δ Tracey Emin (b.1963)Self-Portrait 12-11-01Chromogenic print in colours, 2001, signed, dated, titled and numbered from the edition of 80 unique prints in black ink verso, on Kodak Professional photographic paper, published by Parkett Editions, New York/Zurich, as included in Edition for Parkett No. 63, the full sheet, 400 x 401mm (15 3/4 x 15 3/4in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
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δ Angus Fairhurst (1966-2008)ScreamUnique c-print mounted onto board support, 1990, the full sheet printed to the edges, 2134 x 1473mm (84 x 58in) (unframed) Please note, this work will be on view at our Queenstown Road galleries during the auction exhibition. δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Julian Opie (b. 1958)Kris Walking (Cristea 150)Inkjet print in colours on acrylic lenticular panel in the artist's specified brushed aluminium frame, 2010, signed and numbered from the edition of 60 in black ink on the label affixed to the reverse of the frame, published by Alan Cristea Gallery, London, overall 830 x 518 x 38mm (32 5/8 x 20 3/8 x 1 1/2in) (artist's frame)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Richard Prince (b.1949)WomenChromogenic print in colours, 2004, signed and inscribed 'C' in black ink on a label affixed verso, the edition was 26 and each print lettered A to Z, on photographic paper, published by Hatje Cantz Editionen, Ostfildern-Ruit, the print loose as issued and housed within the original black textured portfolio, together with the accompanying artist's book, overall 572 x 415 x 12mm (22 1/2 x 16 3/8 x 1/2in) (folio) The artist's book published on the occasion of the exhibition 'Women', Regen Projects, Los Angeles, 2004.
δ Marc Quinn (b.1964)Prismatic Labyrinth (354 U)Digital pigment print with screenprinted spot glaze, 2018, signed and numbered from the edition of 60 in pencil, on Hähnemule Rag paper, published by Manifold Editions, London, with full margins, sheet 704 x 502mm (27 ½ x 19 ¾in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Marc Quinn (b.1964)Prismatic Labyrinth (299 U)Digital pigment print with screenprinted spot glaze, 2018, signed and numbered from the edition of 60 in pencil, on Hähnemule Rag paper, published by Manifold Editions, London, with full margins, sheet 704 x 502mm (27 ½ x 19 ¾in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Gerhard Richter (b.1932)Flow (P16)Diasec-mounted chromogenic print on aluminium, 2016, numbered from the edition of 500 in black ink verso, printed by Heni publishing, London, the full sheet printed to the edges, within the original numbered foam-lined packing crate, sheet 1000 x 2000mm (39 3/8 x 78 3/4in) (framed) Please note, this work will be on view at our Queenstown Road galleries during the auction exhibition. δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Connor Brothers (b.1968)Everything Was Beautiful and Nothing HurtGiclée print in colours with varnish additions, 2015, signed, dated and numbered from the edition of 50 in pencil, on thick wove paper, with full margins, sheet 410 x 280mm (16 x 11in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Connor Brothers (b.1968)A Load of Fuss About Fuck AllGiclée print in colours with screenprinted glaze, 2014, signed, dated and numbered from the edition of 50 in pencil, on wove paper, with full margins, sheet 235 x 160mm (9 1/4 x 6 1/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Connor Brothers (b.1968)Some People Bring Happiness Wherever They Go, Others Whenever They GoUnique giclée print in colours with extensive hand additions in oil and acrylic paint and varnish, 2017, signed and dated in white ink, on thick wove paper, the full sheet printed to the edges, 890 x 640mm (35 x 25 1/4in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ JJ Adams (b.1978)James Dean TattooGiclée print, 2015, signed and numbered from the edition of 95 in black ink, on glossy wove paper, published by Wishbone Publishing, Chelmsford, with full margins, image 360 x 280mm (14 1/4 x 11in) (artist's frame)This work is accompanied by a certificate of authenticity from the publisher and signed by the artist.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Tilt (b.1973)Louboutin GirlGiclee print in colours, 2012, signed and numbered from the edition of 50 in pencil, on thin wove paper, with full margins, sheet 400 x 300mm (15 3/4 x 12in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
William Blake (1757-1827) Chaucer's Canterbury PilgrimsEtching and engraving on heavy wove paper, printed circa 1810-1823, a good even impression of Essick's fourth state (of 5), with no trace of the drypoint verses to the left and right of the title, platemark 355 x 960mm (14 x 37 3/4in) (framed)Literature:Bindman 477; Essick XVI⁂ A good example of Blake's monumental print, where the artist aimed to capture the complex whole of the Canterbury Tales in a single image depicting "the physiognomies or lineaments of universal human life, beyond which Nature never steps." [William Blake]
[§] CHRIS LEVINE (BRITISH, B.1960)EQUANIMOUS, 2007 initialled and dated '11' in pencil in the margin (lower right), and with the artist's blindstamp, also signed and dated (to reverse), archival inkjet print47cm x 47cm (18.5in x 18.5in)Provenance: Collection of The House of St. Barnabas. Note:In 2004 Chris Levine was commissioned to create a portrait of Queen Elizabeth II by the Jersey Heritage Trust to celebrate 800 years of allegiance of the Crown by the island of Jersey. The result 'Lightness of Being' has perhaps become one of the most iconic portraits of the Queen. From that original sitting, Levine has created a series of new editions over the intervening years that are play on different elements of the photography processes that Levine uses.'Equanimous I' uses the exposure of the film to change the identity of the Queen although her outline stays in tact.This work was created in 2007, but dated to 2011, as Levine signs the prints as the edition is made, and he does not make all the editions in one go.
Aviation postcard collection includes 10 squadron print cards such as North American Mustang I No 2 Sqn RAF, Firefly AS. 5-812 Naval Air Squadron RN, Spitfire LF 16E-604 Squadron Raux AF, SE5A No 56 Sqn RFC, Vickers VIMY RAE Farnborough, Armstrong Whitworth Siskin MK IIA, Avro Shackleton MR3, Hawker Tempest F MKII, Vampire FB. 5-603 Squadron RAuxAF and a Bristol Beaufort I. Good condition Est.
World war Two print 14x20 from Bill Townsend collection titled Dambusters Take Off by the artist Maurice Gardner signed by the artist in pencil and by DAMBUSTER veterans Douglas Webb, George Chalmers, Bill Townsend and Eileen Townsend the wife of Bill. Limited edition 144/850. Good condition Est.
World War Two print 13x18 RAF Battle of Britain Memorial flight Avro Lancaster Bill, PA474 , RAF Coningsby , Lincolnshire poppy petals dropped by BBMF Lancaster over the bomber command memorial dedication Thursday 28th June 2012 signed by Ron Clark DFC , Pilot, Co Pilot, Navigator, Engineer and one other. Good condition Est.
Dambuster World War Two print 16x22 title "DAM PRATICE" by the artist Gordon Wright signed by 617 veterans Colin Cole and Ken Tomlinson pictured B III Lancasters of 617 squadron from RAF Scampton practicing low flying and approach over Derwent Dam , Derbyshire during April 1943. Prior to receiving the converted specials for the raid on the Ruhr Dams which took place on the night of 16/17 May 1943. Good condition Est.
Concorde Pair of Matched Signed Limited Edition Prints Bannister and Lidiard. Concorde End of an Era Mike Bannister Signed Limited Edition Print Last Flight. Ending an historic chapter in Aviation History. Only 250 issued signed by Captain Mike Bannister who flew the last flight and Artist Ivan Berryman. Commemorating the First Commercial Flight 24th January 1976. Only 250 issued signed by John Lidiard the Flight Engineer and only remaining flight crew member. He worked for BOAC / British Airways from 1954 to 1981. He was involved with the development of Concorde from 1965, He was on the very first airline assessment flight in 1969 of the prototype French Concorde. John was the Flight Engineer on the first Commercial Supersonic Service, London - Bahrain - London in 1976. Also signed by Artist Ivan Berryman. Good condition Est.
Aviation postcard collection includes 10 squadron print cards such as Spitfire L. F. 16E-604, Squadron, English Electric Canberra BS 10, Sqn RAF, RAF Bruggen Tornado wing, North American Mustang No2 Sqn RAF, Sentry E-3D 8 Squadron RAF, Hawker Tempest F MK II, Boeing E3A AWACS from NATO Air Base, SE5A No 56 Sqn RFC, Canadian CF-18 Tiger Bird Hornet and a Armstrong Whitworth Siskin MK IIA. Good condition Est.

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314796 item(s)/page