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Lot 21

John Hall Thorpe (Australian, 1874-1947): 'Marigolds', signed in pencil lower right margin, woodcut print in colours, published Hall Thorpe, London, 1925, 23 by 29cm, in modern easel frame, 28.5 by 33.5cm.

Lot 25

After Laurence Stephen Lowry (British, 1887-1976): 'The Tall Man', a monochrome reproduction print, limited edition numbered 111/249 in pencil to lower left margin, 41 by 30cm, mounted, glazed, and framed, 61.5 by 47.5cm.

Lot 27

After Bob Dylan (American, b.1941-): 'Sidewalk Cafe' signed limited edition giclee print, from the Drawn Blank series, numbered 34/295, published in 2018 by Washington Green, with certificate, 53.5 by 40.5cm, mounted glazed and framed, 85 by 68cm.

Lot 436

Artist: Karima Muyaes (Mexican, b.1960). Title: "Naufragio". Medium: Color etching with drypoint and aquatint a la poupee. Date: Composed 1983. Dimensions: Overall size: 19 13/16 x 14 7/8 in. (503 x 378 mm). Image size: 11 3/4 x 9 15/16 in. (298 x 252 mm).Lot Note(s): Signed, titled, dated and numbered in pencil. Print #5 of Edition of 5. Soft handling creases; otherwise fine condition. Upon request, a Letter of Authenticity (LOA) from the Artist accompanies this lot. Comment(s): The winner of the first prize in the print category at the Toronto School of Art in 1983, when the artist was 23. A listed artist, Karima Muyaes is currently one of the most innovative and talented international painters/printmakers. A major monograph on her work authored by Avelina Lesper, the foremost contemporary Mexican art critic, will be published early in 2021. Muyaes’s work has sold at Sotheby's (New York City), Swann Auction Galleries (New York City), Martin Gordon Auctions (Phoenix), Louis C. Morton (Mexico City), and Casa de Subastas Odalys (Madrid/Caracas), among others. In April of 2013 and again in 2018 she was chosen by the prestigious Mexican newspaper "Milenio" as one of the top 34 currently active Mexican artists and featured in a series of newspaper articles and TV appearances. Muyaes has an extensive worldwide exhibition history which includes a show that travelled throughout Sweden for two years, 2010-2012. Image copyright © Karima Muyaes. [18624-0-300]

Lot 81

Artist: Robert Frank (Swiss/American, b.1924). Title: "Butte, Montana". Medium: Original photogravure. Date: Composed 1956. Printed 1969. Dimensions: Overall size: 5 1/16 x 7 11/16 in. (129 x 195 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition. Comment(s): According to “Gordon’s Photography Prices” the auction record for a silver print of this image is $146,500 realized at Sotheby's, New York, 4/13/2010, lot #160. Image copyright © Robert Frank. [29718-1-300]

Lot 651

Artist: Keith Haring (American, 1958 - 1990). Title: "The Paris Review [1988 poster]". Medium: Original color silkscreen. Date: Composed 1988. Printed 1988. Dimensions: Overall size: 24 x 32 in. (610 x 813 mm).Lot Note(s): Signed and dated in black marker, lower right; signed and dated in the plate, lower left. Edition size unspecified, presumed extremely small - perhaps a few proofs?. White wove thick paper. Full margins. Fine impression with vibrant colors. Overall very good to fine condition. Literature/catalogue raisonne: Gundel/von der Osten "Keith Haring - Short Messages: Posters" #66. Provenance: Private collection, Sweden, thence to our consignor. Comment(s): This is a very rare poster. Haring created this image for the famous periodical "Paris Review" in 1988. An editioned silkscreen with virtually the same image was printed in 1989. Based on auction records the poster appears far more uncommon than the print. According to 'Gordon's Art Reference' the auction record for the print is $11,250 at Sotheby's, New York, October 30, 2014, lot #239. Gordon's records 51 offerings of the print at auction from 1990 to 2019. During the same period Gordon’s records only a single offering of the poster, at $4,493 (€4,000) by Van Ham Kunstauktionen, Cologne, Germany, 5/31/2017, lot #179. Both the poster and the print are silkscreens. They differ only in the color of the face (green in the poster, blue in the print), and the elimination of the plate signature and date in the print, both present in the poster. Please note our example is the first printing of the silkscreen poster in 1988 and not the offset lithograph later printing by the Haring estate in 1995. Image copyright © The Keith Haring Foundation. [29156-6-2400]

Lot 416

Artist: Manuel Alvarez Bravo (Mexican, 1902 - 2002). Title: "Muchacha Viendo Pajaros". Medium: Original photogravure. Date: Composed 1931. Printed later. Dimensions: Overall size: 6 7/8 x 8 3/8 in. (175 x 213 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition size unspecified, presumed small. High-grade archival paper. Wide margins. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collection, San Miguel de Allende, Guanajuato, Mexico. Comment(s): According to “Gordon’s Photography Prices” the auction record for a silver print of this very scarce image is $52,580 realized at Sotheby's, New York, 4/17/2002, lot #130. Image copyright © Colette Urbajtel / Archivo Manuel Alvarez Bravo, SC. [29771-2-400]

Lot 430

Artist: Keith Haring (American, 1958 - 1990). Title: "Naples Suite #18 [untitled]". Medium: Lithograph. Date: Composed 1983. Printed 1989. Dimensions: Overall size: 12 5/8 x 9 5/16 in. (321 x 237 mm).Lot Note(s): Signed by Haring in silver marker; signed, dated, and titled in the plate. A proof (?) from the edition of unspecified size. Light cream smooth wove paper. The full sheet. Fine impression. Very good to fine condition; slight edge toning; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Scarce. No auction records of a signed impression located. A print from the group of 30 lithographs published on the occasion of the exhibition “Keith Haring 1983” which ran from January 15th to January 30th, 1990 in Paris at La Galerie de Poche/Galerie 1900-2000. This was the last Haring exhibition held in his lifetime. He signed this print shortly before his death on February 16, 1990. Image copyright © The Keith Haring Foundation. [29747-2-800]

Lot 426

Artist: Keith Haring (American, 1958 - 1990). Title: "Naples Suite #09 [untitled]". Medium: Lithograph. Date: Composed 1983. Printed 1989. Dimensions: Overall size: 12 5/8 x 9 5/16 in. (321 x 237 mm).Lot Note(s): Signed by Haring in silver marker; signed, dated, and titled in the plate. A proof (?) from the edition of unspecified size. Light cream smooth wove paper. The full sheet. Fine impression. Very good to fine condition; slight edge toning; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Scarce. No auction records of a signed impression located. A print from the group of 30 lithographs published on the occasion of the exhibition “Keith Haring 1983” which ran from January 15th to January 30th, 1990 in Paris at La Galerie de Poche/Galerie 1900-2000. This was the last Haring exhibition held in his lifetime. He signed this print shortly before his death on February 16, 1990. Image copyright © The Keith Haring Foundation. [29738-2-600]

Lot 399

Artist: Andy Warhol (American, 1928 - 1987). Title: "Mick Jagger Suite (first edition) [the complete "first edition" set of 10 (unsigned) announcement cards in the original printed folder - a "mini portfolio" - Marechal, Section 7c, no.33A]". Medium: Color offset lithographs. Date: Composed 1975. Dimensions: Overall size: 6 1/16 x 4 in. (154 x 102 mm).Lot Note(s): Neither signed in the plate nor in marker. Edition limited, quantity unknown, possibly c.800. Cream smooth wove paper. The full sheets. Strong, bright colors. Fine condition; each card numbered consecutively from one to ten, verso. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018, Section 8c, no.33A; cf. Feldman/Schellmann II.138-147. Provenance: Private collection, Sweden, thence to our consignor. Comment(s): Our example, the first edition, is much scarcer than the second. As to value, an unsigned example of the second edition sold for $17,156 (€12,500) at Ketterer Kunst, Munich, 12/7/2013, lot #849. The first edition is neither signed nor numbered in the plate and is 1/16" shorter in height than the second. The second is signed in the plate both by Warhol and Jagger and is numbered in the plate 2/250. Regarding the first edition, apparently the Castelli staff took photographs of the screenprints before Warhol and Jagger signed them and sent them to the printer. Realizing the mistake, the print run was halted and the portfolios never released to the public. The second edition was printed later after the actual screenprints had been signed, the photographs taken by Warhol himself. Co-published by Multiples Inc., New York, and Castelli Graphics, New York. Based on Warhol's portfolio of 10 color screenprints of Mick Jagger from 1975. Images copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28957-1-1600]

Lot 411

Artist: Ansel Adams (American, 1902-1984). Title: "Moonrise, Hernandez, New Mexico". Medium: Original photogravure. Date: Composed 1941. Printed later. Dimensions: Image size: 10 1/16 x 11 1/16 in. (256 x 281 mm).Lot Note(s): Stamped with the photographer's name, verso. Quantity printed unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): This work is one of Adams’s most famous images as well as his highest priced. It was taken on October 31, 1941. A December 2020 sale at Sotheby’s of an impression of this print brought $685,500. Image copyright © The Ansel Adams Publishing Rights Trust. [30372-2-1200]

Lot 689

Artist: Robert Frank (Swiss/American, b.1924). Title: "U.S. 90, En Route to Del Rio, Texas". Medium: Original photogravure. Date: Composed 1956. Printed 1969. Dimensions: Overall size: 6 5/8 x 4 1/2 in. (168 x 114 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition. Comment(s): According to “Gordon’s Photography Prices” the auction record for a silver print of this image is $516,000 realized at Phillips, New York, 4/24/2007, lot #16. Image copyright © Robert Frank. [29729-1-700]

Lot 149

Artist: Rafael Coronel (Mexican, 1931-2019). Title: "Desnudo". Medium: Color offset lithograph. Date: Printed 1978. Dimensions: Overall size: 24 3/4 x 18 7/8 in. (629 x 479 mm). Image size: 24 3/4 x 18 7/8 in. (629 x 479 mm).Lot Note(s): Signed with the signature stamp, lower left; dedicated with the stamp, lower left verso; signed in the plate, lower right. Print #128 from the edition of unknown size (c150-200?). Cream lightly textured wove paper. Printed to the sheet edges. Fine impression. Very good to fine condition. Comment(s): Rafael Coronel, born in Zacatecas, State of Zacatecas, is the son-in-law of Diego Rivera and the brother of Pedro Coronel. His representational paintings have a melancholic sobriety, and include faces from the past great masters, often floating in a diffuse haze. Image copyright © Rafael Coronel. [28007-5-300]

Lot 394

Artist: C. B. Waite (American, c.1860-c.1929). Title: "Mexican Revolution Battle Scene". Medium: Vintage gelatin silver print. Date: Composed c1913. Printed c1913. Dimensions: Image size: 4 13/16 x 5 1/16 in. (122 x 129 mm).Lot Note(s): Edition unknown, probably very small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good condition. Comment(s): Charles Burlingame Waite was an important photographer of the Mexican Revolution. [27260-1-300]

Lot 659

Artist: Tina Modotti (Italian/American, 1896 - 1942). Title: "The Typewriter of Julio Antonio Mella". Medium: Original photogravure. Date: Composed 1928/29. Printed later. Dimensions: Overall size: 15 11/16 x 11 5/8 in. (398 x 295 mm). Image size: 9 5/8 x 7 11/16 in. (244 x 195 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Full margins. Fine, quality printing. Fine condition. Comment(s): A gelatin silver print of this image sold for $40,700 at Sotheby’s New York on October 15, 1992 lot #266. Image copyright © The Estate of Tina Modotti. [27142-3-400]

Lot 347

Artist: Keith Haring (American, 1958 - 1990). Title: "Light Bulb". Medium: Original vintage lithograph. Date: Composed 1982. Printed 1982. Dimensions: Overall size: 9 1/8 x 8 7/8 in. (232 x 225 mm).Lot Note(s): Hand-signed by Haring in silver marker. A proof (?) from the edition of unspecified size. Cream wove paper. The full sheet. Fine impression. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Scarce. No auction records of a signed impression located. A print from the “portfolio” of 32 lithographs titled “Coloring Book [1982].” The print was issued as part of this work and since most of them were subsequently colored, few remain unblemished. Image copyright © The Keith Haring Foundation. [29135-2-600]

Lot 545

Artist: Keith Haring (American, 1958 - 1990). Title: "Push-up Man". Medium: Original vintage lithograph. Date: Composed 1982. Printed 1982. Dimensions: Overall size: 9 x 8 1/2 in. (229 x 216 mm).Lot Note(s): Hand-signed by Haring in silver marker. A proof (?) from the edition of unspecified size. Cream wove paper. The full sheet. Fine impression. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Scarce. No auction records of a signed impression located. A print from the “portfolio” of 32 lithographs titled “Coloring Book [1982].” The print was issued as part of this work and since most of them were subsequently colored, few remain unblemished. Image copyright © The Keith Haring Foundation. [29474-2-600]

Lot 631

Artist: Keith Haring (American, 1958 - 1990). Title: "Ten Cats". Medium: Lithograph. Date: Composed 1985. Printed 1986. Dimensions: Overall size: 11 3/4 x 11 3/4 in. (298 x 298 mm).Lot Note(s): Signed by Haring in gold marker. A proof (?) from the edition of unspecified size, presumed small (c250?). White wove paper. The full sheet. Fine impression. Fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Scarce. No auction records located. A print from the “portfolio” of 20 lithographs commonly referred to as “Keith Haring’s Coloring Book [1986].” The print was issued as part of this work and since most of them were subsequently colored, few remain unblemished. Image copyright © The Keith Haring Foundation. [29111-3-800]

Lot 95

Artist: Edouard Manet (French, 1832 - 1883). Title: "Chat et les Fleurs". Medium: Etching with aquatint. Date: Composed 1869. Printed later. Dimensions: Overall size: 13 x 8 1/8 in. (330 x 206 mm). Image size: 8 x 6 in. (203 x 152 mm).Lot Note(s): Signed in the plate, lower left. Cream wove paper. Very wide margins. Fine impression. Excellent condition. Literature/catalogue raisonne: Guerin 53; Harris 65. Comment(s): This print has sold as high as $863 at auction (Swann Galleries, NYC, Discovery Sale: Prints & Drawings, Sale #1993, 01/22/2004, lot #76). [2919-3-400]

Lot 413

Artist: Mary Cassatt (American, 1845 - 1926). Title: "Mother Nursing Her Child". Medium: Pencil drawing on paper. Date: Composed c1899. Dimensions: Overall size: 10 1/2 x 7 5/8 in. (267 x 194 mm).Lot Note(s): Signed lower right. Drawn on cream laid paper. Good to very good condition; deckle edges top and left edges; uneven lower edge; a few subtle fox marks recto; presents very well. Comment(s): Our example is a (the?) study for the drypoint print of the same name, published in 1899. The present drawing being offered in our auction is no longer under copyright and the image is in the public domain. [29938-2-6000]

Lot 579

Artist: Pierre Bonnard (French, 1867 - 1947). Title: "Scene de famille [horizontal - 1892]". Medium: Original color lithograph. Date: Composed 1892. Printed 1927. Dimensions: Overall size: 7 5/8 x 9 3/16 in. (194 x 233 mm). Image size: 6 3/4 x 8 1/4 in. (171 x 210 mm).Lot Note(s): Stamped lower right; signed and dated in the plate, upper left; stamped verso. Edition of 200. Cream wove paper. Ample margins. Fine impression and coloring. Very good to fine condition. Literature/catalogue raisonne: cf. Francis Bouvet, “Bonnard: The Complete Graphic Work” #2, for the full-sized lithograph; Terrasse/Floury 2. Provenance: Ex-collection Marty Gordon (the legendary print dealer), Martin Gordon, Inc., New York City, his handstamp verso. Comment(s): Scarce. This print was authorized by Bonnard, printed under the immediate supervision of Charles Terrasse (Bonnard’s nephew) by D. Jacomet & Cie, Paris, and published by Henri Floury, Paris. Image copyright © Artists Rights Society (ARS), New York. [29355-1-800]

Lot 320

Artist: Jean Pierre Marie Jazet (French, 1788 - 1871). Title: "La promenade du Jardin Turc - 1810 [Paris]". Medium: Color engraving, etching, and aquatint, with handcoloring. Date: Composed 1812. Dimensions: Overall size: 16 x 23 3/4 in. (406 x 603 mm). Image size: 12 x 21 7/8 in. (305 x 556 mm).Lot Note(s): After Jean Joseph Bostier de Bez (1780-1845). An extremely rare proof (1 of 3) before letters. Cream wove paper. The full sheet, deckle edges four sides. An excellent impression. Condition: good; some foxing and browning with color attenuation; no serious problems. Literature/catalogue raisonne: See: Beraldi, Volume 8, pg. 229; IFF2; B4. Provenance: Ex-collection Cortlandt F. Bishop, with his stamp, verso; M. Knoedler, NYC, with their labels from frame back, separate from the print, since lost. Comment(s): A rare print even with letters. We could find only three sales at auction, all with letters, in the past 25 years, the last in 1995 (sold at $1,168). The print shows a part of the Boulevard du Temple, then called the Boulevard du Crime. "Jean Pierre Marie Jazet was one of the most prominent aquatint engravers of the Napoleonic era. He worked almost exclusively in aquatint, reproducing the paintings of the grand Republican artists such as David, Vernet, de Gros, and Grenier. Although the majority of his prints were patriotic images, he also produced many fine aquatints of pastoral paintings and genre scenes. His fresh images exhibit the beauty of the medium and exemplify his amazing technical ability. His extremely complex prints are fluid yet detailed; they express the beautiful painterly technique of the medium…" Courtesy: Donald A. Heald. [24412-4-800]

Lot 346

Artist: Edward Weston (American, 1886 - 1958). Title: "Lettuce Ranch, Salinas, California". Medium: Original vintage photogravure. Date: Composed 1934. Printed 1935. Dimensions: Image size: 8 x 10 1/16 in. (203 x 256 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Rare. According to “Gordon’s Photography Prices” the auction record for a silver print of this image is $30,000 offered at Christie's, New York, 4/7/2011, lot #304. Image copyright © Center for Creative Photography, Arizona Board of Regents. [27632-2-225]

Lot 263

Artist: Lewis Hine (American, 1874-1940). Title: "Group of "Newsies" at the Brooklyn Bridge Starting Out at 1:00am in a Blizzard on a Sunday". Medium: Original photogravure. Date: Composed 1908. Printed later. Dimensions: Overall size: 11 5/8 x 15 11/16 in. (295 x 398 mm). Image size: 9 5/16 x 11 13/16 in. (237 x 300 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Full margins. Fine, quality printing. Fine condition. Comment(s): A gelatin silver print of this image sold for $22,500 at Phillips, NY, October 8, 2015, lot #142. Lewis Wickes Hine was an American sociologist and photographer who used his camera as a tool for social reform. His photographs were instrumental in changing child labor laws in the United States. [27164-3-300]

Lot 217

Artist: William Gordon Shields (Canadian/American, 1883 - 1947). Title: "Figures by the Staircase, New York City". Medium: Vintage albumen print. Date: Composed c1905. Printed c1905. Dimensions: Image size: 6 3/4 x 4 3/4 in. (171 x 121 mm).Lot Note(s): Stamped with the photographer's name, verso. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good condition; contained within a conservation mat. Provenance: Christie's, New York. Comment(s): “Shields helped found the Pictorial Photographers of America, along with Clarence White and Gertrude Kasebier. He is listed in Witkin and London’s ‘The Photograph Collector’s Guide,’ ‘Auer and Auer’ and the George Eastman House databases. He also appears in the book by C.A. Peterson, ‘After the Photo Secession: American Pictorialist Photography 1910-1955.’” (Courtesy Alex Novak, Vintage Works, Ltd.). Image copyright © The Estate of William Gordon Shields. [279-4-400]

Lot 563

Artist: Manuel Alvarez Bravo (Mexican, 1902 - 2002). Title: "Retrato de lo Eterno". Medium: Original photogravure. Date: Composed 1935. Printed later. Dimensions: Overall size: 10 1/4 x 7 13/16 in. (260 x 198 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition size unspecified, presumed small. High-grade archival paper. Ample margins. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collection, Guadalajara, Mexico. Comment(s): According to “Gordon’s,” a silver print of this Alvarez Bravo image last sold in the six figures ($106,250) at Phillips, New York, 4/4/2017, lot #64. Image copyright © Colette Urbajtel / Archivo Manuel Alvarez Bravo, SC. [29582-2-800]

Lot 423

Artist: Keith Haring (American, 1958 - 1990). Title: "Naples Suite #02 [untitled]". Medium: Lithograph. Date: Composed 1983. Printed 1989. Dimensions: Overall size: 12 5/8 x 9 5/16 in. (321 x 237 mm).Lot Note(s): Signed by Haring in silver marker; signed, dated, and titled in the plate. A proof (?) from the edition of unspecified size. Light cream smooth wove paper. The full sheet. Fine impression. Very good to fine condition; slight edge toning; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Scarce. No auction records of a signed impression located. A print from the group of 30 lithographs published on the occasion of the exhibition “Keith Haring 1983” which ran from January 15th to January 30th, 1990 in Paris at La Galerie de Poche/Galerie 1900-2000. This was the last Haring exhibition held in his lifetime. He signed this print shortly before his death on February 16, 1990. Image copyright © The Keith Haring Foundation. [29731-2-800]

Lot 6

Artist: Diane Arbus (American, 1923-1971). Title: "Albino Sword Swallower at a Carnival, Maryland". Medium: Original vintage photogravure. Date: Composed 1970. Printed 1972. Dimensions: Overall size: 8 1/4 x 8 1/8 in. (210 x 206 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition size unspecified, presumed very small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition. Comment(s): A very rare print. “Gordon’s” locates only two sales in the past 35+ years, the highest price at Christie's, New York, 10/10/1991, lot #36, realizing $28,000. Image copyright © The Estate of Diane Arbus, LLC. [29613-2-600]

Lot 335

Artist: Pierre Bonnard (French, 1867 - 1947). Title: "Le Parc Monceau". Medium: Original etching. Date: Composed 1937. Printed later. Dimensions: Overall size: 17 7/8 x 13 in. (454 x 330 mm). Image size: 13 1/4 x 10 1/8 in. (337 x 257 mm).Lot Note(s): Signed in the plate, lower left. Edition of 500. Cream laid paper. Very wide (full?) margins. Fine impression. Very good condition; would be fine condition but for a crease in upper right and left margin, well away from image, would be matted out when framed. Literature/catalogue raisonne: Francis Bouvet, “Bonnard: The Complete Graphic Work” #114. Comment(s): This print is sometimes erroneously called “Jardin public” or “Les Champs-Elysees.” Image copyright © Artists Rights Society (ARS), New York. [25685-3-300]

Lot 304

Artist: Diane Arbus (American, 1923-1971). Title: "Jewish Giant at Home with His Parents in the Bronx, New York [Eddie Carmel]". Medium: Original photogravure. Date: Composed 1970. Printed 1978. Dimensions: Overall size: 15 3/4 x 11 5/8 in. (400 x 295 mm). Image size: 10 1/16 x 9 15/16 in. (256 x 252 mm).Lot Note(s): Stamped with the photographer's name, verso. High-grade archival paper. Ample margins. Fine, quality printing. Very good to fine condition. Comment(s): This edition authorized and supervised by Doon Arbus. Acording to “Gordon’s Photography Prices” the auction record for a silver print of this image is $583,500 realized at Christie's, New York, 5/17/2017, lot #25B. This is one of Arbus’s most famous pictures and one of her best-known subjects – a ‘Jewish giant’ named Eddie Carmel. Carmel worked in carnival sideshows and as an actor in monster B-movies. Arbus photographed him a number of times and described the family dynamics: "The parents are orthodox and repressive and disapprove of his carnival career … When he stands with his arms around each he looks like he would gladly crush them. They fight terribly in an utterly typical fashion which seems only exaggerated by their tragedy." True to her description, this could be a conventional family portrait, were it not for the apparent look of fear in Mrs. Carmel’s face as she looks up at her son, who stands cramped and bowed by the traditional family sitting room (courtesy National Galleries of Scotland). A wonderful article on this photograph and the relationship between Arbus and The Jewish Giant can be found here: http://www.nytimes.com/2014/04/13/arts/design/diane-arbus-recorded-a-bronx-familys-unsettling-dynamic.html?_r=0. Image copyright © 1972 The Estate of Diane Arbus, LLC. [27156-3-800]

Lot 734

Artist: Helmut Newton (German/Australian, 1920-2004). Title: "Woman Examining Man, U. S. Vogue [Saint-Tropez]". Medium: Original photolithograph. Date: Composed 1975. Printed 1995. Dimensions: Image size: 10 5/8 x 7 1/16 in. (270 x 179 mm).Lot Note(s): Signed "Helmut" in pen, lower right. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Through the photographer Henry Talbot; from an extensive private collection, Sydney, Australia. Comment(s): A silver print of this image sold for $ 68,750 at Sotheby's, New York (Photographs, #9487), 4/3/2016, lot #132. Trousers by Calvin Klein. Image copyright © The Helmut Newton Foundation. [26747-3-800]

Lot 197

Artist: Henri Cartier-Bresson (French, 1908 - 2004). Title: "Eunuch of the Imperial Court, Peking, China". Medium: Original photogravure. Date: Composed 1949. Printed 1979. Dimensions: Overall size: 15 11/16 x 11 3/4 in. (398 x 298 mm). Image size: 10 5/8 x 7 1/8 in. (270 x 181 mm).Lot Note(s): Stamped with the photographer's signature, lower right. High-grade archival paper. Ample margins. Fine, quality printing. Very good to fine condition. Provenance: Private collector, Limoges, France. Comment(s): The silver print of this image has sold as high as $12,000 (Swann Galleries, New York City, 10/18/2011, lot #2). Image copyright © Licensed by VAGA, New York, NY. [27472-3-400]

Lot 315

Artist: Manuel Alvarez Bravo (Mexican, 1902 - 2002). Title: "La Buena Fama Durmiendo". Medium: Original photogravure. Date: Composed 1938. Printed later. Dimensions: Overall size: 9 3/16 x 8 1/2 in. (233 x 216 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition size unspecified, presumed small. High-grade archival paper. Very wide margins. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collection, Mexico City. Comment(s): According to “Gordon’s” the auction record for a silver print of this highly popular image is $50,000 realized at Christie's, New York, 11/13/2007, lot #60. Image copyright © Colette Urbajtel / Archivo Manuel Alvarez Bravo, SC. [29578-2-800]

Lot 30

Artist: Edgar Degas (French, 1834 - 1917). Title: "Au repos, au salon". Medium: Original duogravure, after the monotype. Date: Composed c1879. Printed 1948. Dimensions: Overall size: 11 3/8 x 9 in. (289 x 229 mm).Lot Note(s): Numbered in pencil, lower left; handstamps verso. Edition of 500. Cream wove watermarked Marais "vellum" paper. Wide margins. Fine impression. Very good condition, very crisp, a pronounced platemark, and the expected light tanning to the sheet. Provenance: Ex-collection Marty Gordon (the legendary print dealer), Martin Gordon, Inc., New York City, his handstamp verso. Comment(s): Degas created a considerable body of monotypes in the late 19th century. A number of them were reduced in size and recreated as original works in 1938 and again in 1948, of which our example is part. The verso bears the handstamp of Edgar Achille Gaston DeGas-Musson (1875-1953), the son of Estelle Angelina Musson DeGas and Jean Baptiste Rene DeGas (the brother of Edgar Degas). [29339-2-225]

Lot 42

Artist: Andy Warhol (American, 1928 - 1987). Title: "Bald Eagle". Medium: Original color analogue photograph. Date: Composed 1983. Dimensions: Overall size: 4 x 6 in. (102 x 152 mm).Lot Note(s): Signed in black marker. Printed on Kodak photographic paper. The full sheet. Fine, quality printing. Fine condition. Literature/catalogue raisonne: cf. Feldman/Schellmann II.296. Provenance: Private collection, Sweden, thence to our consignor. Comment(s): This photograph was taken by Warhol (probably with his Konica C35 EF) in Rupert Jasen Smith’s studio before the ‘Bald Eagle’ print was signed by Warhol. Once it was developed, this photo (and the print) were then signed by Warhol. An image from the ‘Endangered Species’ series. The regular edition silkscreens were printed by Rupert Jasen Smith, New York City and published by Ronald Feldman Fine Arts, Inc., New York City. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [29254-1-1600]

Lot 526

Artist: Georges Braque (French, 1882 - 1963). Title: "Pommes". Medium: Original hand-colored gouache pochoir on collotype. Date: Composed 1958. Printed 1959. Dimensions: Overall size: 7 1/4 x 9 3/8 in. (184 x 238 mm).Lot Note(s): Signed in pencil with the initials, lower right; annotated lower left. From the edition of 60 Hors Commerce impressions. Cream wove Arches paper. Margins as issued. Fine impression with vivid colors. Fine condition. Provenance: From the library of the London gallerist and bookseller Anton Zwemmer (1892–1979), a publisher of the work. Comment(s): Authorized by and printed under the supervision and participation of Braque, four years before his death. Braque applied a complimentary signature to a number of H.C. impressions of this print. The auction record for a pochoir (“Nature morte”) of approximately the same size as our example is SF8,400 ($6,737) realized at Galerie Koller, Zurich, 6/23/2006, lot #Z20/3. A more recent sale (“Nature morte au citron”) at Swann Auction Galleries, New York City, 3/13/2018, lot #367, realized $4,250. Image copyright © Artists Rights Society (ARS), New York / ADAGP, Paris. [30039-1-600]

Lot 387

Artist: Pablo Picasso [d'après] (Spanish, 1881 - 1973). Title: "May 16, 1964 #3 [from the suite 'Le Gout du Bonheur,' image dated 16-5-64 III, untitled as issued]". Medium: Original color silkscreen & lithograph. Date: Composed 1964. Printed 1970. Dimensions: Overall size: 12 7/8 x 9 13/16 in. (327 x 249 mm).Lot Note(s): Signed in pencil, lower right; annotated in pencil (presumably in the artist's hand) lower left; dated in the plate, upper right. An artist’s proof (E.A. - epreuve d’artiste) aside from the edition of 666. Cream wove handmade rag Velin d' Arches paper, deckle edges three sides. Full margins, as issued. Fine impression. Fine, fresh condition, as issued, with rich, vibrant colors. Literature/catalogue raisonne: Goeppert/Cramer (GC/CR/CBK/CB/C) 148; Bloch (BB) 150. Provenance: the Estate of Guenther Dietz (German, 1919-1995), who printed the edition. Comment(s): Although this work is often catalogued as a lithograph, or silkscreen, or pochoir, or photo-lithograph, in reality it is none of these. By 1964 Guenther Dietz, the printer, had created a unique fine printing system which involved the use of both lithographic plates and serigraphic screens. He and master printers from his company (Guenther Dietz Offizin Handpresse GmbH, Munich & Lengmoos, Germany) printed this work under the direct supervision and participation of Picasso himself. Dietz used grease crayon, lithographic tusche, lead pencil, and charcoal, among others, to create the matrixes and receive Picasso’s approval to print the edition (Cramer, ‘Livres’ 148). The plates and screens were destroyed after printing. Published by Harry N. Abrams, Inc., New York. Image copyright © Artists Rights Society (ARS), New York. [30020-2-1600]

Lot 524

Artist: Ansel Adams (American, 1902-1984). Title: "Point Sur, Storm, Monterey Coast, California". Medium: Original photogravure. Date: Composed 1950. Printed later. Dimensions: Image size: 13 1/2 x 10 1/16 in. (343 x 256 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition size unspecified, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Rare and highly sought after. According to "Gordon's" the auction record for a silver print of this image is $50,400 realized at Phillips, New York, October 17, 2007, lot #57. Image copyright © The Ansel Adams Publishing Rights Trust. [29556-2-800]

Lot 186

Artist: Hugo Brehme (German/Mexican, 1882 - 1954). Title: "Emiliano y Eufemio Zapata y Esposas [Mexico]". Medium: Gelatin silver print. Date: Composed c1910. Printed later from the original negative. Dimensions: Overall size: 16 x 20 in. (406 x 508 mm).Lot Note(s): Studio blindstamp, lower right. Thick Foma Bohemia photographic paper. Fine, quality printing. Fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collection, Mexico City. Comment(s): The Casasola Archive was acquired from the heirs of Agustin Victor Casasola by the Mexican government in 1976. No photographs from the Archive have been printed for public distribution since then. [23148-3-600]

Lot 51

Artist: William C. Odiorne (American, 1881 - 1978). Title: "Bateau [Paris]". Medium: Vintage platinum print. Date: Composed c1928. Printed c1928. Dimensions: Image size: 6 7/8 x 8 1/8 in. (175 x 206 mm).Lot Note(s): Stamped signature on the mount, lower left, recto. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good condition; top edge mounted to original backing sheet, as issued. Comment(s): Odiorne came to Paris in 1924. Despite the new photographic modernism emerging all around him, Odiorne preferred to work in a more traditional style. He captured a romantic, classical vision of Paris in the 1920’s. His images are pictorial – soft focus and impressionistic. [28053-2-300]

Lot 534

Artist: Joel-Peter Witkin (America, b.1939). Title: "Portrait of Nan". Medium: Original vintage photogravure. Date: Composed 1984. Printed 1985. Dimensions: Overall size: 11 x 10 15/16 in. (279 x 278 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): According to “Gordon’s Photography Prices” the auction record for a silver print of this image is $14,375 realized at Bonhams, New York, 5/7/2013, lot #119. Witkin’s controversial and carefully constructed photographs frequently depict macabre, often grotesque scenes, with images including torture, cadavers, hermaphrodites, dwarfs, etc. His works can be found in the collections of The Museum of Modern Art in New York City, the J. Paul Getty Museum in Los Angeles, the National Gallery in Washington, D.C., the Victoria and Albert Museum in London, and the Centre Georges Pompidou in Paris. N.B. This image has been incorrectly titled “Larry’s First Wife.” Image copyright © Joel-Peter Witkin. [29675-2-600]

Lot 173

Artist: Arthur Rothstein (American, 1915 - 1985). Title: "Dust Storm, Cimarron County, Oklahoma". Medium: Original vintage photogravure. Date: Composed c1936. Printed 1937. Dimensions: Image size: 8 1/4 x 10 7/8 in. (210 x 276 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): According to “Gordon’s Photography Prices” the auction record for a silver print of this image is $36,000 realized at Phillips, New York, 4/26/2006, lot #38. One of the most famous images from the Depression era. For the U.S. Resettlement Administration. This image is not copyrighted; it is in the public domain. [25878-2-225]

Lot 238

Artist: Karl Struss (American, 1886-1981). Title: "Freighter, New York". Medium: Vintage platinum print. Date: Composed c1912. Printed c1912. Dimensions: Image size: 2 13/16 x 3 3/4 in. (71 x 95 mm).Lot Note(s): Identified as to photographer/title, verso. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Good condition. Comment(s): In addition to his work as a photographer, Struss was also a highly acclaimed cinematographer and one of the earliest pioneers of 3-D films. [27197-1-600]

Lot 284

Artist: Diane Arbus (American, 1923-1971). Title: "Identical Twins, Roselle, N.J [Cathleen and Colleen]". Medium: Original vintage photogravure. Date: Composed 1967. Printed 1972. Dimensions: Overall size: 8 1/4 x 8 3/16 in. (210 x 208 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition size unspecified, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition. Comment(s): According to “Gordon’s Photography Prices” the auction record for a silver print of this image is $732,500, realized at Christie's, New York, 10/5/2018, lot #242. This is also the highest price ever paid for an Arbus print. Image copyright © The Estate of Diane Arbus, LLC. [29599-2-1200]

Lot 363

Artist: Man Ray (American, 1890 - 1976). Title: "Magnolia Blossom". Medium: Original vintage photogravure. Date: Composed 1926. Printed 1934. Dimensions: Image size: 11 1/4 x 8 3/8 in. (286 x 213 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Very scarce. According to “Gordon’s Photography Prices” the auction record for a silver print of this image is $47,800 realized at Phillips, New York, 4/24/2003, lot #29. Image copyright © ADAGP/BNF - Artists Rights Society (ARS), New York / ADAGP, Paris. [96-2-225]

Lot 470

Artist: Diane Arbus (American, 1923-1971). Title: "Nudist Lady with Swan Sunglasses, PA". Medium: Original photogravure. Date: Composed 1965. Printed later. Dimensions: Overall size: 8 3/16 x 8 3/16 in. (208 x 208 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition size unspecified, presumed very small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition. Comment(s): A scarce print. Image copyright © The Estate of Diane Arbus, LLC. [29602-2-600]

Lot 674

Artist: Diane Arbus (American, 1923-1971). Title: "Triplets in Their Bedroom, N.J". Medium: Original photogravure. Date: Composed 1963. Printed later. Dimensions: Overall size: 8 7/16 x 8 1/4 in. (214 x 210 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition size unspecified, presumed very small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition. Comment(s): According to “Gordon’s Photography Prices” the auction record for a silver print of this image is $88,094 (£42,500), realized at Sotheby's, London,11/12/2007, lot #146. Image copyright © The Estate of Diane Arbus, LLC. [29601-2-600]

Lot 386

Artist: Pablo Picasso [d'après] (Spanish, 1881 - 1973). Title: "May 16, 1964 #1 [from the suite 'Le Gout du Bonheur,' image dated 16-5-64 I, untitled as issued]". Medium: Original color silkscreen & lithograph. Date: Composed 1964. Printed 1970. Dimensions: Overall size: 12 7/8 x 9 5/8 in. (327 x 244 mm).Lot Note(s): Signed in pencil, lower right; annotated in pencil (presumably in the artist's hand) lower left; dated in the plate, upper right. An artist’s proof (E.A. - epreuve d’artiste) aside from the edition of 666. Cream wove handmade watermarked rag Velin d' Arches paper, deckle edges three sides. Full margins, as issued. Fine impression. Fine, fresh condition, as issued, with rich, vibrant colors. Literature/catalogue raisonne: Goeppert/Cramer (GC/CR/CBK/CB/C) 148; Bloch (BB) 150. Provenance: the Estate of Guenther Dietz (German, 1919-1995), who printed the edition. Comment(s): Although this work is often catalogued as a lithograph, or silkscreen, or pochoir, or photo-lithograph, in reality it is none of these. By 1964 Guenther Dietz, the printer, had created a unique fine printing system which involved the use of both lithographic plates and serigraphic screens. He and master printers from his company (Guenther Dietz Offizin Handpresse GmbH, Munich & Lengmoos, Germany) printed this work under the direct supervision and participation of Picasso himself. Dietz used grease crayon, lithographic tusche, lead pencil, and charcoal, among others, to create the matrixes and receive Picasso’s approval to print the edition (Cramer, ‘Livres’ 148). The plates and screens were destroyed after printing. Published by Harry N. Abrams, Inc., New York. Image copyright © Artists Rights Society (ARS), New York. [30019-2-1600]

Lot 50

Artist: Keith Haring (American, 1958 - 1990). Title: "Barking Dog". Medium: Original vintage lithograph. Date: Composed 1982. Printed 1982. Dimensions: Overall size: 9 1/8 x 8 3/4 in. (232 x 222 mm).Lot Note(s): Hand-signed by Haring in black marker, center right. A proof (?) from the edition of unspecified size. Cream wove paper. The full sheet. Fine impression. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Scarce. No auction records of a signed impression located. A print from the “portfolio” of 32 lithographs titled “Coloring Book [1982].” The print was issued as part of this work and since most of them were subsequently colored, few remain unblemished. Image copyright © The Keith Haring Foundation. [29124-2-800]

Lot 505

Artist: Banksy (English, b. c1973-75 | Active 1990 - Present). Title: "Peckham Rock". Medium: Color giclee and iris print on shaped balsa wood. Date: Composed 2005. Printed 2018. Dimensions: Overall size: 4 3/4 x 7 1/16 in. (121 x 179 mm).Lot Note(s): Printed annotation on verso: "Courtesy of Pest Control Office, Banksy, Peckham Rock, 2005". Edition not specified. Fine, quality printing. Fine condition. Provenance: The British Museum. Comment(s): Another example of this work sold for $2,560 including premium at Julien’s Auctions, Beverly Hills, California, on April 25, 2019, lot #152. This work is based on Banksy’s original "Peckham Rock" concrete object. Banksy secretly placed the original, accompanied by an authentic looking information label, in the British Museum in 2005. It remained there for three days before anyone realized something was out of place. In 2018 the Museum and Banksy’s Pest Control published a wooden replica of the original as part of the exhibition “I object: Ian Hislop’s search for dissent.” The verso of the replica has a copy of the text from the information label that was originally placed with the concrete object. The copyright © for this work may or may not be owned by Banksy, who once opined that “copyright is for losers”. [30356-1-400]

Lot 389

Artist: Pablo Picasso [d'après] (Spanish, 1881 - 1973). Title: "May 20, 1964 #02 [from the suite 'Le Gout du Bonheur,' image dated 20-5-64 II, untitled as issued]". Medium: Original color silkscreen & lithograph. Date: Composed 1964. Printed 1970. Dimensions: Overall size: 12 13/16 x 9 11/16 in. (325 x 246 mm).Lot Note(s): Signed in pencil, lower right; annotated in pencil (presumably in the artist's hand) lower left; dated in the plate, upper left. An artist’s proof (E.A. - epreuve d’artiste) aside from the edition of 666. Cream wove handmade watermarked rag Velin d' Arches paper, deckle edges three sides. Full margins, as issued. Fine impression. Fine, fresh condition, as issued, with rich, vibrant colors. Literature/catalogue raisonne: Goeppert/Cramer (GC/CR/CBK/CB/C) 148; Bloch (BB) 150. Provenance: the Estate of Guenther Dietz (German, 1919-1995), who printed the edition. Comment(s): Although this work is often catalogued as a lithograph, or silkscreen, or pochoir, or photo-lithograph, in reality it is none of these. By 1964 Guenther Dietz, the printer, had created a unique fine printing system which involved the use of both lithographic plates and serigraphic screens. He and master printers from his company (Guenther Dietz Offizin Handpresse GmbH, Munich & Lengmoos, Germany) printed this work under the direct supervision and participation of Picasso himself. Dietz used grease crayon, lithographic tusche, lead pencil, and charcoal, among others, to create the matrixes and receive Picasso’s approval to print the edition (Cramer, ‘Livres’ 148). The plates and screens were destroyed after printing. Published by Harry N. Abrams, Inc., New York. Image copyright © Artists Rights Society (ARS), New York. [30026-2-1600]

Lot 663

Artist: Rafael Coronel (Mexican, 1931-2019). Title: "Tiempo Tiepolo". Medium: Color offset lithograph. Date: Printed 1978. Dimensions: Overall size: 24 3/4 x 18 7/8 in. (629 x 479 mm). Image size: 24 3/4 x 18 7/8 in. (629 x 479 mm).Lot Note(s): Signed with the signature stamp, lower right; dedicated with the stamp, lower left verso; signed in the plate, lower right. Print #128 from the edition of unknown size (c150-200?). Cream lightly textured wove paper. Printed to the sheet edges. Fine impression. Very good to fine condition. Comment(s): Rafael Coronel, born in Zacatecas, State of Zacatecas, is the son-in-law of Diego Rivera and the brother of Pedro Coronel. His representational paintings have a melancholic sobriety, and include faces from the past great masters, often floating in a diffuse haze. Image copyright © Rafael Coronel. [28018-5-300]

Lot 519

Artist: Howard E. Dils, Jr. (American, 1920 - 1988). Title: "Pipe". Medium: Vintage gelatin silver print. Date: Composed 1975. Printed 1975. Dimensions: Image size: 14 x 11 in. (356 x 279 mm).Lot Note(s): Signature stamp, verso. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good condition. Comment(s): Dils's work has sold at several nationally recognized "brick & mortar" auction houses within the past 20 years. [26070-0-200]

Lot 570

Artist: Keith Haring (American, 1958 - 1990). Title: "Rumble". Medium: Original vintage lithograph. Date: Composed 1982. Printed 1982. Dimensions: Overall size: 9 1/8 x 8 3/4 in. (232 x 222 mm).Lot Note(s): Hand-signed by Haring in silver marker. A proof (?) from the edition of unspecified size. Cream wove paper. The full sheet. Fine impression. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Scarce. No auction records of a signed impression located. A print from the “portfolio” of 32 lithographs titled “Coloring Book [1982].” The print was issued as part of this work and since most of them were subsequently colored, few remain unblemished. Image copyright © The Keith Haring Foundation. [29473-2-800]

Lot 111

Artist: Robert Frank (Swiss/American, b.1924). Title: "City Fathers, Hoboken, New Jersey". Medium: Original photogravure. Date: Composed 1955. Printed 1969. Dimensions: Overall size: 5 3/16 x 7 11/16 in. (132 x 195 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition. Comment(s): According to “Gordon’s Photography Prices” the auction record for a silver print of this image is $212,500 realized at Phillips, New York, 10/5/2016, lot #5. Image copyright © Robert Frank. [29714-1-400]

Lot 608

Artist: Tina Modotti (Italian/American, 1896 - 1942). Title: "Stadium, Mexico City". Medium: Original photogravure. Date: Composed 1926/27. Printed later. Dimensions: Overall size: 11 5/8 x 15 11/16 in. (295 x 398 mm). Image size: 7 5/8 x 9 5/8 in. (194 x 244 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Full margins. Fine, quality printing. Fine condition. Comment(s): A gelatin silver print of this image sold for $112,500 at Sotheby’s New York on December 11, 2014, lot #13. Image copyright © The Estate of Tina Modotti. [27148-3-300]

Lot 179

Artist: Karima Muyaes (Mexican, b.1960). Title: "El Juego". Medium: Color linoleum cut. Date: Composed 2007. Dimensions: Overall size: 27 x 18 3/4 in. (686 x 476 mm). Image size: 17 3/4 x 11 15/16 in. (451 x 303 mm).Lot Note(s): Signed, titled, dated and numbered in pencil. Print #1 of Edition of 3. Printed on white wove paper. Full margins. Fine impression. Fine condition. Upon request, a Letter of Authenticity (LOA) from the Artist accompanies this lot. Comment(s): Created using the "Jaledcut" technique. A listed artist, Karima Muyaes is currently one of the most innovative and talented international painters/printmakers. A major monograph on her work authored by Avelina Lesper, the foremost contemporary Mexican art critic, will be published early in 2022. Muyaes’s work has sold at Sotheby's (New York City), Swann Auction Galleries (New York City), Martin Gordon Auctions (Phoenix), Louis C. Morton (Mexico City), and Casa de Subastas Odalys (Madrid/Caracas), among others. In April of 2013 and again in 2018 she was chosen by the prestigious Mexican newspaper "Milenio" as one of the top 34 currently active Mexican artists and featured in a series of newspaper articles and TV appearances. Muyaes has an extensive worldwide exhibition history which includes a show that travelled throughout Sweden for two years, 2010-2012. Image copyright © Karima Muyaes. [19545-0-300]

Lot 182

Artist: Manuel Alvarez Bravo (Mexican, 1902 - 2002). Title: "El Soñador". Medium: Original photogravure. Date: Composed 1931. Printed later. Dimensions: Overall size: 7 1/8 x 8 3/8 in. (181 x 213 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition size unspecified, presumed small. High-grade archival paper. Wide margins. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collection, San Miguel de Allende, Guanajuato, Mexico. Comment(s): According to “Gordon’s Photography Prices” the auction record for a silver print of this very scarce image is $84,000 realized at Sotheby's, New York, 4/26/2007, lot #20. Image copyright © Colette Urbajtel / Archivo Manuel Alvarez Bravo, SC. [29770-2-600]

Lot 639

Artist: Robert Mapplethorpe (American, 1946 - 1989). Title: "The Coral Sea". Medium: Original vintage photogravure. Date: Composed 1982. Printed 1988. Dimensions: Overall size: 9 7/8 x 7 5/8 in. (251 x 194 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition. Comment(s): This stunning, iconic, and very scarce image depicts, at sea, the huge aircraft carrier USS Coral Sea, dwarfed by a foggy, atmospheric sky. “Gordon’s” lists only 6 sales in the past 35 years of this print, the most recent sale (and an auction record) realizing $98,500 at Sotheby's, New York, 3/302009, lot #163. Image copyright © The Robert Mapplethorpe Foundation. [29661-2-600]

Lot 590

Artist: Andy Warhol (American, 1928 - 1987). Title: "Siberian Tiger [original photograph]". Medium: Original color analogue photograph. Date: Composed 1983. Dimensions: Overall size: 4 x 6 in. (102 x 152 mm).Lot Note(s): Signed in black marker. Edition: unique. Printed on Kodak photographic paper. The full sheet. Fine, quality printing. Fine condition. Literature/catalogue raisonne: cf. Feldman/Schellmann II.297. Provenance: Private collection, Sweden, thence to our consignor. Comment(s): This photograph was taken by Warhol (probably with his Konica C35 EF) in Rupert Jasen Smith’s studio before the ‘Siberian Tiger’ print had been signed by the artist. Once it was developed, this photo (and the print) were then signed by Warhol. An image from the ‘Endangered Species’ series. The regular edition silkscreens were printed by Rupert Jasen Smith, New York City and published by Ronald Feldman Fine Arts, Inc., New York City. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [29256-1-1600]

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