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Lot 157

3 x Napoleonic themed prints. Comprising:- 2 small framed & glazed Baxter oil prints of Wellington and Nelson, together with a large print on canvas of a mounted French Hussar at Waterloo. Mounts to Baxter prints bear embossed mark of "Baxter, Northampto

Lot 191

After Fragonard, Study of a Lion, inscribed centre bottom "Cabinet Perugino (?), print, 33 x 4cm

Lot 241

A reverse glass painted coaching scene - Epsom Derby 1827 - maple framed, others of racehorses 'Rowton' and 'Our Nell' and a trotting print (4)

Lot 244

Lionel Edwards signed print, Dunmow engraving, cockfighting prints and various sporting prints after Alfren (9)

Lot 245

After P. S. Lamborn 'King's College From Clare Hall', print; after Sydney R. Jones 'Kings College, Cambridge; engraving, signed in pencil, (2)

Lot 961

LAURENCE STEPHEN LOWRY RBA RA (1887-1976); limited edition signed print 'Britain at Play', signed in pencil lower right and bearing FATG blind stamp indicating no.285, 44.5 x 59.5cm, framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.ukSome light foxing to the mount and the image has slipped within the mount, image is slightly rippled, colours remain fairly strong.

Lot 59

An oak Macclesfield School of carving Celtic design frame, inscribed verso, 'Frame Designed and Carved Macclesfield School of Carving Pupil Mrs Warhurst', containing a print after A Bruyet Debsines, 40 x 33cm, and a further example, 32 x 46.5cm (2).

Lot 964

ARTHUR DELANEY (1927-1987); limited edition signed print 'Albert Square', signed in pencil lower right, 361/400, 35.5 x 44cm, framed and glazed, and a map of Chester after Robert Morden (2). (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

Lot 980

SUE MACARTNEY SNAPE (born 1957); a signed limited edition print, 'Queen of the Castle', no. 90/600, approx 49 x 38cm, and three further unsigned prints, all framed and glazed (4). (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

Lot 959

LAURENCE STEPHEN LOWRY RBA RA (1887-1976); a signed limited edition coloured print, 'The Cart', signed lower right bearing blind stamp and letter to number code lower left 171/850 with Adam Collection Ltd original card applied verso, 50 x 40cm, framed and glazed. (D) CONDITION REPORT: Well presented and framed, tiny section of foxing to the mount along the lower portion and upper left, there is a vertical scratch to the left of the figures in the cart but hard to determine if this is the original or surface of the print (although upon closer inspection potential scratch appears to be printed), very slightly rippled, colours remain strong .Bears 'Tru Vue' conservation glass label verso. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

Lot 960

LAURENCE STEPHEN LOWRY RBA RA (1887-1976); a signed limited edition coloured print 'The Beach', signed in pencil lower right and with blind stamp and letter to number code lower left 027, 26 x 50.5cm, also a signed limited edition print 'Deal', signed in pen lower left and with blind stamp, 17.5 x 25cm, both framed and glazed (2). (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.ukSmaller image with slight rippling and slight browning to mount, dirt to mount, possibly under glass of larger image.

Lot 755

A small group of ceramics including cream glazed jelly mould, blue and white jug, Wedgwood 'Rustic' faience anglaise plate with cockerel and hen decoration, floral decorated print with label to reverse reading 'Old Bristol anno 1773', etc. CONDITION REPORT: All variously worn, the meat plate af as it is cracked all the way through, general surface wear, scratches, crazing, manufacturing imperfections, the Wedgwood plate has a deep scratch to the surface the floral decorated plate with losses to the decoration including several pronounced areas.

Lot 522

A vintage oval dark oak frame hanging mirror with bevel edge glass. Together with a framed and glazed print of Oxfordshire map.

Lot 558

Limited Edition Snaffles print "The One to Carry your Half-Crown", numbered 62/850. Numbered in pencil to margin, printed signature to print and margin and features embossed blindstamp. Framed and glazed. Frame size approx. 46cm x 56cm.

Lot 560

3 framed pictures; Lyons Wilson signed watercolour of a market cross, textured oil painting of a woman and a 1930's Alfred Bell & Co signed print with embossed gallery stamp. Largest frame approx. 42cm x 49cm.

Lot 581

An antique block print engraving of The Black Friars in Canterbury in the year 1595. Unframed with watermarked paper. Approx. 44cm x 55cm.

Lot 592

A vintage coloured print of a panorama of Rotterdam. Dated April 1940, framed and glazed. Approx. 36cm x 118cm.

Lot 603

A large framed and glazed Overend 1890 Football print entitled "A Football Match". The 1890 F.A. Cup Final at Kennington Oval between Sheffield Wednesday and Blackburn Rovers. Approx. 47cm x 74cm.

Lot 627

A vintage Aspall, Saggers & Co mirror. Decorated with Dame aux Camelias screen print Height 44cm width 20cm

Lot 227

Hunting print The Quorn Hunt - 'The Meet' - H Alken

Lot 229

19thC Gilt frame print - 'An English Merry-Making in The Olden Time' - W P Frith

Lot 230

Hunting print - 'The Beaufort Hunt' pencil signed Lionel Edwards

Lot 243

19thC Pears print - Bubbles - Millais

Lot 250

Tiger print - 'Genghis' - Andrew Ellis

Lot 251

Maple framed print 'Her Most Gracious Majesty Victoria'

Lot 2537

ANON: (American photographer) 'Kaloma'. gelatin silver print, titled and mounted, ca. 1881, printed later by P.N. Co., 1914, often speculated to be a portrait of Josephine 'Jessie' Marcus Earp, wife of Wyatt Earp, copyrighted by the Pastime Novelty Company, Broadway, New York, 1914, 30.5cm. x 12.5cm., framed, unglazed.

Lot 2557

WALTER BIRD (1903 - 1969) female nude study, ca. 1930s. gelatin silver print, Camera Studies Club, London, copyright stamp and photographer's stamp on verso, 19cm x 14.2cm, unframed. DDS

Lot 2642

NICK ROSS (Contemporary) Birdsong - Yangon (Burma) 2014, archival pigment print, titled, dated and initialled lower r.h. on the margin, numbered PP381 on verso, 35.4cm x 47cm, unframed. DDS

Lot 2532

EDWARD SHERIFF CURTIS (1868 - 1952) Aphrodite (Spirit of the Sea), ca 1920 - 1930. blue toned gelatin print, signed, with the Curtis LA studio stamp lower l.h, the image 8.4cm x 23.5cm within blue gesso frame, Pacific Picture Frame Co. Seattle label on glazed frame verso. * one of only 3 - 4 nudes produced by the photographer who was better known for his large studio studies of the North American Indian. DDS

Lot 2607

ANDY GOLDSWORTHY (b. 1956) Snow Wall 2 April Touching North, 1989. cibachrome print, edition of 7, mounted, titled, dated and signed by the photographer in pencil on lower margin, 15.5cm x 23.5cm, framed and glazed. DDS

Lot 2529

VINCENZO GALDI (1871 - 1961) two young female nudes sitting by a patterned curtain, 1900. sepia toned gelatin silver print, mounted within card boards, artist's name, date and numbered M47 in pencil by an unknown hand on board verso, 7cm x 12.3cm, unframed. DDS

Lot 2546

ALBERT ARTHUR ALLEN (1886 - 1962) Nude Study from The Model Series, ca. 1925. gelatin sliver print, mounted within card boards, the image 16cm x 25cm, unframed. DDS

Lot 2503

AUGUSTE BELLOC (1800 - 1867) Reclining female nude on chaise longue, ca, 1855. salt print, mounted on card, 20.7cm x 15.5cm, unframed.

Lot 2565

CORNEL LUCAS (1920 - 2012) Marlene Dietrich, 1948. gelatin silver print, signed in pencil by the photographer in pencil within mount, facsimile copyright label on verso, 48cm. x 38cm., framed & glazed. DDS

Lot 2513

NADAR [Gaspard-Felix Tournachon] (1820 - 1910) Sarah Bernhardt. albumen mounted cabinet photo. print, ca. 1889, mounted to board, P. Nadar, Paris printed in red within margin, 4.5cm. x 10.5cm., unframed.

Lot 2590

BERT STERN (1929 - 2013) Marilyn, Hotel Bel-Air, Los Angeles, 1962. Limited Edition Fine Art Print, 2004. signed, titled, and numbered 10/50 in red crayon by the photographer on the margin, set within contact sheet border, 29 in white marker on the black border, photographer's printed stamp, 'taken 1962, rN005' in red crayon, and 'Marilyn, printed 2004' in blue crayon on verso, 25.8cm x 25.8cm, unframed; with certificate of authenticity titled MM nude, numbered 10/50, and signed by the photographer in red crayon. sold with Marilyn, La Derniere seance, Bert Stern, photo. illus. invitation card to exhibition of Foundation Dina Vierny, the Michaela & Leon Constantiner collection, 29 June - 30 October, 2006, signed and dated by the photographer in red crayon, in original envelope.. (4) DDS

Lot 2561

D'ARTE RAVAGAN Milano 'erotica' ca. 1930s. gelatin silver print, mounted, tissue guard, studio's printed stamp lower r.h corner on the image, 'Studio Fotografico D'Arte / Ravagan / Milano / Piazzale Oberdan 2 - / (di fronte al Diana)' purple printed stamp on verso, 22cm x 14cm within mount, unframed.

Lot 2605

JOHN BOARDMAN (Contemporary) Abbya March '88. gelatin silver print, titled, dated and numbered M58 on verso, 37.5cm x 27.5cm, unframed. DDS

Lot 2613

HARRY M. PERKINS (Contemporary) Amy K., Jennifer D., Jennifer, Jackie, 1991. gelatin silver print, mounted, titled, signed and dated in pencil on verso, 25cm x 27cm, unframed. DDS

Lot 2547

ANON: Nude Torso, ca. 1920s - 1930s. gelatin silver print, pasted top l.h. and r.h corners to card board, further mounted within card boards, the image 23cm x 20cm, unframed.

Lot 2545

ALFRED CHENEY JOHNSTON (1884 - 1971) Cutter Sisters, [Zeigfield Girls] ca. 1922. gelatin silver print, captioned 'Cutter Sisters' in pencil, and stamped 'Photograph by Alfred Cheyney Johnston' on verso, 33.5cm. x 26. 4cm., unframed. DDS

Lot 2533

EDWARD SHERIFF CURTIS (1868 - 1952) Castle O Dreams, ca. 1920. blue-toned gelatin silver print, signed with Curtis LA copyright lower l.h. on the image, 24.3cm x 19.3cm within gold coloured gesso frame, Greens, Los Angeles label on glazed frame verso. * one of only 3 - 4 nudes produced by the photographer who was better known for his large studio studies of the North America Indian. DDS

Lot 102

"Village Scene", hand coloured print, signed, 9 X 34 cm

Lot 103

"Farnmers at the Market", hand coloured print, 21.5cm X 15cm

Lot 104

"Horse and Carriage", hand coloured print, signed, 10cm X 15cm

Lot 105

"Curragh's Sligo", Cuala Press print, 14 X 21 cm

Lot 113

"Portrait of a Cardinal", screen print, 11/15, signed and dated, framed, 37 X 26 cm

Lot 146

"Untitled", digital print, signed, artist's proof, 19 X 15 cm 

Lot 147

"From Liberty Hall to the GPO", limited edition print, signed, 41.5 X 52.5 cm

Lot 148

"Abstract Red and Blue", screen print, signed, 51 X 64 cm

Lot 150

"Study of a Bird", sepia print, 34 X 22 cm

Lot 36

"Brass Bed", screen print, 74/80, signed and dated in pencil, framed, 47 X 31 cm

Lot 327

A gilt framed Cries of London print after F. Wheatley, 47 x 56cm.

Lot 673

A signed framed print of WWII aircraft Maurice Gardner and a further framed print of eagles by Robert Taylor (with faded signatures).

Lot 725

A gilt framed oil finished print, an oil painting, two watercolours and a painted plate.

Lot 36

Games.- Bravin (Angelo, publisher) Il novo e piacevole gioco del pela il chiu (recto); [Roman Catholic religious calendar for 1831] (verso), recto with game board featuring four concentric ovals containing squares with dice, human figures or owls, with a crowned owl in the centre surmounting a crown resting on three dice showing sixes, instructions in Italian to each corner, engraving, on laid paper with watermark of the letters 'M A', sheet 430 x 305 mm. (16 7/8 x 12 in), a good impression with minor signs of wear, trimmed within platemark lower left, small nick to lower right corner, unframed, 18th century but reprinted in Venice, circa 1831. ⁂ 'The name of the game means 'pluck the owl'. It involved throwing three dice, identifying the place that corresponded to the throw on either the inner or the outer oval and then carrying out the written instructions. 'T' means tira that is the instruction to take the number of quattrini ('Q') indicated; 'P' means paga that is the instruction to pay out the number of quattrini indicated. A throw of three sixes takes all.' [Michael Bury, 'The Print in Italy 1550-1620', BM 2001, cat.103]

Lot 323

LARGE PRINT OF SAILBOATS IN HARBOUR 106CM X 62CM

Lot 340

FRAMED PRINT OF BALLERINA (90 X 50 CM )

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