We found 314783 price guide item(s) matching your search

Refine your search

Year

Filter by Price Range
  • List
  • Grid
  • 314783 item(s)
    /page

Lot 475

13th century AD. A bronze brooch with heater-shaped plaque and looped wire pin; the loop formed as two high-relief crowned felines each with both forepaws extended towards the rear attachment bar, rear legs conjoined at the forward edge of the loop; each feline with four-pointed crown and pelleted mane extending to the shoulder; the pin attached through a hole to the shoulder above a pair of similar holes abandoned due to usage wear. Recorded with the Portable Antiquities Scheme with reference number ESS-849592; accompanied by a print out of the PAS report. 11 grams, 30mm (1 1/4"). Found Long Melford, Suffolk, UK; in 2005. Extremely fine condition.

Lot 477

14th century AD. An elaborate enamelled bronze swivelling horse-harness banneret with rectangular bifacial plaque and lateral tube; the heraldic design with monkey surrounded by foliage with red fruit. Cf. Ashley, S. Medieval Armorial Horse Furniture in Norfolk, East Anglian Archaeology 101, Dereham, 2002, item 238 for type, 243 for heraldry. Hammond, B. Benet's Medieval Artefacts of England & The United Kingdom, Witham, 2015, p.193, item HP-26758. Recorded with the Portable Antiquities Scheme with reference number NMS-9F6934; accompanied by a print out of the PAS report. 33 grams, 44mm (1 3/4"). Found Norwich, Norfolk, UK, in 1976. Bannerets are rectangular (or occasionally heater-shaped) plaques with the design repeated on both faces but reflected i.e. a lion rampant will face the leading edge on both sides of the plaque. They were used by noblemen entitled to bear heraldic arms on their own equipment, and by their liveried retainers. Pendants and bannerets bearing the royal arms were probably used by royal officials such as sheriffs, bailiffs and stewards, and by their attendants. Bannerets usually display an enamelled heraldic motif and the tube on the leading edge demonstrates that they were meant to be seen vertically (rather than hanging or swinging in the manner of harness pendants"). They were attached to the horse's bridle or harness by means of a bronze rod or spigot; one example from Norfolk (Ashley, 2002, no.242) retains this element. A 13th century bronze aquamanile in Florence (Ashley, 2002, plate V) depicts an English nobleman on horseback with heater-shaped harness pendants on the horse's chest and a short plume above the horse's arched neck; it is probable that the banneret was similarly mounted in this position where it could be clearly seen but would not impede the use of the reins. Bannerets probably fell into disuse with the introduction of the full heraldic caparison for the horse and the statutary limitations on the use of liveries by retainers in the 15th century AD. [No Reserve] Fine condition. Rare.

Lot 489

17th-18th century AD. A flat-section gold hoop with inscription to the inner face 'In constansy ile live and dy' with superscript serifs to the 'c' and 's' in 'constansy'. Disclaimed under the Treasure Act, reference number 2013 T862. Recorded with the Portable Antiquities Scheme with reference number HESH-0AEA37; accompanied by a print out of the PAS report, and a copy of the letter disclaiming the Crown's interest from the British Museum. 1.61grams, 19mm overall, 17.39mm internal diameter (approximate size British N 1/2, USA 7, Europe 14.51, Japan 14) (3/4"). Found Shropshire, UK, 2013. Very fine condition.

Lot 501

Dated 1804. A flat-section ring comprising a silver core and gold outer sleeve; beaded border and gusseted profile with legend to the median band '*John Rhodes Esq. Ob. 20 Mar 1804 Æ 48'. 7.26 grams, 20mm overall, 16.84mm internal diameter (approximate size British M, USA 6 1/4, Europe 12.56, Japan 12) (3/4"). Found near Beaconsfield, Buckinghamshire, UK, 2016; offered with print-outs relating to Rhodes and his family. Rhodes was a City merchant and stockbroker with Non-Conformist religious beliefs. Fine condition.

Lot 2312

13th-14th century AD. A gilt-bronze heater-shaped pendant with hinge and attachment stud, blue enamelled field with a single gilt bend, possibly lost by a member of the Scrope family. Cf. Ashley, S. Medieval Armorial Horse Furniture in Norfolk, East Anglian Archaeology 101, Dereham, 2002 fig.13. 8.78 grams, 43mm (1 3/4"). Property of a Suffolk lady; supplied with a print-out summary of the Scrope v. Grosvenor legal case. The arms 'azure a bend or' caused one of the earliest English legal cases. In the 14th century, the arms were being used by the Scrope family of Bolton, Yorkshire and by the Grosvenor family of Cheshire. Richard Scrope, 1st Baron Scrope of Bolton brought a lawsuit against Sir Robert Grosvenor in the matter, which went to a military court under the Constable of England. Many hundreds of witnesses were called, including John of Gaunt, Geoffrey Chaucer and Owain Glendwr. The Constable found in favour of Scrope in 1389; Grosvenor was allowed to continue using the arms within a white border to distinguish that family. Grosvenor complained about the decision, so in 1390 King Richard II declared that Scrope's claim was upheld and Grosvenor had to abandon the arms: he opted for a blue shield with a gold wheatsheaf instead. [No Reserve] Fine condition.

Lot 203

A Sylvester Stannard print depicting a farm handing feeding geese, together with a print The twelve of august

Lot 227

A pencil signed print 'The Battle of Trafalgar' by Robert Taylor.

Lot 230

A pencil signed Robert Taylor print depicting HMS Cavalier Arctic Convoy RA64 February 45'

Lot 293

A mixed lot of assorted pictures and prints to include a Mark Grimshaw pencil signed print 'Coalman', watercolour depicting a girl beside donkey signed RF 1896 etc.

Lot 531

A framed Rembrandt print together with a hand painted framed miniature scene of the clock tower in Venice (2)

Lot 803

Four assorted contemporary pictures and prints to include a Roy Lichtenstein print circa 1963, Gordon Knight pencil signed limited edition print, Beach Dreamer etc.

Lot 340

After Sabanobu Hasegawa, 'Maiko, Girl on bonfire evening', Japanese woodblock print, framed

Lot 379

Oak wall cabinet and pair of matching DVD cabinets, three needlework pictures and print

Lot 90

Decorative china, jardiniere and stand, print, brass candlesticks, clear and coloured glassware, etc

Lot 390

Dome top metal bound wine box and two bottles, framed print and fender

Lot 350

Regency humorous engraving, 'Looking at an ass', pub. McLean; and another print of Darlington interest, 'How J. Backhouse & Co. Balanced the Cash' (2)

Lot 357

William Russell Flint, pencil signed print, framed

Lot 356

Three Morden maps, Saxton and Hole map of Berkshire, watercolour of a street scene, dog pictures including Cecil Aldin prints, Terence Cuneo print, etc

Lot 543

A Piranesi Print,'VASE ANTIQUE EN MARBRE'41 x 29cm

Lot 546

A Japanese woodblock print, inscribed, (modern frame), 26 x 36.5cm

Lot 525

Andrew HaslemWINTER FOXlino cut, signed in the print,20 x 36cmExhibited Mall Galleries, Society of Wildlife Artists, 1999

Lot 377

English School, Portrait of a lady, Margaret Gillies, oval watercolour, mounted, 33 x 26.5cm, and a print of a musician, two circular studies and a pastel landscape (5)

Lot 114

An Alan Shearer signed photographic print.

Lot 564

Cecil Edwin Frans Skotnes (South African 1926-2009) THE WHITE MONDAY DISASTER portfolio of thirteen woodcuts by Cecil Skotnes with text by Stephen Gray, 1975, with title and preface, edition limited to 125 copies and 25 artist's proofs, each print signed and dated 75, title page signed by the artist and the poet, in original full-buckram binding, this set numbered 78/125 each sheet size: 57 by 74cm

Lot 586

Gail Catlin (South African 1948-) LIQUID CRYSTAL FLOWERS IN A VASE giclée print, signed, dated 2002 and numbered 10/300 in pencil in the margin sheet size: 75 by 57cm

Lot 588

Norman Clive Catherine (South African 1949-) CACTUS MEN giclée print, signed, numbered 13/45 and inscribed with the title in pencil in the margin sheet size: 3 by 109cm

Lot 589

Norman Clive Catherine (South African 1949-) NIGHT WATCH giclée print, signed, numbered 10/45 and inscribed with the title in pencil in the margin sheet size; 95 by 109cm

Lot 59

De Kamper, G. & De Klerk, C. J H PIERNEEF IN PRINT Dream Africa Productions and Publishing, 2014, first edition, numbered 105 from the limited edition of 200, signed by the authors. B&W illustrations throughout. Fine. Peach cloth with dust jacket. This lot includes: HUGO NAUDÉ Naudé, A., C. Struik Publishers, Cape Town , 1974. PROVENANCE Johans Borman Fine Art

Lot 590

William Joseph Kentridge (South African 1955-) WEST COAST (SECATEURS) drypoint, etching, sugarlift aquatint, spitbite aquatint, watercolour, signed, inscribed 'Printer's Proof II/II' in pencil in the margin and impressed with the David Krut Print Workshop chop mark sheet size: 46 by 46cm

Lot 591

William Joseph Kentridge (South African 1955-) NOSE 23 drypoint, sugarlift aquatint, signed, inscribed 'Printer's Proof II/II' in pencil in the margin, impressed with the David Krut Print Workshop and Jillian Ross chop marks sheet size: 35 by 40cm

Lot 594

Norman Clive Catherine (South African 1949-) PEACEFUL SLEEP giclée print, signed, numbered 17/45 and inscribed with the title in pencil in the margin sheet size: 95 by 109cm

Lot 701

GREG DU TOIT, (SOUTH AFRICAN, 1977-): 'PELICAN MIST, 2010', GICLÉE PRINT ON CANVAS, SIGNED IN THE MARGIN, LIMITED EDITION 7 OF 50 PROVENANCE Accompanied by a certificate of authenticity from the photographer. the plate 69cm by 119cm Greg du Toit is one of South Africa's foremost wildlife photographers. His many awards include 'Wildlife Photographer of the Year 2013' and he regularly works for 'National Geographic' and 'BBC Wildlife'. Having exhibited in London, Sydney, New York and Singapore, Stephan Welz & Co were pleased that Greg's inaugural South African exhibition was held at our premises in 2016. This photograph was taken early one morning at Lake Nakuru in Kenya. The cold mist had not yet dissipated and this surreal scene of Great White Pelicans preening emerged. The ghostly image is beautiful and serene at the same time and is one of many amazing images that Greg has captured over the years. (2)

Lot 86

Beard, P. PETER BEARD: FIFTY YEARS OF PORTRAITS Arena Editions, Santa Fe, 1999, first edition, signed and palm printed by the artist. First edition. Signed and palm printed by Peter Beard. Signed by Quentin Keynes Illustrated in profusion. Brown leatherette with laid down photograph on front cover. Covered in glassine. Very good. Minor bump on one corner of spine. Inscription on endpaper. Previous owner's name on title page. Two short underlinings in text. Half title page: inscription to Oliver from Peter Beard, dated Paris 2.2000 in blue ink. Beard's right hand palm print in red acrylic. Signed by Quentin Keynes on page four.

Lot 960

A JAPANESE WOODBLOCK PRINT depicting a samurai, signed, framed the plate 35cm by 23,5cm

Lot 111

Vict. Print 'The Boyhood of Raleigh'

Lot 14

Vict. Rosewood Framed Irish Print ' The Fenian Banner'

Lot 55

Limited Edition Gilt Framed Print

Lot 59

Edw. Gilt Framed Coloured Print

Lot 66

Vict. Framed Print (Barn Scene)

Lot 82

Vict. Print 'An Interesting Story'

Lot 85

Large Vict. Pears Print 'Bubbles'

Lot 132

A Unique Brighton brand slide rule together with a 1940's German pack of playing cards (one unopened) a boxed wax seal set and framed print

Lot 200

A fine Millais print of William Gladstone, published by Thomas Agnew and Sons, 1879 signed by the sitter lower right, with a Fine Art Society label to the verso 48cm x 34cm, framed ad glazed

Lot 203

A religious print on canvas of a nun in prayer, in an ornately carved fruitwood frame with roundels and oak leaf motifs, 34 x 74cm, glazed

Lot 266

A limited edition Beatles print titled 'John, George, Paul, Ringo', 493/2000, copyright 1990, signed in pencil and framed

Lot 3

A 19th century hand tinted print portrait of a child in a good 19th century giltwood frame with scrolling pierced floral border and beaded detail

Lot 319

O.R Rey, a contemporary portrait of a dog, signed Rey, together with a print of an 18th century girl in a gilt gesso frame

Lot 417

An unframed Ilana Richardson print limited edition, signed and numbered in pencil

Lot 419

A framed and glazed art print 'Joe Strummer' 30 x 40cm

Lot 466

A framed and glazed art print '100 Nights at The Roxy' 30 x 40cm

Lot 476

A glazed and framed art print of ID Magazine Dec Comic book special 1986 30 x 40cm

Lot 489

A large print of Macclesfield Bridge, Regents Park, glazed and framed

Lot 490

A glazed and framed art print of ID Magazine Oct 1988 30 x 40cm

Lot 501

A glazed and framed art print of ID Magazine Feb 1986 30 x 40cm

Lot 504

A glazed and framed art print featuring Sonic 30 x 40cm

Lot 506

A glazed and framed art print of the Face Magazine Sep 1993 featuring Nirvana 30 x 40cm

Lot 549

An Albert Joseph Moore print and one other similar, glazed framed

Lot 64

A large glazed and framed print of Marylebone in 1740

Loading...Loading...
  • 314783 item(s)
    /page

Recently Viewed Lots