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Lot 680
*British Antarctic Expedition, 1910. Departure of SS ÒTerra NovaÓ from Cardiff, 15th June 1910, large-format carbon print, a few minor marks and small scratch to right margin, 38 x 58 cm, mat mounted with printed caption beneath giving details of expedition leaders Captain R.F. Scott and Lieutenant E.R.G.R. Evans (1)
Lot 681
*Cameron (Julia Margaret, 1815-1879). Mary Spring-Rice O`Brien, 1867, albumen print, half length wearing a cross around her neck, head turned slightly to her left, 23 x 18 cm, orig. mount within gilt-ruled border, manuscript caption ÔFrom life 1867, Julia Margaret Cameron` to lower border in the photographer`s holograph, Colnaghi blindstamp to lower mount (1)
Lot 684
*Cartes de visite. A near-complete cartes-de-visite album, containing thirty-six window-mounted albumen print portraits of royalty and famous people, including Queen Victoria and family members, plus other European royalty, plus William Gladstone, Axel Munthe, Thomas Carlyle, J. S. Mill, Gustave Dore, Keshub Chunder Senior, etc., contemp. morocco, broken and worn, small 4to, together with a cartes-de-visite album containing sixty window-mounted albumen print topographical views of Britain and Europe, contemp. morocco, partly broken and lacking clasps, oblong 8vo. (2)
Lot 688
*Cartes de visite. An album containing approx. 112 mounted albumen print cartes-de-visite portraits, c. 1860s, mostly mounted four to a page, including the boxers J. C. Heenan, Tom King and J. Mace (with his trophies), plus cartes de visite of Chang, Tom Thumb with wife and sister, plus approx. 90 other albumen print photos from life including topographical views, etc., mostly mounted as four to a page on album leaf rectos only, sporadic captions, disbound, 4to. (1)
Lot 699
*Desperate Dan. A vintage gelatin silver print, 1934, showing a clay model of a Wild West figure with two pistols raised, a few light wrinkles and marks, 31 x 25 cm, mounted on card and identified as Des[perate] Dan in pencil with name of the artist [Hugh] McNeill dated 1934, together with two near-identical vintage silver prints showing three clay models of children with balls of wool, slightly creased, 20 x 25.5 cm, both identified in ballpoint pen to versos, ÔCopley`s knitting model by Hugh McNeill, 1932`, plus one smaller related silver print of a clay model artist painting on an easel, a little wear to extrems., 16 x 11 cm, inscribed in pencil to verso ÔClay Modeling 1933`. These photographs are all apparently of models made by the Manchester born comic illustrator Hugh McNeill (1910-1979). McNeill worked for Kayebon Press art agency from 1927 until the end of the 1930s. He worked on the Dick Turpin strips for Knockout, but is most famously associated with D.C. Thomson`s comic book The Beano from its first issue in 1938. It was in the same year that he created ÔPansy Potter, The Strong Man`s Daughter` for The Beano`s Christmas edition. Desperate Dan was a strip drawn by Dudley D. Watkins from his first appearance in the first issue of The Dandy on 4th December 1937. The model here may well have been an early prototype for what eventually became one of the world`s best loved comic characters. (4)
Lot 701
*Drtikol (Frantisek, 1883-1961). Group portrait of the Czech Quartet, 2nd May 1921, mounted vintage gelatin silver print showing the group posing half length and without instruments to camera, with dated inscription to lower mount by Karel Hoffmann, followed by four signed musical quotations by the group`s members, Karel Hoffmann, Josef Suk, Jeri Herold and Ladislav Zelenka, photographer`s stamp, mount somewhat brittled and dampstained away from photograph and inscriptions (1)
Lot 702
*Dugmore (Major A. Radclyffe). Caribou Stag, Newfoundland, 1907, vintage platinum print, pencil inscription by the photographer(?) to verso, Ô9 yards away, photographed from a blind. My hands were frozen through having to keep still for so long & I could not focus the camera but had to wait until the stag came within the distance at which the camera had been set`, 430 x 355 mm, mat mount (1)
Lot 720
*Hill (David Octavius & Adamson, Robert). Portrait of Sir Francis Grant P.R.A., c. 1843-47, carbon print, possibly printed by Jessie Bertram, c. 1920, 20 x 14 cm, original mount with manuscript no. 1 lower right, together with ÔLady in Black`, a photogravure from Camera Work (January 1912, 37:29), 21 x 15.5 cm, tipped into old card folder. A reversed image of the photograph of Grant was published as a photogravure in the same issue of Camera Work (January 1912, 37:11). (2)
Lot 723
*Hong Kong. A three-part albumen print panorama of Hong Kong harbour, c. 1870, small splits to upper margin, left panel detached, 86 x 20 cm, together with a mounted albumen print of Hong Kong harbour from the Albany, c. 1870, 17 x 23.5 cm, plus a small quantity of other 19th-century photography interest, including seven albumen print views and one small oval portrait of Ceylon interest, c. 1862, an incomplete cabinet cards album, a few cartes de visite, etc. (a small carton)
Lot 725
*India. The Future Maharao Raja of Bundi, aged 5, photographed in the year that ÔLafugie` painted the reigning Mahar Raja [so captioned to frame verso], gelatin silver print, 190 x 135 mm, old ink inscription and typed caption to verso, together with an unrelated gelatin silver print of an unidentified Indian marriage, 110 x 150 mm, framed and glazed (2)
Lot 758
*Macpherson (Robert, 1811-1872). The Apollo Belvedere, c. 1860s, mounted albumen print, 36 x 23 cm, embossed stamp to mount beneath, together with six other contemporary large format mounted albumen prints including three more with embossed stamp of Macpherson, ÔThe Dying Gladiator` front and back views and ÔDescent from the Cross by Daniele di Volterra` (7)
Lot 765
*Miscellaneous photography, 19th c., a group of four photograph albums including one for Harold P. Molineux, 56th Regiment, 1873, with mounted albumen prints in Port Said, Hyderabad, Karachi, etc., a second album containing some Royal Engineers and Royal Artillery interest including cartes de visite plus ten Middle East interest albumen prints (20 x 25 cm) loosely inserted, an album of corner-mounted gelatin silver print snapshots of Africa and India, c. 1920, plus an album of mostly British and European albumen print views, various bindings and sizes, worn, plus a large scrap album of Boer War news cuttings (5)
Lot 772
*Norway, Scotland, etc. A large album containing approx. seventy large-format albumen print views, c. 1880, mostly of Norway, Scotland, etc., and many with a sailing theme, some relating to Lord Londonderry, some pencil captions to mounts, mounted back to back and as multiples in a contemp. ledger with many blank leaves at rear, contemp. morocco, some wear, oblong folio. (1)
Lot 776
*Owen (Hugh, 1890-1897). A group of three salt print views of Bristol, c. 1850, one a view of Steep Street, looking down from the corner of Trenchard Street, 224 x 175 mm, one of Lewins Mead, looking to the east, a figure in the doorway of George Iles` shop near right, some old pen outlining of buildings and pavement edges, 177 x 210 mm, the third of the north porch of St Mary Redcliffe before its restoration, c. 1847, contemp. pencil caption to verso, 204 x 158 mm, all partly faded, the first tipped on to an old paper mount. All three views are illustrated in Reece Winstone, ÔBristol`s Earliest Photographs`, 1970, illusts. 58, 62 & 67. (3)
Lot 787
*Russia. A group of ten mostly albumen print cabinet cards of the Knight family, c. 1880s and sl. later, all with Russian photographic studio details, plus a related printed passport completed in manuscript for Mrs Alice Armenia Knight allowing her to travel with her two children and two others through Turkey and Russia, 22nd October 1889, facsimile signature of Lord Salisbury, plus a printed birth certificate completed in manuscript for Jessie Birna, daughter of Percy John and Alice Knight, born 30th December 1883 at Batoum (Caucasus, Russia), with British Vice Consulate stamp at Batoum, dated 24th April 1884, plus two unrelated cabinet cards (14)
![*Spain. Two-part panorama of San Sebastian taken from Mount Urgull and looking over La Concha Bay, by [?]Neurdein Brothers, c](http://lot-images.atgmedia.com/SR/10729/2851160/794-2012227125612_468x382.jpg)
Lot 797
*Stuart Wortley (Colonel Henry, 1832-1890). Sail by Moonlight, c. 1869-70, mounted albumen print, 31 x 36 cm. DiGiulio, ÔNatural Variations: Photographs by Colonel Stuart Wortley` (1994), fig. 15. Please note that all of the Stuart Wortley photographs offered here show varying signs of what appears to have been a chemical reaction between the mounting glue and the photographic chemicals. (1)
Lot 799
*Stuart Wortley (Colonel Henry, 1832-1890). ÔHow Calm, How Beautiful Comes On, Veil`d in a Fleecy Cloud, the Silver Moon`, c. 1869-70, mounted circular albumen print, 31 cm diameter, handwritten ink caption to mount beneath, together with ÔEarly Morning`, mounted albumen print with handwritten caption beneath, 28 x 37 cm (2)
Lot 807
*20th-century Photography. A large group of assorted mostly silver print photos, all 20th century, including press prints, fashion shots, a pictorialist group by M. O. Dell, a group of large aerial photos of Italy, a portrait of Churchill by Cecil Beaton (torn), a signed portrait by Anthony Armstrong Jones and a signed photograph of Marcel Marceau, various sizes, including very large format (approx. 200)
Lot 856
*Highland Railway. A selection of singles issued at Inverness, comprising 1st Class to London Kings Cross and Pitlochry (fare overstamped); 3rd Class Parliamentary to Achnasheen, Aviemore, Blair-Athole (renamed 7/9/1893), Bonar-Bridge (2), Invergordon, and Kingussie; a fully-printed Bicycle, Perambulator or Mail Cart issue to Aviemore; and a blank card Bicycles, Perambulators, &c. print made out to Kingussie (11)
Lot 861
*Great Western Railway. Pre-grouping Type 1 platform tickets from Paddington 1 (series 29, dated 10/9/1918 - minor crease), Paddington 3 (series 2, dated 14/1/1915 - creased), and Paddington 4 (series 78), together with a District Railway Type 3 print from Sudbury Town (Ô0` series 1, dated 1/4/1916 - minor crease) and, from the same company, a ticket for the use of the Subway at South Kensington Station from the Princes Gate Entrance (dated 25/10/1x, with ÒLipton`s for QualityÓ advert on the back) (5)
Lot 886
*London & South Western Railway. Twenty vertically-printed returns. Ten are white 1st Class issues, which include Cheap Return, Cheap Week End, and Special Fare. Some are similar, but all have printing variations. There is also a 1st Class Union Castle SS Coy. Party return from Waterloo to Southampton pre-dated 5/8/1910, a 2nd Class ordinary return, six 3rd Class issues comprising a St. Barnabas Church Excursion Southfields to Herne Bay pre-dated 25/6/1914, two Weekly Workman tickets from St. Margaret`s to Waterloo (one repaired), a one Day Excursion Waterloo to Hampton Court, and two ordinary prints. The lot also includes a Southdown Park Races Special Train print from Waterloo to Esher, dated 12/12/1908 with Òno particular class of carriage guaranteedÓ in the text, and a Navy League SS Yarmouth Belle Special Train issue from Waterloo to Southampton, pre-dated 28/6/1902 with, in what would normally be the return half, the text ÒThis ticket is not issued by the London & South Western Ry. Company, but by the person organising the excursionÓ and on the back ÒThe class of Carriage, and time of departure and arrival of the train, are not guaranteedÓ (20)
Lot 921
*Great Eastern Railway. 2nd Class singles with Ô0000` serial numbers comprising a blue print from Chigwell to Liverpool Street, dated 1/5/1903 - the opening day of the issuing station (minor creases), and a mauve print from Liverpool Street to Shenfield & Hutton Junction without a pre-printed fare (full date unclear, but possibly 6/1/1887, a few days after the destination station re-opened) (2)
Lot 1095
Bernard Leach (1897-1979) Bird of Peace, a soft ground etching on paper, framed signed in the print, numbered in pencil 13/25 image 14 x 11.5cm. Literature Simon Olding The Etchings of Bernard Leach, Crafts Study Centre, Farnham, page 91 plate 64 for a comparable version of this print, originally conceived in 1918.
Lot 1216
`The Four Seasons` a set of four modern limited edition lithographic prints, originally designed by Alphonse Mucha 1900-1903, produced by the Mucha Foundation, framed signed in the print Mucha, signed in pencil and numbered 5/35 image 51 x 21.5cm. Literature Alphonse Mucha The Complete Graphic Works, Harmony Books, catalogue number P38 Spring 1900, P49-P51 Summer, Autumn & Winter all originally designed 1903, illustrated page 150 and 151.
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314783 item(s)/page