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Lot 275
Buddy – Anonymous, Our love will survive, art print on paper, hand signed, on the reverse titled in Czech language; 50x40 cm. About the author: A middle-aged artist who does not want to disclose his identity, studied painting in the USA and returned to the Czech Republic, represents a group of younger people who criticize the current way of life of our society in the world. It responds to political stimuli in the world and here at home.
Lot 271
Buddy – Anonymous, Help and safe; art print on paper, hand signed, title on the reverse in Czech language; 50x40 cm. About the author: A middle-aged artist who does not want to disclose his identity, studied painting in the USA and returned to the Czech Republic, represents a group of younger people who criticize the current way of life of our society in the world. It responds to political stimuli in the world and here at home.
Lot 179
Utagawa Hiroshige (Japanese, 1797-1858). Ukiyo-e woodblock print triptych titled "Prince Genji and a Companion at Tago Bay" depicting the prince seated on a balcony at the right with a woman standing by him. A large bay with Mt. Fuji is depicted in the two left prints with figures and a boat on the beach and tents in the center.(Each sheet) height: 14 1/4 in x width: 9 3/4 in.
Lot 180
Utagawa Kunisada (Japanese, 1786-1865). Ukiyo-e woodblock print triptych on paper titled "View on the Bay of Akashi" depicting three figures in each print for a total of nine in the foreground with Akashi Bay in the background. Each stamped along the lower edges.(Three sheets assembled) Height: 15 in x width: 30 in.
Lot 181
Tsuchiya Koitsu (Japanese, 1870-1949). Ukiyo-e woodblock print titled "Midnight Scene at Atami, Famous Spa" depicting a city at night reflected in the water across a bay as mountains rise in the background. With the artist's red mark along the lower right edge.Sight; height: 14 in x width: 9 1/4 in. Mounted; height: 18 in x width: 14 1/4 in.
Lot 182
Fumio Kitaoka (1918-2007). Japanese woodblock print titled "Rooftops," depicting a city's rooftops with the sea behind. Pencil signed and dated 1958 along the lower right; inscribed "Epreuve d'artiste" along the lower left; Japanese inscription along the lower center.Sight; height: 14 3/4 in x width: 21 1/2 in. Framed; height: 22 3/4 in x width: 29 in.
Lot 184
Group of nine modern Japanese woodblock prints including the following artists:Miyagawa Shuntei (Japanese, 1873-1914). Triptych titled "January: The Shuttlecock" from the series "The Twelve Months of Beauties."Three prints by Kitagawa Utamaro (Japanese, b. circa 1753-1806). "Osome, the Oil Shop Owner's Daughter, and Hisamatsu the Apprentice" from the series "Different Realities: The Source of Love (Jitsu kurade iro no minakami)." "Happy Togetherness for Umegawa and Chubei (Umegawa Chubei no kihan)" from the series "Eight Pledges at Lovers' Meetings (Omi hakkei)." Print depicting either the Hinodeya goke (widow), Asahija goke, or Karasumori goke. This version with eyebrows. From the series "Renowned Beauties from the Six Best Houses (Komei Bijin Rokkasen."Utagawa Hiroshige (Japanese, 1797-1858) "Daybreak at Shinagawa," and "Yodo River" from the "Famous Places in Kyoto" series.Katsushika Hokusai "Viewing the Sunset of Ryogoku Bridge from the Onmaya Embankment (Onmayagashi yori Ryogokubashi sekiyo o miru)" from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)."Harunobu Suzuki (Japanese, b. circa 1725-1770). "The Eighth Month (Chushu)" from the series "Popular Versions of Immortal Poets in Four Seasons (Fuzoku Shiki Kasen)."Yurimoto Keiko (Japanese, 20th c.) "Geisha and Drums."One print of figures on a boat with the moon hanging low in the sky in the background by an unknown artist. With characters and a red stamp along the upper left of the print.Unframed; height ranges from 14 1/2 to 15 1/4 in x width ranges from 10 to 10 1/4 in. Matted; height ranges from 18 to 19 1/2 in x width ranges from 14 1/4 to 35 1/2 in.
Lot 258
PaJaMa Group (Paul Cadmus (American, 1904-1999), Jared French (American, 1905-1987), and Margaret Hoening French (American, 1889-1973)). Photograph depicting Cadmus seated nude on a spool on the beach, a towel tossed over his shoulder. Silver gelatin print. There is a Ten Studio Hill inkstamp to the backing.Height: 4 1/4 in x width: 6 1/2 in.
Lot 261
Gregory W. Bitz (American, 20th c.) Series of ten ink drawings on paper, nine framed and one unframed, and one framed print of a self portrait. Included is a poem titled "The Witch and the Wolf" and dedicated "For Don," and the 1975 book "Dim Lake" by Gregory Bitz, Leon Hushcha, and Jonathan Sisson.(Self Portrait) Sight; Height: 6 1/2 in x width: 4 1/2 in. Framed; Height: 7 3/4 in x width: 5 3/4 in. (Prints, each) Sight; Height: 4 1/4 in x width: 6 in. Framed; Height: 11 1/4 in x width: 12 1/4 in.
Lot 282
Rockwell Kent (American, 1882-1971). Suite of 40 lithographs on paper illustrating the works of William Shakespeare. One print, depicting a lute player, is pencil signed along the lower right. Numbered 262/1000 to the colophon.(Framed work) Sight; Height: 8 3/4 in x width: 6 1/2 in. Framed; Height: 15 3/4 in x width: 12 1/4 in.
Lot 287
Rufino Tamayo (Mexican, 1899-1991). Woodcut on Japon paper titled "Woodchooper," ca. 1926-1928, depicting a figure wielding an axe, surrounded by tree stumps. Pencil signed along the lower right. This print is from an edition of 60, published by Weyhe Gallery.Sight; height: 11 in x width: 10 1/2 in. Framed; height: 18 1/4 in x width: 10 1/2 in.
Lot 290
Georgia O'Keeffe (American, 1887-1986). Portfolio of ten prints titled "Drawings," 1968. Ten color offset lithographs on wove paper, each print in its original folder which identifies the print. Hand signed and numbered 213/250 to the colophon. Published by Atlantis Editions, New York. With full text of the introduction by Lloyd Goodrich; housed in the original clamshell box.(Portfolio) Height: 27 1/4 in x width: 20 1/2 in x depth: 1 1/2 in.
Lot 297
Alexander Calder (American, 1898-1976). Aquatint in colors on Rives BFK paper from "The Sacrilege of Alan Kent," 1976. This print is one of a set of 40 illustrations done by Calder for the work. Pencil signed along the lower right and inscribed H.C. along the lower left.Height: 16 3/4 in x width: 17 3/4 in.
Lot 312
Yvaral (Jean-Pierre Vasarely) (French, 1934-2002). Pair of op-art prints, one blue and one yellow and purple. The blue print is pencil signed along the lower right; numbered 59/200 in pencil along the lower left. The yellow and purple print is pencil signed along the lower right; numbered 59/200 along the lower left.Sight; height: 27 3/4 in x width: 26 3/4 in. Framed; height: 34 1/2 in x width: 33 1/4 in.
Lot 338
Gil Bruvel (French, b. 1959). Round embossed giclee print depicting a crescent moon with a woman's face. Signed and dated 1991 in the plate along the lower edge and additionally signed in silver ink. Editioned A.E. 32/75 in silver ink along the lower edge of the mat below the signatures.Sight; Diameter: 9 in. Framed; Height: 24 in x width: 24 in.
Lot 364
Ansel Adams (American, 1902-1984). Photograph titled "Winter Sunrise, The Sierra Nevada, from Lone Pine, California 1944," depicting the Sierra Nevadas lit with the rising sun. Silver gelatin print. With Ansel Adams Carmel inkstamp along the mount verso.Ansel Adams is one of the best known photographers of the American West, with his works increasing awareness of and the mystique of the National Parks. His stark, dramatic images capture the awe-inspiring nature of the landmarks he photographed. His photography was entwined with his interest in environmental activism, photographing nature with an eye for preservation.Adams was gifted his first camera on a family trip to Yosemite in 1916, which ignited his love for both photography and the park. By early adulthood, Adams had moved to Yosemite full time, and spent his time exploring and photographing the park. His first photographs were published in 1921, and by 1925 he had developed his signature style of a sharp focus and large contrast. He continued refining this style, going against the grain of the popular misty pictorialism of the time.He kept his dedication to the natural world in his photography throughout his career, and was involved in conservation efforts through the Sierra Club, among others. In addition, he played a major role in the recognition of photography by art museums and institutions, helping to establish the department of photography at the Museum of Modern Art (MoMA) in New York.Sight; Height: 18 3/4 in x width: 22 3/4 in. Framed; Height: 31 1/4 in x width: 34 3/4 in.
Lot 365
Chin San Long (Lang Jingshan) (Chinese, 1892-1995). Photograph depicting two cranes under a tree. Silver gelatin print. Hand signed along the lower right.Chin San Long is known for his innovative art photography, particularly his signature "composite photography" technique. He was the first Chinese photographer to take artistic nude photos, and also specialized in nature photography.Provenance: From the collection of William Atkins.William Atkins (1919-2001) was a pilot for Northwest Airlines, who spent his career flying to Asia. He was an avid photographer who was involved in the Photographic Society of America, through which he developed relationships with photography clubs worldwide. It was through the photographic society in Taiwan that he met Chin San Long, with whom he became close friends. In the 1970s, he arranged an exhibit for Chin San Long's photography in Minnesota.Unframed; height: 19 in x width: 14 3/8 in. Matted; height: 24 1/4 in x width: 19 3/8 in.
Lot 366
Chin San Long (Lang Jingshan) (Chinese, 1892-1995). Photograph titled "Lettre de mon Moulin Mill," depicting an idyllic mill scene. Silver gelatin print. Hand signed along the lower right.Chin San Long is known for his innovative art photography, particularly his signature "composite photography" technique. He was the first Chinese photographer to take artistic nude photos, and also specialized in nature photography.Provenance: From the collection of William Atkins.William Atkins (1919-2001) was a pilot for Northwest Airlines, who spent his career flying to Asia. He was an avid photographer who was involved in the Photographic Society of America, through which he developed relationships with photography clubs worldwide. It was through the photographic society in Taiwan that he met Chin San Long, with whom he became close friends. In the 1970s, he arranged an exhibit for Chin San Long's photography in Minnesota.Unframed; height: 11 5/8 in x width: 11 5/8 in. Matted; height: 17 in x width: 16 1/2 in.
Lot 367
Chin San Long (Lang Jingshan) (Chinese, 1892-1995). Photograph titled "Taking a Stroll," depicting the painter Zhang Daqian (1899-1983), a close friend of Chin San Long's, standing with a cane beneath a spreading tree. Silver gelatin print. Hand signed along the lower right.Chin San Long is known for his innovative art photography, particularly his signature "composite photography" technique. He was the first Chinese photographer to take artistic nude photos, and also specialized in nature photography.Provenance: From the collection of William Atkins.William Atkins (1919-2001) was a pilot for Northwest Airlines, who spent his career flying to Asia. He was an avid photographer who was involved in the Photographic Society of America, through which he developed relationships with photography clubs worldwide. It was through the photographic society in Taiwan that he met Chin San Long, with whom he became close friends. In the 1970s, he arranged an exhibit for Chin San Long's photography in Minnesota.Unframed; height: 14 5/8 in x width: 11 1/2 in. Matted; height: 20 in x width: 16 3/8 in.
Lot 368
Chin San Long (Lang Jingshan) (Chinese, 1892-1995). Photograph depicting a black bird perched on a leafless tree branch. Silver gelatin print. Hand signed along the lower right.Chin San Long is known for his innovative art photography, particularly his signature "composite photography" technique. He was the first Chinese photographer to take artistic nude photos, and also specialized in nature photography.Provenance: From the collection of William Atkins.William Atkins (1919-2001) was a pilot for Northwest Airlines, who spent his career flying to Asia. He was an avid photographer who was involved in the Photographic Society of America, through which he developed relationships with photography clubs worldwide. It was through the photographic society in Taiwan that he met Chin San Long, with whom he became close friends. In the 1970s, he arranged an exhibit for Chin San Long's photography in Minnesota.Unframed; height: 12 in x width: 15 in. Matted; height: 17 1/2 in x width: 19 7/8 in.
Lot 369
Chin San Long (Lang Jingshan) (Chinese, 1892-1995). Photograph titled "Apprehension," depicting a group of men gathered around a magazine. Silver gelatin print. Faintly hand signed along the lower right.Chin San Long is known for his innovative art photography, particularly his signature "composite photography" technique. He was the first Chinese photographer to take artistic nude photos, and also specialized in nature photography.Provenance: From the collection of William Atkins.William Atkins (1919-2001) was a pilot for Northwest Airlines, who spent his career flying to Asia. He was an avid photographer who was involved in the Photographic Society of America, through which he developed relationships with photography clubs worldwide. It was through the photographic society in Taiwan that he met Chin San Long, with whom he became close friends. In the 1970s, he arranged an exhibit for Chin San Long's photography in Minnesota.Unframed; height: 14 1/2 in x width: 11 1/4 in. Matted; height: 20 in x width: 16 1/4 in.
Lot 370
Chin San Long (Lang Jingshan) (Chinese, 1892-1995). Photograph titled "An Excursion," depicting three figures in a boat on a misty river. Silver gelatin print. Hand signed to the backing along the lower right.Chin San Long is known for his innovative art photography, particularly his signature "composite photography" technique. He was the first Chinese photographer to take artistic nude photos, and also specialized in nature photography.Provenance: From the collection of William Atkins.William Atkins (1919-2001) was a pilot for Northwest Airlines, who spent his career flying to Asia. He was an avid photographer who was involved in the Photographic Society of America, through which he developed relationships with photography clubs worldwide. It was through the photographic society in Taiwan that he met Chin San Long, with whom he became close friends. In the 1970s, he arranged an exhibit for Chin San Long's photography in Minnesota.Unframed; height: 13 5/8 in x width: 10 1/8 in. Matted; height: 20 in x width: 16 in.
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314753 item(s)/page