ejits‘(Don’t Fear) The Reaper’Acrylic paint on a hollow fibreglass statueMeasures: 229 x 50 x 209cmApprox weight: 57kgejits unicorn is a celebration of creativity. There is mixed feeling around whether graffiti is good for our city and Ejits say don’t fear it, embrace it. The Reaper character represents our creativity running deep and the Bear is our inner weirdo waiting to come out and play.This unicorn spent the summer in The Galleries shopping centre and now returns to auction in pristine condition and finished in a coat of anti-graffiti varnish.Ejits is an artist, illustrator and muralist from Bristol in the South West of England.Their work is intended to tap into the big kids in all of us to spark happy nostalgic feelings and a love of colour, character and silliness wherever they occupy space. Whether that’s the sticker stuck to your laptop, the print you've hung on the wall or a building-sized mural. UK Delivery Charges by postcode can be found here: unicorndelivery.tiiny.site
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Zase ‘Green King’ Acrylic paint on a hollow fibreglass statue Measures: 229 x 50 x 209cm Approx weight: 57kg Artist Zase said of the unicorn, ‘I’m excited to share my latest art project with you all. It’s all about celebrating nature and the beauty of our planet. I’ve been using spray can only ! and incorporating natural elements like leaves and flowers into my piece. It’s been such a fun and fulfilling experience to create art that not only looks beautiful but also promotes sustainability. I hope my art inspires you to appreciate and protect our planet too!’ Green King spent the summer at North Street Green before being returned to auction in pristine condition, finished in a coat of anti-graffiti varnish. Zase was born in Trencin, Slovakia and has been involved in art and graffiti since 1996. Back then, graffiti was still young in Trencin, but this only made him more determined to improve his skills and develop a style. He is both a skilled artist, and designer with many years of experience in the urban field. Zase offers a broad variety of services ranging from graphic design and print-ready artwork to commercial airbrushing and illustration. He has worked on brand advertising campaigns, commercial exteriors, interior displays, billboards and conventional walls and canvases. UK Delivery Charges by postcode can be found here: unicorndelivery.tiiny.site
Andrés López (Mexico, active from 1763 to 1811)"Pietà"Oil on copper. Signed and dated "Andreas Lopez fecit Mexici 1786."With an ebonised wooden frame with silver applications.56 x 42 cm.As we read in the biographical profile from the Andrés Blaisten Museum: "Son of the painter Carlos Clemente López, the painter was associated with the academy of the brothers Nicolás and Juan Rodríguez Juárez. An artist who was rather prolific and who enjoyed, along with his brother Cristóbal, a certain well-deserved prestige. His works range in date from 1763 to 1812, as that is the year of the painting depicting Saint Ignatius wounded before Pamplona. His most famous work is the large Via Crucis, originally consisting of 14 paintings dated in Mexico from 1798 to 1800. It is thought that some of his works might portray views of the city of Aguascalientes, such as "Scenes from the Life of Saint John Nepomucene", dated 1797, and an "Our Lady of Carmen", signed in 1799, which can be found in the city of Sombrerete in Zacatecas. There is also an "Our Lady of Guadalupe" from 1798 in Aguascalientes and a "Calvary" in Guadalajara. Although his works remained in the provinces, many of them were executed in Mexico. In the Treasury of the Mexico City Metropolitan Cathedral, there are the following paintings by Andrés López: the "Heart of Jesus", the "Conception" of 1796, and a print of "Saint Joseph" from 1797, which is considered the best artwork produced by this prolific artist."
AFTER D.M. DENT 'High Goal Mares - High Maintenance Fillies', a limited edition polo colour print, No. 120/245, signed and titled and numbered in pencil on the mount, 43 x 58cm, also after D.M. Dent, 'The Spoils of War: Cheltenham Gold Cup Night', a limited edition print, No. 4/250, signed, titled and numbered in pencil on the mount 30 x 38cm (2)
Anderson (Andrew) Enclosures: Times and Places. A Book of Wood Engravings, number 14 of 35 specially-bound copies with a signed print, from an edition limited to 180, wood-engravings by Anderson, original morocco-backed cloth, large folding print loose in cloth portfolio, together in slip-case, Stroud, Evergreen Press, 2009 § Hoyle (Walter) To Sicily with Edward Bawden, with an Introduction by Olive Cook, number 29 of 350 copies signed by the author and Cook, illustrations, A.L.s. from Olive Cook concerning the book loosely inserted, original cloth-backed pictorial boards, slip-case, Church Hanborough, Previous Parrot Press, 1998; and 4 others, press, two from Previous Parrot, 4to & 8vo (6)
Steadman (Ralph) Extinct Boids, number 87 of 150 copies signed by Steadman with loose signed and numbered print in portfolio, colour illustrations throughout, original cloth, housed together in original cloth drop-back box (with internal corner tear), original publisher's numbered card box, folio, 2012.
Whittington Press.- Anderson (Andrew) A Vision of Order: Linocuts..., number xxi of 85 specially-bound copies signed by the artist and with an additional large print of Cashel on 9 conjoined sheets and another signed print of 'The Apple-Girl', from an edition limited to 185, printed in black and colours, tipped-in plates, some folding, illustrations, original half morocco, uncut, additional prints loose in original half cloth folder, with printed commentary on Cashel by Anderson in original wrappers (one of 25 copies), all together in original cloth drop-back box, morocco label to spine, large folio, Risbury, Whittington Press, 2011.
Donaldson (Julia) A Squash and a Squeeze, first edition, illustrations by Axel Scheffler, original pictorial boards, spine faded with one or two nicks to ends, otherwise fine, 4to, 1993.⁂ The author's first book, rare in commerce.Due to the infrequency of its appearance in commerce, is likely to have had a very limited print run. It also marks the first collaboration between the author and illustrator, whose partnership would later go on to create The Gruffalo, Stick Man, Zog and Room on the Broom amongst others.
A 'PRIORY' SOFA BY ROBERT KIME LTD 93cm high, 245cm wide, 120cm deep Together with five cushions comprising two with Swat silk embroidered cushions, North West Pakistan, circa 1900, and three with printed quilt cloth Condition Report: THE SOFA:Overall there are some scratches, marks and abrasions consistent with age and use.Observations include:There is some compression to the upholstery of the arms and back, one top corner has a raw edge of the fabric untucked from the upholstery.The fringed braid has some fading, a few pulled threads and is a little stiff so that the fringe does not 'hang' vertically.There is a linear mark to the top of the back of the sofa, possibly from the sofa being against a wall or a piece of furniture.The printed linen fabric of the three seat cushions has softened, worn and faded to the front portion and there are some marks of use.THE LOOSE CUSHIONS:The two Swat geometric embroidered cushions are threadbare to three sides and extensively worn and marked to the fourth side.The small pale cushion has holes, from wear and also probably from corrosion from the dye from the printed pattern as the holes correspond to the print. There are some stitched repairs.The Indian printed muslin cushion with some wear.The largest cushion with a patch, corroded holes and some repairs and other wear.Please see the additional condition report photographs as a visual reference of condition.Additional measurements:The clearance from the ground to the underside of the sofa (i.e. the height of legs and castors) is 17.5cm Condition Report Disclaimer
λ DAVID HOCKNEY (BRITISH B. 1937) THE FRENCH SHOP (SCOTTISH ARTS COUNCIL 122, TOYKO 112) Etching with aquatint, 1971 Signed, dated and numbered XXVIII/LX A/P (aside from the edtion of 500), printed by Shirley Clement at the Print Shop, Amsterdam, published by the Observer, London, on wove paper Plate: 53.5 x 45cm (21 x 17½ in.) Condition Report: Executed on white wove paper. Hinged to the mount at two point along the upper edge. A few light handling creases to the margins and a couple of light handling marks one to the lower left margin just outside the image and another to the margin, upper right. A small loss to the sheet in the upper most left hand edge at the corner. Glazed and framed. Image in otherwise good original condition. Sheet size: 75.5 x 64cm, please note the sheet appears to be trimmed. Condition Report Disclaimer
After Ramsay Richard Reinagle (1775-1862) 'The Spaniel', with dedication 'To the Right Honourable Baron Northwick F.S.A. &c. &c., this print is with permission humbly dedicated by his lordship's most obedient servants, Moon, Boys & Graves', engraving by John Scott and John Webb, 40cm x 45cm, framed under glass
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