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Lot 107
The Rolling Stones: A Set Of Autographs,1964,a piece of lined paper signed by Mick Jagger, Keith Richards, Brian Jones, Bill Wyman and Charlie Watts in blue ballpoint, inscribed best wishes by Keith, with a Gold Leaf cigarette packet inscribed in unknown hand Brian Jones Cig Packet and colour machine-print photo of Brian holding a similar packet, autograph sheet 6 1/4in x 8 1/4in (16cm x 21cm)Footnotes:Provenance:According to information from the vendor, these autographs were obtained on the 12th July 1964 when the Stones appeared at the Queens Hall, Leeds.For further information on this lot please visit Bonhams.com
Lot 109
Richard Hamilton (British, 1922-2011): Swinging London '67,1967-1968,a limited edition print, numbered 319/1000, a collage of news clippings relating to The Rolling Stones, Mick Jagger, and Robert Fraser's arrest and court case, 19 3/4in x 27 3/4in (50.2cm x 70.5cm)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 121
Iain MacMillan (British, 1938-2006): Pete Townshend of The Who,1960s,a vintage black and white photographic print of Pete Townshend in a studio, accompanied by two contact sheets showing Pete Townshend in various poses, some close-ups, print 12in x 15in (30.5cm x 38cm), (3)Footnotes:Provenance:Property from the Iain Macmillan Collection.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 124
The Who / Peter Blake (British, b.1932): Face Dances,1981,no.54 of 300, lithographic print depicting the front cover of the new Who album 'Face Dances', signed by Pete Townshend, Roger Daltrey, John Entwistle, and Kenny Jones of The Who in black inks, as well as various artists who worked on the artwork with Peter Blake including; Peter Blake, Colin Self, Patrick Caulfield, Patrick Procktor, Joe Tilson, David Inshaw, Allen Jones, Howard Hodgkin, and Clive Barker, framed and glazed, the print 11in x 11in (28cm x 28cm), overall 15 1/4in x 11 5/8in (38.7cm x 31.5cm)Footnotes:The Who commissioned Peter Blake to design a cover for their ninth studio album. Rather than create a single piece of art, Blake gathered fifteen other artists to work with him in producing portraits of each member of the group.Provenance:Property of Jim Callaghan who was the security for The Who's tours from 1975-1983. This print was gifted to him at the launch party of the album. The signatures were subsequently obtained at this event.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 127
The Who: A Limited Edition souvenir print for The Who's Silver Anniversary,1989,edition no.110 of 150, artwork by Gary Grimshaw, framed, accompanied by a certificate, overall 23in x 33 1/2in (58cm x 85cm)Footnotes:Provenance:From the private collection of Harvey GoldsmithFor further information on this lot please visit Bonhams.com
Lot 131
Dennis Morris (British, b.1960): The Sex Pistols on Tour,1977,no.3 of 40, a large black and white Cibachrome print, limited edition, from the S.P.O.T.s tour, framed and glazed, accompanied by a certificate, print 31.9in x 36.9in (81cm x 119cm)Footnotes:Provenance:From the private collection of Harvey GoldsmithThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 152
Eric Clapton and Jeff Beck: A Limited Edition Silkscreen Print by Ron Donovan,2010,the edition made for the Together and Apart tour for the UK and Americas throughout February 2010, signed in black ink by Eric Clapton and the artist, edition no.363 of 1050, mounted and framed, accompanied by a certificate, overall 25in x 33in (63.5cm x 84cm)Footnotes:Provenance: From the private collection of Harvey GoldsmithFor further information on this lot please visit Bonhams.com
Lot 176
BRIAN DUFFY (BRITISH, 1933-2010): DAVID BOWIE ALADDIN SANE (EYES SHUT),1973, printed later,no.35 of 75, archival pigment print, signed and numbered in ink by the photographer, blindstamped in the margin by the Duffy archive; also signed and dated by Chris Duffy, Archive Administrator on the verso, accompanied by a certificate of authenticity, 21in x 21 1/2in (53.5cm x 54.5cm)Footnotes:Taken by Duffy during the second of 'Five Sessions with David Bowie' – Duffy's most famous photograph dates from 1973 and is the iconic and revolutionary cover of David Bowie's album Aladdin Sane. A shot that became the defining look of Bowie's long career, and has been referred to as the 'Mona Lisa of pop.'- The Duffy Archive.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 193
Vivienne Westwood & Malcolm McLaren: A 'Naked Footballer' T-shirt,circa late 1976,in white jersey with image of US footballer Maurice Spencer to the front printed in blue, pink and greenFootnotes:Provenance:See footnote to Lot 192This design was the second created by Malcolm McLaren in the summer of 1974, as the shop at 430 King's Road transformed from 'Let It Rock', to 'Sex'. With this image, Malcolm intended to tackle the issue of racist fears in society. In an interview with Paul Gorman in 2008, he said: 'A big, bruising handsome naked black footballer would, I thought, if hung in the window, terrify the locals! That is exactly what I wanted to do. This thought provoked me to do just that: print one on a t-shirt.' To Malcolm's satisfaction, there were indeed complaints about the image and persuaded him that the choice of the shop's new name was appropriate. 'Sex is the one thing that scares the English,' he said. 'They are all afraid of that word.'The source of the image was a photograph of Maurice Spencer taken in 1969 and which appeared in a magazine, Beefcake, a copy of which Malcolm bought in New York in late 1973. This T-shirt is a rare version, appearing to be a one-off variant on the original, as printed in 1976/77 by Alex McDowell whilst a student at the Central School of Art and Design. By the time this was printed, the shop had stopped selling this design since it had changed to 'Seditionaries'. McDowell became a part of the Sex Pistols coterie after booking their second gig in November 1975 and becoming Malcolm's T-shirt printer. This design was a particular favourite of Sid Vicious.Bonhams is grateful to fashion consultant Paul Gorman for his assistance in cataloguing this lot.For further information on this lot please visit Bonhams.com
Lot 224
Paul Spencer (British): Blur 'British Image 1', Chelsea,1987, printed later,unknown edition, C-type photographic print, framed in Perspex format, 31in x 39 1/2in (79cm x 100cm)Footnotes:Paul Spencer has photographed countless idols of music and silver screen over the past 30 years. His portfolio features many iconic images including Blur's acclaimed first press shoot; 'British Image No.1', as well as The Sex Pistols, Elvis Costello, Morrissey, Siouxsie and the Banshees, and Radiohead, among others.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 236
Danny Clinch (American, B.1964): Sting,2001, printed later,no.10 of 250, archival photographic print, depicting Sting in Philadelphia at the Eastern State Penitentiary, signed and dated 2009 in black ink by the photographer, framed and glazed, 20in x 24in (51cm x 61cm)For further information on this lot please visit Bonhams.com
Lot 237
Lawrence Watson (British, 1963): Ian Brown of The Stone Roses,1990s, printed laterno.2 of 25, archival photographic print, signed and numbered by the photographer in black ink, framed and glazed, 15 3/4in x 15 3/4in (40cm x 40cm)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 238
Kevin Westenberg (American, 1957): Jarvis Cocker, Paris Olympia,1996, printed later,no.6 of 25, archival photographic print, signed and numbered by the photographer in black ink, framed and glazed, 20in x 24in (51cm x 61cm)Footnotes:Jarvis Cocker, frontman of British band Pulp had this image taken for the NME Cover Shoot July, 1996.For further information on this lot please visit Bonhams.com
Lot 243
Steve Double (British, 1961): Nirvana, Parque del Retiro, Spain,1992, printed later,no.3 of 50, archival photographic print, signed and dated 2008 by the photographer in black ink, framed and glazed, 16in x 20in (40.5cm x 51cm)Footnotes:Steve is a contemporary celebrity photographer who has worked with Oasis, Blur, Stone Roses, Nirvana, Red Hot Chilli Peppers, Foo Fighters and more. Double spent time with Nirvana on two occasions, the first being in c.1990 when he travelled with them in their van for 5 days, and then two years later in Valencia and Madrid.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 245
Steve Double (British, 1961): Red Hot Chili Peppers, Munich,1992, printed later,no.2 of 50, archival photographic print, signed and dated 2008 by the photographer in black ink, framed and glazed, 16in x 20in (40.5cm x 51cm)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 260
Mario Testino (Peruvian/Italian, B.1954): Kate In Blue Café,2005,no.41 of 120, chromogenic print, on Fujicolor Professional paper, signed and numbered in black ink by the photographer, published by Counter Editions, London, framed and glazed, overall 33in x 27in (84cm x 68.5cm)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 287
Robert Freeman (British, 1936-2019): With The Beatles,1963,AP, no.13 of 35, black and white print, signed, numbered and inscribed To Richard in friendship, Bob Freeman, in pencil along the lower border, framed and glazed, overall 18 1/4in x 16 1/4in (46.5cm x 41cm)Footnotes:Provenance:Gifted to the vendor in the 1960s when they worked with photographer and film director, Robert Freeman, probably best known for his work with The Beatles. The vendor was also part of the editing team on the production for 'Help!'.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 288
Robert Freeman (British, 1936-2019): Beatles For Sale,1964,a colour photographic print of Freeman's front cover shot of the Beatles' 1964 album, signed and inscribed by the photographer For Richard, Bob Freeman in black ink to the lower border, framed, 22 1/2in x 18 1/2in (56cm x 47cm)Footnotes:Provenance:Gifted to the vendor in the 1960s when they worked with photographer and film director, Robert Freeman, probably best known for his work with The Beatles. The vendor was also part of the editing team on the production for Help!.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 289
Günter Zint (German, b.1941): John Lennon and Richard Lester, Hamburg,1966, printed later,a silver gelatin black and white print depicting John Lennon and Richard Lester during a press conference in Hamburg for Lester's film 'How I Won The War' which stars Lennon, signed by the photographer in black ink to the lower margin, 16in x 12in (40.5cm x 30.5cm)Footnotes:Provenance:From the collection of musician, lyricist, composer, producer, author and photographic archive manager, Ulf Kruger.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 313
Iain MacMillan (British, 1938-2006): Two prints of The Beatles on Abbey Road,1969,two original vintage chromogenic prints, the first depicting the Beatles walking from left to right (frame no.5) as seen on the album cover, signed and numbered 7/25 by Iain Macmillan in silver metallic pen, together with a second print depicting the Abbey Road street sign with the girl in the blue dress as seen on the back of the album, signed and numbered 8/25 by Macmillan in silver metallic pen, both 20in x 24in (51cm x 61cm), (2)Footnotes:Provenance:Property from the Iain Macmillan Collection.Having met John Lennon at the Indica Gallery with Yoko Ono in 1966, Lennon later invited Macmillan to photograph the Beatles for the cover of their final album 'Abbey Road'. Given the Beatles recorded most of their music at the EMI Studios on Abbey Road, St John's Wood, London, they decided to name their last album after the road. Armed with a sketch Paul McCartney had given him a couple of days before of what the picture should look like, Iain knew he didn't have long to get the right shot for the world's most famous band.On 8th August 1969, at around 11:30 am, a hired policeman stopped the traffic, Iain climbed up a large stepladder in the middle of Abbey Road and took just six pictures of the Beatles crossing the street. In approx 10 minutes Iain shot the band in various orders, but it was frame no.5 that was used for the cover of the album - the only photo where all four of them are striding in perfect formation.'The whole idea was McCartney's. A few days before the shoot, he drew a sketch of how he imagined the cover, which we executed almost exactly that day. I took a couple of shots of the Beatles crossing Abbey Road one way. We let some of the traffic go by and then they walked across the road the other way, and I took a few more shots. The one eventually chosen for the cover was number five of six. It was the only one that had their legs in a perfect 'V' formation, which is what I wanted stylistically.' - Iain Macmillan.After the shoot, Macmillan went to find a road sign for use on the back cover. Over 50 years on, and the cover for 'Abbey Road' by the Beatles is still undoubtedly one of the most iconic album covers of all time.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 315
Linda McCartney (American, 1942-1998): Iain Macmillan and Paul McCartney with sheepdogs,1993,black and white photographic print of Iain Macmillan and Paul McCartney on the set for the Paul Is Live album, signed, dated and inscribed For Iain, X Love, Linda & All '93 in brown ink, with Linda McCartney's stamp on the verso, 8in x 10in (20cm x 25.5cm)Footnotes:Provenance:Property from the Iain Macmillan Collection.For further information on this lot please visit Bonhams.com
Lot 58
Star Wars: The Empire Strikes Back,Lucasfilm / Twentieth Century Fox, 1980,US one-sheet concept poster, artwork by Roger Kastel, rolled, linen-backed, 27in x 41in (69cm x 104cm)Footnotes:A rare concept poster by Roger Kastel, from a limited print run. Including representations of the Star Wars characters Lando Calrissian, Boba Fett and the depiction of Cloud City which were later dropped from the Style A poster that was issued widely.This lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 94
Pink Floyd: A soundwave print for Wish You Were Here signed by the band,2008,Fine Art lithograph limited edition print from an edition of 10 created worldwide, created from digitising a section of Pink Floyd's song 'Wish You Were Here' and turning it into a soundwave, signed by all the band members: David Gilmour, Rick Wright, Nick Mason and Roger Waters in silver metallic pen, framed and glazed with standard conservation UV protective glass, print 39 1/2in x 39 1/2in (100cm x 100cm)For further information on this lot please visit Bonhams.com
Lot 377
A black diamond and diamond Ancient America ring by H. Stern, the black diamond and diamond wild cat print ring, stamped 750 with maker's marks, finger size O 1/2, 5.9g grossCondition Report: Some light surface scuffs to the back of the setting, diamonds are all present and correct, no noticeable damageCondition Report Disclaimer
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314753 item(s)/page