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Lot 73
SAMUEL DANIELL (BRITISH 1775-1811) THE PICO FORT, FUNCHAL, MADEIRA Watercolour and heightened with scratching out and gum arabic With pencil sketch verso 39.8 x 41.9cm (15½ x 16¼ in.) Provenance: Bill Thomson, Albany Gallery Martin Speed Ltd Samuel Daniell was the younger brother of William Daniell (1769-1837) and nephew of Thomas. On 5th September 1799 Samuel set off for South Africa, on board HMS Lancaster, in the suite of Sir George Yonge, Governor and Commander-in-Chief of the region. They stopped at Madeira, leaving Funchal on 11th October and arriving at the Cape of Good Hope on 10th December. He returned to England in 1803 and immediately began work on publishing his celebrated African Scenery and Animals. In 1806 he set off once more, this time, for Ceylon (now Sri Lanka), where he remained until his early death in 1811. The Pico, or St John the Baptist Fort was built in the early 17th Century on the hills above Funchal and is one of the key landmarks of the Island. It was built to form part of Madeira's defence system against frequent attacks by the Corsairs. A print after Daniell of Funchal from the sea is dated 1806. Another view of Funchal by Daniell was sold at Sotheby's on 12th April 1995, lot 172 (£8,500 hammer).`
Lot 148
A Victorian yellow metal and pearl inset locket, of oval form with central band set with pearls in star cut, against an engraved floral ground, the inside with photograph, weight 16 grams, 3.7 cm high, together with a provenance print out of photographs of the previous owners of the locket: Mrs Mary Evans Woodans, sister to William Robert Evans. Location:Cab
Lot 421
A mixed lot to include The Times The lunar odyssey special supplement newspaper, a signed Earl Spencer tribute to Diana Princess of Wales and other commemorative ephemera. A selection of books to include Book: The life and art of William Strutt with original slip case,The Voyage of the Bounty Launch, The World Atlas of Wine and others together with a Boulters Lock 'Sunday afternoon' print
Lot 279
Michael Wood - Sunny Canal - a limited edition print signed, numbered 75/475, and titled in pencil to lower margin, 53cm x 40.5cm, mounted in glazed gilt frame; along with an unsigned oil on canvas depicting flowers, pots, wicker chair in a conservatory scene with a view of the garden beyond through arched windows, 61.5cm x 57cm, framed, and a framed and glazed display of Brazilian butterflies Location:
Lot 348
Φ Georges S Dorival (1879-1968)Vers Le Mont Blanc, PLM, 1928lithographic railway poster printed in colours by Lucien Serre & Cie, Paris, framedsigned in the print, 104 x 74cm (image) Provenance19th and 20th Century Posters, Christie's South Kensington, 7th October 1999, lot 251.Private collection.
Lot 388
Legends of Celtic Park: a large framed limited edition print bearing signatures of players including Jimmy Johnstone, Bertie Auld, Bobby Lennox, Tommy Gemmell, Billy McNeil, Frank McAvennie and many others, no. 220 of 1,967, under Perspex, the frame measuring approx. 97cm x 75cm externally Condition Report:Available upon request
Lot 9
§ GERALD LESLIE BROCKHURST R.A. (BRITISH 1890-1978) THREE PRINTS: ANAIS; YOLANDE (FLORENCE LAYZELL, MRS HENRY RUSHBURY); HEAD OF A GIRL - 1944 Etching, signed in pencil to marginYOLANDE, Etching, signed in plate, signed in pencil to marginHEAD OF A GIRL, Lithograph, signed with initials in print, signed and dated in pencil Dimensions:plate sizes 14cm x 11cm (5.5in x 4.25in); 11.5cm x 8.5cm (4.5in x 3.5in) 29.5cm x 22cm (11.5in x 8.75in), each unframed Provenance:Provenance: Private British collection Note: Gerald Brockhurst’s primary muses were Anäis Folin and Kathleen Woodward. Both sat for numerous portraits and figure studies with the aid of lavish period-style costumes and props, often in whimsical guises inspired by the heroines of Shakespeare or Greek mythology.Anäis, Brockhurst’s first wife, was the defining muse of his early portraiture. For most of the First World War the couple lived in Ireland where they befriended the artist Augustus John. During this period Brockhurst predominantly produced paintings, and was encouraged by John to adopt a freer paint-application technique.Brockhurst had experimented with printmaking in the 1910s, but it was not until the early ‘20s that he committed to etching in earnest. In a market increasingly oversaturated with etchings of landscapes and urban views, Brockhurst concentrated on portraiture, many of which were transpositions of compositions he had painted in the late 1910s and early ‘20s. He soon achieved distinction for his rendering of skin, hair and textiles with astonishing naturalism. Each composition is imbued with a refined stillness, with flesh that appears almost to glow and to possess conceivable weight and mass.From 1928 Brockhurst joined the Royal Academy Schools as a visiting teacher and met the sixteen year old Kathleen Woodward, who went by ‘Dorette’. She became his new muse, and the pair later married.In 1939 the couple moved to America where Brockhurst enjoyed great acclaim. Commissions from prominent figures including Marlene Dietrich, The Duchess of Windsor and J. Paul Getty helped crystallise his legacy as one of the most important British portrait artists of the early twentieth century. A retrospective of Brockhurst’s portraiture was held at the National Portrait Gallery in London, the Graves Gallery in Sheffield and the City Art Gallery in his native Birmingham.
Lot 26
§ GERALD LESLIE BROCKHURST R.A. (BRITISH 1890-1978) THREE PRINTS: THE DANCER - 1925; BY THE WINDOW; A MOUNTAIN MAN Etching, signed and dated in plate, signed in pencil to marginBY THE WINDOW, Etching, signed in plate, signed in pencil to marginA MOUNTAIN MAN, Woodcut, signed with monogram in print, signed in pencil to margin Dimensions:plate sizes 24cm x 14cm (9.5in x 5.5in); 14cm x 10cm (5.5in x 4in); 12.5cm x 10cm (5in x 4in) Provenance:Provenance: Private British collection Note: Gerald Brockhurst’s primary muses were Anäis Folin and Kathleen Woodward. Both sat for numerous portraits and figure studies with the aid of lavish period-style costumes and props, often in whimsical guises inspired by the heroines of Shakespeare or Greek mythology.Anäis, Brockhurst’s first wife, was the defining muse of his early portraiture. For most of the First World War the couple lived in Ireland where they befriended the artist Augustus John. During this period Brockhurst predominantly produced paintings, and was encouraged by John to adopt a freer paint-application technique.Brockhurst had experimented with printmaking in the 1910s, but it was not until the early ‘20s that he committed to etching in earnest. In a market increasingly oversaturated with etchings of landscapes and urban views, Brockhurst concentrated on portraiture, many of which were transpositions of compositions he had painted in the late 1910s and early ‘20s. He soon achieved distinction for his rendering of skin, hair and textiles with astonishing naturalism. Each composition is imbued with a refined stillness, with flesh that appears almost to glow and to possess conceivable weight and mass.From 1928 Brockhurst joined the Royal Academy Schools as a visiting teacher and met the sixteen year old Kathleen Woodward, who went by ‘Dorette’. She became his new muse, and the pair later married.In 1939 the couple moved to America where Brockhurst enjoyed great acclaim. Commissions from prominent figures including Marlene Dietrich, The Duchess of Windsor and J. Paul Getty helped crystallise his legacy as one of the most important British portrait artists of the early twentieth century. A retrospective of Brockhurst’s portraiture was held at the National Portrait Gallery in London, the Graves Gallery in Sheffield and the City Art Gallery in his native Birmingham.
Lot 4
* Straet (Jan van der, 1523-1605). The Jailer about to kill himself, converted by Saint Paul, & Saint Paul before the High Priest, plates 28 and 32 from the series Acta Apostolorum, circa 1582, engravings, very good, crisp and black impressions published by Claes Jansz. Visscher (1587-1652), on laid paper with a Fool’s Cap watermark (related to Churchill 361), plate size 21 x 25.5 cm, sheet size 28.2 x 35.8 cm, together with Goltzius (Hendrick, 1558-1678). The River God Peneus surrounded by other Divinities, plate 15 from Ovid’s Metamorphoses, Book I, 1589, engraving on laid paper, a very good impression of the second (final) state, with narrow margins, laid down, an engraving by Jacques Grandhomme of a decorative border representing various animals (the centre of the print removed)QTY: (4)
Lot 50
* Kunisada III (Utagawa, 1786-1865). Kaomachi of Tama-ya, circa 1830, woodblock print, depicting a courtesan with two young children, small closed tear to young girl's face, some smudging lower right, 37.5 x 26.7 cm (14 3/4 x 10 1/2 ins), framed and glazed (53 x 41 cm), together with Kunisada III (Utagawa, 1786-1865). Ichimura Kakitsu, woodblock print, depicting the actor Ichimura Kakitsu alighting from a sedan chair, stamped to lower margin, some creasing to upper edge, 36 x 25 cm (14 1/8 x 9 7/8 ins), framed and glazed (47 x 34 cm)Sadahide (Utagawa, 1807-1879). Battle Triptych, woodblock print, in three sections, each section 34 x 24 cm (13 1/2 x 9 1/2 ins), first section with some minor loss to lower left corner, some toning to extreme edges, mounted together, framed and glazed (47 x 85.5 cm), and three other Japanese woodblock printsQTY: (6)NOTE:Provenance: Collection of Michael and Megan Dawson.
Lot 17
* Attributed to Abraham Danielsz. Hondius (1625-1691). Wild Boars, circa 1672, pen and brown ink and grey wash on laid paper, inscribed ‘Hondius’ in pencil lower right, inscribed in pencil verso ‘By – Hondius / a Dutchman and very curious / (supposed to be), JBB' (?), and inscribed on the mount ‘From an album, bought at Ipswich in 1939, / which carried a crest of the Barlow family / and seems at this time to have belonged to Thomas Churchyard / I.A.W.’, sheet 14.3 x 17 cm (slightly unevenly trimmed at bottom), mounted, glazed and framed (53 x 37 cm)QTY: (1)NOTE:Provenance: Barlow Family (from an album decorated with the family crest); the artist Thomas Churchyard (1798-1865) of Woodbridge in Suffolk; purchased in Ipswich in 1939 by Iolo Aneurin Williams (1890-1962), collector and author of Early English Watercolours and Some Cognate Drawings by Artists born not later than 1785 (London: Connoisseur, 1952).The drawing appears to be Hondius’ design for his etching dated 1672 Wild Zwijn, or Wild Boar, measuring the same as our drawing, 14 by 17 cm, from the series Verschillende Dieren, or Diverse Animals (Hollstein, catalogue no. 7). An impression of the print is held by the Rijksmuseum, Museum no. RP-P-1907-2776, who note that the etching was made after Hondius’ own design.
Lot 269
AR * Abrahams (Ivor, 1935-2015). E. A. Poe, Tales and Poems, 20 Images by Ivor Abrahams, 1976, the complete suite of 20 colour screenprints, printed on heavy handmade wove Crisbrook paper, some with embossing or varnish, printed by Advanced Graphics London, and published by Bernard Jacobson Ltd., in an edition of 100, plus 10 sets of artists proofs, this set one of the ten artist proofs, each print signed, dated and marked AP, and with circular blind stamp of Advanced Graphics London to lower right corner, sheet size 495 x 362 mm (19 1/2 x 14 1/4 ins), in excellent condition, lovely contained in original publishers black cloth portfolioQTY: (1)
Lot 105
The Beatles Bulletin Hard Days Night special to members script produced exclusively for members of the USA Fanclub in 1964 to coincide with the release of the Band's first film in America and containing excerpts from the script and stills of The Beatles in black and white, accompanied by a re-print of the programme of events for the St Peter's Church fete that took place on July 6th 1957 and marked the first time that Paul McCartney was introduced to John Lennon who was performing there with his skiffle group, The Quarrymen and a Beatles jigsaw puzzle featuring the covers of many of their albums, (qty) The bulletin is in good condition with some rusting around the staples but no detached pages and minimal creasing or storage damage with some notation added in pencil to folios adding where songs were used or performed in the film with the reciprocates address label still attached to the back page, the jigsaw is factory sealed and unused with the programme being a modern replica of what is reputed to be the original.
Lot 933
A pair of woodblock prints titled 'Shinagawa Port' and 'Araki Street at Tokyo', with information to the reverse and picture framer labels for 'Ryman & Co, Oxford' (frames 40cms by 28cms). Also with a framed woodblock print Kasamatsu Shiro, 'Misty evening at Shinobazu pond' (frame 56cms by 42cms). (3). *CR Koitsu, Port scene has some stains to the mount in the top right and bottom right corner, paper has aged a little with time, Town scene has a little browning to the paper around the edges otherwise seems generally fine. Shiro, generally seems fine - colour faded perhaps a little over time.
Lot 9
WWII 28x19 inch approx multi signed colour print titled Target the Ruhr Dams limited edition 12/25 signed in pencil by the artist Philip West, Johnny Johnson 617 squadron, Mike Gibson, Mary Stopes Roe and Janet Penrose De Gaynesford. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10
Lot 414
WW2 Colour Print Titled De Havilland Mosquito B.IV by Brian Knight. Measures 15x13 inches appx. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10
Lot 8
Dambusters WWII 27x19 approx. multi signed colour print titled Lancaster signed in pencil by 10 includes Sid Stacey, Duke Munro, John Sander, R Machin, Wilf Bickley, Colin Cole, Harry Johnson, Terry Kearns, Terry Webb and Steve Oancia. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10
Lot 192
WW2 16 Signed de Havillands Wooden Wonder Colour Print by Philip E West. Signed in Pencil by Dick Maywood, Geo Dunn, Des Curtis, Allan Scott, The Artist and 11 others. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10
Lot 206
Lightning 28x20 inch colour print by Michael Rondot signed by the artist, further signed by No. 92 Squadron veterans including Alex Reed, Keith Williamson, Bruce Hopkins and 9 other signatures. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10
Lot 438
WW2. 10 signed Robert Taylor Colour Print titled Early Morning Arrival. Signed in pencil by Flight Lieutenant Bill Reid VC, Wing Commander Rod Babe Learoyd VC, Warrant Officer Norman Jackson VC, Flying Officer Arthur De Breyne, Warrant Officer James Kelly, Flying Officer Pat Brophy,, Sergeant Jack Friday, Flying Officer Robert Bodie, and Sergeant Roy Vigors. limited edition 974 of 1250. mounted to an overall size of 34 x 26 inches. mount has minor damage to the top. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10
Lot 365
WW2 Colour Print Titled Coastal Strike by John Young. A de Havilland Mosquito FB.VI of No. 143 Squadron, Coastal Command, escorts the Beaufighters of the Banff Strike Wing against Norwegian coastal targets, early in 1945. Has water stain on left side of print. Measures 27x19 inches appx. OK Condition. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10
Lot 350
WW2 Colour Print Titled Dive To Port by Maurice Gardner. Measures 27x20 inches appx. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10
Lot 409
WW2 Colour Print Titled End Of A Long Night By Keith Aspinall. Measures 17x12 inches appx. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10
Lot 25
WWII The Dambusters Avro Lancaster B MK III 16x12 inch approx. colour print signed in pencil by Johnny Johnson DFM 617 sqd. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10
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314796 item(s)/page