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Lot 437
ARTHUR DELANEY (1927-1987); a signed limited edition black and white print, a figural city scene with trams, signed in pencil to lower right, limited edition 61/80, 27 x 34cm, framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 438
ARTHUR DELANEY (1927-1987); a signed limited edition coloured print, a figural city scene with trams, signed in pencil to lower right, limited edition 100/400, 38 x 45.5cm, framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 439
ARTHUR DELANEY (1927-1987); a signed limited edition coloured print, a figural Manchester street scene, signed in pencil to lower right, limited edition 704/850, 37 x 46cm, framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 440
ARTHUR DELANEY (1927-1987); a signed limited edition coloured print, a figural street scene with trams and viaduct in background, signed in pencil to lower right, limited edition 1/500, published by Grove Galleries Ltd, Manchester, 35.5 x 48.5cm, framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 441
ARTHUR DELANEY (1927-1987); signed limited edition coloured print, Manchester street scene with figures and trams, signed in pencil lower right, 698/850, 37 x 46cm, a similar limited edition print, 171/850, unsigned, 39 x 47cm and after DIAN GEFFREYS; a signed coloured limited edition print "The Road Hom...", signed in pencil lower right, 61/500, 34.5 x 54cm, all framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 442
ARTHUR DELANEY (1927-1987); a signed limited edition coloured print, "St. George's Hall", signed in pencil lower right, no. 108/400 lower left, 36 x 44cm, unframed but mounted. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 443
TERENCE CUNEO (1907-1996); a signed limited edition coloured print "Castle on the Coast", signed in pencil lower right, bearing blind stamp and numbered 233/500 lower left, published by Palaquin Fine Arts, 41 x 70.75cm, unframed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 444
TERENCE CUNEO (1907-1996); a signed limited edition coloured print "Snow Hill Station", signed in pencil lower right, bearing blind stamp lower left, 51 x 68cm, unframed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 446
TERENCE CUNEO (1907-1996); a signed limited edition coloured print "The Running Sheds of the Great Caerphilly and Vole-Tail Central Railway", signed in pencil lower right, bearing blind stamp and numbered 69/850 lower left, published by Palaquin Fine Arts, 47.5 x 72cm, unframed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 452
HELEN BRADLEY (1900-1979); signed limited edition coloured print "September", signed in pencil lower right, bearing blind stamp lower left and inscribed on Renoir Galleries Ltd label verso, 38 x 56cm, framed and glazed and a decorative coloured etching by A. ARNOLD; coastal landscape, framed and glazed (2). (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 455
GERARD KELLY; a signed coloured print, "Saw Ohn Nyun", signed in pencil lower right, published in 1960 by Frost and Reed Ltd of Bristol and London, 64 x 51cm, framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 460
HELEN BRADLEY (1900-1979); a signed limited edition print, lake side park scene, part of the Miss Carter Wore Pink pictures, signed to lower right, and bearing Fine Arts Trade Guild blindstamp and letter to number stamp indicating 153, 40 x 57.5cm, framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 464
FRANK DOBSON (1886-1963); red chalk and watercolour, a woman's head, signed in pencil, with details and autobiographical information on label verso, 33 x 24.5cm, and After BASIL EDE; a print of a pheasant, 14 x 19cm, both framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk. Frank Dobson: mount stained and foxed to lower portion. Image foxed to mid and lower left.
Lot 178
Bristol Interest - The Coronation Tap, Sion Mews Clifton - A Large Oak Framed Boer War Coloured Lithograph ‘Lord Roberts Entering Petoria’ (On the 5th of June 1900) After Richard Caton Woodville bearing a gilt lettered type-set card inscribed ‘Between 1900 and 1970 This Print Hung in the Bar of the Coronation Tap Clifton and was Given by Dick Bradstock, Landlord’ mounted framed and glazed, 87cm x 63cm George Brown landlord (1882 - 1917).The Coronation Tap is one of, if not the most, famous cider houses in the world. It is located in Clifton, near the Suspension Bridge, and has been for the past few centuries. Originally a farm, it became a cider house sometime around the late eighteenth century and has been trading as such, with the same name, ever since. Now a Bristol institution with a global reputation, the Cori Tap deserves to be on every cider lover's itinerary.Although the Coronation Tap has a long history, it might be argued that its finest hour was in more recent times. Around 40 years ago the pub's then landlord, Dick Bradstock, waged a one-man war against the Permissive Sixties. Mr Bradstock's rules stated that there were to be no public displays of affection, not even between married couples. Scruffy hair and clothes were not permitted. Ladies were not served pints, only half-pints. Patrons were not allowed to refer to the cider as scrumpy. Requests for spirits were frowned upon, only cider and beer were served. The furniture was not allowed to be moved, even moving a stool from an empty table earned a stern rebuke. What happened if someone brought down the wrath of Mr Bradstock My parents were in the pub one evening when a young man requested some scrumpy. The landlord turned off all the pub lights until the young man realised the error of his ways and left in a cloud of embarrassment. From the ‘The Best Old Pubs in Bristol’.
Lot 512
Enid Marx (British, 1902-1998) Marco's Animal Alphabet from an edition of six 22 numbered in crayon, and some initialled linocuts sheet 'A' 12cm x 18.5cm (26). Enid Marx completed her ABC alphabet of 27 prints in 1979, and they were occasionally included in exhibitions of her work. However, they were not re-produced in print until a special limited edition was produced by Graham Moss of Incline Press in 2000, after Marco's death in 1998. This set, one of the original 1979 editions, is as Graham Moss says 'imbued with the joy and sense of fun that is so typical of her work'.
Lot 3508
A collection of 1950s aprons, a blue silk scarf, to include a floral,an embroidered and two children's aprons, together with seven 1950s blouses, an apple green tricel by 'Maxton' with pleated front, a white and embroidered blouse , also a cream blouse by 'Lindafex' with dancing character print, a pale blue blouse with broderie anglaise neckline, a blue full length blouse and a blue paisley button up shirt
Lot 1102
Attributed to Harry Davis for Royal Worcester, a painted porcelain plaque of two deer, after the original Landseer painting 'A Random Shot', impressed Worcester mark to the reverse, 14cm x 21cm Note: Edwin Landseer's 1848 painting, 'A Random Shot' is a representation of Victorian morbid sentimentality, prevalent at the time. The original is in Bury Art Gallery, and was inspired by Walter Scott's poem 'The Lord of the Isles'. It was reproduced in print form as well as on ceramics throughout the following century.
Lot 1334
H T G (?) Alland, a hunting scene, pen and ink with watercolour and bodycolour on paper, signed and dated 96, 13 x 18 cm, another by the same, 12.5 x 17 cm, John King, Before the Start of a Four-Mile Chase, watercolour, signed, 36 x 53 cm, with a Tryon Gallery label verso, a signed print by the same, and two other racing pictures (6)
Lot 171
SIR ALFRED JAMES MUNNINGS, (BRITISH, 1878-1959), 'HRH THE PRINCE OF WALES ON FOREST WITCH', coloured print signed in pencil by the artist, copyrighted to the Modern Arts Society (England) Ltd., and the Field Press Ltd. Fine Art Trade Guild backstamp. 585 x 710cm. CONDITION REPORT: Retaining what appears good colour but showing some evidence of backboard stains, particularly in the sky above the horses head and around the border. Appearing original frame, some damage and losses to it.
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314796 item(s)/page