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Lot 1099

Heidi Koenig (German B1964 - ) Abstract Artwork Monotype Print Titled Made For Each Other Signed And Framed 58 x 48cm (Room 205)

Lot 1629

HRH The Prince Of Wales Limited Edition Print Of Highgrove House Dated Signed And Framed 2011 Of 100 Signed Dated And Framed 61 x 55cm (Room 106 107)

Lot 1479

Lithograph Print Park Scene With 5 Figures Framed 80 x 60cm (Room 221)

Lot 2730

Landscape Lithograph Print In Portrait Untitled 87 x 72cm Bronze Frame (Room 236)

Lot 1554

Elvill Spirit Barrell Ceramic Table Lamps Depicting The Seat Of Sir John Elvill, Bart At Englefield Green In Surry. Taken From An Antique Engraved Print From A Series Of 84 Copper Engravings, Uncoloured As Sold By William Watts (1752 - 1851). Reeded Column With Shades (Room 103)

Lot 3855

Lithograph Print Still Life 55 x 50cm (Room 126)

Lot 1826

Lithograph Print Still Life 55 x 50cm (Room 131)

Lot 2840

Landscape Lithograph Print Framed Depicting A Tree 62 x 76cm (Room 241)

Lot 3854

Lithograph Print Still Life 55 x 50cm (Room 126)

Lot 3875

A set of 2 x Still Life Lithograph Print 55 x 60cm (Room 127)

Lot 1082

Heidi Koenig (German B1964 - ) Abstract Artwork Monotype Print Framed 68 x 58cm (Room 204)

Lot 1223

Derek Rangecroft (English) Giclee Print Abstract Art Signed And Framed 70 x 74cm (Room 210)

Lot 1016

Heidi Koenig (German B1964 - ) Monotype Print Titled Tranquillity Signed And Framed 58 x 59cm (Room 201)

Lot 1827

Lithograph Print Still Life 55 x 50cm (Room 131)

Lot 3873

Landscape Lithograph Print Framed Depicting A Tree 62 x 76cm (Room 127)

Lot 2621

Lithograph Print Park Scene With 5 Figures Framed 80 x 60cm (Room 231)

Lot 1945

Lithograph Print Park Scene With 5 Figures Framed 80 x 60cm (Room 123)

Lot 1240

Derek Rangecroft (English) LIMITED EDITION GICLEE PRINT Abstract Titled The Big Push Signed And Framed 75 x 90cm (Room 210)

Lot 2795

Still Life Lithograph Print 50 x 55cm (Room 239)

Lot 286

A REGENCY MAHOGANY EXTENDING DINING TABLEBY MORGAN AND SANDERS, CIRCA 1815The inscribed end handle titled 'Patent, Morgan & Sanders, Inventors & Manufacturers, 16 & 17 Catherine Street, Strand, London', with three additional leaf insertions76cm high, 123cm wide, 305cm long (when fully extended)For a related extending dining table by Morgan & Sanders and formerly part of the Norman Adams collection incorporating a near identical engraved handle see Christopher Gilbert, Pictorial Dictionary of Marked London Furniture 1700-1840, Furniture History Society and W. S. Maney and Sons Ltd, 1996, page 345, figures 666 and 667. For another dining table by Morgan and Sanders and bearing similarly engraved makers plates/ handles, see Christie's, London, Important English Furniture & Clocks, 4th June 2009, Lot 10 (£20,000). Much is known about the business of Morgan & Sanders because of their involvement with Rudolph Ackermann, print seller, art dealer and publisher of the Strand. For his monthly periodical 'The Repository of Arts' they supplied a succession of furniture designs which were published between 1809 and 1815. They had by this date named their premises 'Trafalgar House' to capitalize on the death of the naval hero Lord Nelson for whom they were providing furniture for his house at Merton, Surrey in 1805. The partner's claim to have supplied furniture to Nelson is supported by a payment of £549 in 1810 to Morgan & Co, from money provided by the Marquess of Queensbury to clear part of the debts of Lady Hamilton who had inherited Nelson's house at Merton. In the Repository of February 1810 the partners claimed to have supplied their Pitt's Globe Writing Table to the Royal family and the illustration used by Ackermann was said to be based on one ordered by the Princess Augusta. Thomas Morgan also claimed that whilst in Butler's employ he had visited Buckingham House and showed a model of his Imperial Dining Table to the King, Queen and other members of the Royal Family.   Condition Report: Marks, scratches and abrasions comensurate with age and useOld chips and splits. There are scratches and abrasions to the the surface in areas. The top surface of the dining table appears to have been applied with shellac/ varnish or french polish previously and it has a 'glassy' finish. This seems to make the natural 'splits' in the natural grain of the timber to be pronounced to a degree in some areas. The remaining frame and legs of the table appear also to have been applied with a later varnish or shellac. Where this has been marked or scratched it reveals a lighter coloured timber beneath. (see additional images) Some minor variation between the colour of the table top and the leaves. (see catalogue images) The oak fittings to the interior of the frame that form the brass clip holders may possibly be later. The clip fittings to the underside of the table top and leaves appear original and the brass clip fittings fit them well. There are no noticeable cracks or splits to the table top or the additional leaves. Please refer to the additional images for visual reference to condition. Condition Report Disclaimer

Lot 156

D. Pattern, by and after, 'Angel', signed, titled, and numbered 3/5 in pencil to margin, 44cm x 38cm; another, indistinctly signed, 'Head from panel of the slaves, part I', print, 54cm x 25cm, (2).

Lot 5

Anthony Gibbs, by and after, White Tigers Ever Watchful, signed coloured print, signed in pencil, 189/1550, 41cm x 77cm; another, Steve Kingston, by and after, Indian Summer, signed in pencil, 122/750 (2)

Lot 91

Automobila & Advertising - a 1940s AA car badge; another 1960s; British Motor Cars advertising Post office poster and stamps set; 155th anniversary Henry Ford stamp, number plates, Austin Twenty print; needle works etc qty

Lot 331

A collection of Oriental watercolours, on silk and a print (5)

Lot 148

Gilt framed mirrors and a print

Lot 372

A large print of the House of Lords, 1883, with key, 55cm x 94cm

Lot 401

Nancy Tuttle May, watercolour, signed, 'Coastal view from the sand dune' and a print by Judy Boyes

Lot 403

Etching by Albany Howarth of Westgate Canterbury, signed in pencil and a print 'The Pine Wood' by Winston Megoran, 29cm x 39cm and 29cm x 39cm

Lot 213

Autographs; Fran Cotton, Gary Schofield, Phil Bennet, Bayern Munich, and a Five Nations print

Lot 266

A 20thC oil lamp style electric table lamp, with orange glass shade on a brass three prong support, with glazed and floral print body on rococo foot, 52cm high. WARNING! This lot contains untested or unsafe electrical items. It is supplied for scrap or re-conditioning only. TRADE ONLY

Lot 372

A Victorian style cattle print, depicting cows in the moorland, 24cm x 44cm, in modern polished frame.

Lot 373

After George William Joy (Irish 1844-1925). Floral Macdonald's Farewell to Bonnie Prince Charlie, lithographic print, 53cm x 43cm, framed and glazed.

Lot 377

After John Dimond. Tens, limited edition signed print, signed in pencil to margin, No 22/750, 40cm x 58cm, framed and glazed.

Lot 383

After Beryl Cook. Pool party with balloons, print, 20cm x 29cm, framed and glazed.

Lot 384

Two maps, comprising a print of the map of Lincolnshire, and a hand coloured Robert Morden map of Cambridgeshire, each framed and glazed, 50cm x 40cm and 43cm x 37cm.

Lot 391

Charlotte Gerald (20thC School). Tiffany, limited edition print, 10/150, signed, 29cm x 29cm, framed and glazed.

Lot 613

A Pablo Picasso poster print, Vallauris Toros 1956, 29cm x 23cm, framed and glazed.

Lot 614

A group of Salvador Dali and Picasso prints, comprising Athena Productions blue woman, after Salvador Dali Museum collection Muchacha Frente A La Ventana print, Pablo Picasso Spanish 1881 The Blue Guitar, Georges Seurat bathing at Asnieres, and a portait De Madamme Z Picasso print. (5)

Lot 619

After Trevor Parkin. Up and Away, limited edition print 179/850, and Poised Action 40/850, 20cm x 25cm. (2)

Lot 621

Cricket Interest. A Lords Ground England v India test series print, 44cm x 63cm.

Lot 624

Two framed prints of Boston, to include The Boston May Sheep Fair, after George Northhouse, 39cm x 50cm, framed and glazed, and another print of Boston bridge and stump, 36cm x 54cm, framed and glazed. (2)

Lot 716

After Farep. Three figures at masquerade ball, print on board, in modern frame, 70cm x 68cm.

Lot 187

Manchester United 1968 European Cup Winners autographed framed display,featuring an artist's limited edition print numbered 10/100 with a design featuring a winner's medal, signed by the 11 United winning players Stepney, Brennan, Dunne, Crerand, Foulkes, Stiles, Best, Kidd, Charlton, Sadler and Aston, and additionally by Denis Law who missed the match through injury, also signed  by the artist, mounted together with an original 1968 fan's pennant printed with the players names set above the autograph of manager Sir Matt Busby, signed and inscribed "ALL GOOD WISHES", plus a plaque detailing the match stats, framed under acrylic (not glass), measuring 76 by 66cm., comes complete with COA from Becket Graphics who were responsible for these signed limited edition prints along with respected company COA (2)

Lot 235

Large Pele signed b&w photographic print featuring his meeting with George Best,signed in black marker pen Pele, 59 by 69cm. overall, mounted ready for framing, with A1 Sporting Memorabilia COA to reverse

Lot 236

Pele signed b&w photographic print with Muhammad Ali, featuring two of the 20th century greatest sporting legends embracing on the occasion of Pele's Farewell match New York Cosmos v Santos, 1st October 1977, signed in black marker pen Pele, mounted ready for framing, 84 by 59cm. overall, with A1 Sporting Memorabilia COA

Lot 237

Pele signed b&w photographic print montage with Muhammad Ali 'Pele & Ali', featuring the two of the 20th century greatest sporting legends embracing on the occasion of Pele's Farewell match New York Cosmos v Santos, 1st October 1977, Pele celebrating Brazil winning the 1970 World Cup and Muhammad Ali post fight, signed in black marker pen Pele, mounted ready for framing, 68 by 53cm. overall, with A1 Sporting Memorabilia COA

Lot 299

A chromolithograph of a football match titled "Goal", published as a supplement for The Boy's Own paper, the artwork after Thomas M Hemy, mounted, glazed and framed, 46 by 58cm., sold together with a special limited edition print to commemorate the official FA hospitality programme for the 1996 Euro finals, 9 of 1050, 42 by 30cm., with COA and a Paine Proffitt "Spurs Past" limited edition print, 11 of 50, mounted, glazed and framed, 46 by 56cm. with COA, (3)

Lot 539

Pele signed colour photographic print celebrating in the Brazil jersey with fist in the air, featuring Pele raised into the air by a Brazilian team mate, signed in black marker pen Pele, mounted ready for framing, 84 by 59cm. overall, with A1 Sporting Memorabilia COA

Lot 540

Pele signed colour photographic print swapping jerseys with Bobby Moore at the 1970 World Cup, signed in black marker pen Pele, mounted ready for framing 84 by 59cm. overall, with A1 Sporting Memorabilia COA

Lot 542

Pele and Gordon Bank duel signed b&w colour photographic print montage 'Save of the Century',featuring both players during the 1970 World Cup, signed in black marker pen by both players with typed legends, mounted ready for framing, 67 by 53cm. overall, with A1 Sporting Memorabilia COA

Lot 543

Pele signed b&w, colour photographic print montage 'Pele and Bobby Moore',featuring both players during the 1970 World Cup, signed in black marker pen Pele with typed legend, mounted ready for framing, 59 by 54cm. overall, with A1 Sporting Memorabilia COA

Lot 544

Pele and Gordon Bank duel signed b&w colour photographic print montage,featuring both players during the 1970 World Cup with the Jules Rimet trophy, signed in black marker pen by both players with typed legends, mounted ready for framing, 47 by 67cm. overall, with A1 Sporting Memorabilia COA

Lot 554A

England 2006 FIFA World Cup Bid Bugs Bunny print, signed by artists Robert and Charles McKimson,featuring Bugs Bunny wearing the England team kit kicking a football, with a stadium in the background, signed in black marker pen and bearing THE FOOTBALL ASSOCIATION, ENGLAND and LOONEY TUNES emblems, rolled in tube, 57 by 48cm.

Lot 18

After Quintin Matsys (1466?1530), The Misers, monochrome print, drawn by Thomas Fairland, published by James Bullock, London 1827, 24cm x 30cm, glazed and framed 34cm x 40cm.

Lot 29

After Cleto Luzzi, colour print, oval, carved gesso and giltwood frame, 85cm x 61cm.

Lot 161

A 20th century painted wooden folding triptych with printed portrait of the Madonna and Child and angels, a wooden cross with brass figure of Christ, height 20cm, a similar smaller oak version on a domed base, together with a reproduction print of a Medieval icon, 41.5 x 31cm, framed and glazed (4).

Lot 449

A quantity of prints and other artworks to include modern coloured prints, Continental watercolour by I Barra, various other watercolours, 20th century oil on canvas of a riverside scene of bridge and fort, and a naval print monogrammed ER, all framed mostly glazed.

Lot 452

AFTER ALAN LOWNDES (1921-1978); a limited edition print 'The Ice Cream Cart', no.348/500, signed in pencil, printed by Chorley & Pickersgill Ltd, framed and glazed, frame size 38 x 74cm. † CONDITION REPORT This lot may qualify for Artist Resale Rights. For further information, please visit

Lot 466

AFTER FRANK GREEN (British, 20th century); a colour lithograph print 'St. Cecilia's, Green Lane', signed and dated 1977 in pencil to lower right margin, 26 x 40cm, with two other prints by the same artist 'The Last Game at the Kop, Liverpool Football Club', 26 x 39cm and 'The Leavin' of Liverpool Cutty Sark Tall Ship Race 1984', 39 x 71cm, both framed and glazed, both unsigned (3).

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