13th century AD. A bronze brooch with heater-shaped plaque and looped wire pin; the loop formed as two high-relief crowned felines each with both forepaws extended towards the rear attachment bar, rear legs conjoined at the forward edge of the loop; each feline with four-pointed crown and pelleted mane extending to the shoulder; the pin attached through a hole to the shoulder above a pair of similar holes abandoned due to usage wear. Recorded with the Portable Antiquities Scheme with reference number ESS-849592; accompanied by a print out of the PAS report. 11 grams, 30mm (1 1/4"). Found Long Melford, Suffolk, UK; in 2005. Extremely fine condition.
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14th century AD. An elaborate enamelled bronze swivelling horse-harness banneret with rectangular bifacial plaque and lateral tube; the heraldic design with monkey surrounded by foliage with red fruit. Cf. Ashley, S. Medieval Armorial Horse Furniture in Norfolk, East Anglian Archaeology 101, Dereham, 2002, item 238 for type, 243 for heraldry. Hammond, B. Benet's Medieval Artefacts of England & The United Kingdom, Witham, 2015, p.193, item HP-26758. Recorded with the Portable Antiquities Scheme with reference number NMS-9F6934; accompanied by a print out of the PAS report. 33 grams, 44mm (1 3/4"). Found Norwich, Norfolk, UK, in 1976. Bannerets are rectangular (or occasionally heater-shaped) plaques with the design repeated on both faces but reflected i.e. a lion rampant will face the leading edge on both sides of the plaque. They were used by noblemen entitled to bear heraldic arms on their own equipment, and by their liveried retainers. Pendants and bannerets bearing the royal arms were probably used by royal officials such as sheriffs, bailiffs and stewards, and by their attendants. Bannerets usually display an enamelled heraldic motif and the tube on the leading edge demonstrates that they were meant to be seen vertically (rather than hanging or swinging in the manner of harness pendants"). They were attached to the horse's bridle or harness by means of a bronze rod or spigot; one example from Norfolk (Ashley, 2002, no.242) retains this element. A 13th century bronze aquamanile in Florence (Ashley, 2002, plate V) depicts an English nobleman on horseback with heater-shaped harness pendants on the horse's chest and a short plume above the horse's arched neck; it is probable that the banneret was similarly mounted in this position where it could be clearly seen but would not impede the use of the reins. Bannerets probably fell into disuse with the introduction of the full heraldic caparison for the horse and the statutary limitations on the use of liveries by retainers in the 15th century AD. [No Reserve] Fine condition. Rare.
17th-18th century AD. A flat-section gold hoop with inscription to the inner face 'In constansy ile live and dy' with superscript serifs to the 'c' and 's' in 'constansy'. Disclaimed under the Treasure Act, reference number 2013 T862. Recorded with the Portable Antiquities Scheme with reference number HESH-0AEA37; accompanied by a print out of the PAS report, and a copy of the letter disclaiming the Crown's interest from the British Museum. 1.61grams, 19mm overall, 17.39mm internal diameter (approximate size British N 1/2, USA 7, Europe 14.51, Japan 14) (3/4"). Found Shropshire, UK, 2013. Very fine condition.
Dated 1804. A flat-section ring comprising a silver core and gold outer sleeve; beaded border and gusseted profile with legend to the median band '*John Rhodes Esq. Ob. 20 Mar 1804 Æ 48'. 7.26 grams, 20mm overall, 16.84mm internal diameter (approximate size British M, USA 6 1/4, Europe 12.56, Japan 12) (3/4"). Found near Beaconsfield, Buckinghamshire, UK, 2016; offered with print-outs relating to Rhodes and his family. Rhodes was a City merchant and stockbroker with Non-Conformist religious beliefs. Fine condition.
13th-14th century AD. A gilt-bronze heater-shaped pendant with hinge and attachment stud, blue enamelled field with a single gilt bend, possibly lost by a member of the Scrope family. Cf. Ashley, S. Medieval Armorial Horse Furniture in Norfolk, East Anglian Archaeology 101, Dereham, 2002 fig.13. 8.78 grams, 43mm (1 3/4"). Property of a Suffolk lady; supplied with a print-out summary of the Scrope v. Grosvenor legal case. The arms 'azure a bend or' caused one of the earliest English legal cases. In the 14th century, the arms were being used by the Scrope family of Bolton, Yorkshire and by the Grosvenor family of Cheshire. Richard Scrope, 1st Baron Scrope of Bolton brought a lawsuit against Sir Robert Grosvenor in the matter, which went to a military court under the Constable of England. Many hundreds of witnesses were called, including John of Gaunt, Geoffrey Chaucer and Owain Glendwr. The Constable found in favour of Scrope in 1389; Grosvenor was allowed to continue using the arms within a white border to distinguish that family. Grosvenor complained about the decision, so in 1390 King Richard II declared that Scrope's claim was upheld and Grosvenor had to abandon the arms: he opted for a blue shield with a gold wheatsheaf instead. [No Reserve] Fine condition.
Cecil Edwin Frans Skotnes (South African 1926-2009) THE WHITE MONDAY DISASTER portfolio of thirteen woodcuts by Cecil Skotnes with text by Stephen Gray, 1975, with title and preface, edition limited to 125 copies and 25 artist's proofs, each print signed and dated 75, title page signed by the artist and the poet, in original full-buckram binding, this set numbered 78/125 each sheet size: 57 by 74cm
De Kamper, G. & De Klerk, C. J H PIERNEEF IN PRINT Dream Africa Productions and Publishing, 2014, first edition, numbered 105 from the limited edition of 200, signed by the authors. B&W illustrations throughout. Fine. Peach cloth with dust jacket. This lot includes: HUGO NAUDÉ Naudé, A., C. Struik Publishers, Cape Town , 1974. PROVENANCE Johans Borman Fine Art
GREG DU TOIT, (SOUTH AFRICAN, 1977-): 'PELICAN MIST, 2010', GICLÉE PRINT ON CANVAS, SIGNED IN THE MARGIN, LIMITED EDITION 7 OF 50 PROVENANCE Accompanied by a certificate of authenticity from the photographer. the plate 69cm by 119cm Greg du Toit is one of South Africa's foremost wildlife photographers. His many awards include 'Wildlife Photographer of the Year 2013' and he regularly works for 'National Geographic' and 'BBC Wildlife'. Having exhibited in London, Sydney, New York and Singapore, Stephan Welz & Co were pleased that Greg's inaugural South African exhibition was held at our premises in 2016. This photograph was taken early one morning at Lake Nakuru in Kenya. The cold mist had not yet dissipated and this surreal scene of Great White Pelicans preening emerged. The ghostly image is beautiful and serene at the same time and is one of many amazing images that Greg has captured over the years. (2)
Beard, P. PETER BEARD: FIFTY YEARS OF PORTRAITS Arena Editions, Santa Fe, 1999, first edition, signed and palm printed by the artist. First edition. Signed and palm printed by Peter Beard. Signed by Quentin Keynes Illustrated in profusion. Brown leatherette with laid down photograph on front cover. Covered in glassine. Very good. Minor bump on one corner of spine. Inscription on endpaper. Previous owner's name on title page. Two short underlinings in text. Half title page: inscription to Oliver from Peter Beard, dated Paris 2.2000 in blue ink. Beard's right hand palm print in red acrylic. Signed by Quentin Keynes on page four.

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