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Lot 7039
A late 19th Century photograph album containing approx 50 large mounted albumen print photographs of Rome, including Vatican; Colosseum; Forum; Basilica of Maxentius and Constantine; Porta Maggiore; Porta Pia; Fontana del Bernini, Piazza Navona; Basilica di San Paolo; Basilica di San Lorenzo; Basilica di Santa Maria Maggiore; Piazza del Popolo; Trinita dei Monti/Spanish Steps; Campidoglio; Castel Sant'Angelo; Piramide di Caio Cestio; Villa Pamphili; Aqueduct; Trevi Fountain, etc etc, images approx 20 x 26cm, m/s pen & ink calligraphic captions to card leaves beneath in Italian; plus 17 other photos Milan, Antwerp, Chamonix, Grindelwald etc, folio, contemporary calf gilt album (slightly worn), all edges gilt
Lot 7044
A Victorian photograph album containing over 130 mainly albumen print mounted photographs, c.1890-1894, mainly topographical and architectural views of England, Scotland & Germany, many by James Valentine, plus some by Frank Meadow Sutcliffe and George Washington Wilson, images include views of Whitby Harbour and St Hilda's Abbey Whitby by FM Sutcliffe, No's 513 and 587, each approx 13 x 20cm, plus others Harrogate, Ripon, Bolton Abbey by James Valentine etc; several Norfolk & Suffolk including Blickling Hall; Cromer including looking West to church/town/beach/pier, and "Lion's Mouth"; Thornham Hall, Suffolk (2); Six images of Lowestoft, including harbour, church, beach, stormy sea, piers, herring industry; Pakefield beach; Southwold church; Norwich cathedral and castle (3); plus numerous others Cornwall, Devon, Bath, Hampshire, Isle of Wight, Bristol, Salisbury, Worcester, Hereford, Braemar, Balmoral, Aberdeen (several by George Washington Wilson), Glasgow etc; plus Germany including Cologne, Trier, Nuremberg, Stuttgart, Baden-Baden, etc, folio, old lattice calf gilt album (worn), all edges gilt
Lot 7045
A Victorian photograph album containing approx. 100 albumen and other photos 1887-1892, topographical and architectural views of Belgium, Ireland, Scotland, French Riviera etc, plus a few of English cathedrals, several images by James Valentine, many of Ireland "W.L." including Dublin, Killarney, Glengarriff, Queenstown, Blackrock Castle etc; Riviera including Menton, San Remo, Monaco; several Scotland including James Valentine and George Washington Wilson; four of Fiji incl. Taviuni and Levuka, by Burton Bros, Dunedin, etc etc, many photos captioned to card leaves beneath, in very worn oblong contemporary red morocco album, titled and monogrammed "J.C." in gilt to front cover (a/f). together with a similar album of albumen print photos c.1870's-1880's, 95+ photos topgraphical, architectural and groups of family and friends, UK & Europe, many by James Valentine & others, captioned beneath to card leaves in the same hand as first album, oblong, contemporary cloth gilt album (2)
Lot 7046
A large Victorian photograph album containing approx. 120 albumen print and other photographs, various topographical and architectural views, Ireland (14), including Patrick Street, Cork; Belfast; Blarney Castle; Glengarriff; Killarney; Portrush; Giant's Causeway, some of which coloured; Spain including Madrid, Barcelona and Zaragoza; Belgium incl. Brussels, Antwerp, Dinant, Bruges, large panoramic views of Ostend; several others Scotland, Cornwall, Derbyshire, Hastings, Wales, some James Valentine, Francis Frith & Co & George Washington Wilson; Mediterranean cruise including Marseille, Algiers, Naples, Pompeii, Palermo, Messina, Constantinople, Athens, several of these coloured, some by Mihran Iranian; panoramic view of Valletta, by Fenech photographer, etc etc, images mainly captioned to mount, large folio, contemporary calf gilt (worn), all edges gilt
Lot 7221
Collection of art, private press, illustrated etc, including Edward Gorey: 'The Gorey Alphabet', London, Constable, 1961, 1st edition, ills. by author throughout, original pictorial cloth; Francis Bacon exhibition catalogue, Paris, 1977, colour illustrated throughout, original pictorial wraps; Elizabeth Barrett Browning & Elfriede Abbe: 'Aeschylus Prometheus Bound', Ithaca (NY), Abbe Press, 1952, limited edition, (147/150), signed by Elfriede Abbe and numbered, full page and in text wood engraved ills. by Abbe throughout, 56pp, large 4to, original quarter cloth, marbled paper covered boards (worn); plus others Roger de la Fresnaye, Edward Bawden, Redfern Gallery Summer Exhibition 1962 catalogue; scrap album titled 'Carol Manheim Presents Edward Ardizzone', plus another similar Frank Martin, plus some letters/ephemera sent to Carol Mannheim including Ronald Searle signed card etc; Barbizon House Illustrated Records 1937 & 1938, both limited numbered editions presented to HRH Princess Marie Louise, each original pictorial wraps; Lawrence Mynott signed and numbered coloured print 'the Sunderland Jug', Merivale Editions; Picasso Matisse exhibition booklet circa 1950s; Gilbert & George China Exhibition 1993 sleeve containing packet of photographs of them, etc etc
Lot 7314
George Beahm (edited): 'The Stephen King Companion', Kansas City & NY, Andrews & McMeel, 1989, deluxe edition, numbered 209 of 250 copies, signed by Beahm and 15 contributors including Clive Barker and Roger Zelazny, Werewolf portrait print of Stephen King by Kenny Ray Linkous and publishers typed letter loosely inserted, original boards, dust wrapper, original slipcase
Lot 139
1805 Nelson in Memoriam: a rare creamware jug the ovoid body printed in brown and decorated in colours with a vignette of a grieving Britannia holding a portrait and, on the reverse inscribed with loyal address, 212mm, restored* See Commemorative Pottery, page 100 (P) for a description of this print.# commemorative, commemorate, Napoleon, Napoleonic
Lot 185
1821 Queen Caroline in Memoriam: a pair of pearlware nursery plates, the floral and foliate moulded borders decorated in yellow and green, centred by scenes of the funeral procession and cortege printed in blue, 139mm, cortege plate with chip to underside, procession plate repaired* See Commemorative Pottery, plate 71 for the procession print.# commemorative, commemorate, royal
Lot 87
Anti-Slavery: a creamware cylindrical tankard printed in black with a scene of a cudgelling (stick fighting) match between two Negros together with attendant figures within a border of exotic fruits, plants, a snake, an umbrella and centred by a figure wearing a fleur-de-lys crown, circa 1790, 145mm, the body cracked but away from the print* The scene depicted is a copy of the engraving by A. Brunias entitled ‘A Cudgelling Match between English and French Negros in the Island of Dominica’, published February 1779. See slaveryimages.org item number 1024. The Society for Effecting the Abolition of the Slave Trade held its inaugural meeting on 22nd May 1787 and adopted, two months later, as a seal, an oval depiction of a chained slave entitled ‘Am I not a man and a brother’.Similar medallions widely produced by Josiah Wedgwood became quite probably the first piece of anti-slavery memorabilia.See Victoria & Albert Museum number WE.7825-2014.This mug, drawing its inspiration from the engraving published some eight years earlier must also rank amongst the earliest of memorabilia produced to widen the understanding of and create support for anti-slavery. Agostino Brunias was born in Italy in 1730 and came to England in 1758. A painter, he became acquainted with and subsequently personal artist to William Young who had been appointed to a government post in the West Indian territories. Following the end of the Seven Years War in 1763 Dominica was acquired by Britain from France. Brunias arrived in the islands in 1765 where he remained until about 1775 when he returned to England and where, in the late 1770s, he exhibited some of his paintings and also visited Europe. Returning to the West Indies in 1784 there he remained until his death on the island of Dominica in 1796. Although Brunias primarily resided in Dominica he also spent time in St. Vincent, and visited other islands, including Barbados, Grenada, St. Kitts, and Tobago. His romanticized and idyllic painting of West Indian scenes and slave life is regarded today as some of the most informative imagery to be found.# commemorative, commemorate, slavery, anti-slavery
Lot 335
James Fittler after George Robertson'A view of the Iron Bridge, taken from Madeley side of the River Severn, near Coalbrook Dale, in the County of Salop'; 'A view of Lincoln Hill, with the Iron Bridge in the Distance, taken from the side of the River Severn'a pair of engravingsimage 35.5 x 52.5cm;together with,H F JamesA view of Enville Hall, Staffordshire;A view of Himley Hall, Staffordshire;a pair of engravingsimage 38 x 50.5cm (4)Condition report: Iron Bridge from the Madeley side of the Severn: Paper has browned. Deep creases around the plate mark and the paper looks a little torn down the left edge and in top right corner. A few spots of foxing visible in margins. Occasional creases. Two long vertical lines running down the left edge of the printed area, possibly water or something that has rubbed the ink. Light dirt. Lincoln Hill with the Iron Bridge: Deep creases along top edge and down left side, paper is almost torn in places. A further deep crease in the middle of the sky. Paper speckled with foxing. A small tear halfway down right edge. Some staining to the paper, and dirt. Enville: A couple of scuffs to the margins. Paper speckled with foxing throughout. A few stains to the sky. Light surface dirt. Appears to be an acidic mount. Himley: Some tears to the extreme lower right corner. A small hole in right margin and in the caption. A few scuffs to lower left corner. Some light brown stains to the central area of the print, and a few scattered stains elsewhere. None seen outside of glazed frames.
Lot 345
Henry Edward Tidmarsh (fl.1880-1927)Norwich Cathedral signed 'H E Tidmarsh' and dated 1905 l.l., watercolour78 x 56cm;and another,G Lewis after J ButlerNorwich Cathedralengraving45 x 62cm (2)Condition report: Watercolour: the paper has yellowed very slightly. There is a small pale spot in the top left quarter, it looks as if it could be pastel to mask a tiny tear. The occasional faint spot of foxing. Not seen outside glazed frame.Print: the paper has discoloured to a light brown and there are faint brown speckles throughout. Not seen outside of glazed frame
Lot 316
William Joseph Kentridge (South African 1955 - ): YOU WILL BE DREAMT BY A JACKAL; WHY SHOULD I HESITATE (SCULPTURE AND PUTTING DRAWINGS TO WORK) The print: stamped with the artist's signature, silkscreen on found paper, 23,5 by 14,5cm excluding frame; 33 by 24 by 2,5cm including frame The set of books: William Kentridge (2019) Why Should I Hesitate: Sculpture, and Putting Drawings to Work, a set of two books published to accompany the artist's exhibitions at Norval Foundation and Zeitz MOCAA, Cape Town, 24 August 2019 to 23 March 2020, illustrated in full colour, between linen covered boards, in a printed slip case. Each book signed by the artist
Lot 333
Norman Clive Catherine (South Africa 1949 - ): DREAM CLOTH signed and numbered 48/150 in pencil in the margin offset lithograph sheet size: 71 by 51cm, unframed LITERATURE van Rensburg, W. (ed). Norman Catherine: Print Editions: 1968-2014, 2014, Johannesburg: Art on Paper Gallery publications, another print from the edition illustrated in colour on page 18.
Lot 360
Robert Griffiths Hodgins (South Africa 1920 - 2010): COW COUNTRY CADET signed, dated '07 and numbered 6/25 in pencil in the margin; titled in the plate; impressed with the Artists' Press chopmark lithograph sheet size: 50 by 38cm; 61,5 by 49,5 by 4cm including frame LITERATURE Buys, A., A Lasting Impression: The Robert Hodgins Print Archive, Wits Art Museum, Johannesburg, 2012, another example from the edition illustrated on p. 278
Lot 393
Steve Hillage Box Set, Searching For The Spark - 22 CD Box Set released 2016 on Madfish (SMABX 1045) - with hardback coffee-table book, large booklet of press cuttings, two lyric books, three promotional posters, art print signed by Steve Hillage and Miquette Giraudy, badge and plectrum - All in Superb EX+ condition
Lot 184
Short net mini skirt, a black halter-neck top with paste decoration to the bodice and a Definitions pair of shorts, black shorts trimmed with gold braid and tassels, a vintage cotton skirt on an elastic waist, a red cocktail dress, a black straight skirt with leopard print, a plaid mini skirt, a chevron patterned mini dress and a Charlotte Halton blouse (9)
Lot 190
Vintage cotton dress printed with pale roses and matching belt, a Rene Dezhy vintage white cotton and embroidered dress with drop waist and short sleeves, button fastening to the back, a green spotted vintage dress with belt, a black velvet jacket, another evening jacket, a chiffon spot-printed skirt by Nougat, a quilted jacket William Morris style print, a black embroidered kaftan and a navy blue velvet evening jacket (9)
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314796 item(s)/page