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Lot 149

A David Sharp Rye Pottery money box in the form of a snail, together with a table lamp, a Russian figure of a tiger and a print of Falmouth, Cornwall

Lot 179

A box of miscellaneous china to include Wedgwood, together with a print

Lot 195

A large collection of miscellaneous items to include a Royal Doulton Bunnykins money box, four Worcester cups, a Mallifori paper weight, a Denby bowl, a part Japanese china tea service a 1920's biscuit barrel, a print and various other items

Lot 257

English school, early 20th century, water-colour, shore scene, together with a limited edition print, London from Greenwich Hill, 122/850

Lot 263

Jarle Rooseland, Norway 1952, Solsikker, limited edition print, 47/50, signed and dated 1982

Lot 406

After Maurer, A Perspective view of The Royal Garden of Somerset, coloured engraving and Print of Notre Dame Cathedral, A Macfarlane (early 20th century), 'Figurehead of Kobenhaven', Signed etching, 21x26cm (3)

Lot 479

After Charles Napier Hemy, Life, Signed print, 55cm x75cm

Lot 155

Blue and white transfer print china - chamber pot, tureen and cover, milk jug, five plates/dishes and a saucer

Lot 240

A large Minton willow pattern breakfast cup and saucer, transfer print salad bowl and stand and two character jugs

Lot 494

Two trays, an oval Edwardian mirror, frameless mirror and a print

Lot 458

James Bond signed pictures: Aston Martin Volante in snowscape signed Timothy Dalton 525mm by 420mm, Timothy Dalton signed press photographs 410mm by 330mm and 305mm by 215mm; the Spy Who Loved Me 'An Uninvited Guest' print signed by Brian Sapsford and Barbara Munro (and a signed Barbara Munro photograph of herself signing the print) 750mm by 555mm, all framed and glazed (4)

Lot 474

Railway books: forty-one by different authors including Danger Ahead-R. Blythe, Railways of Britain - O.S. Nock, Kichenside, Minns, Hind and British Transport Commission, Railway Magazine (bound) Vol, 94 for 1948, Bradshaw's Guide August-Sept. 1958 and two Wills cigarette card albums; thirteen LNER brass buttons, postcards, tiled panel 'Mechanical Power Subduing Animal Speed', framed needlework, framed print and a company crest board

Lot 340

AFTER LOUIS WAIN - "The Aristocratic Tenner", print, hand coloured, 8" x 6", and six further hand coloured comical prints or engravings after the same hand (7).

Lot 341

AFTER LOUIS WAIN - 'In the park', hand coloured print, 8" x 6" and seven further comical prints or engravings after the same hand together with a pair of humorous motoring engravings after G D Armour (10).

Lot 359

E M S, INITIALLED AND DATED 1850, MIXED MEDIA (POSSIBLY PRINT BASE), Head and Shoulders Portrait of a Gent, 21" x 16"

Lot 509

MRS BREENA SIVELL (NORWICH ART CIRCLE), SIGNED WATERCOLOUR, "Easter Lilies", 20" x 14"; together with a further OIL PAINTING, TWO WATERCOLOURS AND A PRINT (5)

Lot 622

UNSIGNED OIL OVER PRINT BASE, Portrait of a Young Child, 11 ½" x 9 ½"

Lot 9

SIR WILLIAM RUSSELL FLINT. Signed in pencil print on paper with guild stamp, figures in a courtyard 'Conversation, St.Martin D' Ardeche', see verso. 20" x 26.1/2"

Lot 2002

David Shepherd (20thC). Scotsman - 34, a reproduction colour print, limited edition of 850, signed in pencil to margin, image size 16¾" x 31½".

Lot 2015

Vernon Ward print. Continental landscape and decoupage picture.

Lot 2018

An early 20thC Pears print, framed and glazed.

Lot 2019

An early 20thC Pears print depicting a Blacksmith at work.

Lot 2023

Anthony Forster (20thC). One of the family, limited edition colour reproduction print, 19/150, signed in pencil.

Lot 2026

A watercolour study of flowers, signed Bill Cox and a further print.

Lot 2029

After David Waller. Spirit of Kirkstead. Limited edition colour print, 60/250, signed in pencil to margin.

Lot 2031

Three wool work pictures, assorted and a framed colour print of Old Deeping.

Lot 2042

After Willem D Beer. Tiger Tales, reproduction colour print, limited edition 775/850, signed in pencil to margin.

Lot 2043

Assorted framed artworks including a Polly Anna Pickering signed print.

Lot 2049

After Eric H Day. A signed colour print of an RAF Vulcan bomber over Lincoln.

Lot 2050

After C F Tunnicliffe. Two ducks, reproduction colour print, 430/500, signed in pencil to the margin.

Lot 2057

An oval wall mirror, a reproduction colour print and a 19thC engraving North West view of Newark Church.

Lot 2065

After Red Morgan. Little Lady Bountiful, black and white print, early 20thC, framed and glazed.

Lot 2105

An assortment of black and white prints and a coloured print in a maple frame.

Lot 2607

After Elizabeth Sharp. The Belvoir at Knipton, limited edition colour print, signed in pencil by the artist and the Duke of Rutland.

Lot 75

Film poster - Jayne Mansfield Oh! For a man!, screen print - 76 x 101 cm Condition Report: Condition A backed on linen

Lot 619

After Charles Haslewood Shannon R.A., N.P.S., A.R.E. (1863-1937). "The Bathers". Signed artist's proof, inscribed verso with the title by a later hand, bears the artist's initials within the plate, black and white lithographic print, 43cm by 30.5cm

Lot 624

Tuktak (20th century). "Talluliguk", Sea Goddess. Signed artist's proof, 25/50, inscribed "Cape Dorset, Baffin Island", coloured stone cut print, 45cm by 28.5cm; together with. Innukjuakjuk (20th century). "Female Owl". Signed artist's proof, 12/50, inscribed "Cape Dorset, Baffin Island", stone cut print, 31cm by 37cm; Sakiatsiak (20th century). "A Man and his Precious Catch". Stone cut print, hand printed, contained within a folder entitled "Art Eskimo", 24cm by 17.5cm, unframed; Luktak (20th century). "Mother and Child". Signed artist's proof, 30/24, inscribed "Cape Dorset, 59", stone block print, 17.5cm by 13.5cm; together with. Two Catalogues entitled "Eskimo Graphic Art 1960", "Stone Cuts and Seal Skin Prints from the West Baffin Eskimo Co-operative 1959". (4 prints, 2 catalogues). See illustration (Sea Goddess and Female Owl)

Lot 627

Michael Rothenstein (1908-1993). Abstract Composition. Artist's signed proof, limited edition print, 2/50, coloured lithograph, 55.5cm by 78.5cm

Lot 630

John Piper L.G., C.H. (1903-1992). "Abbeville". Signed artist's proof, numbered "234 XIX" in the lower right corner, coloured silkscreen print, 86.5cm by 65cm, unframed See illustration

Lot 1119

Giant Irish Deer (Megaloceros giganteus), antlers on upper skull, right antler 6 points, left antler 8 points, right antler 123cm, right antler palmation 26cm, left antler 126cm, left antler palmation 29cm, tip to tip 154cm, broadest span 212cm, on wood shield See illustration. This is the skull and antlers of a young stag. Ex Collection of Dublin University. This species of deer is often and erroneously described as an Irish Elk, whereas in fact its nearest relative is the Fallow Deer. This animal was not just particular to Ireland-remains have been found in Japan and China, westward through Asia and Europe. However, most have been found in Ireland, which the deer reached over a land bridge that existed between Cumberland and Ireland via the Isle of Man. It is thought that this species became extinct in Ireland about 10,750-10,250 years ago (about 2,500 years before man first came to Ireland). Giant Deer remains are found in the marls below the peat bogs. The Giant Deer were also 2m tall at the shoulder, and could weigh up to 500kg. Like most living deer, the male and female Giant Irish Deer would have lived in separate herds for much of the year, congregating only for the autumn rut. Large antlers were used for display to both intimidate rivals and impress females, and were also used in combat. The male deer often entered the winter undernourished and in poor condition, sheltering in such narrow steep-sided valleys as that at Ballybetagh, Co Dublin. Here several males died each year on the shores of a shallow lake where their bones would have been trampled by other deer and gnawed by animals such as the Arctic Fox before becoming buried in the lake muds. At Ballybetagh the remains of at least 120 individuals have been discovered, all of them males. The abundance of Giant Deer in Ireland compared with the rest of Europe suggests that condition there were ideal. The abundance also reflects the fact that they were buried in sediments beneath a layer of peat which lead to their discovery as the turf was collected for fuel. Giant Deer remains have also been found in a number of Irish caves, along with bones of Reindeer, Woolly Mammouth, Hyaena and other members of the Ice Age fauna. The final extinction of the Giant Irish Deer came about 10,600 years ago when a cold phase of climate lasting over 400 years caused changes in the vegetation and it became increasingly difficult for the deer to obtain sufficient food to build their large bodies, grow antlers which were shed annually, and build up fat reserves sufficient to survive the winter. The Giant Deer has been known from remains found in Irish bogs since the 16th century. It was first mentioned in print in 1596 when a skull with antlers was presented to Hatfield House in England and recorded in the State papers. The first scientific description was by Thomas Molyneux in 1697, but it was 1813 before the animal was scientifically named by Blumenbach. It is now known as Megaloceros giganteus blumenbach. The National Museum of Ireland has almost 200 specimens of skulls and antlers in its collection.

Lot 1517

A Late 19th Century Rosewood and Marquetry Settee, upholstered in green floral print damask, open square back between rounded arms and sprung base, on square tapered legs with spade feet and castors; and Two Armchairs and Four Side Chairs En Suite (7) See illustration

Lot 1530

A Mahogany Framed Three Piece Bergère Suite, upholstered in green floral print damask, the settee with slightly arched back and double caned sides with serpentine shaped arms terminating in leaf carved and scrolling handles, the squab cushions on a sprung base above a moulded seat rail with gadrooned edge, on acanthus and scrolling claw and ball feet, with two tub armchairs en suite (3) See illustration

Lot 1580

A Victorian Walnut Framed Settee, upholstered in floral needlework print damask, the double ended back with central panel decorated with carved acanthus and scrolling flowers, the serpentine over-stuffed seat above a carved and shaped apron, on leaf carved scrolling cabriole legs with brass castors, 173cm by 95cm by 86cm

Lot 81

ISOBEL HEATH Watercolour. Together with a Paul Henry print.

Lot 30

Two brass T.W Cherub rotators converted to table lamps, two ship's badges and a print of a Revenue cutter.

Lot 38

A monochrome photographic print of an 18th Century depiction of Devonport Docks, 50cm x 30cm.

Lot 226

Tim Thompson - A pair of signed prints of the Americas Cup, framed and glazed, one other print Sobram and a framed set of Carreras cigarette cards 'History of Naval Uniforms'.

Lot 228

Plan of 'T. S. M. V. Royal Daffodil', the print stamped twice with 'The General Steam Navigation Co Ltd, Drawing Office, Deptford 6/10/49', size 30cm x 108cm.

Lot 196

A Maling blue thumb print bowl with floral decoration and a small footed Maling bowl

Lot 48

An early Victorian flamed mahogany print pedestal sideboard.

Lot 574

A Japanese colour print, court scene, 34cm x 16cm.

Lot 586

After A G Barton. Lincoln Cathedral limited colour print, no 206/300.

Lot 114

A pair of Victorian prints Ernest Walburn 'A Country Lane' t/w another print (3)

Lot 115

B.W.Leader a signed print 'Woodland Landscape 1915'

Lot 146

A print 'The Lost Lynch Pin' in an oak frame

Lot 180

A Michael Hill print 'Memories' 1905-2005 t/w various other pictures and prints

Lot 220

A C19th marine print, 'Prince of Wales' print & mahogany oval occasional table on claw & ball feet

Lot 437

ROY REYNOLDS, Colour Print: 'Autumn' with pair of shires pulling dray.

Lot 453

AFTER JOHN JACKSON, R.A. The Marquess of Chandos, standing full Length, a landscape beyond, engraving ,with some foxing, rubbing and general paper discolouration, in a maple veneered frame, Pl. 25 x 16 in ; a chromolithograph after Harry & Arthur Payne depicting ' A Military Parade' , and a further colour print titled 'Inspection by the General, The Salute' ; three (3).

Lot 35

NINE NORFOLK BOOKS-FIVE RIDER HAGGARD TITLES, WHITES NORFOLK 1845 RE-PRINT ETC.

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