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Lot 1028

Please note: this lot does not include the limited edition print mentioned in the description. The historic 'Operation Nimrod' group of medals and memorabilia to Warrant Officer 2nd Class Ian White, Special Air Service and 17th/21st Lancers, who formed part of the team of S.A.S. men who stormed the Iranian Embassy in London on May 5th 1980 in a swift and decisive action that resolved a major hostage crisis. The Medals: General Service 1962-2007, clasp: Northern Ireland (24215027 TPR I.P. WHITE 17/21L.); South Atlantic, with rosette (24215027 CPL I P WHITE 17/21L (SAS)); Regular Army Long Service and Good Conduct, Elizabeth II (24215027 WO2 I P WHITE 17/21L); court mounted, nearly extremely fine. Accompanied by: Eighteen 19 x 24 mm press photographs, iconic images from the raid including S.A.S. teams abseiling down the rear of the embassy, others moving across the balconies, the staff sergeant leading 'Team Red' entangled in his abseil line with flames visible inside the embassy, and the detention of terrorist suspects; plans of the Embassy; a photograph of a recipient on a training exercise, having simulated an assault on a bus; a Daily Express special supplement, 'Day of the S.A.S.'; a complimentary copy of 'NOW' magazine featuring the assault on the cover; a limited edition print depicting the raid, a copy of the recipient's discharge certificate, and a souvenir Operation Nimrod 'Joker' card. The persecution of the Arab population of Iran's Khuzestan region by Ayatollah Khomeini (and his predecessors the Shahs) had inspired an implacable resistance movement which received support from Iraq under Saddam Hussein. The Arabs themselves were concerned with political and social rights. Hussein exploited this fact to manoeuvre against his rival the Ayatollah. Specifically, he believed that an attack staged in the West would draw attention to the plight of Khuzestan, and allow him to garner international approval for his planned invasion of Iran. With Iraqi backing, a six man team, the 'Group of the Martyr', occupied the embassy on the 30th April, taking 26 people hostage. The response was initially led by the police, but the S.A.S. acted immediately by deploying a team to the area in case their intervention was requested by the civil authorities. While they waited, they evolved a plan, and when, on the sixth day, a hostage was shot and his body thrown out of the embassy, the men of the Special Air Service went into action under the gaze of the television media. Within 17 minutes, the siege was at an end. Ian White was part of the team that entered the embassy from the roof. An explosive charge was lowered into a light well in the centre of the building and detonated as a distraction, and White's team abseiled into the lightwell to gain access through a window. During the descent, his secondary weapon, a Browning 9mm pistol, was lost owing to the notoriously poor quality holster with which the men were equipped. Nothing daunted, he continued from room to room, clearing each with 'flashbangs' and techniques perfected through rigorous training. He almost met with disaster while descending to a lower floor, as another team approaching the foot of his staircase directed sub-machinegun fire along the corridor into which he was about to step. He next encountered the well documented fire that had broken out owing to many of the curtains and carpets having been impregnated with accelerants. By sheer coincidence he had just completed a firefighting course, with the aim of posing undercover as an airport fireman, and this assisted him in temporarily controlling the blaze together with a colleague. The evacuation of the hostages involved forming a human chain to pass each one down the main staircase and out of the building to safety. White stood at the top of the chain, and such was the urgency of the situation that he resorted, effectively, to throwing them down the stairs. One of the terrorists concealed himself among the hostages, and because of the speed at which the S.A.S. were working at he was thrown down along with the rest of them. White saw in his hand a fragmentation grenade, and, unable to shoot down the stairs for fear of hitting a hostage, he and others shouted a warning to their colleagues below, who killed the terrorist before he could use it. All but one of the hostages alive at the start of the operation were rescued, and five of the six terrorists were killed - the sixth being captured. The team next had the chance to watch the news footage of their work., They did so in the company of the Prime Minister Margaret Thatcher, for whom the operation had been a considerable publicity coup, foreshadowing her popular aggressive stance over the Falkland Islands (where White was also to be deployed), and demonstrating to the world that Britain was not the soft target that Saddam Hussein had imagined. Their work done, they returned to Hereford at high speed, and the rapidity and decisive efficiency of the S.A.S. action is underscored by the fact that when White arrived home his wife suffered an adverse reaction to the residue from the 'flashbangs' that he had been using, which lingered on his clothing. The embassy siege is well known, and rightly celebrated, as the point at which the S.A.S. became famous. Since its genesis during the Second World War it had maintained a low public profile, consistent with the discrete and sometimes clandestine nature of its methods. In May 1980 it sprang from obscurity onto the television screens and made an indelible impression on the public mind. But these events are important for other reasons. It was a notable tactical success, and in spite of what the modesty of White and others would suggest, this was by no means a foregone conclusion. Counter terrorism was an emerging form of warfare, and the success of Operation Nimrod was in contrast to a certain near-contemporary actions which had ended very badly. It is revealing to note the various mishaps that occurred, some of which affected White directly; because none of them influenced the outcome of the mission. Problems that might well have resulted in failure were nullified by the professionalism of the S.A.S. It also confirmed, emphatically, the relevance of the S.A.S. in the post-war era. Prior to Operation Nimrod this had been called into doubt, and the regiment was threatened by budget cuts, and possible disbandment. After Nimrod its value was beyond dispute, and its future was secured. The recipient participated in the seminal S.A.S. action of the post war years, a major milestone in the history of the regiment - and of special forces more generally - making this group a truly historic acquisition for the collector. These medals (and a slightly greater quantity of memorabilia) sold in these rooms 22/11/2017.

Lot 655

Dr Seuss (Theodor Seuss Geisel), Happy Grasshopper on a mushroom, limited edition print, numbered 467/850, adapted posthumously from the original watercolour on board, 51cm x 30cm, framed.

Lot 659

Bert Hardy, Cockney Life at the Elephant and Castle, 1949, silver print, printed later, signed in black ink to lower right margin, image 17.5 x 28cm, sheet 24 x 30.8cm, unframed.

Lot 660

Grace Robertson, Secrets, Battersea, London, 1954, silver print, printed later, signed in black ink, image 33.8 x 25.5cm, sheet 40.5 x 30.5cm, unframed.

Lot 661

Jane Bown, Henri Cartier-Bresson with Leica M3 , Paris, 1957, silver print, laid on board, printed later, signed in black ink lower margin, image 25.5 x 35.5cm, sheet 30.6 x 40.5cm, unframed.

Lot 662

Marketa Luskacova, Man singing on Brick Lane, London, 1982, silver print, printed later, signed in black ink lower margin, image 21.8 x 32.8cm, sheet 30.5 x 40.5cm, unframed.

Lot 132

• ADRIAN PAUL ALLINSON, R.B.A., R.O.I., L.G. (1890-1959) IMPRESSIONS OF THE RUSSIAN BALLETblack and white outline print with hand-colouring in gouache 25.5 x 29.5 cm / 10 x 11 1/2 inThis work is one of a series of prints that were commissioned by the eminent dance historian Cyril Beamount in the 1920's, based on productions from Sergei Diaghilev's Ballet Russes. Ethelbert White, Randolph Scwabe, Allinson and others had previously illustrated a series of booklets on the same subject a few years prior to this. The hand colouring of these prints is believed to have been largely the work of Beaumont and his wife Alice, though other artists were also involved in both projects. For the same impression, without hand-colouring, see the V&A Museum, London, Inv. No. S.474-2000.

Lot 102

[CYPHERS] NUTTING (J., Engraver & Print Seller), A New Book of Cyphers of Single & Double Letters, 8vo, 31 engr. pp. incl. caption title & imprint, old boards, n.d., 18th c.

Lot 29

[SPITFIRE] col. print by Colin Walker of a Spitfire, with signature of DOUGLAS BADER, mounted & framed.

Lot 56

PRINT / LONDON. Framed engraving 'A View of Fulham Bridge and Putney', London, circa 1779.

Lot 185

A print of Salisbury Cathedral and others

Lot 191

A collection of five pictures and prints, all relating to the City of Bristol and Concorde, the print 'The North West Prospect of Bristol', 103cm x 51cm inc frame

Lot 213

Two etchings by Patricia Langmead and another print

Lot 272

After Michael Cooper, three prints, The Front Door, coloured print, signed in pencil lower left, signed to the mount, titled and signed label verso, 18cm x 14cm; together with Wash Day and Folle, Nr Sherborne, coloured prints, a pair, signed in pencil lower left, 19cm x 27.5cm

Lot 361

Russell Flint, ladies on the promenade coloured print, blind stamp and numbered 643/650 48cm x 63cm

Lot 564

John Flickett, Shooting, coloured print, signed and numbered 678/850

Lot 805

After Édouard Pingret/Portrait of Niccolò Paganini/half-length/bearing an applied autograph, Niccolò Paganini, Glasgow 19th October 1831/black and white engraving, 45cm x 30cm/see illustration CONDITION REPORT: The backing has torn paper and needs replacing. The frame is generally sound but has minor age related cracks. The print has faded to a pale brown and has one or two spots of foxing. No visible tears.

Lot 831

Christopher Saxton (1540-1610)/Oxfordshire, Berkshire and Buckinghamshire/colour print, 39.5cm x 46cm CONDITION REPORT: I have examined this out of its frame and it is a later print of the Saxton map, not an original.

Lot 863

Jerome Danzel (French 1755-1810) after Greuze/The Laundress/etching, 45cm x 34cm; William Wynne Ryland (1733-1783) after Angelica Kauffman/Morning Amusement/stipple engraving, 31cm x 25cm and another print (3)

Lot 866

Bernardo Bellotto (Italian 1722-1780)/The Catholic Church in Dresden/etching, 48cm x 83cm/see illustration CONDITION REPORT: Close cropped, no margins showing. Crease through centre where print was folded. Impression good. Paper discoloured.

Lot 877

After R Simkin/The Indian Native Army/lithograph/and sundry pictures CONDITION REPORT: It is a reproduction photographic print.

Lot 889

After Edward Lear (British 1812-1888)/Palaeorunis Torquatus/print, 53cm x 36cm/and three similar ornithological prints and an unframed print of a British boar

Lot 896

William Russell Flint (British 1880-1969)/Zoronga/colour print, 40cm x 53cm and/Four Sisters, Chazelet/colour print, 44.5cm x 61cm (2)

Lot 126

A Vintage Oak Framed Cecil Aldin Print of Three Puppies, 26cms Wide

Lot 128

A Framed Cecil Aldin Hunting Print, Limited Edition 286/500, The Waddon Chase, 69cms Wide

Lot 162

A Framed Military Print, The Charge of the Third Light Dragoon at the Battle Of Moodkee 18th Dec 1845, The First Sikh War, 49cms Wide

Lot 163

A Framed Print of St Fabiola, After Jean Henner, 37cms High

Lot 165

A Framed Print of Two Fox Hounds, 16cms Wide

Lot 254

A Framed Limited Edition Print of World Champions Mary Gordon Watson and Cornishman V by S.l. Crawford 1975, Signed By the Artist in Pencil No 64/500, 75x62cms

Lot 260

A Late 19th Century Framed Hand Coloured Print, First Royal Dragoons Muster Roll, Dec 1897, 59cms x 73.5cms High

Lot 277

A Gilt Framed Limited Edition Print, Playing with The Seasons II by B H Brody, Signed by the Artist and Numbered 43/195, 91.5cms Wide

Lot 278

A Framed Print of Fishermans Map of Salmon Pools on the River Dee, Compiled By Nigel Houldsworth, 92cms Wide

Lot 284

A Framed Limited Edition Print, The Kings Troop Royal Horse Artillery in the 90s, Signed and Dated '93, 67cms Wide

Lot 288

A Framed Limited Edition Print by B H Brody, Evening Song, 76/395, 103cms Wide

Lot 291

A Framed Military Print, The Ayrshire (Earl of Catterick) Zone, Yeomanry Squadron, Queens Own Yeomanry , by Howard, 74cms Wide

Lot 296

A Framed Textured Print, Still Life, Fruit and Vegetables. 35cms Wide

Lot 305

A Collection of Various Pictures and Prints to Include Various Landscape Watercolours, Vintage Photograph of Lighthouse, Limited Edition Print of Bristol, Golfing Print Etc

Lot 18

David Bowie / Tin Machine 12" Singles, sixteen 12" and 10" singles by David Bowie and Tin Machine including Promos with titles including Absolute Beginners (Promo with Letters), Time Will Crawl (Advance White Label), Baby Universal (With Print), You Belong In Rock n Roll (With Streamer), Maggie's Farm (Poster Sleeve), London Boys, Man In The Middle and more - various conditions but mainly Excellent

Lot 2

Led Zeppelin Box Set, Led Zeppelin III Deluxe Box Set - two LP, two CD set released 2014 on Swansong (8122796435) - in case with Hardback book, Numbered Print and download card - all in Excellent+ condition

Lot 262

Hitchhikers Guide to the Galaxy Box Set, Quandary Phase - Double LP Set in Hardback Book with Stephen Fry Signed Print - released 2019 on BBC (HITCHHIKERS04) - Brand new and Sealed with Sticker

Lot 3

Led Zeppelin Box Set, Led Zeppelin IV - Deluxe Box Set - two LP, two CD set released 2014 on Swansong (8122796431) - in stickered case with Hardback book, Insert, Print and download card - small dink on top edge, otherwise all in Excellent+ condition

Lot 318

John Lennon Imagine Book, Limited Numbered Edition of' Imagine John Yoko' Hardback Book with Hand Numbered Print in Wallet and all in outer Slipcase - in Opened Seal and all in as new condition

Lot 380

Mars Attacks Quad Poster, Mars Attack! (1996) UK Quad poster with artwork by Philip Castle (of Clockwork Orange fame) - poster double-sided with reverse print on rear - unfolded and in Excellent condition, 30"x 40"

Lot 521

Gibson Les Paul Guitar / Peter Green, a Gibson Standard Les Paul model 1998 stamped 'Made in USA 94048193', with a signature of Peter Green, previously in display cabinet - small lacquer scrape at the bottom of the body on the rear - light hairline scratches in places on the body - light wear round edges of headstock but overall in good condition - sold with an early black and white print of Peter Green

Lot 133

Camilus Sydney Fly (1849 - 1901) "No. 178 - Geronimo and his Warriors (Scene in Geronimo's Camp, the Apache Outlaw and Murderer.)" Albumen print photograph, titled on verso label and purple studio stamp COPYRIGHT, 1886, By C.S.Fly, Tombstone, Ariz., 16.6cm x 23.6cm in the mount, framed and glazed. Provenance Eric Caren. Bonhams, New York. Treasures from the Caren Archive, How History Unfolds on Paper, 7 Apr 2014, lot 238. The label to the verso states Scene in Geronimo's Camp, The Apache Outlaw and Murderer. Taken before the surrender to Gen. Crook, March 27, 1886, in the Sierra Madre mountains of Mexico. Escaped March 20, 1886.

Lot 137

A Hopi kachina doll Southwest North America with pigment decoration and fibre, 19cm high, and a He'e'e, Warrior Maiden kachina doll by Brandon Kayquoptewa of the Rabbit Clan, with pigment, leather, feathers, hair and fibre, signed with rabbit foot print motif, 22cm high. (2) Provenance Hopi doll - Bonhams, Art & Artifacts of the Americas, lot 3151A, part. He'e'e doll - Bahti Indian Arts, Santa Fe and Tucson, August 2012.

Lot 436

MacKenzie Thorpe limited edition print, Won't Somebody Play with Me, signed and numbered with certificate, in glazed frame, 68.5cm by 67cm overall.

Lot 444

Eizan, wood block print of two Oriental ladies, framed, 55cm by 42cm overall.

Lot 227

Trevor Barton,'A Portfolio of William Bragge and his Pipes of all Peoples',1991, privately printed for the Members or the International Academy of the Pipe, No.1 from an edition of twenty-five copies, with a green hard cover, and an etching of William Bragge surrounded by pipes, by Tristram Ellis, inscribed in the print 'To Baccologia W Braage FSA',13.5 x 11cm, framedProvenance: The Trevor Barton Collection.Trevor Barton compiled this portfolio from William Bragge's personal illustrated notebooks, which he found through one of William Bragge's descendants.

Lot 510

John Dray (18th century)Hunsdon House, Hertfordshirehand coloured engraving;together with seven other engravings and photographs of Hunsdon House (8)From The Principal Contents of an East Anglian Estate.Condition report: John Dray print: the paper is cockled throughout and discoloured. There is a large prominent crease running vertically down the centre and corresponding smaller creases either side, and a few very small tears in this central section caused by the creasing. Other light scattered creases throughout. Some scattered dots of foxing, some quite dark. Light surface dirt and thunder bugs under the glass. Other prints and photographs: some of the prints are discoloured, others with scattered spots of foxing. Two of the photographs appear to have sections painted over.

Lot 520

William Lionel Wyllie RA (1851-1931)A tug boat on the Thamesetching, signed 'W L Wyllie' in pencil l.l.13 x 35cmProvenance: The Estate of Robin and Patricia Pickard.Condition report: In a plain black print frame. Image is clear and good. There is a little browning around the edge of the mount.

Lot 697

Rowing memorabilia belonging to Robert A Downie,including:three oars with painted blades,'Thames Rowing Club 'A; Henley Royal Regatta 2003','Great Britain 1980 Lightweight VIII''London Rowing Club 1978 Lightweight VIII',a collection of badges and medals, including '1985 Henley Royal Regatta Overseas Competitor', giltwood and enamel,a framed photograph,with an inscribed mount 'Great Britain Lightweight Eight 1980',an aquatint,'Skiff Club 50/90',signed indistinctly in pencil,framed 28 x 40cm (qty.)Condition report: Oars - no obvious major faults.Print - no obvious major faults.HRR medal - no obvious major faults.Photo - no obvious major faults.

Lot 69

An Indo-Persian inlaid sandalwood sarcophagus-shaped workbox, probably Vizigatapan, mid 19th century, with banding and stringing surrounding a micro mosaic ground set against hardwood, well-fitted interior with ivory and bone accoutrements, with a drawer under, lid interior supporting a tray faced with an Alpine colour print, some damaged, 32cm x 23cm.

Lot 124

A quantity of framed pictures and prints, Frank Sherwin signed print 'Old Hastings', framed cigarette cards, etc

Lot 340

A framed Justice League print together with three further canvases and a Joker print

Lot 557

A framed Peter Hogarth signed limited edition print - Lakeland Terrier, number 33 of 800

Lot 595

A quantity of pictures and prints - pine framed S. Trevena watercolour, framed mirror, framed Whinney The Pooh print etc

Lot 609

A Montague Dawson framed print - Java and Constitution, pair of gilt framed coloured etchings, wooden bird panel and a silvered frame

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