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Lot 218
Harold Riley (British, b.1934), 'Rocquaine Bay, Guernsey', mixed media - print with handpainted embellishment, signed to print lower right beneath paint, 10½ x 15¾in. (26.7 x 40cm.); together with another similar work by the same hand, 'Winter Rock, Guernsey', signed to print lower right, 10¾ x 15¾in. (27.25 x 40cm.), both with artist's handwritten annotations visible, well framed and mounted. (2)* Condition: Both in very good condition.
Lot 219
Harold Riley (British, b.1934), 'Cottage Wall, Guernsey', mixed media - print with handpainted embellishment, signed and dated '88 lower right, 10 x 15in. (25.5 x 38cm.); together with another similar work by the same hand, 'Spring Lane', signed and dated '89 lower right, 9¼ x 14¼in. (23.5 x 36.2cm.), well framed and mounted. (2)* Condition: Both in very good condition.
Lot 224
Harold Riley (British, b.1934), 'Winter Ferry', St. Peter Port, Guernsey, mixed media - print with handpainted embellishment - signed 'Riley' and dated '89 lower right, 10 x 15¾in. (25.5 x 40cm.); together with another similar work by the same hand, 'The Rock', signed faintly lower right, 10¾ x 14¾in. (27.25 x 37.5cm.), well framed and mounted. (2)* Condition: Very good condition, with no faults.
Lot 225
Harold Riley (British, b.1934), 'Spring Lane, Guernsey', mixed media - print with handpainted embellishment - signed 'Riley' and dated '88 lower right, 10¼ x 13¾in. (26 x 35cm.); together with another similar work by the same hand, also titled 'Spring Lane, Guernsey', annotated with notes in the artist's hand, 9¾ x 14¾in. (24.75 x 37.5cm.), well framed and mounted. (2)* Condition: The first with light mount burn, otherwise very good. The other work very good.
Lot 228
Charles Johnson Payne called 'Snaffles' (British, 1884-1967), 'Andsome is Wot 'Andsome Does', hand coloured print, laid onto a support sheet with printed title and remarque, signed in pencil lower left with the 'Snaffles bit' blind stamp, 18 3/8 x 16½in. (46.7 x 42cm.), glazed in modern gilt frame.* Condition: Toning and some light foxing to support sheet. Small nick to surface of card below 'Andsome', two others to river in remarque and 2in. scratch to card to left hand margin approx. 3in above signature. Fox mark to centre of sky on print. Print is slightly cockled. Small white spot to top centre of support sheet.
Lot 229
Cricket - C. Cousens after Felix, c.1847, 'Portraits of Alfred Mynn Esq. and N. Felix, Esq., taken just previous to their playing the return Single Wicket Match for the Championship of England at Bromley, Kent, September 29th 1846', lithograph with hand coloured detail, printed by C. Graf, pub. Bailey Brothers, London, 18 x 13½in. (45.5 x 34cm.), glazed in bird's eye maple frame; together with a pair of similarly framed hand coloured cricket prints (possibly one original print split and framed as a pair), c.1841, depicting full length portraits of 'celebrated players', dedicated to Benjamin Aislabie, each 7¼ x 13¾in. (18.5 x 35cm.). (3)* Condition: - Cousens: Paper heavily time stained with some dark spotting. Original frame. Has been re-taped at the back with brown parcel tape. - Pair: Some time staining to paper and both with brown water marking to right side. Paper backing torn and some repairs with brown parcel tape.
Lot 230
Charles Johnson Payne called 'Snaffles' (British, 1884-1967), 'Peshawar Vale', hand coloured print, laid onto a support sheet with printed title and remarque, signed in pencil lower left with the 'Snaffles bit' blind stamp, 18¾ x 28in. (47.5 x 71cm.), glazed in modern gilt frame.* Condition: Toning and foxing to support sheet and foxing to upper half of print. Toning is heavier in a 1in. wide vertical line approx. 5in. from left hand edge of print. Water marking around top and right hand joint of print and support sheet.
Lot 231
After Henry Ryland (British, Pre-Raphaelite school, 1856-1924), 'Aspiration' hand coloured print, signed and dated 1897 to plate, 21¾ x 11¾in. (55.25 x 30cm.).* Condition: In good condition, with no signs of foxing, tiny spot mark (mould spot?) to lower left cheek of girl, in a (probably original) very early 20th century gilt frame.
Lot 638
Jules Moigniez (French, 1835-1894), a fine and extremely rare cased gilt bronze letter opener with wax seal, in the form of a pheasant's head and feather, the handle modelled as the head with bright red glass eyes, the handle terminating in a monogrammed seal, the blade as a detailed feather grasped in its beak, signed to underside of beak 'J Moigniez', 13¾in. (34.5cm.) long, in the original fitted retailer's box, with faux crocodile print exterior, the box opening to reveal a silk lined fitted interior, with retailer's stamp to lid 'ALA RENAISSANCE 47.49 Bould St Martin PARIS'.* Condition: The letter opener in excellent condition with no faults, the case with little wear to underside and interior but in very good condition.
Lot 130
TWO JAPANESE WOODBLOCK PRINTS, of a geisha by Kitagawa, Utamaro, one geisha serving tea in a teahouse in the Yoshiwara, the other being an entertainer at one of the geisha houses, these two prints are possibly later pulls of the original blocks but lacks the censors seals, mid-19th Century, size print - oban.
Lot 30
After Henry de Daubrawa (19th Century) British. "Sixth Dragoon Guards Officer. Carabiniers", Print, After J Harris, 6.75" x 5.75", and three others by various hands, "Officer of the Royal Artillery, Horse Brigade", "Officer of the Seventeenth Lancers, 1840", and "Loyal Associated Ward and Volunteer Corps of the City of London", four (4).
Lot 191
Ford Madox Brown (1821-1893) David and Goliath, 1866 a lithographic print on paper for a stained glass window by Morris & Co, framed monogram and date lower right, copyright inscription to lower margin, 49.5 x 39.5cm. (image) Literature Charles Sewter, The Stained Glass of William Morris & His Circle, Paul Mellon Centre/Yale University, 1974 catalogue number 266.
Lot 30
A set of four Minton's Season's tiles designed by John Moyr Smith, each printed in brown, grey and black with classical figures, comprising Spring- ploughing, Summer - Musidora and Damon, Autumn - Comes Jovial On and Winter - Sullen and Sad, set with three divider panels and framed, and three individually framed Minton tiles comprising Summer-Celadon & Amelia, Winter - The Snow Storm and Autumn - Lavinia and Palemon, signed in the print, one spacer tile cracked, 15cm. square (4)
Lot 317
Arthur Gaskin RBSA (1862-1928) The Silversmith, (H.G. Murphy) woodcut print on paper, unsigned 11 x 7.5cm. (image) Provenance H.G. Murphy (1884-1939), and thence by descent to the present owner. Literature Paul Atterbury and John Benjamin The Jewellery and Silver of H.G. Murphy Antique Collector's Club, page 181 this print illustrated.
Lot 322
Arthur Gaskin RBSA (1862-1928) A Cup of Milk, 1927 woodcut print on paper, and four other woodcuts by Arthur Gaskin comprising; The Wild Swans, The Lamb, and two untitled prints signed, titled and dated in pencil 12.5 x 10cm. (5) Provenance H.G. Murphy (1884-1939), and thence by descent to the present owner.
Lot 316
A group of pictures to include a still life watercolour of a pheasant with fruit and flowers, signed indistinctly; a 19th century pen and ink drawing of a recumbent bull, initial to margin; W. A. Cox - a coloured engraving of two children with a rabbit, signed with gallery blind stamp, published 1918; and another print
Lot 250
*Martin (John, 1789-1854). The Death of the First Born, 1836, mezzotint with contemporary hand colouring, proof before letters but after title, print mounted on a wooden stretcher and backed with later card, slight overall toning, framed and glazed in a 19th century birds-eye maple frame One of the most powerful of Martin's later engraved designs, The Death of the First Born depicts the arrival of Moses and Aaron in the royal palace of the Pharaohs of Egypt after the tenth and last plague had passed over the country. This plague had caused the first-born of each and every family, excepting the families of the Israelites, to die. The heir and hope of Egypt is laid out under white covers, awaiting embalming. His mother clings to his dead body, covering her face in her grief. Grouped around them are other members of the royal family. Pharaoh recoils from the approaching figure of the prophet, his gesture leaving little doubt as to whom he blames for the disaster. (1)
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314783 item(s)/page