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Lot 691
*SUSHILA SINGH (1904-1999): A group of six art pottery vases each decorated with a stylised female head, incised marks to the bases, various colours and sizes, the largest 18cm high (6)Provenance: Formerly in the collection of Bournemouth & Poole College.Note: Sushila Singh was a painter, print maker and occasional ceramicist born in India in 1904. Her father, the Queen's counsel Bawa Dhanwant Singh, retired to England to give Sushila the advantage of an education not yet available to girls in India.Sushila's early works were surrealist in nature, with her later work becoming more abstract, yet retaining a dreamlike quality. Sushila held solo exhibitions at the John Whibley Gallery, Exeter College, Oxford, Grabowski and Heal's Gallery, Mansard Galleries and Galerie Niklaus Knoll, Basel, Switzerland.Sushila Singh and Arthur Henry Andrews met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930.Singh and Andrews' works are held in public collections such as the Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.
Lot 549
Joan Hassall (British, OBE 1906-1988) A group of three woodblock prints, signed in pencil, titled 'Highland Mary, 8 x 8.5cm, 'The Highland Widow's lament' 6 x 8cm, 'Willie Brewed a Peck o'Maut', 10 x 11cm; with a further woodblock print by George Mackley titled, 'The Creek' signed in pencil, numbered edition 15/75, 9.5 x 11.5cm; and an etching by Bert Cobb of a Flat Coat Retriever with Spaniel, 30 x 25.5cm, unframed (5)
Lot 348
A collection of pictures and prints to include J RUSSELL "Map of China", published by Nuttall Fisher and Dixon, Liverpool June 1812", 19 cm x 24 cm and AFTER WILLIAM HAYES "Eagle", coloured engraving by Gabriel Smith, 43.5 cm x 31 cm, AFTER DAVID ROBERTS "Temple of Kababshee Nubia", 23 cm x 43.5 cm, The Turf Gallop advertising print, 35 cm x 26 cm, "Collgiumaedis Christi", black and white engraving, 41 cm x 84 cm (5)
Lot 347
AFTER WILLIAM RUSSELL FLINT "Provincial Caprise" colour print bearing blind studio stamp lower left and signed in pencil lower right, 44 cm x 58 cm, AFTER WILLIAM RUSSELL FLINT "Chattels" colour print, bears blind studio stamp lower left and signed in pencil lower right, 32 cm x 38 cm and AFTER WILLIAM RUSSELL FLINT "Festal preparations Manosque" colour print, bears blind studio stamp lower left and signed in pencil lower right, 44 cm x 58 cm (3)
Lot 397
STONEY DARKSTONE "Embers II", a limited edition photographic print on paper and foam board, 59.5 cm x 42 cm (ARR), STONEY DARKSTONE "Diaphanous I", a limited edition photographic print on paper and foam board, signed "Stoney" and No'd 1/5 lower right, 58 cm x 41.5 cm and STONEY DARKSTONE "Alien I", a photographic print on foam board, signed in pen lower right, 59 cm x 42 cm
Lot 349
AFTER ANDREW EVANS "Fox in the snow", colour print, signed and titled to the lower margins, 27 cm x 54 cm, AFTER CECIL ALDIN "The young visitor", limited edition colour print No'd. 154/250, bears original "Fine Art Prints" blind studio stamp lower left, 32.5 cm x 44 cm, AFTER CECIL ALDIN "Morton Old Hall", lithograph print, signed in pencil lower left and bearing blind studio stamp, 44.5 cm x 35 cm, together with various other decorative pictures and prints and a mirror (18)
Lot 337
AFTER F E WELLES "Favourites in The Hereford Pack in 1845 under the management of F H Thomas Esq. ....", coloured lithograph, 20 cm x 28 cm, AFTER LIONEL EDWARDS "The long long summer day Portman Hounds in kennel", black and white print, 19.5 cm x 20.5 cm and another similar "The Master's Horse Avon Vale Kennels", 23 cm x 17.5 cm (3)
Lot 334
20TH CENTURY SCHOOL "Jester or Pierrot figure in hat holding bouquet of flowers", screen print, unsigned, inscribed verso "Robt Rappaport", 24 cm x 19 cm, together with a Thai temple rubbing, 46 cm x 43 cm, L CLEAVE "Halfpenny Bridge Lechlade", oil on board, signed and dated 1973, bears label verso titled, 36 cm x 46 cm, together with various other decorative prints, pictures, etc. (1 box plus 11 loose)
Lot 335
AFTER ARCHIBALD THORBURN "Winter landscape with English grey leg partridge" limited edition print No. 697/850, unsigned, 30.5 cm x 57.5 cm, together with a framed and glazed photographic print of "Gun and loader with labrador looking on", AFTER ARCHIBALD THORBURN "Grouse on hillside", colour print, limited edition 697/850, 29 cm x 39 cm, together with another by the same hand "Black cock and grouse in a winter landscape", colour print, limited edition 697/850, 29.5 cm x 38.5 cm and AFTER JONATHAN SAINSBURY "Grouse alighting", colour print circa 1988, edition of 850, unnumbered, signed in pencil to margin, 23 cm x 35 cm (5)
Lot 346
AFTER L S LOWRY "Northern river scene", colour print, 40 cm x 60 cm, two early 20th Century watercolours of "Gibraltar", unsigned, one 10 cm x 15 cm, the other 9.5 cm x 15 cm, various Spy and Vanity Fair prints, AFTER HENRY ALKEN "Symptoms", coloured engraving, depicting various shooting scenes, 21 cm x 24 cm and another depicting "Fight" and "Horses and Riders", 19.5 cm x 24 cm, AFTER JAMES B LEE "Bedern York", etching, 22 cm x 17.5 cm, etc. (2 boxes plus 1 loose)
Lot 344
M J S MACKENZIE "Mallard ducks in flight", oil on board, signed and dated "79" lower left, 51.5 cm x 44 cm, together with another similar, signed and dated "79" lower left, 51.5 cm x 33.5 cm, a black and white scratch drawing of "Drake", signed and dated "74" lower left, 13 cm x 19 cm, "Study of lioness", watercolour on board, signed and dated "91" lower left, 38 cm x 35.5 cm and "Dark-haired woman", portrait study, signed and dated "67" lower right, 63.5 cm x 46 cm, "Butterfly", watercolour, unsigned, 19 cm x 20.5 cm and a decorative print in frame (7)
Lot 338
AFTER JOHN OGILBY "Melite Insula Vulgo Masia", a map of Malta, later coloured print, 34 cm x 44 cm, together with two vintage maps, one of "Oxfordshire", the other of "Gloucestershire", various other decorative prints and engravings, "To the Rt. Hon George Earl of Cardigan ...", engraved by T Major, black and white engraving, 49 cm x 59 cm, etc. (11)
Lot 671
Vinyl - Over 100 Mod / Beat / Rock ’N’ Roll / Pop 7” singles on Parlophone records from the 1950’s and 1960’s including red labels, black labels and gold print labels, artists to include: The Marksmen, The Federals, The Locomotive, The Cougars, The Paramounts, Cliff Bennett & The Rebel Rousers, John Barry Seven, The Eric Delaney Band, Brian Fahey – At The Sign Of The Swingin’ Cymbals, The Federals, Shane Fenton & The Fentones, Alan Clare, Bobby Lewis, Ray Cathode, Hank Ballard And The Midnighters, The Packabeats, The Scorpions, The Sleepwalkers, The Red Price Combo, Keith Kelly, Jerry Lordan, Ken Jones, Bill Doggett, The Silhouettes, Charlie Gracie (gold), Viper Skiffle Group (gold) and others. Condition VG+ overall
Lot 85
Vinyl - Sade – Stronger Than Pride Test pressing LP on Epic Records – 460497 1, Original UK 1988 test pressing album in plain white outer sleeve with hand written information and a test print of the commercial printed lyric inner which does not have the tabs to fold into a proper inner and plain paper inner. EX+
Lot 119
Vinyl - The Stones Roses - 3 original UK 1st pressing albums and 2 x 12” singles to include: The Stone Roses (Silvertone Records – ORE LP 502, UK 1989 embossed sleeve), Turn Into Stone (Silvertone Records – ORE LP 521, UK 1992 textured sleeve), The Second Coming (Geffen Records – GEF 24503, UK 1994 double album, gatefold sleeve), One Love (Silvertone Records – ORE T 17 12”, UK 1990 with colour print and hype sticker), What The World Is Waiting For (Silvertone Records – ORE T 13 12” UK 1989) EX- / EX+. Condition EX overall apart from where mentioned
Lot 77
Vinyl - Godspeed You Black Emperor! – F♯ A♯ ∞ LP on Constellation – CST 003, Canadian pressing, Band name, album title and image frame debossed on front cover. Cover has a print glued in place, Hand-drawn cross & catalogue number and Constellation logo stamp on back cover. inserts include: A black locomotive etching on dark orange paper. An envelope (with nothing written on it). The credit sheet with "The story thus far" on the back. A handbill from a previous show. A blueprint of "faulty schematics for ruined machine”.And a Canadian cent flattened by a train. Sticker on plastic slipcover :godspeed you black emperor! f#a#∞, original 1997 lp. EX+
Lot 158
Vinyl - Jazz - 4 original UK pressing LP albums by Stan Tracey to include: Stan Tracey In Person…. (Columbia – SX 6124, 1st pressing mono blue print Columbia labels) EX, Jazz Suite (Inspired By Dylan Thomas's Under Milk Wood) (Columbia - 33SX 1774, 1st pressing mono blue print columbia labels) EX, Jazz Suite (Inspired By Dylan Thomas' Under Milk Wood) (Steam Records – SJ 101) EX, Stan Tracey Now (Steam - SJ 110) VG+ / EX
Lot 680
Vinyl - Over 50 Beat / Mod / Rock ’N’ Roll / Pop singles on Brunswick Records including tri-centre and gold labels issues, to include: The Who, The Surfaris, Len Barry, Brenda Lee, Earl Grant, Bill Haley & His Comets x 22 (including Tri-centres), Buddy Holly (including Tri-centres), Bobby Helms (tri-centres), Four Aces (gold print) and others. Condition VG+ overall
Lot 148
MAURICE GREIFFENHAGEN (1862-1931) 'IVANHOE', EIGHT ORIGINAL ILLUSTRATIONS, 1906 watercolour and bodycolour on board, with graphite annotations, each signed and dated MAURICE GREIFFENHAGEN/ 1906 entitledYour reference must hold on this path till you come to a sunken cross. (frontispiece)"Second to None" said the Pilgrim, who stood near enough to hear.Fair and true he hit the Norman on the visor.Locksley stept to the appointed station, and shot his arrow."Seest thou, Isaac," said Front-de-Boeuf, "the range of iron bars above that glowing charcoal?""Turn, false-hearted Templar! let go her whom thou art unworthy to touch !""Mount thee behind me on my steed - on Zamor, the gallant horse that never failed his rider." To the surprise of the Lady of Ivanhoe, her fair visitant kneeled on one knee. (8) each approx. 47cm x 32cm (board size 54cm x 36.5cm) Maurice Greiffenhagen, the British painter and Royal Academician illustrated books and designed posters as well as painting idyllic landscapes. Exhibiting at the Royal Academy of Arts from 1884, he was made an Associate Member in 1916 and a Royal Academician in 1922. From 1906 until 1926, he taught at the Glasgow School of Art.Greiffenhagen originally produced twelve illustrations for Ivanhoe by Sir Walter Scott, published by T.C. & E.C. Jack in 1908, with a preface by Mrs Maxwell Scott of Abbotsford. These much-loved illustrations have been used in many editions of Ivanhoe and are still in print.
Lot 260
JESSIE MARION KING (1875-1949) AND ERNEST ARCHIBALD TAYLOR (1874-1951) INTEREST GROUP OF PERSONAL AND DOMESTIC ITEMS [King-Taylor family recipe book]. The Practice of Cookery and Pastry by Williamson & Son 1869. 8vo, with numerous manuscript recipes laid in, including one for ‘American gingerbread’ written in the hand of Jessie M. King, another recipe apparently in another hand but with King's annotation ‘The EASY-BISCUIT à la Polly Peacham’; Collection of family photographs, approx. 40 in total, of which several depicting Jessie M. King, including a full-length portrait of JMK as a young woman, in a garden (platinum print, mounted on card), one of JMK in a classroom with pupils (albumen print, mounted on card), and others showing E. A. Taylor, Merle Taylor, etc.; Merle Taylor's childhood autograph album, including a watercolour sketch of a cottage through trees signed ‘EAT’ (her father Ernest Archibald Taylor, 1874-1951), and one unsigned but attributed to Jessie M. King; Typescript short story by Merle Taylor, ‘The Maister’For a complete list of photographs in this lot see the lot description on our website lyonandturnbull.com Provenance: Jessie Marion King and Ernest Archibald TaylorBy descent to their daughter Merle TaylorEstate of Merle Taylor
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