Three cartes de visite, 19th century, depicting Lord Palmerston, General Sir William Jervois GCMG CB FRS (Governor of New Zealand 1883 to 1889) and General Lord Seaton (Governor General of British North America from 1837 to 1838 and Commander-in-Chief of North America from 1838 to 1839), with a letter dated 24 July 1839 signed G. Anson, a letter and acceptance card each signed D L Evans (probably Sir De Lacy Evans, a celebrated soldier of the Crimea), a print of General Lord Hill at Waterloo and a Boys Brigade photograph album dated 1902 (7)
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After Sir William Russell Flint R.A. (1880-1969), Print on paper, 'The Mauve Frock', Inscribed 'By permission of Sir Wm. Russell Flint R.A.' lower left, published by Adam Collection Ltd 1970, blind stamp under mount, 28cm x 18cm, Framed and glazed, With a matching William Russell Flint print, 'The Pink Frock', Inscribed 'By permission of Sir Wm. Russell Flint R.A.' upper right, published by Adam Collection Ltd 1970, blind stamp under mount, 28cm x 18cm, Framed and glazed (2)
Laurence Stephen Lowry RBA RA (1887-1976), Signed limited edition artist's proof on paper, 'The Reference Library Manchester', Signed in pencil lower right margin, blind stamp lower left margin, Unicorn Gallery label verso, 27cm x 36.5cm, Framed and glazed, Provenance: Supplied with a certificate of authenticity from The Unicorn Gallery stating that the print is from "An elite limited edition of 850 proofs signed by the artist" For condition information please view this lot on our website HEREThis lot may be subject to ARR, Artists Resale Rights, percentage on the hammer price. Please see our terms and conditions or click here for further information.
Laurence Stephen Lowry RBA RA (1887-1976), Signed limited edition print on paper, 'Great Ancoats Street', Signed in pencil lower right margin, blind stamp and numbered '433/850' lower left margin, Unicorn Gallery label verso, 29cm x 38.5cm, Framed and glazed For condition information please view this lot on our website HEREThis lot may be subject to ARR, Artists Resale Rights, percentage on the hammer price. Please see our terms and conditions or click here for further information.
Stanley Horton Ormerod (1918-1983), Four limited edition woodcut prints on paper, 'Tropical House, Chester Zoo' (49/50), 'Fallow Deer' (7/50), 'Sparrow Hawk' (1/50), and 'Little Owl' (8/50), Each signed, numbered and titled to lower margin, The largest 16.5cm x 12.5cm, All framed and glazed, With a further limited edition print on paper by the same artist, 'Aztec Doodle', Signed, titled and numbered '5/25' to lower margin, 18.5cm x 13cm, Framed and glazed (5)
A. D. Bell (possibly pseudonymous for Wilfred Knox, 1884-1966), Oil on board, Still life with chinoiserie teapot and roses, Signed lower left, the painting mounted verso in frame behind print of 'Platycercus Icterotis' parrots, label to frame back panel giving brief (possibly fictional) biographical details of A.D. Bell, 30.5cm x 36cm, Framed and glazed (at fault)
Artist: Edgar Degas (French, 1834 - 1917). Title: "Chanteuse du café-concert". Medium: Original color gravure with pochoir, after the monotype. Date: Composed c1875-1876. Printed 1948. Dimensions: Overall size: 10 11/16 x 9 in. (271 x 229 mm).Lot Note(s): Signed in the plate, upper right; numbered in pencil, lower left; handstamps verso. Edition of 500. Cream wove Marais "vellum" paper. Wide margins. Fine impression with delicately applied pochoir. Fine condition, very crisp, with a pronounced platemark and the expected light tanning to the sheet. Provenance: Ex-collection Marty Gordon (the legendary print dealer), Martin Gordon, Inc., New York City, his handstamp verso. Comment(s): Degas created a considerable body of monotypes in the late 19th century. A number of them were reduced in size and recreated as original works in 1938 and again in 1948, of which our example is part. The verso bears the handstamp of Edgar Achille Gaston DeGas-Musson (1875-1953), the son of Estelle Angelina Musson DeGas and Jean Baptiste Rene DeGas (the brother of Edgar Degas). [29328-2-600]
Artist: Robert Frank (Swiss/American, b.1924). Title: "Charleston, South Carolina". Medium: Original photogravure. Date: Composed 1955. Printed 1969. Dimensions: Overall size: 5 3/8 x 7 9/16 in. (137 x 192 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition. Comment(s): According to “Gordon’s Photography Prices” the auction record for a silver print of this image is $497,000 realized at Sotheby's, New York, 12/11/2014, lot #39. Image copyright © Robert Frank. [29717-1-600]
Artist: Edward S. Curtis (American, 1868 - 1952). Title: "Chief Joseph, Nez Perce [with headdress]". Medium: Original photogravure. Date: Composed 1903. Printed later. Dimensions: Overall size: 12 x 8 7/8 in. (305 x 225 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Ample margins. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): According to “Gordon’s Photography Prices” the auction record for a silver print of this image is $169,000 realized at Sotheby's, New York, 4/7/2008, lot #9. Edward Sheriff Curtis was an American photographer and ethnologist whose work focused on the American West and on Native American peoples. N.B. This is an original photogravure published later than and separately from ‘The North American Indian’ portfolio and Curtis’s editioned works. [29776-2-800]
Artist: Ansel Adams (American, 1902-1984). Title: "Clearing Winter Storm, Yosemite National Park, Calformia". Medium: Original photogravure. Date: Composed 1944. Printed later. Dimensions: Overall size: 5 7/8 x 7 3/16 in. (149 x 183 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Narrow margins. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): One of Adams’s most popular images, the silver print regularly selling at auction for over $40,000. Image copyright © The Ansel Adams Publishing Rights Trust. [29589-1-1000]
Artist: Karima Muyaes (Mexican, b.1960). Title: "Criaturas". Medium: Color stencil monoprint. Date: Composed 1984. Dimensions: Overall size: 16 x 23 5/8 in. (406 x 600 mm). Image size: 16 x 23 5/8 in. (406 x 600 mm).Lot Note(s): Signed and dated lower right. Print #1 of 1. Cream-colored, handmade, Mexican amate (bark) paper. Printed to the edge of the sheet. Fine impression. Very good condition. Provenance: Private collection, Sebastapol, California. A Letter of Authenticity (LOA) from the Artist accompanies this lot. Comment(s): A listed artist, Karima Muyaes is currently one of the most innovative and talented international painters/printmakers. A major monograph on her work authored by Avelina Lesper, the foremost contemporary Mexican art critic, will be published early in 2021. Muyaes’s work has sold at Sotheby's (New York City), Swann Auction Galleries (New York City), Martin Gordon Auctions (Phoenix), Louis C. Morton (Mexico City), and Casa de Subastas Odalys (Madrid/Caracas), among others. In April of 2013 and again in 2018 she was chosen by the prestigious Mexican newspaper "Milenio" as one of the top 34 currently active Mexican artists and featured in a series of newspaper articles and TV appearances. Muyaes has an extensive worldwide exhibition history which includes a show that travelled throughout Sweden for two years, 2010-2012. Image copyright © Karima Muyaes. [26204-0-450]
Artist: Roy Lichtenstein (American, 1923-1997). Title: "Crying Girl [print]". Medium: Original color offset lithograph. Date: Composed 1963. Dimensions: Overall size: 18 x 24 in. (457 x 610 mm). Image size: 17 1/4 x 23 1/4 in. (438 x 591 mm).Lot Note(s): Signed in pencil, lower right margin. Edition unknown, presumed small. Off-white, lightweight wove paper. The full sheet, with margins as issued. Fine impression with fresh colors. Good to very good condition; no stains, foxing, holes, nor creasing in the image; a few touched up surface scuffs lower left, visible mainly in the raking light; a few very minor handling dimples, visible only from the verso; else very good to fine. Literature/catalogue raisonne: Corlett II.1; Doering/Von der Osten 4; Bianchini (1971), cat. no. 4; Zerner (1975), cat. no. 6. Comment(s): According to ‘Gordon’s Art Reference’ the auction record for other impressions of this print is $87,500, both at Christie's, New York, 10/29/2013, lot #310, and Sotheby's, New York, 5/2/2013, lot #286 and again on 10/30/2014, lot #293. A more recent sale is $75,000 at Christie’s New York, 4/19/2017, lot #113. As Corlett states, "This print/mailer was published to announce Lichtenstein's exhibition at Leo Castelli Gallery, September 28-October 24, 1963, not in a numbered edition. The portion of the press run with the Castelli return address and exhibition information printed on the back was folded into quarters and mailed, while others without any printing on the back, usually signed by the artist, were sold or given away at Castelli Gallery during the exhibition." Lichtenstein created a total of seven prints for his three solo Castelli exhibitions from 1963 to 1965. Only two of the seven motifs ('Crak!' and 'Brushstroke') were printed in the usual manner as posters with the text announcing the exhibition on the front. Printed by Colorcraft, New York. Published by Leo Castelli Gallery, New York. Image copyright © Estate of Roy Lichtenstein. [26910-5-24000]
Artist: Manuel Alvarez Bravo (Mexican, 1902 - 2002). Title: "El Soñador". Medium: Original photogravure. Date: Composed 1931. Printed later. Dimensions: Overall size: 7 1/8 x 8 3/8 in. (181 x 213 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Wide margins. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collection, San Miguel de Allende, Guanajuato, Mexico. Comment(s): According to “Gordon’s Photography Prices” the auction record for a silver print of this very scarce image is $84,000 realized at Sotheby's, New York, 4/26/2007, lot #20. Image copyright © Colette Urbajtel / Archivo Manuel Alvarez Bravo, SC. [29770-2-600]
Artist: Agustin Victor Casasola (Mexican, 1874 - 1938). Title: "Emiliano Zapata Tomo Cuernavaca [full view - horizontal] [Mexico]". Medium: Gelatin silver print. Date: Composed c1914. Printed later from the original negative. Dimensions: Overall size: 8 x 10 in. (203 x 254 mm).Lot Note(s): Casasola Studios embossed blindstamp seal, lower right. Thick Foma Bohemia photographic paper. Fine, quality printing. Fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collection, Mexico City. Comment(s): The Casasola Archive was acquired from the heirs of Augustin Victor Casasola by the Mexican government in 1976. No photographs from the Archive have been printed for public distribution since then. [23145-2-300]
Artist: Agustin Victor Casasola (Mexican, 1874 - 1938). Title: "Emiliano Zapata, Retrato Rostro [Mexico]". Medium: Gelatin silver print. Date: Composed c1910. Printed later from the original negative. Dimensions: Overall size: 14 x 11 in. (356 x 279 mm).Lot Note(s): Casasola Studios embossed blindstamp seal, lower right. Thick Foma Bohemia photographic paper. Fine, quality printing. Fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collection, Mexico City. Comment(s): This riveting image was included in the exhibition "The Mexican Revolution and Beyond: From the Casasola Archives, 1900-1940" at El Museo del Barrio, 1230 Fifth Avenue at 104th Street, New York City, 2005. The Casasola Archive was acquired from the heirs of Agustin Victor Casasola by the Mexican government in 1976. No photographs from the Archive have been printed for public distribution since then. [23179-3-400]
Artist: Edgar Degas (French, 1834 - 1917). Title: "Femme sortant du bain". Medium: Original duogravure, after the monotype. Date: Composed c1877-1880. Printed 1948. Dimensions: Overall size: 11 3/8 x 9 in. (289 x 229 mm).Lot Note(s): Signed in the plate, lower right; numbered in pencil, lower left; handstamps verso. Edition of 500. Cream wove watermarked Marais "vellum" paper. Wide margins. Fine impression. Very good condition, very crisp, a pronounced platemark, the expected light tanning to the sheet, and occasional areas of minor red print-through. Provenance: Ex-collection Marty Gordon (the legendary print dealer), Martin Gordon, Inc., New York City, his handstamp verso. Comment(s): Degas created a considerable body of monotypes in the late 19th century. A number of them were reduced in size and recreated as original works in 1938 and again in 1948, of which our example is part. The verso bears the handstamp of Edgar Achille Gaston DeGas-Musson (1875-1953), the son of Estelle Angelina Musson DeGas and Jean Baptiste Rene DeGas (the brother of Edgar Degas). [29336-2-400]
Artist: Agustin Victor Casasola (Mexican, 1874 - 1938). Title: "Francisco "Pancho" Villa en la Silla Presidencial [Mexico]". Medium: Gelatin silver print. Date: Composed 1914. Printed later from the original negative. Dimensions: Image size: 11 x 14 in. (279 x 356 mm).Lot Note(s): Titled, signed and annotated "No. 6" in the negative. Casasola Studios embossed blindstamp seal, lower right. Thick Foma Bohemia photographic paper. Fine, quality printing. Very good to fine condition. Provenance: Private collection, Mexico City. Comment(s): A classic and famous image. Rodolfo Fierro (far right), stands by as Pancho Villa (in the Presidential chair) chats with Emiliano Zapata at Mexico City. Tómas Urbina is seated at far left, Otilio Montaño (with his head bandaged) is seated to the far right. The Casasola Archive was acquired from the heirs of Agustin Victor Casasola by the Mexican government in 1976. No photographs from the Archive have been printed for public distribution since then. [23131-3-400]
Artist: Agustin Victor Casasola (Mexican, 1874 - 1938). Title: "Francisco "Pancho" Villa en la Toma de Torreon - Cortada - Villa Solo - [Mexico] [vertical]". Medium: Gelatin silver print. Date: Composed 1914. Printed later from the original negative. Dimensions: Image size: 10 x 8 in. (254 x 203 mm).Lot Note(s): Casasola Studios embossed blindstamp seal, lower right. Thick Foma Bohemia photographic paper. Fine, quality printing. Very good to fine condition. Provenance: Private collection, Mexico City. Comment(s): A classic and famous image. The Casasola Archive was acquired from the heirs of Agustin Victor Casasola by the Mexican government in 1976. No photographs from the Archive have been printed for public distribution since then. [23140-2-400]
Artist: Agustin Victor Casasola (Mexican, 1874 - 1938). Title: "Francisco "Pancho" Villa y los Dorados [Mexican Revolution]". Medium: Gelatin silver print. Date: Composed c1912. Printed later from the original negative. Dimensions: Image size: 8 x 10 in. (203 x 254 mm).Lot Note(s): Casasola Studios embossed blindstamp seal, lower right. Thick Foma Bohemia photographic paper. Fine quality printing. Very fine condition. Provenance: Private collection, Mexico City. Comment(s): The Casasola Archive was acquired from the heirs of Augustin Victor Casasola by the Mexican government in 1976. No photographs from the Archive have been printed for public distribution since then. [23164-3-400]
Artist: Andy Warhol (American, 1928 - 1987). Title: "Grevy's Zebra". Medium: Original color analogue photograph. Date: Composed 1983. Dimensions: Overall size: 4 x 6 in. (102 x 152 mm).Lot Note(s): Signed in black marker. Printed on Kodak photographic paper. The full sheet. Fine, quality printing. Fine condition. Literature/catalogue raisonne: cf. Feldman/Schellmann II.300. Provenance: Private collection, Sweden, thence to our consignor. Comment(s): This photograph was taken by Warhol (probably with his Konica C35 EF) in Rupert Jasen Smith’s studio before the ‘Grevy's Zebra’ print had been signed by the artist. Once it was developed, this photo (and the print) were then signed by Warhol. An image from the ‘Endangered Species’ series. The regular edition silkscreens were printed by Rupert Jasen Smith, New York City and published by Ronald Feldman Fine Arts, Inc., New York City. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [29255-1-1600]
Artist: Henri Matisse (French, 1869 - 1954). Title: "Apollon". Medium: Original color lithograph. Date: Composed 1953/1954. Dimensions: Overall size: 14 1/4 x 20 11/16 in. (362 x 525 mm). Image size: 13 5/16 x 17 3/8 in. (338 x 441 mm).Lot Note(s): Signed and dated in the plate, lower left. Smooth pale cream wove paper. Full sheet, as printed. Fine impression. Completely fresh colors. Very good to fine condition; centerfold as issued. Comment(s): According to ‘Gordon’s Art Reference’ the auction record for another impression of this print is €3,248 ($4,403) at Artcurial, Paris, December 4, 2013, lot #130. Lithographic plates effaced after the edition was printed. Derived from the cut-paper original maquette by Matisse. Created and editioned at the Mourlot Studio, Paris, 1954, under the supervision of Matisse. Issued by Teriade, Paris, 1958. Image copyright © Succession H. Matisse, Paris /Artists Rights Society (ARS), New York. [10170-4-800]
Artist: Andy Warhol (American, 1928 - 1987). Title: "Ingrid Bergman: Herself (01)". Medium: Color offset lithograph. Date: Composed 1983. Dimensions: Overall size: 8 1/4 x 8 1/4 in. (210 x 210 mm). Image size: 7 15/16 x 7 15/16 in. (202 x 202 mm).Lot Note(s): Signed in black felt tip pen, lower center; signed in the plate. Edition unknown, presumed very small. Light cream wove paper. The full sheet. Fine impression. Fine condition. Literature/catalogue raisonne: cf. Feldman/Schellmann II.313. Comment(s): Scarce, and rare signed. A signed impression from this series sold for $1,790 at Pierre Cornette de Saint Cyr, Paris, June 20, 2011, lot #412. Issued for the December 3, 1983, opening night exhibition of "Andy Warhol: Portraits of Ingrid Bergman" at Galerie Borjeson, Malmo, Sweden. The portfolio consists of three separate images of Bergman. Apparently there were very small quantities of this lithograph printed for distribution on opening night and they went quickly. This image, the "edition print," is based on an early publicity photograph. Published by Galerie Borjeson AB, Malmo. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28155-2-800]
Artist: Andy Warhol (American, 1928 - 1987). Title: "Ingrid Bergman: With Hat (01)". Medium: Color offset lithograph. Date: Composed 1983. Dimensions: Overall size: 8 1/4 x 8 1/4 in. (210 x 210 mm). Image size: 7 15/16 x 7 15/16 in. (202 x 202 mm).Lot Note(s): Signed in black felt tip pen, center right; signed in the plate. Edition unknown, presumed very small. Light cream wove paper. The full sheet. Fine impression. Fine condition. Literature/catalogue raisonne: cf. Feldman/Schellmann II.315. Comment(s): Scarce, and rare signed. A signed impression from this series sold for $1,248 at Pierre Cornette de Saint Cyr, Paris, June 25, 2012, lot #420. Issued for the December 3, 1983, opening night exhibition of "Andy Warhol: Portraits of Ingrid Bergman" at Galerie Borjeson, Malmo, Sweden. The portfolio consists of three separate images of Bergman. Apparently there were very small quantities of this lithograph printed for distribution on opening night and they went quickly. This image, the "edition print," is based on a movie still from "Casablanca." Published by Galerie Borjeson AB, Malmo. Image copyright © 2001 Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28159-2-800]
Artist: Edouard Vuillard (French, 1868 - 1940). Title: "Interieur au Canape ou soir". Medium: Etching. Date: Composed c1930. Printed later. Dimensions: Overall size: 10 1/2 x 11 7/8 in. (267 x 302 mm).Lot Note(s): Signed with the initials in the plate, lower left. Edition unknown, presumed small. Cream laid paper. Very wide margins. Fine impression. Fine condition. Literature/catalogue raisonne: RM62. Comment(s): According to 'Gordon's Art Reference' the auction record for this print is $2,003 (Hotel Drouot, Paris, 1995). Image copyright © Artists Rights Society (ARS), New York. [25688-2-400]
Artist: Henri Matisse (French, 1869 - 1954). Title: "La gerbe". Medium: Original color lithograph. Date: Composed 1953/1954. Dimensions: Overall size: 14 x 20 7/8 in. (356 x 530 mm). Image size: 13 1/16 x 15 9/16 in. (332 x 395 mm).Lot Note(s): Signed with the initials and dated in the plate, lower right. Smooth pale cream wove paper. Full sheet, as printed. Fine impression. Completely fresh colors. Very good to fine condition; with the centerfold, as issued. Comment(s): According to ‘Gordon’s Art Reference’ the auction record for another impression of this print is €2,598 ($3,522) at Artcurial, Paris, December 4, 2013, lot #129. Lithographic plates effaced after the edition was printed. Derived from the cut-paper original maquette by Matisse. Created and editioned at the Mourlot Studio, Paris, 1954, under the supervision of Matisse. Issued by Teriade, Paris, 1958. Image copyright © Succession H. Matisse, Paris /Artists Rights Society (ARS), New York. [10171-4-800]
Artist: Pierre Bonnard (French, 1867 - 1947). Title: "Le Parc Monceau". Medium: Original etching. Date: Composed 1937. Printed later. Dimensions: Overall size: 17 7/8 x 13 in. (454 x 330 mm). Image size: 13 1/4 x 10 1/8 in. (337 x 257 mm).Lot Note(s): Signed in the plate, lower left. Edition of 500. Cream laid paper. Very wide (full?) margins. Fine impression. Very good condition; would be fine condition but for a crease in upper right and left margin, well away from image, would be matted out when framed. Literature/catalogue raisonne: Francis Bouvet, “Bonnard: The Complete Graphic Work” #114. Comment(s): This print is sometimes erroneously called “Jardin public” or “Les Champs-Elysees.” Image copyright © Artists Rights Society (ARS), New York. [25685-3-300]
Artist: Edward Weston (American, 1886 - 1958). Title: "Lettuce Ranch, Salinas, California". Medium: Original vintage photogravure. Date: Composed 1934. Printed 1935. Dimensions: Image size: 8 x 10 1/16 in. (203 x 256 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Rare. According to “Gordon’s Photography Prices” the auction record for a silver print of this image is $30,000 offered at Christie's, New York, 4/7/2011, lot #304. Image copyright © Center for Creative Photography, Arizona Board of Regents. [27632-2-150]
Artist: Andy Warhol (American, 1928 - 1987). Title: "Marilyn Diptych [poster]". Medium: Color offset lithograph. Date: Printed c1970-1985. Dimensions: Overall size: 22 1/2 x 28 1/2 in. (571 x 724 mm). Image size: 16 5/8 x 25 7/8 in. (422 x 657 mm).Lot Note(s): Signed in black marker, center right. Edition unknown. Light cream wove paper. The full sheet. Very good impression. Good condition; studio stamp, verso. Comment(s): Scarce, and rare signed. A lifetime printing by Shorewood Publishers. This image was also printed by Shorewood after Warhol's death. To the best of our knowledge, the print run of our example with the text reading "Andy Warhol (American 1930-) [sic]" is the only lifetime printing as a poster of this image. Undoubtedly to be included in the forthcoming catalogue raisonne of Warhol's non-commissioned posters by Paul Marechal. The painting was completed during the weeks after Monroe's death in August 1962. Sometimes referred to as "Marilyn x 50" it contains fifty images of the actress, which are all based on a single publicity photograph from the film 'Niagara' (1953). The twenty-five pictures on the left side of the diptych are brightly colored, while the twenty-five on the right are in black and white. It has been suggested that the relation between the left side of the canvas and the right side of the canvas is evocative of the relation between the celebrity's life and death. The painting is currently owned by the Tate. In a December 2, 2004 article in 'The Guardian', the painting was named the third most influential work of modern art in a survey of 500 artists, critics, and others. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28345-5-1600]
Artist: Pablo Picasso [d'apres] (Spanish, 1881 - 1973). Title: "May 16, 1964 #3 [from the suite 'Le Gout du Bonheur,' image dated 16-5-64 III, untitled as issued]". Medium: Original color silkscreen & lithograph. Date: Composed 1964. Printed 1970. Dimensions: Overall size: 12 7/8 x 9 13/16 in. (327 x 249 mm).Lot Note(s): Signed in pencil, lower right; annotated in pencil (presumably in the artist's hand) lower left; dated in the plate, upper right. An artist’s proof (E.A. - epreuve d’artiste) aside from the edition of 666. Cream wove handmade rag Velin d' Arches paper, deckle edges three sides. Full margins, as issued. Fine impression. Fine, fresh condition, as issued, with rich, vibrant colors. Literature/catalogue raisonne: Goeppert/Cramer (GC/CR/CBK/CB/C) 148; Bloch (BB) 150. Provenance: the Estate of Guenther Dietz (German, 1919-1995), who printed the edition. Comment(s): Although this work is often catalogued as a lithograph, or silkscreen, or pochoir, or photo-lithograph, in reality it is none of these. By 1964 Guenther Dietz, the printer, had created a unique fine printing system which involved the use of both lithographic plates and serigraphic screens. He and master printers from his company (Guenther Dietz Offizin Handpresse GmbH, Munich & Lengmoos, Germany) printed this work under the direct supervision and participation of Picasso himself. Dietz used grease crayon, lithographic tusche, lead pencil, and charcoal, among others, to create the matrixes and receive Picasso’s approval to print the edition (Cramer, ‘Livres’ 148). The plates and screens were destroyed after printing. Published by Harry N. Abrams, Inc., New York. Image copyright © Artists Rights Society (ARS), New York. [30020-2-1600]
Artist: Pablo Picasso [d'apres] (Spanish, 1881 - 1973). Title: "May 20, 1964 #07 [from the suite 'Le Gout du Bonheur,' image dated 20-5-64 VII, untitled as issued]". Medium: Original color silkscreen & lithograph. Date: Composed 1964. Printed 1970. Dimensions: Overall size: 12 7/8 x 9 3/4 in. (327 x 248 mm).Lot Note(s): Signed in pencil, lower right; annotated in pencil (presumably in the artist's hand) lower left; dated in the plate, upper right. An artist’s proof (E.A. - epreuve d’artiste) aside from the edition of 666. Cream wove handmade rag Velin d' Arches paper, deckle edges three sides. Full margins, as issued. Fine impression. Fine, fresh condition, as issued, with rich, vibrant colors. Literature/catalogue raisonne: Goeppert/Cramer (GC/CR/CBK/CB/C) 148; Bloch (BB) 150. Provenance: the Estate of Guenther Dietz (German, 1919-1995), who printed the edition. Comment(s): An unsigned impression of this print was offered at $1,400 by 1stdibs, New York, New York, as of April 6, 2020. Although this work is often catalogued as a lithograph, or silkscreen, or pochoir, or photo-lithograph, in reality it is none of these. By 1964 Guenther Dietz, the printer, had created a unique fine printing system which involved the use of both lithographic plates and serigraphic screens. He and master printers from his company (Guenther Dietz Offizin Handpresse GmbH, Munich & Lengmoos, Germany) printed this work under the direct supervision and participation of Picasso himself. Dietz used grease crayon, lithographic tusche, lead pencil, and charcoal, among others, to create the matrixes and receive Picasso’s approval to print the edition (Cramer, ‘Livres’ 148). The plates and screens were destroyed after printing. Published by Harry N. Abrams, Inc., New York. Image copyright © Artists Rights Society (ARS), New York. [30031-2-1600]
Artist: Keith Haring (American, 1958 - 1990). Title: "Naples Suite #06 [untitled]". Medium: Lithograph. Date: Composed 1983. Printed 1989. Dimensions: Overall size: 12 5/8 x 9 5/16 in. (321 x 237 mm).Lot Note(s): Signed by Haring in silver marker; signed, dated, and titled in the plate. A proof (?) from the edition. Light cream smooth wove paper. The full sheet. Fine impression. Very good to fine condition; slight edge toning; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Scarce. No auction records of a signed impression located. A print from the group of 30 lithographs published on the occasion of the exhibition “Keith Haring 1983” which ran from January 15th to January 30th, 1990 in Paris at La Galerie de Poche/Galerie 1900-2000. This was the last Haring exhibition held in his lifetime. He signed this print shortly before his death on February 16, 1990. Image copyright © The Keith Haring Foundation. [29735-2-800]
Artist: Keith Haring (American, 1958 - 1990). Title: "Naples Suite #08 [untitled]". Medium: Lithograph. Date: Composed 1983. Printed 1989. Dimensions: Overall size: 12 5/8 x 9 5/16 in. (321 x 237 mm).Lot Note(s): Signed by Haring in silver marker; signed, dated, and titled in the plate. A proof (?) from the edition. Light cream smooth wove paper. The full sheet. Fine impression. Very good to fine condition; slight edge toning; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Scarce. No auction records of a signed impression located. A print from the group of 30 lithographs published on the occasion of the exhibition “Keith Haring 1983” which ran from January 15th to January 30th, 1990 in Paris at La Galerie de Poche/Galerie 1900-2000. This was the last Haring exhibition held in his lifetime. He signed this print shortly before his death on February 16, 1990. Image copyright © The Keith Haring Foundation. [29737-2-800]
Artist: Keith Haring (American, 1958 - 1990). Title: "Naples Suite #13 [untitled]". Medium: Lithograph. Date: Composed 1983. Printed 1989. Dimensions: Overall size: 12 5/8 x 9 5/16 in. (321 x 237 mm).Lot Note(s): Signed by Haring in silver marker; signed, dated, and titled in the plate. A proof (?) from the edition. Light cream smooth wove paper. The full sheet. Fine impression. Very good to fine condition; slight edge toning; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Scarce. No auction records of a signed impression located. A print from the group of 30 lithographs published on the occasion of the exhibition “Keith Haring 1983” which ran from January 15th to January 30th, 1990 in Paris at La Galerie de Poche/Galerie 1900-2000. This was the last Haring exhibition held in his lifetime. He signed this print shortly before his death on February 16, 1990. Image copyright © The Keith Haring Foundation. [29742-2-800]
Artist: Keith Haring (American, 1958 - 1990). Title: "Naples Suite #15 [untitled]". Medium: Lithograph. Date: Composed 1983. Printed 1989. Dimensions: Overall size: 12 5/8 x 9 5/16 in. (321 x 237 mm).Lot Note(s): Signed by Haring in silver marker; signed, dated, and titled in the plate. A proof (?) from the edition. Light cream smooth wove paper. The full sheet. Fine impression. Very good to fine condition; slight edge toning; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Scarce. No auction records of a signed impression located. A print from the group of 30 lithographs published on the occasion of the exhibition “Keith Haring 1983” which ran from January 15th to January 30th, 1990 in Paris at La Galerie de Poche/Galerie 1900-2000. This was the last Haring exhibition held in his lifetime. He signed this print shortly before his death on February 16, 1990. Image copyright © The Keith Haring Foundation. [29744-2-800]
Artist: Man Ray (American, 1890 - 1976). Title: "Noire et Blanche (Noir et Blanc) [Kiki de Montparnasse]". Medium: Original vintage photogravure. Date: Composed 1926. Printed 1934. Dimensions: Image size: 6 7/16 x 8 5/8 in. (164 x 219 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/boardt. Comment(s): Perhaps Man Ray's most famous image. The silver print has sold as high as $405,702 (Phillips, New York, 2002). See: www.manraytrust.com, pg.15. Image copyright © ADAGP/Man Ray Trust - Artists Rights Society (ARS), New York / ADAGP, Paris. [783-1-2400]
Artist: Shiko Munakata (Japanese, 1903-1975). Title: "Nude Female". Medium: Woodcut with watercolor handcoloring. Date: Composed 1934. Dimensions: Overall size: 7 13/16 x 5 5/8 in. (198 x 143 mm). Image size: 6 x 4 3/4 in. (152 x 121 mm).Lot Note(s): Pencil seal in the artist's hand, lower right. Edition unknown, presumed small. Thin cream wove paper. Wide margins. Fine impression. Very good condition. Provenance: Through a relative of the artist, Aomori, Japan; Private collection, Houston, Texas. Comment(s): Extremely rare, especially with the handcoloring, and a splendid example of Munakata's very early work. We could not find any auction records of a Munakata print created before 1935. In 1926, Munakata saw Kawakami Sumio's black-and-white woodcut "Early Summer Breeze," and decided to work on black-and-white prints. From 1928 onwards, Hiratsuka Unichi (1895–1997), another renowned sosaku hanga printmaker, taught Munakata wood carving. In 1929, four of his prints were accepted by the Shunyokai Exhibition, which bolstered his confidence in the new medium. In the following year (1930), four more of his woodcuts were accepted for the Kokugakai national exhibition, thus establishing him in his career. Image copyright © The Estate of Shiko Munakata. [25226-1-2400]
Artist: Georges Braque (French, 1882 - 1963). Title: "Oiseau au chouchant". Medium: Original hand-colored gouache pochoir on collotype. Date: Composed 1956. Printed 1959. Dimensions: Overall size: 7 1/4 x 9 5/16 in. (184 x 237 mm).Lot Note(s): Signed in pencil with the initials, lower right; annotated "H.C." in pencil, lower left. From the edition of 60 Hors Commerce impressions. Cream wove watermarked Arches paper. Full margins as issued. Fine impression with vivid colors. Fine condition. Provenance: From the library of the London gallerist and bookseller Anton Zwemmer (1892–1979), a publisher of the work. Comment(s): Authorized by and printed under the supervision and participation of Braque, four years before his death. Braque applied a complimentary signature to a number of H.C. impressions of this print. The auction record for a pochoir (“Nature morte”) of approximately the same size as our example is SF8,400 ($6,737) realized at Galerie Koller, Zurich, 6/23/2006, lot #Z20/3. A more recent sale (“Nature morte au citron”) at Swann Auction Galleries, New York City, 3/13/2018, lot #367, realized $4,250. Image copyright © Artists Rights Society (ARS), New York / ADAGP, Paris. [30041-1-800]

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