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Lot 221
Arthur Merric Boyd (Australian, 1862-1940) Shoalhaven Quarter I-IV, 1988 numbered and inscribed with title in pencil, signed lower right under the print lithograph, edition of 77 (4) 81 x 63cm (32 x 25in) The present lithographs depict the Shoalhaven River valley, in south-eastern New South Wales. The Shoalhaven landscape was the inspiration for many of Boyd’s paintings. The area was the basis for one of Boyd's most well-known works, a tapestry commission by the Parliament House Art Collection, Australia, in 1984. The glass on one has been cracked to the bottom left corner
Lot 330
Sonia Woolf (British, 20th Century) Illustrations from Thomas De Quincy's 'Confessions of an English Opium Eater', 1930, together with a box of correspondence all signed "Sonia Woolf" and dated '27, '29 and ' 31 in pencil underneath the print lithograph (4) 51 x 18cm (20 x 7in) Exhibited: Exhibited at the Foyle Art Gallery, London, November 1930, in an exhibition of original drawings made to illustrate books published by John Lane The Bodley Head, during the Autumn of 1930. Literature: ‘The Confessions of an English Opium-Eater’ by Thomas De Quincey, pub. by John Lane The Bodley Head, 1930. Woolf studied at the Manchester Municipal School of Art from 1926. The accompanying correspondence includes that from fans of her work, a few from Art Agencies discussing the suitability of her work, a letter from The Collector’s Gallery, Manchester, enquiring after her work, and a few sheets of poetry. One framed and three unframed. All have some wear and some fading.
Lot 391
§ Le Corbusier (French, 1887-1965) Totem signed lower left within the print "Le Corbusier 18/10/63" lithograph 72 x 80cm (28 x 31in) Provenance: The Heidi Weber Galerie, Zurich, Switzerland. From the collection of Peter Inskip, MBE. Charles Edouard Jeanneret, better known as 'Le Corbusier', was a world-renowned Swiss painter, designer and architect, and a pioneer of urban planning, as well as the author of the seminal 'Five Points of Architecture'. In an old box frame and with dirt under the glass. Colours are good.
Lot 399
§ Gwen Raverat (British, 1885-1957) Two Horses in Moonlight signed lower right "G Raverat" a hand-coloured woodblock print, in a grey painted frame 17 x 20cm (7 x 8in) Under glass and with a little crinkling to the paper but fine. Provenance: From the collection of the late Christopher Hogwood, CBE
Lot 353
§ Philippe Halsman (American, 1906-1979) Dali and Skull, 1951, gelatin silver print, printed later, with the photographer's copyright credit edition stamp on verso, edition number 175/250 gelatin silver print from an edition 175/250 30 x 26cm (12 x 10in) Photographer Philippe Halsman and artist Salvador Dali collaborated for 37 years after meeting in New York in 1941. Halsman was able to bring to life some of Dali's seemingly impossible ideas. Dirt under the glass and some damage to top and right hand edge of print where surface has lifted - see images.
Lot 297
Julian Trevelyan, RA (British, 1910-1988) Harbour signed within the print "Julian Trevelyan '46" and "SP9" a lithographic print in colours, a School Print, printed in England at the Baynard Press for School Prints Ltd., London 48 x 75cm (19 x 29in) Julian Trevelyan taught at Chelsea (1950-55) and at the Royal College of Art (1955-63), becoming Head of Etching. Besides some mural work, he was a prolific printmaker and illustrator, and he became a Royal Academician in 1987. "Harbour" was the first lithograph that Trevelyan made.
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