.5in

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