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A REGENCY MAHOGANY EXTENDING DINING TABLEBY MORGAN AND SANDERS, CIRCA 1815The inscribed end handle titled 'Patent, Morgan & Sanders, Inventors & Manufacturers, 16 & 17 Catherine Street, Strand, London', with three additional leaf insertions76cm high, 123cm wide, 305cm long (when fully extended)For a related extending dining table by Morgan & Sanders and formerly part of the Norman Adams collection incorporating a near identical engraved handle see Christopher Gilbert, Pictorial Dictionary of Marked London Furniture 1700-1840, Furniture History Society and W. S. Maney and Sons Ltd, 1996, page 345, figures 666 and 667. For another dining table by Morgan and Sanders and bearing similarly engraved makers plates/ handles, see Christie's, London, Important English Furniture & Clocks, 4th June 2009, Lot 10 (£20,000). Much is known about the business of Morgan & Sanders because of their involvement with Rudolph Ackermann, print seller, art dealer and publisher of the Strand. For his monthly periodical 'The Repository of Arts' they supplied a succession of furniture designs which were published between 1809 and 1815. They had by this date named their premises 'Trafalgar House' to capitalize on the death of the naval hero Lord Nelson for whom they were providing furniture for his house at Merton, Surrey in 1805. The partner's claim to have supplied furniture to Nelson is supported by a payment of £549 in 1810 to Morgan & Co, from money provided by the Marquess of Queensbury to clear part of the debts of Lady Hamilton who had inherited Nelson's house at Merton. In the Repository of February 1810 the partners claimed to have supplied their Pitt's Globe Writing Table to the Royal family and the illustration used by Ackermann was said to be based on one ordered by the Princess Augusta. Thomas Morgan also claimed that whilst in Butler's employ he had visited Buckingham House and showed a model of his Imperial Dining Table to the King, Queen and other members of the Royal Family. Condition Report: Marks, scratches and abrasions comensurate with age and useOld chips and splits. There are scratches and abrasions to the the surface in areas. The top surface of the dining table appears to have been applied with shellac/ varnish or french polish previously and it has a 'glassy' finish. This seems to make the natural 'splits' in the natural grain of the timber to be pronounced to a degree in some areas. The remaining frame and legs of the table appear also to have been applied with a later varnish or shellac. Where this has been marked or scratched it reveals a lighter coloured timber beneath. (see additional images) Some minor variation between the colour of the table top and the leaves. (see catalogue images) The oak fittings to the interior of the frame that form the brass clip holders may possibly be later. The clip fittings to the underside of the table top and leaves appear original and the brass clip fittings fit them well. There are no noticeable cracks or splits to the table top or the additional leaves. Please refer to the additional images for visual reference to condition. Condition Report Disclaimer
Manchester United 1968 European Cup Winners autographed framed display,featuring an artist's limited edition print numbered 10/100 with a design featuring a winner's medal, signed by the 11 United winning players Stepney, Brennan, Dunne, Crerand, Foulkes, Stiles, Best, Kidd, Charlton, Sadler and Aston, and additionally by Denis Law who missed the match through injury, also signed by the artist, mounted together with an original 1968 fan's pennant printed with the players names set above the autograph of manager Sir Matt Busby, signed and inscribed "ALL GOOD WISHES", plus a plaque detailing the match stats, framed under acrylic (not glass), measuring 76 by 66cm., comes complete with COA from Becket Graphics who were responsible for these signed limited edition prints along with respected company COA (2)
Pele signed b&w photographic print with Muhammad Ali, featuring two of the 20th century greatest sporting legends embracing on the occasion of Pele's Farewell match New York Cosmos v Santos, 1st October 1977, signed in black marker pen Pele, mounted ready for framing, 84 by 59cm. overall, with A1 Sporting Memorabilia COA
Pele signed b&w photographic print montage with Muhammad Ali 'Pele & Ali', featuring the two of the 20th century greatest sporting legends embracing on the occasion of Pele's Farewell match New York Cosmos v Santos, 1st October 1977, Pele celebrating Brazil winning the 1970 World Cup and Muhammad Ali post fight, signed in black marker pen Pele, mounted ready for framing, 68 by 53cm. overall, with A1 Sporting Memorabilia COA
A chromolithograph of a football match titled "Goal", published as a supplement for The Boy's Own paper, the artwork after Thomas M Hemy, mounted, glazed and framed, 46 by 58cm., sold together with a special limited edition print to commemorate the official FA hospitality programme for the 1996 Euro finals, 9 of 1050, 42 by 30cm., with COA and a Paine Proffitt "Spurs Past" limited edition print, 11 of 50, mounted, glazed and framed, 46 by 56cm. with COA, (3)
Pele and Gordon Bank duel signed b&w colour photographic print montage,featuring both players during the 1970 World Cup with the Jules Rimet trophy, signed in black marker pen by both players with typed legends, mounted ready for framing, 47 by 67cm. overall, with A1 Sporting Memorabilia COA
England 2006 FIFA World Cup Bid Bugs Bunny print, signed by artists Robert and Charles McKimson,featuring Bugs Bunny wearing the England team kit kicking a football, with a stadium in the background, signed in black marker pen and bearing THE FOOTBALL ASSOCIATION, ENGLAND and LOONEY TUNES emblems, rolled in tube, 57 by 48cm.
A 20th century painted wooden folding triptych with printed portrait of the Madonna and Child and angels, a wooden cross with brass figure of Christ, height 20cm, a similar smaller oak version on a domed base, together with a reproduction print of a Medieval icon, 41.5 x 31cm, framed and glazed (4).
AFTER FRANK GREEN (British, 20th century); a colour lithograph print 'St. Cecilia's, Green Lane', signed and dated 1977 in pencil to lower right margin, 26 x 40cm, with two other prints by the same artist 'The Last Game at the Kop, Liverpool Football Club', 26 x 39cm and 'The Leavin' of Liverpool Cutty Sark Tall Ship Race 1984', 39 x 71cm, both framed and glazed, both unsigned (3).

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314783 item(s)/page