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Lot 501
A 1930s 17th century style NCL map of the West Indies, marked 'MS Starward', a Royal Mail Lines deck plan from RMS Ebro, and plan and elevation of SS Mohegan, 38 x 56cm and Three mid-to-late 20th century photographic ocean liner prints to include a landscape picture of five steam ships heading into harbour, including the SA Vaal, 88 x 41.5cm, a Union Castle Saf Marine photographic print of the SA Vaal and a Cunard print of the Queen Elizabeth II, all framed and glazed (6).
Lot 519
PAUL INSECT (20th century); colour screen print on Colourplan Real Grey 270gsm paper, numbered 44 of an edition of 250, entitled 'Dunce Boy', signed and numbered by the artist, published by Pictures on Walls 2007 and with POW Printmaking blind stamp lower-left and figural blind stamp lower-right dated '07, 52 x 76.5cm, framed and glazed. †CONDITION REPORT This lot may qualify for Artist Resale Rights. For further information, please visit
Lot 560
PAT FISHER; acrylic 'The George Stage', signed and dated July 1992 lower-right, 29 x 39cm, a 19th century print 'Joe Rogers' with inscription 'The Brave Seaman, who with a thin cord made fast to his body, sprang from the deck of the Royal Charter on the chance that he might be dashed on the shore with life enough to fix the line from ship to shore and which saved nearly forty lives.', 34 x 28cm and seven further maritime artworks, largest 12 x 18cm, some signed, all framed and glazed, also a reproduction framed and glazed ship diorama (10).
Lot 566
D MARTIN (19th/20th century); watercolour, Cornish coastal scene, signed D Martin lower left, 17. 5 x 26.5cm, framed and glazed, J C Jonas (19th/20th century); watercolour, lake scene with cattle and rower, 15.5 x 24.5cm, framed and glazed, and after Henry Jutsum; a print of a cowherd driving cattle over a stone bridge, 30 x 42cm, framed and glazed (3).
Lot 597
HOPKINS; a large pastel on paper, seascape of rolling stormy sea with the masts of tall ships in the background with deep troughs and white horses to the foreground, signed and dated '98 lower right, 45.5 x 71cm and a similar print of a ship in stormy seas after the artist, 39 x 53cm, both framed and glazed (2).
Lot 142
Tassoni Alessandro. La secchia rapita. Poema eroicomico... Colle Dichiarazioni di Gaspare Salvini Romano, E le Annotazioni del dotto Pellegrino Rossi Modenese. Venezia, Giuseppe Bettinelli, 1739.In-8° (mm 161x98). [16], xlviij, 450, [6] pagine. Antiporta calcografica e ritratto dell'Autore incisi su rame. Marca silografica con monogramma al frontespizio. Frontespizio controfondato, gore e qualche fioritura, leggermente brunito. Legatura ottocentesca in mezzo marocchino verde, percallina decorata a secco ai piatti. Al centro del piatto anteriore stemma della famiglia Tassoni impresso in oro; dorso liscio decorato da ferri impressi in oro, titolo dorato. Cofanetto cartonato rivestito con carta marmorizzata. Al frontespizio nota di possesso di difficile lettura datata '1748'. Ex libris della famiglia Tassoni al contropiatto anteriore e timbro della medesima proprietà al recto della carta di guardia anteriore. Esemplare dell'edizione veneziana di Bettinelli, nella versione senza le tavole incise da Menescardi e Filosi. Al poema è premessa la Vita di Alessandro Tassoni di Ludovico Antonio Muratori. La stampa veneziana di Bettinelli è conosciuta anche per aver suscitato - ad opera di Giovanni Andrea Barotti o di Domenico Vandelli (per la paternità vedi Melzi, II, 392) - una Querela in cui si denunciavano presunti errori e imprecisioni, il tutto nell'ambito di una polemica tra editori: il modenese Soliani aveva infatti accusato Bettinelli di avergli rubato l'idea di un'edizione annotata del poema tassoniano.8° (161x98 mm). [16], xlviij, 450, [6] pages. Copper engraved frontispiece and portrait of the author. Woodcut printer's device with monogram on the title-page. Title-page reinforced, slightly waterstained and browned, few foxing. 19th-century half morocco, smooth spine gilt tooled, gilt lettered title. Tassoni family's coat of arm in gold on the upper cover. Marbled slipcase. Ink note on the title-page dated '1748'; ex-libris of Tassoni family con the front pastedown, stamp of the same family on recto of front flyleaf. Venetian edition printed by Bettinelli, issue without plates engraved by Menescardi e Filosi, including the biography of Tassoni by Ludovico Antonio Muratori. This edition is well known bacause of a querelle, due to Giovanni Andrea Barotti (or to Domenico Vandelli; see Melzi, II, 392): the printing was accused of many mistakes and it was the reason of a polemy between two printers, Soliani from Modena and Bettinelli. Soliani accused Bettinelli to have stolen the idea to print the Secchia rapita with commentary and notes.
Lot 12
KAY BOYCE (BRITISH CONTEMPORARY) 'ELEGRANCE', an artist proof print of a woman wearing a white dress x/xx, signed in pencil, approximate size 45cm x 47cm, together with 'Coppelia' by the same hand 266/295, signed in pencil, approximate size 51cm x 37cm, both with certificates, mounted, unframed (condition:- as new) (2) (A)
Lot 20
DAVID SHEPHERD (1931-2017) 'The Best Spots On The Hill', a limited edition print 70/950 of a family of cheetahs, signed in pencil, with certificate and study print, unmounted, unframed, size approximately 38cm x 76cm (condition: small water stain and yellowing to the bottom white print border) (A)
Lot 337
DAVID SHEPHERD (BRITISH 1931-2017) 'ARABIAN ORYX', a limited edition print 308/1500, signed in pencil, mounted, framed and glazed, approximate size 53cm x 82cm, together with a signed Don Breckon Railway print, a Robert Calvert print of Birmingham's Snow Hill Station and a large framed print of ladies in historical costume, approximate size 89cm x 51cm (4)
Lot 4
DAVID SHEPHERD 91931-2017) 'PANDA', two limited edition prints 152 and 154/495, signed and numbered in pencil, with certificates, approximate size 21cm x 31cm, mounted, unframed, together with 'baby Hedgehog' limited edition print by the same hand 1159/1500, signed in pencil, mounted, unframed (3) (A)
Lot 50
SIX PICTURES AND PRINTS to include a Spence Hodge watercolour of a baby elephant, signed in pencil, a watercolour by Paul Adams, a limited edition print by Kay Boyce 358/650 of a young woman, limited edition print by John Silver 'Jailhouse Rock' 6/395 and two prints of a woman dressed in red by John Mould (condition: creases to the John Mould prints)
Lot 663
GERALD COULSON (BRITISH 1926), two open edition prints 'Winter Sunlight', mounted, framed and glazed, approximate size 52cm x 73cm, together with an untitled print by the same hand depicting a sheepdog at work against a mountain backdrop, mounted, framed and glazed, approximate size 56cm x 74cm (2)
Lot 219
ASTROLABES: 'ELUCIDATIO FABRICAE USUSQUE; ASTROLABII', CIRCA 1513 published for Johann Stöffler, Oppenheim, title within a fine woodcut border, 33 woodcut illustrations, all but 7 full-page, illustration on B3v with a small overslip, illustration on C4v wtih folding slip, and two detached overslips, woodcut on D3v with folding flap and an overslip, arms at foot of f12, device on N6v, five astrological diagrams, very fine woodcut initials, a few leaves lightly browned, contemporary German marginalia, 17th century vellum, Oppenheim, (per Jacobum Köbel), 1513 (1512) A fine copy of Stöffler's most famous work which appeared in several editions and served astronomers for a long time as a standard work; the last edition appeared in 1620. On f12 there are two gratulatory verses, one by Georg Simler to Jakob Köbel and the other by Melanchthon to his master Stöffler, the first appearance of Melanchthon in print . One of the astrological charts is of the Emperor, Maximilian.
Lot 83
GERALD M. BURN (BRITISH, 1862-1945) H.M.S. 'Renown' carrying the Prince of Wales en route to Australia Sepia watercolour Signed 'Gerald M. Burn' (lower right) and inscribed 'H.M.S. Renown Nov. 1919' (lower left) 9 x 20¼in. (23 x 51.5cm.); together with a signed etching of Thames barges by W.L. Wyllie; a reproduction print of the Battle of Jutland by Wyllie and a coloured etching by Henry Walker (4)
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314783 item(s)/page