A late 18th century embroidery on silk of oval form showing a young woman holding a small cage, 23 cm maximum in black and gilt glass mount and gilt frame, an early 19th century embroidery showing an elderly couple flanked by a pair of recumbent lions, 21 x 23 cm in black and gilt frame, a framed programme from the 1912 Royal Opera, Covent Garden, Season of Russian Ballet including Nijinsky, etc, a 19th century music sheet for the Polka Quadrilles, a 19th century coloured print with foil embellishment showing St James of Spain and two early 20th century song sheets for Sing A Song Of Sixpence and Pussy Cat, Pussy Cat Where Have You Been, illustrated by H Willebeck Le Mair
We found 314783 price guide item(s) matching your search
There are 314783 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
314783 item(s)/page
An early 20th century humorous coloured caricature print after L Thackeray - A Billiard Match together with a red chalk study of a reclining nude female figure, indistinctly signed and an early 20th century watercolour of a coastal scene with fishing boat, signed bottom left F W Pike (all framed)
A coloured print after Vernon Ward showing a still life with vase of anemones together with a further similar coloured print of a vase of dahlias, both 37 x 28 cm in gilt frames together with a pair of 19th century coloured prints after J M W Turner, one of a cottage scene with figures, the other of a classical ruin, 20 x 15 cm in moulded gilt frames and also together with an early 20th century sepia coloured etching of a Dutch pargetted house in Bristol, published by Frost & Reed, in wooden frame with oak mount
A quantity of pictures and prints including a large late 19th century painting of a pair of storks amongst water lilies in chip carved wooden frame, a coloured print of a dove in a window, signed bottom right in pencil Raymond Ching, edition 51/500, an oil painting on board of an Alpine scene, an unframed charcoal drawing after P Ridout of African characters holding a pair of chained leopards, a pen and ink abstract "Oblivion" signed O`Donnell, an aquatint "Over the wall" by Prid Lasenby 1979 AP 2/12, and a quantity of gilt and other picture frames, etc
A collection of pictures and prints comprising monochrome etchings including example showing the war memorial in Wotton-under-Edge by A M Dyson, a view of a fishing village, signed Henry Daniel, various watercolour landscapes, etc together with a coloured print on canvas with oil effect finish of a vase of hydrangeas, with printed signature F De Villeneuve
A set of three coloured hunting prints after Nigel Hemming, all of oval form and in wooden frames together with a large coloured print of an American style sportsman and gun dog after Sessions, with Alexander Gallery label verso, an oil painting on canvas of a harbour scene, indistinctly signed bottom right and a further oil painting on board of a pair of deer watering in a lake setting, signed K R Duff and dated 67
A coloured print on canvas after Craig Warwick showing Ayrton Senna against a backdrop, probably showing Monaco, and with Senna also depicted in his car, with printed signature Craig Warwick and dated 96, 61 x 91 cm (unframed) together with an unfinished sepia wash study of the head of Ayrton Senna (from the studio of Craig Warwick), 60 x 45 cm (both unframed)
A humorous coloured print after Harry B Neilson - Mr Foxes Hunt Breakfast on Xmas Day, 31 x 58 cm in wooden and gilt frame, a signed limited edition etching - The Clown, by Charles M Ware, of circular form, 29 cm diameter in simple wooden frame, a set of four sepia coloured photographs showing early 20th century Bristol scenes, a pair of monochrome prints of architectural subjects and two folders of coloured prints - A History of Medicine in Pictures, produced by Parke-Davis,
An oriental embroidered panel of a floral subject with butterflies together with a coloured print of cockerels and a coloured print of a lady in Edwardian costume accompanied by a dog and standing beside a sundial, all framed, together with a quantity of miscellaneous books including Thorburn`s Landscape by John Southern, a small collection of auction catalogues, etc
Two early 20th century watercolours, one showing a continental street scene with figures, signed bottom left F W Catterall and dated 1911, 30x21cm, an early 20th century watercolour of a coastal scene with seagulls, with label verso - Perranporth, Cornwall and an indistinct signature possibly J Ship (?), 19x28cm in gilt frame with gilt slip, an early 19th century coloured map of Somersetshire after T Kitchin, an early 20th century sepia coloured print showing a river scene with a ferry after C W Faulkner, etc
A large and impressive framed original air to air Photographic Print of British Airways Concorde G-BOAG Aircraft Number 214 which is now located at the Museum of flight Boeing Field Seattle, this particular print was hung at the former British Airways headquarters "Speedbird House" Heathrow, on the reverse of the image of Concorde is an air to air photographic print of a BA Boeing 737-236 G-BKYF, 44½" x 44½" approx.
CECIL ALDIN "The Oxford Coach 1830", chromolithograph, in original oak frame, 38 cm x 74 cm CONDITION REPORTS Print overall with wear, scuffs, some foxing, some vertical brown stains and some further brown stains, frame with various knocks, chips and scratches, and some re-painting, backing board is of modern MDF, frame with some separating at joins.
AFTER W SHAW "Atlas", the property of His Grace The Duke of Devonshire, an 18th Century engraving by J Miller, 31 cm x 38 cm and H. L. OAKLEY "Riders on horseback", paper cut silhouette, 9 cm x 16 cm CONDITION REPORTS Atlas print : overall with wear, dirt and stains, some foxing, quite a few old repairs including patched in areas, frame in quite chipped and worn condition with various re-painting, separating at joins, and filler. The patched in / re-inked / repaired areas include numerous areas to the wording across the bottom, some small round areas beneath horses body, and various areas of sky: these have been quite sympathetically carried out and are not particularly obvious to the naked eye, and many of them appear to be inked in areas where the surface of the paper has worn away/deteriorated. Silhouette picture : overall with some browning and stains, some wear and dirt, frame with some chips and scuffs, frame has cardboard backing.
AFTER JOHN LEECH "Our Friend Mr Hoddy has a day with the Brookside Harriers" and "A Capital Finish", a pair of chromolithographs, with hand-coloured over-painting and facsimile signatures, in modern gilt frames, 46 cm x 63 cm CONDITION REPORTS Both prints have slight browning, dirty patches and slight foxing. The print with the gentleman in blue jacket has some small white 'flecks' or marks. Both frames are suffering from general wear and tear with various slight knocks and chips.

-
314783 item(s)/page