There are 314783 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeBruce Weber (American, b.1946) 'Extras at Zoetrope Studios, Hollywood CA, 1985'gelatin silver print, apparently signed, inscribed with title and numbered '3/5' versovisible 48 x 58.5cmCondition ReportFramed: 62.5 x 72.5cmAppears to be in good condition. There is a photocopy attached to the back of the frame which appears to show the work is signed, inscribed and numbered verso. Not viewed out of glazed frame.
â–² The Connor Brothers (b.1968) 'You'll Call, Won't You?', from 'True Love Stories'giclée print in colours, 2013, signed 'Connor Brothers' in pencil l.r. and numbered '54/95'sheet 72 x 49cmCondition ReportFramed: 84.5 x 61cmSlight undulations to the sheet however presents well overall and appears to be in otherwise good condition. Not viewed out of glazed frame.
▲ Richard Hamilton CH (1922-2011) 'Just What is it that Makes Today's Homes so Different', 1992 inkjet print/cartridge paper, published by the BBC, signed 'R Hamilton' in pencil and inscribed ‘For Richard Salmon’18 x 27cmCondition ReportFramed size 30 x 38cmNot viewed out of glazed frame. Paper creased including a fold in right corner and lower left area.
Lucien Pissarro (French, 1863-1944) 'Au Café Concert'woodcut, 1957, numbered '9/20' in pencil, with artist's studio stampimage 10 x 8cm,together with: 'The Station (La Gare)'woodcut, numbered and inscribed '4/10 del. sc.& imp' in pencil l.l.image 11.5 x 16cm, andtwo further woodcuts:'La Visite';'L'Enfant Mort'images 12 x12cm and 5.5 x 8.5cm respectively, all unframed (4)Provenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase. Condition ReportFoxing and time staining. 'La Visite' has a small pinhole to the gentleman's elbow. The print has been stuck down along the top edge and the sheet is a little rippled. There is a diagonal crease to the lower left margin. 'Het Station (La Gare)' is stuck down in the upper right corner and the paper is rippled in this area. Folds to the left and right edges.
▲ Banksy (b.1974) 'Police Riot Van' (Dismaland Gift Print)digital print in colours, signed 'BANKSY' l.r., and inscribed 'Thanks Sarah'sheet 17.7 x 23.7cmOne of three Dismaland prints gifted to the members of Pussy Riot after they filmed a video at the site. In 2015, Banksy unveiled 'Dismaland' - a theme park in Weston-super-Mare built in a disused lido. Its rides and attractions satirised the commercialised fare of Disneyland and included exhibits from fifty-eight artists. One of Banksy’s contributions was the police van fountain, interpreted in this print as a site of reclamation. A rainbow frames the van, a symbol of state power and intervention, and children crawl around on the vehicle, playing amongst the vegetation which has overtaken it. Perhaps Banksy imagines the future of his own art object, or perhaps a more figurative future where violence is overcome by the force of peace. As the sapling and flowers have found a way to grow out of the metal car frame, so too will peace find a way.Condition ReportFramed: 24.5 x 33cmNot viewed out of frame but apppears to be in good condition.
Cubitt Print Box a portfolio of prints in various mediums, 2000, each signed and numbered '75/100', with the exception of the print by Elizabeth Wright numbered '175/220%' as per the artist's intention, published by Cubitt, in the original presentation box box 28.5 x 23.5cm The portfolio includes prints by various artists including: Martin Creed, Tacita Dean, Peter Doig, Ceal Floyer, Matthew Higgs, Gareth Jones, Alex Katz, Scott King, Jochen Klein, Hilary Lloyd, Paul McCarthy, Paul Noble, Chris Ofili, Peter Pommerer, James Pyman, Giorgio Sadotti, Jane Simpson, Wolfgang Tillmans, Piotr Uklanski and Elizabeth Wright, all of whom had either worked or shown at the Cubitt studios and gallery in King’s Cross, London. 'Snowball' by Elizabeth Wright was created as a varied edition of 120 individual versions, with the perfectly round snowball in each print scaled differently in successive increments from 101/220% to 220/220%. The variations in size reflect the platitude that no two snowflakes are alike. Getting bigger as the edition progresses, the circles created by the artist manifest as a literal 'snowball effect'. Condition ReportAppears to be in good condition.
Mark Tobey (American-Swiss 1890-1976) 'Mandarin Flowers'lithograph in colours, 1973, signed and dated 'Tobey 73' in pencil l.r. and numbered '43/95'sheet 77.5 x 102.5cm, unframedCondition ReportA few faint dirty marks and smudges to the margins with a little surface dirt. There is a 2cm pencil line to the centre of the upper margin, with a faint thumb print to the upper right corner. The printed area appears to be in good condition.
Bruce Weber (American, b.1946) 'Paul Wadina, Lower St. Regis Lake, NY', 1988gelatin silver print, signed 'Bruce Weber', inscribed with title and numbered '2/3' verso visible 23.5 x 18.5cmProvenance: The collection of Richard Salmon;with Karsten Schubert, London;with Robert Miller Gallery, New York.Condition ReportFramed: 40 x 33.5cmSheet 25 x 20.5cmThere are dark spots of foxing/ mould (?) on the mount however the photograph itself does not seem to be affected and appears to be in good order. The print is attached to the mount with two small pieces of tape applied to the reverse of the top edge.
â–² Brian Duffy (1933-2010) Christine Keeler contact sheet, 1964gelatin silver print, signed 'Duffy' l.r., with Duffy Archive London blind stampimage 45 x 35.5cmProvenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportSheet: 57.5 x 47.5cmFramed: 66.5 x 56cmAppear to be in good condition. Not viewed out of glazed frame.
▲ Ray Bellisario (1936-2018) 'Freedom - First Day Out of Prison, Lying in a Field’, 1964gelatin silver print of Christine Keeler, printed later, signed and dated 'Ray Bellisario/31/10/13' on mount29.5 x 29.5cmProvenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportFramed: 43.5 x 43.5cmAppears to be in good condition. Not viewed out of glazed frame.
â–² Terry O'Neill (1938-2019) Michael Caine on the set of 'Get Carter', 1970gelatin silver print, printed later, signed 'Terry O'Neill' and numbered '14/50'image 37 x 56cm, unframedProvenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportOverall: 51 x 61cmA couple of light handling creases however presents well overall.
â–² Feliks Topolski RA (Polish-British, 1907-1989) 'Trooping the Colour' mixed media30 x 42cm, unframedAn original artwork on which the editioned lithograph from 'The London Suite', published by Curwen Studio in 1973, was based. The drawing is overlaid with an annotated sheet of working notes and sketches relating to the final print.Provenance: The Estate of Stanley Jones MBE RE.Condition ReportOverall: 48.5 x 64cmThe drawing is detached from the orange background sheet. There is tape applied to the left edge (original) and a small nick to the lower edge of the paper. A little discolouration to the top edge. A faint brown stain to the centre of the right edge. The annotated sheet has crease marks and is stuck down with tape along the top edge. There are abrasions to the surface of the orange sheet.
â–² Terry O'Neill (1938-2019) David Bailey, London, 1963gelatin silver print, printed later, signed 'Terry O'Neill' and numbered '13/50', also signed by David Baileyimage 53 x 36cm, unframedProvenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportOverall: 61 x 51cmLight handling creases. A small dirty mark to the bottom right corner of the sheet. Overall, presents well.
â–² John Piper CH (1903-1992) 'Avoncroft Museum' (Levinson 258)lithograph in colours, 1976, signed 'John Piper' in pencil l.r., with Stanley Jones Archive blind stampsheet 56 x 76cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase. Condition ReportThe printed area appears to be in good condition. Light handling creases to the margins with a little light surface dirt. There is a light line/ indentation running along the lower edge,1cm in from the edge of the sheet. The print is unnumbered.
[PHOTOGRAPHY] - Diana Donovan (edit) SIGNED: Terence Donovan Fashion special edition, Limited edition number 22 of 30 copies with a silver gelatin print on Ilford Galerie fibre-based paper in an archival mount, With the limitation certificate signed and numbered by Diana Donovan. Art Books, 2012. Original red boards and dust jacket in the original clamshell box and original packaging. FINEProvenance: The David and Pam McCleave Collection of Modern British Art.
â–² Peter Rand (b.1940) 'The Caretaker Group', 1963archival pigment print, printed later, signed, inscribed and dated 'VOGUE 7/1/63.PETER/RAND', also inscribed 'P.P' and 'ON THE FILM SET OF THE CARETAKER'image 40 x 26.5cmThe photograph captures Harold Pinter, Sir Alan Arthur Bates, Donald Pleasence and Robert Shaw on the set of 'The Caretaker'.Provenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportFramed: 64 x 49cmAppears to be in good condition. Well presented and ready to hang. Not viewed out of glazed frame.
â–² Sir Peter Blake RA (b.1932) 'The First Print Target?'screenprint in colours, 2008, signed 'Peter Blake' in pencil l.r. and numbered '21/75', published by CCA Galleries, with blind stampsheet 112 x 101cm, unframedProvenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportFaint dirty smudges to the edges of the sheet. There is a dirty mark to the centre of the top edge, please see images. The printed area appears to be in good condition.
[THE BEATLES] - Ringo Starr SIGNED: ANOTHER DAY IN THE LIFE GENESIS DELUXE EDITION Number 229 of 350, out of a total of 2000. Signed by Ringo and with a loosely enclosed limited edition photographic print also numbered 229 of 350, exclusive to this deluxe issue. Genesis, 2018, 1st. Edn. Original full black Italian leather with cover design by Shepard Fairey, spine lettered in gilt, all edges gilt. Housed in the original printed clamshell box and printed drawstring bag. With the original packing box. PLUS: Genesis promotion leaflet for this book, loosely inserted. FineProvenance: The David and Pam McCleave Collection of Modern British Art.
▲ Ruskin Spear RA (1911-1990) ‘Wish You Were Here’ screenprint in colours, signed 'Ruskin Spear' in pencil l.r., inscribed with title and numbered '104/140', with blind stampsheet 74 x 99cmProvenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportFramed: 86.5 x 110.5cmLight cockling. A little creasing to the top left corner. There are two raised areas to the right margin where it appears the print has been stuck down onto thick tape. A few tiny thunder bugs trapped behind the glazing. The colours are bright and the print is crisp. Not viewed out of glazed frame.
[PHOTOGRAPHY] - David Steen SIGNED: Heroes + Villains Foreword by Roger Moore. Genesis Publications, 2005, SIGNED LIMITED EDITION, DELUXE ISSUE, number 48 of 350 deluxe copies, out of a total of 1250. Signed by David Steen and Roger Moore, And with a photographic portrait of Rod Stewart signed by Steen, loosely inserted in an envelope. 4to. Original full silver leather boards, negative print inlaid to front cover, lettering to spine in yellow, all edges silver. With the printed acetate dust jacket. Housed in the publisher's acrylic box. All contained in the printed drawstring cloth bag. VG+Provenance: The David and Pam McCleave Collection of Modern British Art.
Bob Dylan (American, b.1941) 'Dad's Restaurant'giclée print in colours, 2012, signed 'Bob Dylan' in pencil l.r., numbered '125/295', printed by GTZ Fine Art Editions, New York on Hahnemühle 350gsm Museum Etching, from 'The Drawn Blank Series' published by Washington Green Fine Art in association with Black Buffalo Artworks, complete with Washington Green Fine Art certificate of authenticityimage 53 x 41cmCondition ReportFramed: 85 x 68cmAppears to be in good condition. Not viewed out of glazed frame.
â–² William Scott RA (1913-1989) 'Grapes'lithograph in colours, 197950 x 64cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase.Condition ReportUnsigned. Appears to be in good condition. A couple of light cresecent shaped handling creases are visible to the reverse however the front of the print does not appear to be affected.
â–² John Piper CH (1903-1992) 'Long Melford Church' (Levinson 336) lithograph in colours, 1982, signed 'John Piper' in pencil l.r., with Archive of Stanley Jones blind stampsheet 55.5 x 77.5cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase.Condition ReportMinor handling creases. Presents well overall and appears to be in otherwise good condition. The print is unnumbered.
â–² Ruskin Spear RA (1911-1990) 'A Thin Edge', 1989lithograph in colours, signed 'Ruskin Spear' in pencil l.r., inscribed with title and numbered '99/175', with blind stampsheet 45.5 x 106.5cmProvenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportFramed: 55 x 116cmThe print appears to be stuck down. A little cockling with some small thunderbugs trapped behind the glazing. The print is crisp and the colours are bright. Not viewed out of frame.
▲ Laurence Stephen Lowry RA (1887-1976) 'A Lancashire Village'a Ganymed Turnstile print on board, printed and published by Ganymed Press, London, signed and dated 'L. S. Lowry 1957' in pen l.l.38 x 52cmProvenance: The David and Pam McCleave Collection of Modern British Art.Harold Smith was married to Pam McCleave’s aunt. Lowry collected the rent from Harold’s mother, who lived in Salford. The print ‘A Lancashire Village’, was signed by Lowry in 1957 and given to Pam’s aunt and uncle.Condition ReportFramed: 47 x 61.5cmThe print has a yellow hue. A couple of white speckles of light surface dirt. The signature l.l. is original. The signature l.r. is printed.
R Melina (20th century) ‘S.S. Lusitania, The Greatest Crime of the Age!’ lithographic poster in colours, 1915, published by Italian Book Co., New York48.5 x 67.5cmProvenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportFramed: 59 x 78cmThe print has been cut down at the top. Discolouration and staining with rips and tears to the edges. Not viewed out of glazed frame.
Bruce Weber (American, b.1946) 'Surf Gang II, Rio'gelatin silver print, apparently signed, inscribed with title and numbered '4/5' versovisible 48 x 58cmCondition ReportFramed: 62 x 72.5cmThe work has slipped slightly in the frame and the top edge curls inwards a little. Cockling to the right edge. Two cresenct shaped creases to the face of the boy in the background on the left side. Not viewed out of glazed frame.
Lucinka Soucek (contemporary) 'The Tunnel'woodcut in colours, signed, inscribed with title, dated '2012' and numbered '4/12' on the mount sheet 89 x 96cmProvenance: With St Anne's Galleries;The David and Pam McCleave Collection of Modern British Art.Condition ReportFramed: 102 x 107.5cmLight cockling but appears to be in otherwise good order. The signature and inscription are below the print, not on the sheet itself. Not viewed out of glazed frame.
â–² Terry O'Neill (1938-2019) Raquel Welch on the set of 'Hannie Caulder', 1971gelatin silver print, printed later, signed 'Terry O'Neill' and numbered '12/50'image 56 x 37.8cm, unframedProvenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportOverall: 61 x 51cmA couple of small crescent shaped handling creases, however appears to be in otherwise good condition and presents well overall.
â–² Henry Moore OM CH FBA (1898-1986) Untitled, three reclining figureslithograph in colours, 1973, signed and dated 'Moore/73' in pencil l.r.sheet 57 x 47cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase. Condition ReportMinor handling creases. The printed area appears to be in good condition. The print is unnumbered.
â–² Stanley Jones MBE RE (1933-2023) 'Madron'lithograph in colours, 1970, signed 'Stanley Jones' in pencil l.r. sheet 65 x 50cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase. Condition ReportTime staining and light surface dirt to the margins. A little foxing starting to emerge in places. The print is unnumbered and is outside the main edition from the portfolio 'Europaeische Graphik VII' published by Galerie Wolfgang Ketterer.
â–² Dame Elisabeth Frink CH RA (1930-1993) 'Horse and Rider'lithograph in colours, 1970, signed 'Frink' in pencil l.r.sheet 58 x 78cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase. Condition ReportThe print is unnumbered. Minor handling creases. A little discolouration starting to emerge to the lower left edge. There is a faint indented vertical line 20cm in length before the horse's front legs, however this is only noticable on close inspection.
â–² Ruskin Spear RA (1911-1990) A pub scenelithograph in colourssheet 30.5 x 30cm, unframedProvenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportThe print has a 'Studio of Ruskin Spear' sticker stuck to centre of the bottom edge. There is a faint brown spot to the extreme bottom right corner. The printed area appears to be in good condition.
[The ROLLING STONES] - Ronnie Wood SIGNED: HOW CAN IT BE, A Rock & Roll Diary, 2 volumes. GENESIS DELUXE EDITION Number 230 of 350, out of a total of 1965. Signed by Ronnie Wood and dated 2015. Also includes a beautiful numbered hand-signed 8x6 giclée print, A 45rpm vinyl picture disc record and various memorabilia. One volume is bound in full leather (a little rubbed at edges), housed in a custom-made clamshell box with drawstring bag. The loose-leaf facsimile items include posters, nightclub tickets and rare photographs, and another volume still in shrink-wrap. All in the original packagingProvenance: The David and Pam McCleave Collection of Modern British Art.
â–² Patrick Lichfield (1939-2005) Jill Kennington with a Lotus Formula One racing car, September 1964gelatin silver print, printed laterimage 34.5 x 35cmProvenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportFramed: 53 x 53.5cmAppears to be in good condition. Well presented and ready to hang. Not viewed out of glazed frame.
â–² David Hockney OM CH RA (b.1937) 'Portrait of Felix Mann'lithograph, signed 'David Hockney' in pencil l.r.65.5 x 50.5cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase. Condition ReportThere are some faint scattered speckles of foxing starting to emerge in places. A small brown mark to the centre of the print, please refer to images. Light handling creases, however presents well overall.
â–² Colin Jones (1936-2021) The Who, 1966C-print, later printed, signed and dated '1966' l.l.image 51 x 34cm, unframedProvenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportSheet: 75 x 55cmLight handling creases. Under close inspection in raking light it is possible to see some superfical surface scratches, however presents well overall.
â–² Adrian Henri (1932-2000) 'The Entry of Christ into Liverpool in 1964'giclée print in colours, inscribed and dated 'II FOR AA 211/CM FOR AH' in pencil l.r., also inscribed with title and numbered '1/90'image 76 x 108cmProvenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportFramed: 102 x 132cmAppears to be in good condition. Well presented and ready to hang. Not viewed out of glazed frame.
Lucien Pissarro (French, 1863-1944) 'Gardeuse d'oies' woodcut, numbered and inscribed '26/30 del.sc.& imp', also inscribed with title sheet 20 x 18.5cm, together with two further woodcuts: Apple picking; 'Rye' the first numbered '16/20', both with artist's studio stamp sheet 20 x 20.5cm and 19.5 x 13.5cm respectively, all unframed (3) Provenance: The Estate of Stanley Jones MBE RE. There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase. Condition ReportA little time staining with some small dirty marks to the margins. The print of apple picking has a diagonal crease to the lower left corner. The printed areas appear to be in good condition.
â–² Steve Lewis (b.1944) David Bailey, c.1965archival pigment print, printed later, signed 'Steve Lewis', also signed by David Baileyimage 38 x 48cmSteve Lewis was a photographer for 'The Sun' newspaper from 1972-2006.Provenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportFramed: 44 x 54cmAppears to be in good condition. Not viewed out of glazed frame.
â–² Henry Moore OM CH FBA (1898-1986) 'Girl Doing Homework V' (Cramer 330)etching and aquatint, 1974, signed 'Moore' in pencil l.r., numbered '19/50'plate 12.5 x 14cmProvenance: With Lumley Cazalet Ltd., London;Lord and Lady Moser.Condition ReportFramed: 38.5 x 44cmA little time staining. Viewed out of the glazed frame there is a border of discolouration caused by the mount. The print has been hinge mounted with two small pieces of tape applied to the reverse of the top edge. Please see additional condition images.
â–² David Bailey (b.1938) 'Box of Pin-Ups', 1965thirty-six half-tone prints, with the biographical details of each sitter printed on the reverse of each print, printed by Weidenfeld & Nicolson, London, and contained in the original card box, signed to the reverseeach approximately 37 x 32cmProvenance: Sotheby's, New Bond Street, 'Made in Britain II', 13 September 2017, lot 175;The David and Pam McCleave Collection of Modern British Art.Literature: Martin Harrison, 'David Bailey: Archive One, 1957-1969', Thames & Hudson, London, 1999, ill. pp.157, 169, 175, 177, 179 and 181;David Bailey, 'Bailey's Stardust', National Portrait Gallery, London, 2014, ill. pp.191-197.Condition ReportThe prints appears to be in good condition overall. Light handling creases, only visible in raking light. The box has some discolouration with surface dirt, staining and abrasions to the reverse. The edges and corners of the box are worn with a tear to the upper left corner.
Jasper Johns (American, b.1930) Untitled - orange, green, purple stripesscreenprint in colours, from an edition of 300, printed by Simca Print Artists, published by Brooke Alexander Gallery Inc., New Yorkvisible 23.5 x 24cmCondition ReportFramed: 45 x 45cmAppears to be in good condition. Well presented and ready to hang. Not viewed out of glazed frame.
â–² Terry O'Neill (1938-2019) David Hemmings, 'Blow-up', 1966gelatin silver print, printed later, signed 'Terry O'Neill' and numbered '18/50'image 37 x 56cm, unframedProvenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportOverall: 51 x 61cmA couple of very minor handling creases. Appears to be in otherwise good condition.
â–² Bryan Organ (b.1935) 'Six British Jockeys', 1974a set of six lithographs of Geoff Lewis, Jimmy Lindley, Joe Mercer, Lester Piggott, Willie Carson and Tony Murray, each signed, dated and inscribed 'Proof', and also signed by the jockey, except the print of Lester Piggott which is inscribed 'For Stanley with my thanks for all your help/Bryan Organ 1974'each sheet 53 x 43cm, unframed (6)Provenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase. Condition ReportA couple of very light handling creases. All of the prints appear to be in otherwise good condition.
â–² Bridget Riley CH (b.1931) 'Two Blues'screenprint in colours, signed and dated 'Bridget Riley 03' in pencil l.r., inscribed with title and numbered '136/250'sheet 54.5 x 53cm, unframedCondition ReportMinor handling creases to the margin in the lower right corner. On extremely close inspection there is a minor indent to one of the white sections in the lower left corner, and a light superficial scratch to one of the pale blue sections lower centre which is visible under raking light. Please see additional condition images. Appears to be in otherwise good condition and presents well overall. The colours are bright and the print is crisp.
Ed Ruscha (American, b.1937) 'Time is Up', 1989lithograph, signed 'Ed Ruscha' and dated '89' in pencil, numbered '23/55'91 x 68cmCondition ReportNot viewed out of glazed frame. Print appears to be lightly stuck down. Some rippling where it has been stuck. No obvious major condition issues to image but potential to have had damp at the back. Dirt and dust to perspex on frame.
â–² John Piper CH (1903-1992) 'Llangloffan, Pembrokeshire: the Baptist Chapel' (Levinson 140)lithograph in colours, 1964, signed 'John Piper' in pencil l.r., with Archive of Stanley Jones blind stampsheet 59 x 81cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase. Condition ReportLight creasing to the unprinted areas. A little time staining starting to emerge to the extreme edges of the sheet. The printed area presents well. The print is unnumbered.
[THE BEATLES/PHOTOGRAPHY] - Curt Gunther SIGNED: MANIA DAYS: The Beatles 1964 US Tour. Genesis, 2000. DELUXE LIMITED EDITION, number 135 of 200 copies, SIGNED by Curt Gunther, and loosely enclosed a signed certificate by the publishers, stating it is #135 of 200 copies, and with a print of John Lennon. Full leather with all edges gilt and a pictorial slipcase. FineProvenance: The David and Pam McCleave Collection of Modern British Art.
â–² Carinthia West (b.1951) The Pink Floyd pig at Battersea Power Station, London, 1976 three gelatin silver prints, printed later, each signed 'Carinthia West' and individually numbered from an edition of 50 together with an unsigned contact sheet 51 x 40cm, unframed (4) Provenance: The David and Pam McCleave Collection of Modern British Art. Condition ReportThe print numbered 1/50 has a diagonal fold mark the the upper right corner. All four prints present well overall.
[THE BEATLES] - Ringo Starr SIGNED: PHOTOGRAPH GENESIS DELUXE EDITION Number 230 of 350, out of a total of 2500. Signed by Ringo and with, loosely inserted in an envelope, a limited edition photographic print also numbered 230 of 350, exclusive to this deluxe issue. Genesis Publications, 2013, Original full leather with all edges gilt, pictorial slipcase with the distressed look, and printed felt drawstring bag and original packaging. ALSO included an 8-page Genesis illustrated promotional booklet for this book. VG+Provenance: The David and Pam McCleave Collection of Modern British Art.
RELIGIOUS INTEREST. HUSENBETH, F.C Rev - A Victorian 'Vespers Book for the use of The Laity' second edition published in 1844 with a written inscription: Sarah Agnes Wilkinson, St Peters, Leamington, 1848' in blue ink to the inner. Bound and covered in red velvet with brass and red glass embellishment, brass clasps and decorative gold gilt page edge. Very good condition, slight wear and rub to the velvet on spine edges, slight amounts of foxing to leaves. Alongside a small framed and glazed ink painting of St Petersburg - translated loosely 'St Petersburg, St Isaacs Square 1992' signed with artists name, a wooden block transfer print and gold leaf portrait of Cardinal Cesare Baronio and a small painted porcelain icon of Christ signed 'Monica D' - the reverse has a written history of the piece reading 'Painted on porcelain by my Great Aunt Monica Drinkwater (sp) (Mother Agnes Austen (sp) probably at the convent in Neuilly, Paris' 'Re-framed by her Great-Niece, Pearl Harper, who was at school under her at the convent in Ealing 1964' and 'Given to me by Pearl Harper October 17th 1979, Paul Charasse' in good condition with no crazing or chips to be observed. (4)
(Local Interest) Five 19th century and later Bristol related prints and others, to include: 'Clifton, (With the Suspension Bridge), limited edition print after the lithograph by Newman & Co., published by Alexander Gallery 1973 with blindstamp numbered 29/600 in pencil below, frame dimensions: 58 x 68 cm; 'The North West Prospect of The City of Bristol', hand-coloured, 89 x 40 cm; together with three hand-coloured prints, all framed and glazed (5)
A group of fourteen decorative framed works, to include: Alverin Roger - watercolour market scene (1991), 75 x 54 cm; together with two black and white portrait photographs; two 19th century stipple engravings in circular gilt frames; four classical style prints; Two 19th century stipple engraved botanical studies, signed Veron in print; Two French chromolithographs 'Decoration Moderne par la Plante 2eme Serie' and a frame containing two cross stitch works of a cherub, largest frame: 88 x 73 cm (12)
Maritime/Naval Interest - Five engraved maps relating to Captain Cook and a print, to include: W. Byrne after John Webber - 'A View of Karakakooa in Owyhee' c.1784, 27 x 52 cm; John Harrison - 'A New Chart of the Sandwich Islands including O'Whyee', c.1784, 21 x 34 cm; John Cary - 'The World in three Sections...' 1781, 25 x 42 cm; Alex Hogg - 'Chart of the Society Isles discovered by Captain Cook', c.1700, 23 x 36 cm; Capt. James Cook 1st Voyage - 'River Thames and Mercury Bay in New Zealand', 28 x 45 cm; together with a limited edition print after Geoff Hunt of the 'Battle of St. Vincent signed and numbered in pencil 46/700 (6)
Loading...
![[PHOTOGRAPHY] - Diana Donovan (edit) SIGNED: Terence Donovan Fashion special edition, Limited edition number 22 of 30 copies](https://cdn.globalauctionplatform.com/1a823899-2f59-4b09-b5a1-b1ca009998f4/92eeff29-43b0-4147-8750-b1fb00f40774/468x382.jpg)
![[THE BEATLES] - Ringo Starr SIGNED: ANOTHER DAY IN THE LIFE GENESIS DELUXE EDITION Number 229 of 350, out of a total of 2000.](https://cdn.globalauctionplatform.com/1a823899-2f59-4b09-b5a1-b1ca009998f4/b2c73bfc-60b3-4585-bd11-b1fb00f3bf80/468x382.jpg)
![[PHOTOGRAPHY] - David Steen SIGNED: Heroes + Villains Foreword by Roger Moore. Genesis Publications, 2005, SIGNED LIMITED EDI](https://cdn.globalauctionplatform.com/1a823899-2f59-4b09-b5a1-b1ca009998f4/902419e6-dc93-4007-807b-b1fb00f31c15/468x382.jpg)
![[The ROLLING STONES] - Ronnie Wood SIGNED: HOW CAN IT BE, A Rock & Roll Diary, 2 volumes. GENESIS DELUXE EDITION Number 2](https://cdn.globalauctionplatform.com/1a823899-2f59-4b09-b5a1-b1ca009998f4/60bd0b5f-f60b-4458-aa4b-b1fb00f3cb13/468x382.jpg)
![[THE BEATLES/PHOTOGRAPHY] - Curt Gunther SIGNED: MANIA DAYS: The Beatles 1964 US Tour. Genesis, 2000. DELUXE LIMITED EDITION,](https://cdn.globalauctionplatform.com/1a823899-2f59-4b09-b5a1-b1ca009998f4/6395ecd2-35bd-47bc-9d0b-b1fb00f36d6f/468x382.jpg)
![[THE BEATLES] - Ringo Starr SIGNED: PHOTOGRAPH GENESIS DELUXE EDITION Number 230 of 350, out of a total of 2500. Signed by Ri](https://cdn.globalauctionplatform.com/1a823899-2f59-4b09-b5a1-b1ca009998f4/c2391a93-4d1e-4e94-bf26-b1fb00f2cc7e/468x382.jpg)
