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Lot 246

Brian Elliot `Exit Triumph`; L A Hyman `Nude Morning`; and a lithograph study of a butterfly, signed by Paul Matthews and numbered 280/1500, and a Chinese scroll print (4).

Lot 512

M. Lorenz, print of two deer in a landscape, signed and dated 1933 in pencil in the margin, 7" x 9 1/4".

Lot 526

A poster print entitled `Tango` circa 1983, together with further decorative pictures.

Lot 323

Leslie Hurry (1909-1978), two costume designs in ink and watercolour, signed, one stamped Royal Shakespeare Company, together with a similar print

Lot 490

Clive Madgwick (1934-2005) limited edition print, Sudbury Meadows, No. 64/500, signed, together with another Ballingdon Bridge, Sudbury, No. 30/100

Lot 574

A modern French style serpentine commode chest containing two drawers on cabriole legs, covered in a zebra print fabric

Lot 384

After Wyllie THE EASTER VOLUNTEER MANOUEVRES AT PORTSMOUTH, PANORAMIC VIEW OF THE BATTLEFIELD Coloured print, together with another coloured print after D.E. Beer, Coastal Scene with Figures in Boats

Lot 287

A framed late 19th / early 20th Japanese woodblock print of a geisha, 24 cm x 34 cm.

Lot 289

A proof copy etching of a pine marten, monogram TJG in the print, titled and signed on the surround "A/P Pine Marten T.J. Greenwood".

Lot 292

A print of a naked couple, signed in the print ` Picasso B.D.42 ` and in the margin in red bottom right, blind stamp bottom left, Euro Art, approx. 40 cm x 50 cm.

Lot 304

A print, 10/30, titled and signed in the margin "Blue City", " Bob Sanders ", 41 cm x 41 cm, together with a print no: 12/200, titled and signed in the margin "Wolves howling at the moon", " Bill Leeson ", 32 cm x 33 cm.

Lot 305

A watercolour of a young girl in the manner of Kate Greenaway, signed K.G., 14 cm x 9 cm, together with a print of a study of a woman`s head, monogram signature "CR, 1865".

Lot 315

Judaica : A framed print of a Rabbi punishing children, together with a framed print "St. Radigunds Canterbury (Artist`s Proof)", signed in pencil Jonathan M. Barnes

Lot 320

Rolf Harris : A signed limited print of a morning ride, signed " Rolf Harris " in the print and titled and signed in the margin " 215/300 Misty Morning " and " Rolf Harris ".

Lot 321

Russell Flint : A signed print of four girls preparing for a storm, signed in the print and on the margin " Russell Flint ", 58 cm x 42 cm.

Lot 382

A mixed Russian lot comprising a framed print of Lenin, a collection of Soviet enamel badges, a framed and mounted brass plaque of Lenin and a painted bust of Lenin.

Lot 226

A PEARS PRINT and two oval prints after Morland

Lot 489

A 19TH CENTURY TEA CADDY, a black lacquered table cabinet, a wine table, metalware, a pair of silk prints, a further print and an oval gilt framed wall mirror

Lot 274

DAVID SHEPHERD Limited Edition colour print, Grandpa`s workshop, signed in pencil, No. 427/850, 21" x 26", framed.

Lot 314

PIETRO PSAIER Artist Proof print "Armagideon Time", signed on the mount, 8.5" x 11.5", framed.

Lot 414

After Bernard Green "St David`s Cathedral at Night" A limited edition print No 1/75 signed and inscribed in pencil 45cms x 34cms

Lot 415

After Sir Kyffin Williams A rocky outcrop A limited edition print No 101/500 Signed in pencil 28 cms diameter.

Lot 417

After Snaffles `A Heilan` Lad A Print 43 x 34 cms together with five other similar, "Sans Panache, "Jock", "The Bonnie blue bonnets frae over the border", "Bon Voyage", together with a print after Pollard

Lot 418

After George Wright A meet at the crossroads A print together with five other similar and three other hunting prints

Lot 244

Kuniyoshi (Utagawa, 1797-1861). Courtesan standing before a screen, with man kneeling, holding her hand, oban print, 36 x 24.5 cm (14.25 x 9.6 ins), mounted, together with Hiroshige (Ando, 1797-1858), Ejiri, Miho embo (View of Miho), 19 x 35.5 cm (7.5 x 14 ins), framed and glazed (2)

Lot 330

[Chaucer, Geoffrey, The Workes of Geffrey Chaucer, newlie printed, with diuers addicions, whiche were neuer in print before... , compiled by Jhon Lidgate, 5th ed., edited by John Stowe, 1561], black letter double-column text with woodcut initials throughout, lacks all prelims. (fourteen or ten leaves depending on issue which is otherwise not determinable), final leaf of text with colophon supplied as modern facsimile, old neat manuscript copy of the final leaf signed by Thomas Cox bound in at end (dampstained), some old soiling and dampstaining and scattered contemp. marginal inscriptions, two closed tear repairs to first leaf including one archival tissue repair touching running head and woodcut of the knight on his horse, the woodcut with neat old ink addition to right border of the image and a few doodles to the left, a few marginal tears, four defective and repaired prelims. [from the 1598 edition] inserted at front, recent calf by Period Bookbinders, folio. STC 5075. (1)

Lot 523

Scarfe (Gerald). Line of Attack, 1st ed., 1988, b & w illustrations, original cloth, d.j., 4to, with a loose coloured print of Margaret Thatcher, Harold Wilson and Edward Heath, signed in pencil by the artist, together with The Art of Walt Disney. From Mickey Mouse to the Magic Kingdoms, New York, 1973, numerous coloured and b & w illustrations, original cloth, upper cover with onlaid coloured illustration of Mickey Mouse in torn glassine wrapper, with six others including Walt Disney`sSnow White and the Seven Dwarfes, Viking Press, 1979, Selma G. Lanes The Art of Maurice Sendak, 1980, Treasure Island, illustrated by Ralph Steadman, 1985 and Through the Looking Glass & What Alice Found There, illustrated by Ralph Steadman, 1972, with a presentation inscription by the artist (8)

Lot 92

Cockayne (Andreas Edward). Cockayne Memoranda: Collections towards an historical record on the family of Cockayne ..., Congleton: printed for private circulation, 1873, ten mounted albumen prints, one colour print, wood eng. illusts. and folding tables, folding pedigree in pocket at rear, two genealogical letters to the author loosely inserted, author`sownership bookplate, orig. green cloth gilt, rebacked with orig. spine relaid, 8vo. Apparently one of 100 copies. (3)

Lot 12

GEOFF HUNT, A 20TH CENTURY LIMITED EDITION COLOURED PRINT, ENTITLED "VICTORY AND SQUADRON IN LIGHT AIRS", No. 33/850, signed, 17 ins x 23 ins and two coloured PRINTS, after Geoff Nutkins, entitled "THE CHASE" and "SALUTE TO THE FEW", all framed and glazed. (3).

Lot 29

AFTER FRANK BRANGWYN, 1867-1956, A COLOURED PRINT ENTITLED "THE BUCCANEERS", 22 1/2 ins x 25 1/2 ins, framed and glazed.

Lot 31

ROSANNE GUILLE, A MODERN PAIR OF WATERCOLOURS, Views of Sark, 3 1/2 ins x 5 3/4 ins, a 19th Century coloured engraving of "PRUDHOE CASTLE", another of "ST PETERS PORT, GUERNSEY" and a black and white PRINT entitled "THE HARBOUR, ISLAND OF SARK", all framed and glazed. (5).

Lot 115

AFTER H.S. COLEMAN, A COLOURED PEARS PRINT, entitled "FLOWERS OF THE EAST", 27 ins x 17 1/2 ins, framed and glazed.

Lot 308

AMENDED DESCRIPTION: C.F.A. VOYSEY, REPRODUCTION PRINT, House and Floor Plan of Gartmell Fell, Grillhead, by Windermere, for J.W. Buckley, Esq, 19 ins x 14 1/2 ins, another of Broadleys, Windermere, for A. Currer, Briggs, Esq, 10 1/2 ins x 18 1/2 ins and another of H.G. Wells, (the Author) Spade House, Sandgate, Kent, 19 ins x 14 ins. (3). SEE ILLUSTRATION.

Lot 384

Coloured Print of `Lad and Lassie` after Sir Edwin Landseer.

Lot 16

GORDON HOUSE (1932-2004) Artist Proof colour silk screen print, Abstract design, signed in pencil, dated 1965, sheet size 30" x 23", framed, Provenance: Kasmin Ltd., New Bond Street.

Lot 1406

A 19th century colour print, `Design for the Palace of the People, Muswell Hill, North Front, Owen Jones, Architect`, and a printed cartoon `Class along the line`, by E.S Turner (2)

Lot 1449A

After Leonardo da Vinci, The Last Supper, lithographic print by W W Ryland, image 21cm x 39cm

Lot 1457

Paoliux Pagoda, a French 18th century print and a chromolithograph of orchids (2)

Lot 1460

After Ernest Kister, an amusing coloured print, `The cats Circus`

Lot 1341

A late 19th Century American Walnut Cased Wall Clock, Jerome & Co, the cushion moulded rectangular form with a single panelled glazed door with a reverse painted on glass print of a streetscape, beneath a 7" square painted dial, with Roman numerals, outside minute track and blued steel hands, to a spring driven movement, with anchor escapement and strike on a coiled gong, height 26"

Lot 1499

J Ironside, signed in pencil to margin, modern hand-coloured Print "Beach Huts at Wells", No 1 of 40, 9 ½" x 6"

Lot 466

a flower press; misc. vols on print history, & other vols. (1 box)

Lot 61A

BRITISH SCHOOL, portrait of a young girl, coloured print, 19th century, matching frame. 18" x 14.5".

Lot 282

HOLLAND VYVYAN: (1886-1967) British Author and Translator, son of Oscar Wilde. A.L.S., Vyvyan Holland, one page, 8vo, London, 3rd March 1966, to Peter Wiener. Holland states that it is flattering that his correspondent wants something written by him, although explains `I usually type out my lucubrations and when once they are in print I throw away the typescript` continuing `Perhaps I should not do this, but then my flat would be cluttered up with odd pieces of paper and it would be quite impossible for me to find anything when I wanted to do so!` Accompanied by the original envelope hand addressed by Holland. EX

Lot 372

ENGLISH LITERATURE: Selection of A.Ls.S., a few T.Ls.S. and signed pieces etc., by various English novelists and writers including Jerome K. Jerome, Robert Hichens, A. E. Coppard (with interesting content regarding a manuscript he suggests should be destroyed), G. K. Chesterton, Edward Carpenter, Hall Caine, Arnold Bennett, James Agate (in part `I can`t think of any Man of the Year excepting Myself. But don`t print that!`, 1937), E. F. Benson (3), Max Pemberton etc. Generally VG, 20

Lot 418

CORTOT ALFRED: (1877-1962) Franco-Swiss Pianist & Conductor. A.L.S., Al. Cortot, four pages, 8vo, Lausanne Palace, 27th June 1946, to Louis Risacher of the music publishers Editions Salabert in Paris, in French. Cortot writes to his correspondent regarding some proofs, informing him that `I have already corrected the proofs of the Sonata Op.13 and of Schumann`s Fantaisie that I return you today via Maison Foetisch who agreed to undertake the preparation of the package! You can print the Sonata after corrections-as for the Fantaisie, I would like to have a second proof and I permit myself to recommend that you also forward to me the page mentioning the note on the draft-you can also send me other proofs to correct if they are ready, as I will remain here until the end of July.` Accompanied by the original envelope hand addressed by Cortot. VG

Lot 820

After Rembrandt a print entitled "Christ between the 2 thieves 15 1/2" x 18"

Lot 829

A print of an attractive Victorian young lady in a gilt frame

Lot 830

A print of an attractive young lady with pastel highlights in a gilt frame

Lot 851

A watercolour of fishing boats signed Earnest Dorff and an early 20th century print of a seascape

Lot 852

An ornate carved giltwood circular picture frame housing a monochrome print of a lady collecting shells

Lot 825

*John Holt (b.1949) . "Bohemia". Signed and extensively inscribed on a label verso, pastel drawing, 20cm by 70cm, He attended Stockport College of Art to study advertising and graphic design. Having completed the final year of his degree at Salford College of Art, he was awarded a Bursary Award from the Royal Society of Arts. After graduating in 1973 he embarked upon a career in advertising. Working as an art director he designed and illustrated books for the European market. It was during this time that he became increasingly inspired by Spanish and French post-impressionist painters. His love of fine art grew as he visited local and national art exhibitions and he discovered a great affection for the Fauvist masters, Matisse and Braque. He has also been recognised by the industry; he was nominated as Best Up-and-Coming Artist in both 1999 and 2000 by the Fine Art Trade Guild. John has had numerous group and one-man exhibitions both in the UK and abroad, The artist`s work is being produced in print form by the Ikea group.

Lot 1198

A Set of Six 18th Century Chestnut Fauteuils upholstered in floral print damask, the oval padded back supports within a beaded and leaf carved frame, the padded downswept arms with acanthus leaf carved uprights, the carved seat rail decorated with trailing flowers flanked by flower carved spandrels, on fluted tapering legs See illustration

Lot 2179

Arthur Wood, tankard with transfer print of lawn bowls

Lot 2335

Oriental silk print, study of a woodpecker, bears character stamps

Lot 2601

A `piano key` framed miniature of an over-painted early sepia print of a maiden holding flowers, overall 13.6 x 12.6cm

Lot 2612

Pears print `Witchery` in burr maple frame

Lot 2616

Pair of marine prints in oak frames and coaching print and oval coloured print showing figures in classical pose (4)

Lot 2651

After C. Ambler, 1935, print, study of terriers and poodle inscribed `He she and the hussy`.

Lot 2658

Margaret Ann Gaug, a boy hugging a terrier, signed, watercolour, 17.5 x 15.8cm and a print. (2)

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