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Click here to subscribeChris Levine (Canadian 1960-), 'Lightness Of Being', 2011, 3D Lenticular print, signed and numbered from an edition of 200 in black ink verso; board: 68.5 x 47.5cmARRboard: 68.5 x 47.5cmIn Good ConditionNo cracks or chips to the print1 fine scratch to the upper left of the figure. Only visible in certain angles due to the Lenticular nature of the workTape residue visible recto, likely a result of previous framingIn Good Condition
David Shrigley (British 1968-), 'It's All Your Fault', 2019, screen print in colours with a varnish Overlay on Somerset Tub Sized 410gsm paper, signed, dated and numbered from an edition of 125 in pencil verso, published by Jealous Gallery; sheet: 76 x 56cmARRsheet: 76 x 56cmIn Excellent ConditionNo knocks, tears, or creases to the sheetThis work has been stored flat and never been framedIn Very Good Condition
José Parlá (American 1973-), 'The Founders', 2021, archival pigment print on 305 gsm Hahnemühle Photo Rag Ultra Smooth paper, signed, dated, and numbered from an edition of 1368 to the label affixed verso; sheet: 52 x 83cmsheet: 52 x 83cmIn Excellent ConditionNo knocks, tears, or creases to the sheetThis work has been stored flat and never been framedIn Excellent Condition
Invader (French 1969-), 'Prisoners', 2007, giclee print on wove paper, numbered from an edition of 250 in pencil, published by State Of Play Zine; sheet: 40 x 62.5cmARRsheet: 40 x 62.5cmIn excellent conditionNo knocks, tears or creases Minor rubbing throughout print, visible under raking light Minor markings to the sheet verso, this is not visible recto
Connor Brothers (British Duo), 'The Idiot (Ukraine)', 2022, giclee print in colours with silkscreen in varnish on wove paper, signed, dated, and numbered from an edition of 20 in pencil; sheet: 41.5 x 29cmARRsheet: 41.5 x 29cmIn very good conditionNo knocks, tears or creases to the sheet Deckled edges in good condition This work has been stored flat and has never been framed.
Otis Kwame Kye Quaicoe (Ghanaian 1988-), 'Jon Gray', 2022, archival pigment print on wove paper, signed and numbered from an edition of 50, published by Almine Rech, accompanied by a Special Edition Hard-backed copy of 'Black Rodeo'; sheet: 25 x 20cmsheet: 25 x 20cmIn very good conditionNo knocks, tears, or creases to the sheetStored inside the book, never been framedBook in very good condition.
Nick Smith (British), 'Haring Dog (Red)', 2019, giclee print in colours with screenprint varnish in 330gsm Somerset Satin paper, signed, dated, and numbered from an edition of 66 in pencil, published by Rhodes Contemporary Art; sheet: 54 x 61cmARRsheet: 54 x 61cmIn very good conditionNo knocks or tears to the sheetOne minor crease/indentation to the left hand edge of the sheet, visible upon close inspectionThis work has been stored flat and has never been framed.
Andy Warhol (American 1928-1987), 'Chanel No.5', 1997, a complete set of four offset lithographs on linen backs; sheets: 71 x 53cm each (4)sheets: 71 x 53cm each (4)In very good conditionNo knocks or tears to any of the sheetsSome minor fraying to the extreme edge of the linen backings, swaying from the print, as is regularly seen on these works.These works have been stored rolled and have never been framed.
Connor Brothers (British Duo), 'We Are All In The Gutter', 2021, pigment print with silkscreen varnish on wove paper, signed, dated, and inscribed AP in pencil, aside for the main edition of 75, published by Jealous Gallery; sheet: 75 x 50cmARRsheet: 75 x 50cmIn Excellent ConditionNo knocks, tears, or creases to the sheetThis work has been stored flat and never been framedIn Excellent Condition
Damien Hirst (British 1965-), 'Fruitful (Large) H8-1', 2020, laminated giclée print on aluminium composite panel, stamp signed and numbered from an edition of 1928 to the label affixed verso, published by HENI Editions; panel: 78 x 78cmARRpanel: 78 x 78cmIn very good conditionStored inside its original Heni packagingNo apparent issues.
Chris Levine (Canadian 1960-), 'Lightness Of Being (Freedom Edition)', 2021, giclee print in colours on composite panel, numbered from an edition of 1000 verso, bearing the Artists printed signature verso, published by Dominic Guerrini Fine Art; panel: 90 x 71cmARRpanel: 90 x 71cmIn Excellent ConditionNo scratches or chips to the panel, no apparent issuesThis work has been stored in its original gallery packagingIn Excellent Condition
Connor Brothers (British Duo), 'The Secret Garden Party (Orange)', 2022, hand embellished pigment print with silkscreen varnish on wove paper, signed, dated, and numbered from an edition of 5APs in pencil, sheet: 41.5 x 29cm; 58.5 x 45.5cm inc frameARRsheet: 41.5 x 29cm; 58.5 x 45.5cm inc frame
Tunji Adeniyi-Jones (British 1992-), 'A Flashy Encounter, 2021, giclee print on 300gsm Somerset Velvet mould-made paper with hand-finished edges, numbered from an edition of 40 to the accompanying Certificate Of Authenticity, published by White Cube; sheet: 30 x 21cmARRsheet: 30 x 21cmIn excellent conditionNo knocks, tears or creases to the sheetDeckled edges in very good conditionStored flat inside its original Charleston portfolio with corner protectors and accompanying COA.This work has never been framed.
Connor Brothers (British Duo), 'If It's Not Weird I'm Not Interested', 2022, hand colours pigment print with acrylic and oil stick on wove paper, signed, dated, and numbered from an edition of 20 in pencil; 50 x 38cm inc frameARR50 x 38cm inc frameIn very good condition/artist's conditionNo knocks, tears or creases to the sheetDeckled edges in good conditionFramed by the artist/to the artist's specifications, float mounted leaving all corners and edges of the sheet visibleThis work has not been examined out of the frame.
Julian Opie (British 1958-), 'Suzanne Walking (Back)', 2006, acrylic lenticular print, numbered from an edition of 1000 to the frame verso; 27.5 x 20.9cm (Framed)ARR27.5 x 20.9cm (Framed)In very good condition No visible knocks, tears or creases to the sheet Framed in a silver frame with a white mount Two minor marks to the mount, bottom right hand edge This work has not been examined out of the frame.
Connor Brothers (British Duo), ‘I Drink To Make Other People More Interesting', 2017, giclee print with varnish overlay on wove paper, signed, dated, and numbered from an edition of 150 in pencil; sheet: 130 x 90cmARRsheet: 130 x 90cmIn Very Good ConditionNo knocks, tears, or creases to the sheetThis work has been stored flat and never been framedIn Very Good Condition
Harland Miller (British 1964-), ‘Hate’s Outta Date’, 2017, giclee print on 330 gsm Somerset Satin enhanced paper, signed and numbered from an edition of 50 in pencil, published by Art On A Postcard; sheet: 16 x 9.5cmARRsheet: 16 x 9.5cm In Very Good ConditionNo knocks, tears, or creases to the sheetThe deckled edges of the sheet are in good conditionPotential surface markings to the lower edge/border of the sheet, right-hand sideFramed to a good standard in a black frameFloat mounted leaving all corners and edges of the sheet visibleNot examined out of the frameThis work is accompanied by the original 'Art On A Postcard' ticket
Damien Hirst (British 1965-), 'Butterfly Heart (Large)', 2020, laminated giclée print on aluminium composite panel, stamp signed and numbered from an edition 1698 to the label affixed verso, published by HENI Editions; panel: 72 x 72cmARRpanel: 72 x 72cmIn excellent conditionStored inside its original heni packaging No apparent issues.
Richard Hambleton (Canadian 1952-2017), 'Horse & Rider - Red', 2018, giclee print on 308gsm Hahnemuhle Photo Rag paper, numbered from an edition of 75 in pencil, bearing the Richard Hambleton Archive stamp verso; sheet: 105 x 72cmsheet: 105 x 72cmIn overall good conditionNo knocks or tears to the sheet Small crease to the bottom left side on white border Small crease to bottom middle edge of white border, visible upon close inspectionCrease to top right hand corner, and continuing vertically below on right edge Minor edgeware damage to top left hand corner of the sheet, visible upon close inspectionHandling creases to top edge rectoDeckled edges in good condition This piece has been stored flat and has not been framed.
David Shrigley (British 1968-), 'Untitled (You Are Special)', 2018, screenprint in colours on 410gsm Somerset Tub Sized paper, signed, dated, and numbered from an edition of 125 in pencil verso, published by Stephen Friedman Gallery; sheet: 76 x 56cmARRsheet: 76 x 56cmIn good condition No knocks or creases to the print 5cm professionally repaired tear in top right of print, visible under normal viewing conditions This work has been stored flat.
Mehdi Ghadyanloo (Iranian 1981-), 'Escape To Destiny', 2016, hand-embellished screenprint in colours on wove paper, signed and numbered from an edition of 25 in pencil; sheet: 68 x 68cmsheet: 68 x 68cmIn very good conditionNo knocks, tears or creases to the sheetMinor printing irregularity at the top right edge of print, visible upon close inspectionThis work has been stored flat and has not been framed.
Martin Whatson (Norwegian 1984-), 'Angel (Pink)', 2013, screen print in colours on 300gsm Somerset Satin paper, signed and dated in pencil, numbered from an edition of 10 in black ink, published by Graffiti Prints; sheet: 70 x 100cm (Framed)ARRsheet: 70 x 100cm (Framed)In Very Good ConditionNo tears to the sheetOne very minor knock/crease to the top left corner, visible under close inspectionMinor surface marking to the upper left corner, visible under close inspectionThe work has been framed to a good standard in a grey frame using Artglass WW UV 90Float mounted leaving all corners and edges of the sheet visibleAccompanied by a Graffiti Prints Certificate Of AuthenticityThis work has not been examined out of the frameIn Very Good ConditionIn Very Good ConditionNo tears to the sheetOne very minor knock/crease to the top left corner, visible under close inspectionMinor surface marking to the upper left corner, visible under close inspectionThe work has been framed to a good standard in a grey frame using Artglass WW UV 90Float mounted leaving all corners and edges of the sheet visibleAccompanied by a Graffiti Prints Certificate Of AuthenticityThis work has not been examined out of the frameIn Very Good Condition
Francis Bacon (British 1909-1992), 'Portrait Of Michel Leiris', 1990, etching with aquatint on Arches paper, signed and numbered from an edition of 46 in Roman Numerals, aside from the main edition of 100, published by G. Visat, Paris; 73 x 58.5cm inc frameARRIn very good conditionNo knocks, tears or creases to the sheet Minor marks on the white border of the print, visible upon close inspection, potentially due to the age of the print.The work is framed to a high standard in a brown wooden frame with a white mount, using premium anti-reflective art glassThis work has not been examined outside of the frame.
Banksy (British 1974-), 'Visit Historic Palestine', 2018, offset lithograph in colours on wove paper, bearing the Walled Off Hotels bind-stamp and pink rubber stamp verso; sheet: 70 x 50cmARRsheet: 70 x 50cmIn good condition No tears to the sheetMinor knock to the top right corner of the sheet, visible upon close inspectionCrease to the right middle edge of the sheet, visible recto and versoMinor crease at the top edge of the print verso, not visible recto Creases to the bottom edge of the sheet, visible in raking lightHandling marks across the top edge of the sheet verso, not visible rectoSlight curvature to the sheet from previous rolling, this work has been stored flat and has not been framed.
Julian Opie (British 1958-), 'Walking In Melbourne 1', 2018, digital print in colours on wove paper, from an unknown edition size: 37.5 x 37.5cm inc frameARR37.5 x 37.5cm inc frameIn excellent conditionNo visible knocks, tears or creases to the sheetFramed in a black frameThis work has not been examined out of the frame.
Hayley Barker (American 1973-), 'My Riverwood', 2021, hand-embellished gouach and archival pigment print on wove paper, signed and numbered from an edition of 25 in pencil, published by Exhibition A; sheet: 55.5 x 42.5cmsheet: 55.5 x 42.5cmIn Very Good ConditionNo knocks, tears, or creases to the sheetThis work has been stored flat and never been framedIn Very Good Condition
David Shrigley (British 1968-), 'Vibes', 2018, offset lithograph in colours on thin wove paper, signed in black ink, from an edition of 250; sheet: 70 x 50cmARRsheet: 70 x 50cmIn Very Good ConditionCurvature to the sheet from previous rolling, the work is currently stored flat in an archival print sleeve. The mentioned curvature will be easily rectified from continued flat storage/framing and does not constitute damageOne minor soft crease to the lower corner of the sheet, visible under close inspectionThis work has never been framedIn Very Good Condition
Toko Shinoda (Japanese 1913-2021) "Factio" Signed, titled and numbered 27/55 in pencil, with gallery label - 'Hanlin Gallery, Hong Kong' on verso, lithograph with hand-brushed colour.36.5cm x 26.5cm (14.5in x 10.5in)The print is in very good, original condition with no obvious faults to report. The print is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
Toko Shinoda (Japanese 1913-2021) "Transient B" Signed, titled and numbered 44/55 in pencil, printed by K. Kimura, with their blind stamp, with gallery label - 'Hanlin Gallery, Hong Kong' on verso, lithograph with hand-brushed colour.36.5cm x 26.5cm (14.5in x 10.5in)The print is in very good, original condition with no obvious faults to report. The print is framed and glazed.
Anita Klein (Australian 1960-) "Nige Does His Exercises" Signed, dated '97 and numbered 7/25 in pencil in the margin, etching.plate size 30.5cm x 38cm (12in x 15in)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with no obvious faults to report. The print is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
Tracey Emin (British 1963-) "So Sweet" 2011, signed, titled, dated and numbered 70/100 in pencil, published by Emin International, London, on wove paper, the full sheet printed to the edges, lithograph in colours.20.5cm x 29cm (8in x 11.5in)Bought from the R.A. Summer Exhibition in 2011.Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with no obvious faults to report. The print is framed and glazed.
David Nash R.A. (British 1945-) "Lined Red Egg" Signed, titled and dated '21, numbered 7/15, stencil print in colours.38cm x 28.5cm (15in x 11.25in)Acquired directly from the artist.Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with no obvious faults to report. The print is unframed.
Henry Moore O.M., C.H., F.B.A. (British 1898-1986) "Four Reclining Figures with Architectural Background" 1976, signed and numbered 32/50 in pencil in the margin, with gallery label - 'Wagner Art Gallery, Hong Kong' on verso, lithograph in seven colours.image size 21.5cm x 35cm (8.5in x 13.75in)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with no obvious faults to report. The print is framed and glazed. The original metal frame has some minor scuffs and scratches commensurate with age.
Anita Klein (Australian 1960-) "Remembering" Signed, dated '06 and numbered 11/75 in pencil in the margin, etching.plate size 12cm x 9.5cm (4.75in x 3.75in)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with no obvious faults to report. The print is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
Anita Klein (Australian 1960-) "Phone Call in the Cup Final" Signed, dated '10 and numbered 3/25 in pencil in the margin, titled on artist's label verso, etching.plate size 29.5cm x 44cm (11.75in x 17.25in)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with no obvious faults to report. The print is framed and glazed. The frame has some minor scuffs and scratches commensurate with age.
David Nash R.A. (British 1945-) "Encased Egg" Signed, titled and dated 2007, marked A.P. (Artist's Proof) and numbered 5/5, stencil print in colours.57cm x 38cm (22.5in x 15in)Acquired directly from the artist.Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with no obvious faults to report. The print is unframed.
Henry Moore O.M., C.H., F.B.A. (British 1898-1986) "Two Figures at a Table" 1975, signed and numbered 32/50 in pencil in the margin, with gallery label - 'Wagner Art Gallery, Hong Kong' on verso, lithograph in four colours.image size 20cm x 17.5cm (8in x 7in)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. There are some very small surface marks on the paper in the margins. The print is framed and glazed.
R. B. Kitaj (American 1932-2007) "A Life" (Kinsman 85) 1975, signed and numbered 7/50 in pencil, published by Petersburg Press, London, the full sheet printed to the edges, on mauve Wookey handmade paper, three colour lithograph.sheet size 73.5cm x 53cm (29in x 20.75in)The print is in very good, original condition with no obvious faults to report. The print is ornately framed and glazed.
William Gear (British 1915-1997) "Pink Figures" 1947, signed and numbered 20/200 in pencil in the margin, lithograph.image size 30cm x 50.5cm (11.75in x 20in)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with no obvious faults to report. The print is unframed and rolled.
David Vijsma (Dutch 20th/21st century) "No Time to Die 007" 2021, James Bond - Daniel Craig, Glitch Art, Mirror Edition One, signed and dated on verso, print on dibond with mirror surround.image size 45cm x 34cm (17.75in x 13.5in)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with no obvious faults to report. The print is framed but not glazed. The outer frame has some minor scuffs and scratches commensurate with age.
Roy Turner Durrant (British 1925-1998) Untitled Signed and dated '79, mixed media and collage with chinese print.14.5cm x 14.5cm (5.75in x 5.75in)Artists’ Resale Right (“droit de suite”) may apply to this lot.The collage is in very good, original condition with no obvious faults to report. The collage is framed and glazed.
Häßler, Uwe. Geb. 1938 Altenburg, lebt in Worpswedeo.T. Anthropomorphe Komposition mit kopf- und armlosen Körpern, 4-Farb-Radierung, außerhalb der Grafik rechts: Signatur, links: Auflage 13/100, Einfoliert, 40 x 49,5 cm; gesamt 57,6 x 77 cm Häßler, Uwe: composition with human body parts, 1972, 4-colour-etching, outside the print on the right: signed, left: edition 13/100, foiled
Häßler, Uwe . Geb. 1938 Altenburg, lebt in Worpswede.o.T., abstrakte Figur bestehend aus menschlichen Gliedmaßen und geometrischen Körpern, 1972, 4-Farb-Radierung, außerhalb der Grafik rechts: Signatur, links: Auflage 12/100, 40 x 49,5 cm (Pl), 53 x 66,5 cm (Bl) Häßler, Uwe abstract figure consisting of human limbs and geometric bodies, 1972, 4-colour-etching, outside the print on the right: signed , on the left: edition 12/100
Tafelband Feuerwaffen"Master French Gunsmiths' Designs of the XVII-XIX (17-19th) Centuries, Reproduced in Facsimile", New York (Winchester Press) 1970. Faksimiledruck, gebunden. Mit Einführung und Erklärungen von Stephen V. Grancsay (vormals Metropolitan Museum New York). 208 Seiten, zahlreiche Abbildungen. Exemplar 853/1000. Kleiner Riss in der Bindung. Englische Ausgabe. "Master French Gunsmiths' Designs of the XVII-XIX (17-19th) Centuries, Reproduced in Facsimile", New York (Winchester Press) 1970. Facsimile print, bound. With introduction and explanations by Stephen V. Grancsay (vormals Metropolitan Museum New York). 208 pages, illustrations throughout. Copy 853/1000. Small tear in binding. English language.
Häßler, Uwe. Geb. 1938 Altenburg, lebt in Worpswedeo.T. Zwei abstrakte Figuren bestehend aus organischen und kubischen Formen, 1971, 4-Farb-Radierung, außerhalb der Grafik, rechts: Signatur, links: Auflage 25/75, Beschmutzung am linken unteren Rand sowie ein Knick (Grafik jedoch unbeschädigt), 40 x 49,5 cm (Pl), 64 x 76,5 cm (Bl) Häßler, Uwe Two abstract figures consisting of organic and cubic forms, 1971, 4-colour-etching, outside the print on the right: signed, on the left: edition 25/75, soiling on the lower left edge and a crease (print undamaged)
Historische Fotografie, dt. KolonialzeitMitglieder der sog. dt. Schutztruppe in Afrika mit Ehefrauen und Truppen bei Ausritt. Um 1905. Gelatinesilberabzug (Vintage) auf Fotopapier, Seitenränder umgeknickt, Randhinterlegungen, 25 x 38 cm Photograph: german colonial troops in Africa, vintage gelatine silver print, ca. 1905. Margins folded, 25 x 38 cm
Sechs Mokkatassen mit Untertassen, Grünlas (Loucki/ Böhmen), R. Kämpf, 1928-1938, dazusechs russische Mokkalöffel in vergoldetem Silber Porzellan, Umdruckdekor belaubte Zweige in Gold auf türkisfarbenem Fond, Innenwand und Henkel vergoldet, Goldrand. Farbstempelmarke. H. (T) 5,5 cm. Sechs Mokkalöffel Silber 875, vergoldet, Stiele in transluzidem Email cloisonné dekoriert. Marken: Bezirksbeschauadministration ab 1958, weitere Marke. L. 11,6 cm, G. zus. ca. 86 g 6 moccha cups with saucers, porcelain, print decoration in gold, stamp mark: Grünlas, Bohemia, 1928-1938. With six goldplated silver spoons with enamel cloisonné decoration, hallmarks: Russia/ Soviet Union. Weight in total ca. 86 g
Kono Bairei. 1844-1895 JapanGoldfasane und Hibiskus. Farbholzschnitt, aus dem Album "Bairei's Album of Flowers and Birds" (Bairei kacho gafu), zuerst 1883, 2. Aufl. 1899. 33,5 x 22 cm (BA), hinter Glas mit Pp. gerahmt. Ra. 45,5 x 32,5 cm Kono Bairei, gold pheasants and hibiscus, colour woodblock print, from the serie's "Bairei's Album of Flowers and Birds", fist published 1883, 2nd edition 1899. Framed with glass and passepartout, cutout 33,5 x 22 cm, frame 45,5 x 32,5 cm
Unbekannter Fotograf, Ende 19. Jh./ um 1900Ansicht von Hippodrom und Sultan-Ahmed-Moschee in Istanbul (Konstantinopel). Gelatinesilberabzug auf Glanzpapier, auf festen Trägerkarton aufgezogen. Auf dem Karton handschriftl. auf französisch bezeichnet. Eckausriss (trägerkarton, Stockflecken). 18 x 22 cm/ 34 x 43,5 cm View of Hippodrome and Sultan-Ahmad-Mosque in Istanbul (Constantinopel). Vintage photograph, albumen print, mounted on cardboard. Cardboard damaged at angle, stains. Ca. 1900.
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