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Lot 935
In the style of 'I Made Budi' (b.1932, Indonesian), coloured print, A primitive scene depicting figures surrounded by palm trees, framed, mounted, and under glass, 18cm x 23cm, & 31cm x 36cm overall, together with three other prints, including a coloured print of 'John Caius, Founder of Caius College, Cambridge', a print after Hugh Casson (20th Century, British), of Caius College, and another print after a painting
Lot 130
TV Century 21 (1965-69) 1-242 complete run. No 1 wfg Special Agent Identicode Decoder, No 155 wfg Captain Scarlet Album. Gerry Anderson's TV Century 21 achieved iconic status during its 1960s print run. This was largely due to the influence and deployment of the greatest artists of their day in its production. Frank Bellamy and Don Harley drew Thunderbirds, Mike Noble and Don Lawrence took turns at Fireball XL5 and Rons Embleton and Turner drew The Daleks, Stingray and Captain Scarlet. Even Dan Dare's legendary creator Frank Hampson drew Lady Penelope in issues 40-45 and the first few episodes of Fireball XL5. To our knowledge, this is the only complete run to come up for auction and the last 6 issues are notoriously hard to find. From The Woodard Archive of British Comics. No 1 has cream/light tan cover and pages [vg+], the free gift has a Special Agent's name & address neatly filled in. No 2 [vg], No 3 [fn-], 4-17 [fn/fn+], No 156: 2 ins lower b/cover cut-out [gd/vg], balance issues 18-242 [fn/vfn/nm] (242)
Lot 97
This WASSILY KANDINSKY limited edition titled "Impression III (Concert), 1911" was published as a numbered edition of only 75 Worldwide of which this print is one from the edition. Complete with a certificate of authenticity signed by the "Master Printer". Each print in this edition has been hand sorted and fully inspected by the Master Printer. Professionally framed to a high standard in a bespoke frame and art mounted. Note: supplied with replacement valuation certificate for £1800 along with biographical details on the artist (free of charge). Condition is excellent. On January 2nd, 1911, Kandinsky and other members of the Neue Kunstlervereinigung Munchen, attended a concert featuring works by Arnold Schoenberg. This painting is reality in dissolution, but still present with the grand piano, audience shapes, yellow representing irrepressible vitality and colours and sound going together. This was the first painting that he made after the concert and the word impression referred to paintings that reproduced a direct expression of an internal nature. This picture is not the particular concert he heard, but his overall impression of the music performance however the central image of the painting is the black angular block representing the piano, so this particular concert is at the heart of the picture. It floats on a yellow sound. The listeners, shown as circles and arcs, are covered in the sound but at the same time are focusing on the piano. The music that so influenced Kandinsky was three piano pieces from 1909.. H: 110cm W: 130cm D: 4cm
Lot 191
A VICTORIA MacDERMOTT (Irish) hand numbered limited edition print on canvas: "Study of Four Lionesses" One of only 95 Worldwide. Very professionally framed. Note: Supplied with a replacement valuation for £950 along with biographical details on the artist. (Free of charge) condition good.. H: 112cm W: 81cm D: 4cm
Lot 58
A limited edition on canvas of J.M.W. TURNER's "Fighting Temeraire" from a sold out published edition of only 60 on canvas Worldwide. It will be supplied with an a replacement valuation certificate for £1500 (free of charge). The quality of this print is of the highest standard, please see photographs which actually pick up the cracking in the paint from the original. Condition is excellent. Please note that the full title is `The Fighting Temeraire Tugged to her Last Birth to be Broken-up, 1838` The original painting was produced in 1839. Turner`s elegy for the age of sail and British Oak embodied in seamen, man-of-war and ships of the line, also ushers in the steam age. Sold like other outdated war ships for the price of her timber, the Temeraire is towed to the breakers by a steam tug. Much later, Turner`s picture was described as his first, almost prophetic idea of smoke, soot, iron and steam. Turner called it his `darling` and refused to sell it. He intended it for the National Gallery which sits in Trafalgar Square named after the battle in which the Temeraire had served and to this day the painting remains in the collection of the National Gallery.. H: 76cm W: 101cm D: 1cm
Lot 74
A rare limited edition print by L.S. LOWRY titled "Saturday Afternoon", Supplied with signed certificate of authenticity (signed by the Master Printer) Numbered in embossed stamp and one of only 99 published worldwide. In special bespoke frame and mount. Note: supplied with replacement valuation for £1500 along with biographical details on the artist (free of charge) In excellent condition. . H: 77cm W: 89cm D: 3cm
Lot 11
A limited edition by PIET MONDRIAN (1872-1944) titled "Composition in red, yellow, blue and black, 1921" This actual print was printed in London and is one from the published edition which was strictly limited to 85 copies Worldwide (numbered in the publishers frank). It will be supplied with a replacement valuation for £1800 (free of charge). It will be accompanied with a certificate of authenticity which verifies this is number of the edition. It has also been signed by the Master Printer. It has been printed to the highest standard with lightfast inks onto acid-free calcium carbonate-buffered stock, mould-made from 100% cotton. It has been professionally mounted and framed. Mondrian was born in Holland in 1872 and was determined to become a painter from a young age. He qualified with a teaching degree in 1892, but enrolled for painting lessons, before moving to Amsterdam and registering at the Rijksacademie. Mondrian became a member of the art society Kunstliefde "Art Lovers" in Utrecht, where his first paintings were exhibited in 1893. He experimented with many different styles including naturalistic, impressionist and painting many landscapes of his native country. In 1911 he moved to Paris and the influence of Cubism, as evidenced by Picasso and Braque, started to appear almost immediately in his work. He spent the duration of the First World War back in Holland and continued his journey towards abstraction. After the War had finished Mondrian returned to France. He then moved to London in 1938 but relocated to New York just two years later in 1940, where he remained until his death. Mondrian is well known for his contribution to the development of modern abstract art. He strove to portray an extreme formal purity through his combination of simplistic straight lines and bold primary colours. The Image: Mondrian spent the period 1914-1918 (World War I) back at his home in Holland and during this time, he decided to work on an abstract art form which was later classified as Neoplastic style. This work was depicted by lighter colours, simplified colour selection and forms that were balanced in their composition. This work is a result of Mondrian joining the abstraction-creation line which was open to new styles, new techniques and at this time Mondrian began to be fascinated with the idea of the line and dismantling the very definition of painting. He argued that drawing and draughtsmanship which were exemplified in the line, had always lain at the heart of painting from the Renaissance artists to the Impressionists to the Modernists and no one had ever thought to challenge that.. H: 96cm W: 93cm D: 4cm
Lot 4087
Sir William Russell Flint (Scottish 1880-1969): 'Reclining Nude II', limited edition print signed in pencil pub. Frost & Reed 1967, 34cm x 60cm; 'Three Girls', limited edition print numbered 276/850 in pencil 35cm x 58cm; 'The Francis and Jane at Birdham', limited edition print numbered 600/1000 in pencil 34cm x 50cm (3)
Lot 4070
Margaret Loxton (British 1938-): 'The Celebration', limited edition colour print signed and numbered 123/1950 in pencil 37cm x 48cm; 'Olives & Sunflowers', 'Café de France', 'Lavender Harvest - Lacoste' and 'Boules Players', set four limited edition colour prints signed and numbered 335/1950 in pencil max 28cm x 34cm (5)
Lot 187
‡ SIR KYFFIN WILLIAMS RA letterrpress print from linocut and greetings card - group of Welsh black cattle in a green background, signed with initials, framed together with a handwritten message 'Happy Christmas to you all, Kyffin', 39 x 31cms (incl. frame)Provenance: private collection CeredigionComments: framed, ready to hang
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