Eric Gill, British 1882-1940- Gloria in Profundis; wood engraving, signed 'Eric G' (lower right) and numbered 2/25 (lower left), both in pencil, 13.5 x 8.5 cm.: Eric Gill, Male nude; woodcut, 11.5 x 7.7 cm.: Eric Gill, Figure in a field of flowers, bowing; wood engraving, inscribed 'proof EG' in pencil (lower left), 6.7 x 7.3 cm.: Eric Ravilious, British 1903-1942- Boy bird-nesting; wood engraving, numbered 406/500 in pencil (lower left), 10.5 x 14.5 cm.: together with a print of a boy in a tree by an unknown hand (5) All works are framed, mounted, and glazed, and unexamined out of the frames. General marks and scuffs to all the frames. Gloria in Profundis: The sheet is cockling within the mount. Foxing to the sheet. Possible creases and light abrasions to the surface. Male nude: Significant discolouration/browning to the sheet. Spots of foxing evident. Figure amongst flowers: Evidence of discolouration/browning and foxing to the sheet. Possible damage/holes to the sheet, particularly towards the left hand edge. Ravilious print: No evidence of damage or discolouration. In very good condition. Boy in a tree: Evidence of discolouration/browning to the sheet, particularly towards the edges. Otherwise these works appear to be in fair condition overall.
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David Gentleman, British b.1930- Blackfriars Bridge; and the Tower of London; lithographs printed in colours, two, each signed in pencil (lower right), the second numbered 28/195 in pencil (lower left), each 63 x 50.5 cm. (2) (ARR)Both framed and glazed, both unexamined out of frame. General marks and scuffs to the frames. The sheets lie flat in the frames. Evidence of light discolouration/browning to the sheets, with marks in each of the four corners of the print depicting the Tower of London, and in the upper two corners of the print depicting Blackfriars Bridge, where the sheets have been stuck down. No evidence of creasing, tearing, or water damage. Otherwise in good condition overall.
Stephen Buckley, British b.1944- Pang, 1983; lithograph, signed, dated, and inscribed AP 6/8 in pencil, 53.5 x 33.5 cm (ARR) Provenance: with Waddington Galleries, London, according to the label attached to the reverse of the frame. Unexamined out of frame. Secure in wooden frame with mount and glaze. Light undulation to the print visible at where the top edge of the mount contacts the print. Possible minor foxing. General surface dirt the outside of the glaze, particularly towards the upper edge with areas of brown liquid residue on the glaze. Otherwise in good condition overall.
JR, French b.1983- Millimètres, Portrait d'une génération, Les Bosquets, Jeté cambré, Montfermeil, France, 2014, 2018; c-print on Hahnemühle wove, numbered 371/1000 to accompanying card, from Art Box No. 37, published by Wombat, Paris, sheet loose as issued in original Wombat card box, sheet 30 x 24 cm (unframed) (ARR)Please refer to department for condition report
Four De Dion Bouton Books by Michael Edwards. De Dion Bouton - an Illustrated Guide to Type & Specification, 1905-1914, 2017; The Tricycle Book, 1895-1902, Part One, De Dion Bouton and its Contemporaries in France, 2018 (both books now out of print); The Tricycle Book, 1895-1902, Part Two, Three-wheeled Transport in Great Britain, 2019 being two volumes in a slipcase and De Dion Bouton, The Essential Library & Source Book, 1888-1931, 2020. (4)
A Star Wars Master Works lithographic print collection in a sealed metallic case, together with Star Wars Collectors etched badges framed, Star Wars embroidered emblems in sealed packaging, a History of Star Wars original film cell framed, 2005 Folio of Star Wars prints, and a Darth Vader Hologram, together with a boxed Ackley model Location: BWR
Framed Print Locomotion Plate 2nd, C1835 (1905). Artist: Seymour Del Shortshanks Locomotion Plate 2nd, C 1835. A Satirical Sketch Describing The Perils Of Steam-Powered Transport. Engraving By Shortshanks After A Drawing By Robert Seymour, Published By Thomas Mclean Of 26 Haymarket, London. From The Connoisseur 1905-6 In Gilt Profile Glazed Frame 38 x 31cm
A Set Of 3 x Gillian Allard Framed Prints (1) Circle In The Sand Solway Firth (2) Wells Next The Sea Norfolk Beach Detail (3) Returning Tide Gairloch All Signed Verso In A White Wood Glazed Frame 43 x 44cm Gillian Allard (British B.1966) Lives And Works As A Photographic Artist And Teacher In Suffolk. In 2017 She Entered The Sky Arts, Master Of Photography Television Competition Based In Rome, Italy. In An Eight-Week Process Of Elimination, Gillian And The Other Contestants Worked Hard To Hold Their Place. Gillian Reached The Final And Was Chosen By The Judges As The Unanimous Winner Of That Years Contest. An Artist And Lecturer Employing An Innovative Method Of Using Light-Sensitive Photographic Emulsion To Print Images Onto Natural Surfaces, The Result Being A Lifelike Sculpture. Image And Material Are Chosen To Create A Living Photographic Sculpture Which, Embedded In Its Natural Environment, Acknowledges The Fact That Over The Months And Years, The Work Will Be Returned To The Nature That It Celebrates. She Has Held Major Exhibitions Of Her Work At Suffolk One And Christchurch Mansion, Ipswich; Howard House Hotel, Wiltshire; Special Photographer's Company, London And The Urban Picnic Gallery, Saffron Walden, Essex.
Gillian Allard Framed Print Loch Ewe Area Signed Verso In A Modern White Wood Glazed Frame 48 x 49cm Gillian Allard (British B.1966) Lives And Works As A Photographic Artist And Teacher In Suffolk. In 2017 She Entered The Sky Arts, Master Of Photography Television Competition Based In Rome, Italy. In An Eight-Week Process Of Elimination, Gillian And The Other Contestants Worked Hard To Hold Their Place. Gillian Reached The Final And Was Chosen By The Judges As The Unanimous Winner Of That Years Contest. An Artist And Lecturer Employing An Innovative Method Of Using Light-Sensitive Photographic Emulsion To Print Images Onto Natural Surfaces, The Result Being A Lifelike Sculpture. Image And Material Are Chosen To Create A Living Photographic Sculpture Which, Embedded In Its Natural Environment, Acknowledges The Fact That Over The Months And Years, The Work Will Be Returned To The Nature That It Celebrates. She Has Held Major Exhibitions Of Her Work At Suffolk One And Christchurch Mansion, Ipswich; Howard House Hotel, Wiltshire; Special Photographer's Company, London And The Urban Picnic Gallery, Saffron Walden, Essex.
Gillian Allard Framed Print Still Life Solway Firth Signed Verso In A Modern White Wood Glazed Frame 48 x 49cm Gillian Allard (British B.1966) Lives And Works As A Photographic Artist And Teacher In Suffolk. In 2017 She Entered The Sky Arts, Master Of Photography Television Competition Based In Rome, Italy. In An Eight-Week Process Of Elimination, Gillian And The Other Contestants Worked Hard To Hold Their Place. Gillian Reached The Final And Was Chosen By The Judges As The Unanimous Winner Of That Years Contest. An Artist And Lecturer Employing An Innovative Method Of Using Light-Sensitive Photographic Emulsion To Print Images Onto Natural Surfaces, The Result Being A Lifelike Sculpture. Image And Material Are Chosen To Create A Living Photographic Sculpture Which, Embedded In Its Natural Environment, Acknowledges The Fact That Over The Months And Years, The Work Will Be Returned To The Nature That It Celebrates. She Has Held Major Exhibitions Of Her Work At Suffolk One And Christchurch Mansion, Ipswich; Howard House Hotel, Wiltshire; Special Photographer's Company, London And The Urban Picnic Gallery, Saffron Walden, Essex.
Gillian Allard Framed Print Distant Hill And Reflection Signed Verso In A White Wood Frame 48 x 49cm Gillian Allard (British B.1966) Lives And Works As A Photographic Artist And Teacher In Suffolk. In 2017 She Entered The Sky Arts, Master Of Photography Television Competition Based In Rome, Italy. In An Eight-Week Process Of Elimination, Gillian And The Other Contestants Worked Hard To Hold Their Place. Gillian Reached The Final And Was Chosen By The Judges As The Unanimous Winner Of That Years Contest. An Artist And Lecturer Employing An Innovative Method Of Using Light-Sensitive Photographic Emulsion To Print Images Onto Natural Surfaces, The Result Being A Lifelike Sculpture. Image And Material Are Chosen To Create A Living Photographic Sculpture Which, Embedded In Its Natural Environment, Acknowledges The Fact That Over The Months And Years, The Work Will Be Returned To The Nature That It Celebrates. She Has Held Major Exhibitions Of Her Work At Suffolk One And Christchurch Mansion, Ipswich; Howard House Hotel, Wiltshire; Special Photographer's Company, London And The Urban Picnic Gallery, Saffron Walden, Essex.
WW2 Liberation of Norway Document, framed and glazed document presented to "5569286 Pte J Ryan aac", issued by the Norwegian government for his service in the liberation of Norway. Accompanied by another similar document awarded to "2334949 Pte L R Morgan aac", this example is not framed; Framed re-print of a Mounted Infantry Certificate from the Boer War. (3 items)
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