Including; a map titled SUEZ, Not to be Published, dated Jul 1941; an unusual blue print map of ISMAILIA , first edition; a map titled SUEZ, NOT TO BE PUBLISHED in English and Arabic, dated 1943; an unusual map titled SUEZ CANAL LITTLE BITTER LAKE, with a pencil drawn grid over the aerodrome, detailing military installations such as ‘P.O.W Camp (lit at night) dated August 1943; a map titled PORT SAID, Not To BE Published, key in English & Arabic, dated 1944; a map titled LITTLE BITTER LAKE, Restricted dated 1940; a map made up of two maps pasted together with one titled NIFISHA dated 1942 with key in English and Arabic, the other titled ISMALIA dated 1947 with key in English & Arabic; a map titled WADI SUDR , Not to be Published , dated June 1941; a map titled EL QANTARA, Restricted dated 1944 with key in English and Arabic; a map titled ISMALIA, Emergency Printing, dated 1947 with key in English 7 Arabic; a map titled ISMALIA, Not to be Published dated 1942 with key in English & Arabic; a map titled ISMALIA showing detail of Ismalia and danger areas with one marked ‘Air Firing & Bombing’ dated 1932
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including a French gelatin silver print, with driver at the wheel, dated 1900 with inscription in ink verso, 12.3cm x 17cm, mounted on original board,a vintage matt gelatin silver print, c.1905 veteran motor car registration AW38, with chauffeur at the wheel, 12.2cm x 16.2cm, unmounted; a vintage matt silver gelatin print, c.1910 family in motor car with child at the wheel, image 17.2cm x 22.5cm, mounted on original green card; a vintage toned gelatin silver print of the A F Shakespeare Motor Car Manufactory, with motor car and workmen, image 11.3cm x 16cm, mounted on original card, a Brazilian gelatin silver print, c.1900, a very early motor car with admiring onlookers, image 18cm x 22.5cm, mounted on card printed 'Alberto de Bary y ca. Buenos Aires', and American automobiles, Pierce-Arrow Silver Arrow 1933 Associated Press publiity photograph from the Paris Motor Show, large toned gelatin silver print, image 18.5cm x 25.5cm; a 1924 toned American press photograph, car service ramp made by the Manby Manufacturing Company, York, PA annotation and stamps verso, sheet 12.5cm x 17.5cm; an unidentified 2-seater automobile c.1920, vintage gelatin silver print 18.5cm x 23.5cm; a vintage gelatin silver print c.1925 of automobile in New York, opposite John Jovino Police supplies store, 18.5cm x23.5cm (10)
including H SCHONLAND, photograph of childs's pedal automobile,an American vintage toned gelatin silver print, c.1920, mounted on card, wetstamp verso image 14cm x 9.5cm, with a gelatin silver print of a boy in a pedal car, c.1930, probably French, image 13cm x 18cm, a vintage toned gelatin silver print, c.1930, British colonial Africa, a white couple in car with black servants a behind, image 16cm x 21cm, mounted on green card, 13 further gelatin silver prints, mostly cars with owners, amateur photographers c.1920 to c.1950, vintage prints except the last four in the final two images illustrated probably printed later (16)
A large mid-century folio case in the style of a leather-bound book (74 x 55 x 7cm); containing, a collection of six natural history colour prints taken from E.J. Detmold’s 24 Drawings from Nature, 24 x 38cm pl.; a woodblock print of a figure, signed ‘RA Storey’ (lower right) and numbered 17/20 (lower left); a photograph of a cabaret dancer (Circa 1920s), inscribed ’13 Rue Forest Paris’ (lower right), printed photograph laid onto card, 58 x 49cm
* Symphonium. An early 20th century Continental musical box, the walnut box inscribed 'Symphonium', enclosing a gold painted movement numbered 508790, the inner lid with a colour print showing a wintery landscape with figures by a bridge, 13cm high x 21cm wide x 19cm deep, with 6 discs, workingQty: (1)
AFTER CHARLES WILLIAMS, ANTIQUE HAND COLOURED PRINT BY FORES, THE CASTLE - IN DANGER, OR THE HEADS OF THE NATION IN A QUEER SITUATION, A POLITICAL CARTOON INSPIRED BY LORD CASTLEREAGH SUCCEEDING AS SECRETARY OF STATE FOR WAR AND THE COLONIES, THIS NECESSITATED HIS RE-ELECTION IN WHICH HE WAS DEFEATED AT DOWN. 25 x 35cms. TOGETHER WITH GEORGE CRUIKSHANK, A PARTY OF PLEASURE - DEDICATED TO THE FUNNY CLUB, AN 1835 CARTOON PUBLISHED BY MCLEAN. 25.5 x 37cms.
AFTER ISAAC CRUIKSHANK, AN ANTIQUE COLOUR PRINT THE LAST GRAND MINISTERIAL EXPEDITION ON THE STRT PICCADILLY, A CARTOON INSPIRED BY TROOPS USED TO QUELL SUPPORTERS OF SIR FRANCIS BURDETT ARREST IN 1810. 23.5 x 39.5cms. TOGETHER WITH THOMAS HOWELL JONES, THE CATHOLIC SOVEREIGN SAFETY COACH, A NEW START FROM THE CASTLE WINDSOR, AN 1829 FORES CARTOON INSPIRED BY THE CATHOLIC EMANCIPATION ACT. 25 x 36.5cms.
AFTER THOMAS ROWLANDSON (1757-1827),AN ANTIQUE HAND COLOURED PRINT LORDS OF THE BEDCHAMBER, A 1784 HUMPHREY CARTOON INSPIRED BY SAM HOUSE, THE PUBLICAN WHO KEPT OPEN HOUSE FOR CHARLES JAMES FOX SUPPORTERS. 23.5 x 33.5cms. TOGETHER WITH JAMES GILLRAY, BROAD BOTTOM DRONES STORMING THE HIVE, AN 1808 HUMPHREY CARTOON INSPIRED BY POLITICAL STRUGGLES. 26.5 x36.5cms.
AFTER JAMES GILLRAY (1756-1815),AN ANTIQUE HAND COLOURED PRINT, THE GORDON-KNOT OR THE BONNY DUCHESS HUNTING THE BEDFORDSHIRE BULL, A 1797 HUMPHREY CARTOON INSPIRED BY THE DUCHESS OF GORDON SEEKING THE DUKE OF BEDFORD FOR HER LAST UNMARRIED DAUGHTER. 27 x 36cms. THOMAS ROWLANDSON, A BONNET SHOP, AN 1810 TEGG CARTOON AND WILLIAM HOGARTH, STROLLING ACTRESSES DRESSING IN A BARN, A HAND COLOURED ENGRAVING. 46 x 57.5cms.
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314753 item(s)/page