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Lot 449
After Laurence Stephen Lowry (1887-1976), "Three Men and a Cat", limited edition print, 16.5cm x 24.5cm, blind stamp lower left, signed in pen lower right, glazed and framed 36cm x 44.5cm.Condition: Colour is good, no fading. No signs of any foxing or stains. Seated well in mount. Appears as though its the original frame which has a couple of small dents. Signature and blind stamp as pictured.
Lot 450
After Laurence Stephen Lowry (1887-1976), street scene near a factory, limited edition print, 20.5cm x 25cm, blind stamp lower left, signed in pencil lower right, glazed and framed 40cm x 45.5cm.Condition: Colour is good, no signs of fading, foxing or stains. Print could be seated slightly better in mount, few gaps down the sides (see pictures). Appears as though its the original frame which has a few minor marks/scratches. Signature and blind stamp as pictured.
Lot 451
After Laurence Stephen Lowry (1887-1976), "Two Brothers", limited edition print, 30.5cm x 59.5cm, blind stamp lower left, signed in pencil lower right, glazed and framed 50.5cm x 81cm.Condition: Colour is good, no signs of fading, foxing or stains. Print could be seated slightly better in mount, few gaps down the sides (see pictures). Appears as though its the original frame which has a few minor marks/scratches. Signature and blind stamp as pictured.
Lot 234
*Samuel (W.G., 1929-2015). Untitled, circa 1960, colour print on paper, showing squares and rectangles 51 x 38cm (20 x 14.5ins), unframed together with further abstract prints plus signed prints of garden statuary and rollers plus view of Marlborough c.1960-1990s, all unframed, in 5 modern folders (5 folders)
Lot 142
London. Willdey (George), A New & Correct Map of Thirty Miles Round London Shewing all the Towns, Villages Roads &c. with the Seats of the Nobility & Gentry and whatever else is remarkable. Done from the best Surveys, Together with an Alphabetical Table for ye ready finding of all the places contain'd in the Map, sold by G.Willday at ye Corner House in Ludgate Street, circa 1720, engraved circular map on two conjoined sheets, contemporary outline colouring, laid on near contemporary hessian, table to left hand side (only) of map, circular vignette of London and of allegorical figures in the upper cusps, lower left has a display of manufactured items and lower right an advertisement for George Willdey's toy and print shop, slight toning, some cracking, fraying and damage causing slight loss to printed surface, especially to the margins, occasional marginal closed tears, 645 x 970 mm J. Howgego. Printed Maps of London, no.69 state 1. (1)
Lot 446
The Limited Editions Club (publisher). Quarto-Millenary. The first 250 publications and the first 25 years 1929-1954 of The Limited Editions Club, New York, limited edition 1906/220, numerous colour and black and white illustrations, original quarter blue morocco to red cloth with blue morocco centre insert in slipcase, spine lightly rubbed to head and foot, large 8vo, together with Miller (Julia), Books Will Speak Plain, A Handbook for Identifying and Describing Historical Buildings, The Legacy Press, USA, 2010, including DVD, numerous colour and black and white illustrations, original red cloth in dust jacket, covers lightly rubbed to head and foot, 8vo, and Munter (Robert), A Dictionary of the Print Trade In Ireland 1550-1775, 1st edition, Fordham University Press, New York, 1988, original green cloth in dust jacket, spine slightly faded, 8vo, plus other late 19th century and modern bibliography, book trade and library reference, mostly original cloth, plus some auction catalogues, G/VG, 8vo/folio (6 shelves)
Lot 420
Abbey (J.R.). Scenery of Great Britain and Ireland in Aquatint and Lithography 1770-1860, 1952, limited edition 124/500, Life in England..., 1953, limited edition 146/400, Travel..., volumes 1 & 2, 1956-57, limited edition 339/400, all privately printed at the Curwen Press, black and white illustrations, some minor toning, uniform publisher's brown cloth in price clipped dust jackets, covers slightly rubbed and toned, large 4to, together with Allan (Philip, publisher), Imitation of Christ, circa 1929, limited edition 100/100, period inscriptions to the front endpaper, some toning to endpapers, publisher's white cloth spine to green boards, slightly marked and rubbed, 8vo, and Bumgardner (Georgia B.), American Broadsides..., Imprint Society, Massachusetts, 1971, limited edition of 1950 copies, numerous black and white facsimile illustrations, tear to front endpaper fore-edge, original cloth in slipcase, folio, plus other modern bibliographical libraries and print reference, including the British Museum Catalogue of Printed Maps, Charts and Plans, volumes 1-15, 1967, mostly original cloth, some in dust jackets, G/VG, 8vo/folio (6 shelves + a carton)
Lot 2041
Queen We Will Rock You - 40th anniversary year, Original C type exhibition print of Queen, Signed limited edition 3/50, Image taken by Peter Hince during the video shoot for We Will Rock You in Roger Taylors garden, glazed & framed, 20 x 16 inchesProvenance: This item has been consigned by Peter Hince. Peter 'Ratty' Hince met Queen in 1973 when they were opening for Mott the Hoople, began working full-time for the band full time for the band in 1975 during recording of their A Night at the Opera album, and stayed on as the head of their road crew until their final concert in 1986. No copyright is assigned with this item.
Lot 2040
Queen - Original silver gelatin bromide exhibition print of Freddie Mercury of Queen, Signed limited edition 1/50, Image was taken by Peter Hince during the studio video shoot for ‘Crazy Little Thing called Love’ in 1979, Signed by photographer, glazed & framed, 16 x 12 inchesProvenance: This item has been consigned by Peter Hince. Peter 'Ratty' Hince met Queen in 1973 when they were opening for Mott the Hoople, began working full-time for the band full time for the band in 1975 during recording of their A Night at the Opera album, and stayed on as the head of their road crew until their final concert in 1986. No copyright is assigned with this item.
Lot 2113
Queen - Original Silver Gelatin lith tone print of Queen’s Radio Ga Ga video shoot at Pinewood Studios showing the band and fan club volunteers giving the arms aloft salute, signed by the photographer Peter Hince, framed, 12 x 9 inches.Provenance: This item has been consigned by Peter Hince. Peter 'Ratty' Hince met Queen in 1973 when they were opening for Mott the Hoople, began working full-time for the band full time for the band in 1975 during recording of their A Night at the Opera album, and stayed on as the head of their road crew until their final concert in 1986. No copyright is assigned with this item.
Lot 2004
Oasis - Signed by Noel Gallagher ‘Definitely Maybe’ 2 DVD 2004 set, ‘Columbia’ 2004 promo CD, ‘The Masterplan’ 4 track promo CD, Priceless Creation 12 track promo CD from 1999 featuring Oasis ‘Live Forever’ (Demo) also tracks by Primal Scream, Jesus & Mary Chain, Boo Radleys etc.‘Standing On The Shoulder Of Giants’ Sealed promo CD of album, 2 Oasis coins from 2000. ‘F****** In The Bushes’ 4 track promo CD. ‘Familiar To Millions’ Liam & Noel screen print No.148/300 plus 3 track album promo CD, transcript of interview with Noel & Paul Connolly from The Times about the album. Big Brother back catalogue promotion sheet. Promo CD of Paul Du Noyer interview with Noel from 11/8/98.
Lot 2037A
Storm Thorgerson (British, 1944-2013). 'Bury The Hatchet', signed, silkscreen print limited to an edition of 125, artwork created by Storm for The Cranberries 1999 album. Signed and numbered 76/125 in pencil to lower margin, framed and glazed. Image size 48cm x 48cm, frame size 87cm x 71cm x 4.5cm. Storm Thorgerson: Many people agree that Storm Thorgerson is the best album designer in the world. Look at the evidence. By which I mean look at your collection of LPs - Douglas Adams from ’Eye of the Storm’, 2000. Storm began Hipgnosis with Aubrey Powell in the 60’s, he ended up designing album covers for Pink Floyd, Led Zeppelin, Genesis and countless others. Many say that Storm Thorgerson could genuinely claim to be the 6th member of Pink Floyd, certainly his visuals for them and others have played an essential part in rock and roll culture.
Lot 2055
The Beatles - Cream paper signed in black biro “love John Lennon” annotated with self-portrait caricatures of John & Yoko’s smiling faces, mounted with colour print photo of John & Yoko, framed, overall 13.5 x 17.5 inches.(Provenance: ex-Christie’s lot 516 6/6/96) With letter of authenticity and past auction details.
Lot 2111
Freddie Mercury - Limited edition print of Freddie in his ‘Royal Robes’, taken by Peter Hince, numbered 691/1200, flat, 16 x 23 inches.Provenance: This item has been consigned by Peter Hince. Peter 'Ratty' Hince met Queen in 1973 when they were opening for Mott the Hoople, began working full-time for the band full time for the band in 1975 during recording of their A Night at the Opera album, and stayed on as the head of their road crew until their final concert in 1986. No copyright is assigned with this item.
Lot 2005
Oasis - Signed by Noel Gallagher ‘(What’s The Story) Morning Glory’ 1995 CD. The game Frustration! with Oasis wrap round sleeve used to promote the 2006 film ‘Lord Don’t Slow Me Down’. ‘Don’t Believe The Truth’ Vinyl Mint album in gatefold sleeve with numbered screen print and a ‘Let There Be Love’ promo sticker. ‘D’You Know What I Mean’ mint 12” Single
Lot 2110
Freddie Mercury - Limited edition Silver Gelatin print of Freddie Mercury at the dining table of Musicland Studios in Much 1981, numbered 1/50, image taken by Peter Hince during recording sessions and signed, framed, 16 x 12 inches.Provenance: This item has been consigned by Peter Hince. Peter 'Ratty' Hince met Queen in 1973 when they were opening for Mott the Hoople, began working full-time for the band full time for the band in 1975 during recording of their A Night at the Opera album, and stayed on as the head of their road crew until their final concert in 1986. No copyright is assigned with this item.
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314783 item(s)/page