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Lot 351
Charming Baker (British b.1964), ‘A Fall To Alms (War Child Special Edition)’, 2014, Archival inkjet and 3 colour screen print with applied 24 Carat Gild leaf and hand drawn dove on Somerset Satin enhanced 330 gsm paper, signed and numbered from an edition of XV in pencil, published by Jealous Gallery; 107 x 88.5cm inc frame ARR
Lot 352
Charming Baker (British b.1964), 'Nellephant (Wood Edition)', 2017, hand embellished screen print in colours with airbrushed ink and graphite, black flocking and 25ct gold leaf on 6mm birch plywood, signed in pencil front, numbered from an edition of 35 in pencil verso, published by Jealous Gallery; board: 69 x 54cm ARR Provenance: Jealous Gallery Certificate Of Authenticity
Lot 363
David Shrigley (British b.1968), ‘Fucking Ace’, 2018, screen print in colours on Somerset Tub Sized 410 gsm paper, singed, dated and numbered from and edition of 125 in pencil verso, published by Jealous Gallery; sheet: 76 x 56cm ARR Provenance: Jealous Prints Certificate Of Authenticity
Lot 365
David Shrigley (British b.1968), 'My Rampage Is Over', 2019, screen print in colours with varnish overlay on Somerset Tub SIzed 410 gsm paper, signed, dated and numbered from an edition of 125 in pencil verso, published by Jealous Gallery; sheet: 75 x 55cm ARR Provenance: Jealous Prints Certificate Of Authenticity
Lot 380
Harland Miller (British b.1964), 'Heroin, It's What Your Right Arm's For', 2012, giclee on Somerset Velvet paper, signed, dated and numbered from an edition of 10 APs in pencil, outside of the edition of 50, published by Turps Banana Editions; sheet: 58 x 42cm ARR The print is in very good condition, with no knocks or creases to the sheet. This work has been stored flat and never been framed.
Lot 381
Harland Miller (British b.1964), ‘Hate’s Outta Date’, 2017, giclee print on 330 gsm Somerset Satin enhanced paper, signed and numbered from an edition of 50 in pencil, published by Art On A Postcard; sheet: 16 x 9.5cm ARR This work is in excellent condition There are no tears, creases, knocks or folds to the sheet This work has never been framed and has been stored flat
Lot 40
Daniel & Geo Fuchs (German Couple), 'Kaws - Toy Giants Group Shot (Pink)', 2007, digital print on Kodak Endura paper, signed, dated and inscribed AP in pen, outside of the main edition of 48; 48 x 113cm Some waving to the sheet, most noticabely towards the lower edge running under the mount. Otherwise good condition, no knocks or creases to the sheet. Not examined out of the frame
Lot 473
Martin Whatson & Sandra Chevrier (Collaboration), ‘La Cage Et Les Duex Ames (Hand Finished Clear Acrylic)’, 2016, hand embellished screen print in colours on 4mm clear acrylic, signed by Chevrier in black pen, signed and dated by Whatson in white pen, numbered from an edition of 10 in black pen; acrylic sheet: 100 x 71cm ARR
Lot 484
Paul Insect (British b.1971), 'Dead Rebels - Jimi', 2012, screen print with acrylic and spray paint on paper, signed and dated in pencil, from an edition of 6; 158 x 128cm inc frame ARR Some slight waving to the sheet, most noticeably to the left and right hand edges. No visible knocks, tears or creases. Not examined out of the frame. Overall good condition
Lot 511
Banksy (British b.1974), ‘Very Little Helps’, 2008, screen print in colours on 270 gsm paper, signed in blue, numbered from an edition of 299 in pencil, published by Pictures On Walls; 58 x 42.5 cm inc frame ARR Provenance: This work is accompanied by a Pest Control Certificate of Authenticity
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