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Lot 251

An Arts & Crafts circular copper picture frame, with three panels of flowerheads above a bottom panel entitled `Flowers of the field`, surrounding an Art Nouveau print of a lady picking flowers, length 66cm

Lot 490

A 19th century Baxter print entitled `The Gems of the Great Exhibition no.3`, 13.5x25cm, framed and glazed

Lot 502

Sir Terry Frost British 1915-2003; limited edition print, `Swing Blue`, signed in pencil, 64 x 43cm, no.81/150, framed and glazed (illustrated)

Lot 512

Beryl Cook (British 1926-2008); limited edition screen print `Lunch`, no.92/300, signed in pencil, 46.5x64cm, framed and glazed (illustrated)

Lot 303

A signed print titled `Knights of the Round Ball: Football`s Gentlemen of the Millennium``, an artist`s proof of a limited edition print by the artists Stewart W. Beckett and Jose Palomares Rescalvo, signed by the latter artist and dated `98, featuring the footballing knights Sir Alf Ramsey, Sir Matt Busby, Sir Stanley Matthews, Sir Bobby Charlton, Sir Geoff Hurst and Sir Tom Finney, the print signed by the last four named, mounted, framed & glazed, overall 70 by 58.5cm., 27 1/2 by 23in.

Lot 307

A signed George Best framed presentation, comprising a 1996 British Football Heroes commemorative postal cover signed by George Best in blue biro, mounted beneath a print of George Best in Manchester United kit after the original painting by D. Collins, framed & glazed, 70 by 41cm., 27 1/2 by 16in.

Lot 603

A Washington D.C. International Stakes lemonade jug and stirrer commemorating the winners from 1952 to 1971, decorated with a print of a jockey and inscribed with the details of all winners from Wilwyn in 1952 to Run The Gauntlet in 1971, 23.5cm., 9 1/4in. high The Washington DC International was a ground breaking race founded by John D. Schapiro, the owner of Laurel Park Racecourse in Maryland in 1952. It was the first race designed to match the best horses of the USA and Europe over a mile and a half. It was held until 1994, with the Breeders` Cup programme taking over. Lester Piggott won the race three times, a record he shares with Manny Ycaza.

Lot 628

Gary Keane (contemporary) LESTER PIGGOTT signed & dated 2002, the original watercolour and pencil artwork for a limited edition print, 37 by 49cm., 14 1/2 by 19 1/2in., mounted, framed & glazed; sold together with an example of the limited edition print, numbered 162/495, and signed in pencil by Lester Piggott, unframed (2)+

Lot 629

Claire Eva Burton (contemporary) ROYAL ACADEMY, LESTER PIGGOTT UP signed in pencil by the artist and by Lester Piggott, a limited edition print numbered 392/950, 37 by 49cm., 14 1/2 by 19 1/2in., mounted, framed & glazed. After a five years absence from the saddle, Lester Piggott came out of retirement in 1990 and, dramatically, on day 12 of his return the `Maestro` partnered Royal Academy to victory in the Breeders` Cup Mile for his old friend and employer Vincent O`Brien.

Lot 630

Richard Stone Reeves (1919-2005) LESTER PIGGOTT: THE FIVE GREATEST I EVER RODE an artist`s proof for a limited edition print published by the Print Gallery of Bethersden, Kent, in 1974, signed in pencil by Lester Piggott, vignettes featuring Sir Ivor, Crepello, Petite Etoile, Nijinsky & Rheingold, mounted, framed & glazed, the image 61 by 49.5cm., 24 by 19 1/2in.; sold together a copy of the limited edition book `Classic Lines: A Gallery of the Greatest Thoroughbreds` by Richard Stone Reeves and Patrick Robinson, signed by Robinson, and numbered 3,705/25,000 (2)

Lot 631

Richard Stone Reeves (1919-2005) THE MINSTREL DEFEATS HOT GROVE, THE 1977 DERBY an artist`s proof for a limited edition print published by the Newmarket Gallery of New York City in 1978, signed and dedicated in pencil from the artist to the winning jockey Lester Piggott, "FOR LESTER PIGGOTT, THE GREATEST JOCKEY OF ALL, DICK REEVES, mounted, framed & glazed, a sheet of literature regarding the work taped to the backboard, the image 25.5 by 41cm., 10 by 16in.; sold together a copy of the limited edition book `Classic Lines: A Gallery of the Greatest Thoroughbreds` by Richard Stone Reeves and Patrick Robinson, signed by Robinson, and numbered 2,900/25,000 (2). Robert Sangster`s striking chestnut colt The Minstrel, a son of Northern Dancer, provided Lester Piggott with the eighth of his nine Derby winners. The colt also won the Irish Derby and the King George at Ascot.

Lot 632

Roy Miller (contemporary) EVERGREEN CHAMPIONS signed in pencil by the artist and by Lester Piggott , a limited edition print published circa 1990, this example numbered 15/550, the image features the start of a race, but on closer inspection the faces of Lester Piggott, Steve Cauthen, Willie Carson and Pat Eddery appear in the trees beyond, unframed, rolled, the image 44 by 56cm., 17 1/4 by 22in.

Lot 635

Lib [Liberio Prosperi] NEWMARKET, 1885 a Vanity Fair double-size print featuring Fred Archer in the Duke of Westminster`s colours and numerous Turf devotees of the day, chromolithograph published by Vincent Brooks Day & Son, London, for Vanity Fair, 32.5 by 48.5cm., 12 1/2 by 19in., mounted, unframed; sold together with a pair of German racing lithographic prints, the first titled FRED ARCHER`S LAST DERBY MOUNT, the other ECLIPSE STAKES, SANDOWNE [sic] PARK, published circa 1886, being Ormonde`s Derby and the inaugural running of the Eclipse Stakes, mounted, unframed, both images 31.5 by 43cm., 12 1/2 by 17in. (3)

Lot 655

After Juliet McLoed BIG GAME signed in pencil, lithograph with publisher`s blind stamp, published by Fores, framed & glazed 71 by 61cm., 28 by 24in.; together with a reproduction print of Fores famous 19th century publication: Fathers of the Turf, framed & glazed, 66 by 84cm., 26 y 33in. (2)

Lot 674

Two signed artist proof prints featuring Best Mate, the first an artist`s proof by L. Brooksby titled BEST MATE, FINAL TRIUMPH-EXETER 2004, the lower margin signed in pencil by the artist, Jim Lewis, Henrietta Knight & Terry Biddlecombe; the second a Barry Linklater first proof, a head portrait, signed by Jim Lewis, both tube rolled, the first the larger print 62 by 50cm., 24 1/2 by 19 3/4in.

Lot 675

After R. D. Allen BEST MATE print, artist`s proof, signed by the artist, Jim Lewis and Henrietta Knight, image 36 by 24cm., 14 by 10in., mounted, framed & glazed

Lot 800

A collection of decorative racing prints and photographs, mostly framed, prints including Frith`s Derby Day published by Eyre & Spottiswoode; various portraits of 19th century jockeys including G Barrett, J Watts, Charles Archer, Thomas Goodison, Danny Maher etc.; a print of the "American Invaders" jockeys at the turn of the 20th century; a decorative issue after Isaac Cullen titled The Derby: Weighing Room Epsom; a stevengraph of Fred Archer in the Royal Colours in its original Victorian gilt-metal frame; a colourful 1891 print of `Jockeys of the Day`; Vanity Fair prints of the jockeys Danny Maher, Frank Wootton & Fred Barrett; framed period photographs including two similar hand painted portraits of Victorian jockeys over photographic bases (one illustrated in the catalogue); Cameronian winning the 1931 Derby; Humourist with Steve Donoghue up; the 1949 Victoria Cup at Hurst Park; a dramatic image of a falling steeplechaser, and many other interesting items (a qty.)

Lot 959

Boxing promotional posters, comprising: five signed boxing promotion posters, signed by the first named boxer only, Holmes v Cooney, Maccarinelli v Haye, Calzaghe v Kessler, Benn v Nardiello & Khan (`Wrath of Khan` poster); together with four unsigned boxing promotion posters, Holyfield v Bowe III, Leonard v Camacho, Holyfield v Holmes & Hearns v Barkley II; sold together with a Shorewood-published repro print of George Bellows` famous painting of the Dempsey v Firpo fight (11)

Lot 1066

A collection of modern cricket ceramics & glass, comprising: a boxed Royal Grafton plate commemorating Len Hutton`s Century of Centuries 1934-1951; boxed Coalport `County Champions` plates for Leicestershire in 1975 and for Essex in 1979; two boxed Royal Worcester `County Centenary` plates for Somerset in 1891-1991; and a boxed Elizabethan China plate printed with a `wagon-wheel` for Viv Richards` innings of 322 for Somerset v Worcestershire in 1985; two Sandland Ware tankards (different sizes) and an ashtray all with a print of the Lord`s Pavilion; a pottery tankard commemorating a century of Test cricket at the MCG; a Franklin porcelain centenary Ashes tankard 1882-1982; a Cambridge China Ware mug for the 75th anniversary of The Cricketer; a Wade shaving mug; a pair of 20th century Staffordshire flatback cricketers; two boxed Michael Virden engraved glassware commemorating the 200th anniversary of the birth of Thomas Lord 1787-1987, a tankard and a dish; the lot also including a Wedgwood Manchester United centenary plate 1878-1978

Lot 1154

Louis Chiron-signed limited edition print after Michael Turner, a sketch depicting the 1931 Monaco Grand Prix winner in his Bugatti, signed in pencil by the driver and artist, numbered 21/100 and bearing the embossed mark of the Donington Collection, framed & glazed, 36 by 56cm., 14 by 22in.

Lot 1160

Nigel Mansell-signed Marlboro Ferrari driver sticker and 1989 Ferrari print, the small sticker signed in black marker pen beneath his printed name, the adhesive backing still protected, plus a print after Arthur Benjamins of him winning first time out for Ferrari at the 1989 Brazilian Grand Prix, printed by Rabe, Modena, 50 by 69cm., 20 by 27in. (2). Provenance: The San Siro Museum, Milan.

Lot 1209

A group of four 19th century rowing prints, Comprising: The Final Heat of The Champion Prize at The Thames Regatta, Putney 1848, published by J.A. Martin, an unsigned depiction of a Racing Eight, a continental unsigned depiction of two coxed-fours racing, and a double-mounted print of the Oxford and Cambridge Crews of 1877, variously sized, all framed & glazed, largest 57 by 47cm., 23 by 19in.

Lot 242

Lots 242 to 245-A collection of memorabilia relating to the football agent and commercial manager Ken Stanley. Huddersfield-based Ken Stanley was a pioneers of football agency and represented players such as George Best and Denis Law, as well as the collective interests of the England squads. He specialised in all areas of off-pitch commercialisation, such as branding, endorsement and promotions. Famously, he was the man behind the Esso World Cup Coin Collection and the recording of "Back Home". A pair of framed autograph displays of the England 1966 and 1970 World Cup squads, the 1966 sheet signed by all 11 England finalists, Alf Ramsey and his staff of Harold Shepherdson and Les Cocker, and nine of the remaining Squad players, mounted together with an original ticket for the final and a World Cup Willie sticker; the 1970 sheet with 30 signatures of players and staff; the two pieces uniformly mounted, framed & glazed, 56 by 41cm., 22 by 16in.; sold together with a Graham Griffiths colour print titled `England World Cup Winners 1966` and a colour printed photograph of the 1970 World Cup squad (4)

Lot 340

MAURIZIO CATTELAN (b.1960), `Sin titulo` Picasso, bachrome print, signed and numbered on reverse.

Lot 721

After Sir William Russell Flint Sonnet XXIV Coloured print, 36cm high x 50cm wide

Lot 722

Sir William Russell Flint (1880-1969) Casual Assembly Colour print, signed in pencil, published by Frost and Reed in 1963, 50cm high x 63cm wide

Lot 741

Snaffles The Worst View in Europe Signed print, 23 x 48cm

Lot 769

19th century School Landscape with Sheep Watercolour unsigned, 18 x 22cm, and a framed engraving of a coaching scene from `The Cambridge Telegraph` and another coaching print (3)

Lot 779

SG Boxsins Winter Landscape with Farmhouse Wood block print in the Japanese taste, 35 x 27cm

Lot 780

McKnight Moonlit Castle View Coloured print, 99/100

Lot 785

After Hiroshige `The Gojo-Ji` Framed woodblock print Signed upper left, foxed, 21 x 34cm

Lot 826

A Victorian coloured print dedicated to the `Hearts of Oak Society`, within oak frame, 75 x 59cm; also `The Town of Paisley` after J Clerk, engraving, 37 x 55cm (2)

Lot 828

W Heaton Cooper Wind and Sun, Westwater Signed coloured print, 28 x 39cm

Lot 830

James McIntosh Patrick The Old Course, St Andrews Print, signed in pencil (249/250), 38 x 50cm

Lot 651

Limited Edition hunting print.

Lot 709

A Helen Stevenson Limited Edition print and another.

Lot 735

James Forsyth Limited Edition print - Country lake scene.

Lot 736

James Forsyth Limited Edition print - Interior barn scene.

Lot 737

James Forsyth Limited Edition print - Winter countryside scene.

Lot 760

Bama: Limited Edition print of a Red Indian.

Lot 800

Oil on canvas river scene and a coloured print.

Lot 928

2 boxes of lighting and a print.

Lot 276

1930 WORLD CUP Original card produced by the pharmaceutical company "Bayer" to commemorate Uruguay`s 1930 World Cup win. Folded card printed on 4-sides, portraits of players, view of the Estadio Centenario, progress of teams with the full tournaments results and a print signed message from the Uruguayan captain Jose Nasazzi to the reverse. Slight ageing, otherwise good. As described

Lot 331

LINCOLN CITY Home programme, 5/4/1926, v Doncaster Rovers, fold and two punch-holes ( minor print affected). As described

Lot 787

WARTIME FOOTBALL A copy of the scarce book by Gordon Andrews, "The Datasport Book of Wartime Football 1939-46", often regarded as the Bible of Wartime Football statistics, results etc and out of print for many years. Very good

Lot 901

MANCHESTER UNITED 1968 Framed , mounted, glazed and autographed colour print of the 1968 European Cup winning side with the trophy.Limited edition 387/1968, signed by all eleven players + Matt Busby. Gilt frame. Good

Lot 905

MANCHESTER UNITED-TREBLE Set of three framed prints by Terence Gilbert, Limited edition 918/1000 (all three have same number). The prints show Beckham scoring v Spurs (League), Giggs scoring v Arsenal (Cup), and Solksjaer scoring v Bayern (Champions League). Each print is signed by the artist and the relevant player, Beckham, Giggs or Solksjaer.

Lot 911

BRENTFORD Programme for practice match, 24/8/46, Whites v Stripes, Final Public Trial, punch-holes (very minimal print affected), folds, pencil score, changes . Fair

Lot 972

BRADFORD CITY Home programme v Accrington Stanley, 5/2/1938, minor fold, one punch-hole almost at the bottom of the page with no print affected. Generally good

Lot 1154

WEST BROM Four home programmes, v Cardiff 6/12/47 ( small punch-hole at top, no print affected), v Wolves, 4/3/50, and 14/4/52 and v Sheffield Utd, 6/3/54, some folds, creases etc but no writing. Fair

Lot 1276

BERT WILLIAMS Limited edition colourised print 112/150, signed by Bert Williams, Wolves and England goalkeeper, the print shows Bert playing against Wales in 1949 and catching the ball whilst airborne.Approx 16" x 12". Generally good

Lot 41

ST MIRREN Home programme for Victory Cup game v East Stirling, 20/4/46, Saints won this first leg 3-1 and went through 5-3 on aggregate. Programme does have punch-holes but print is not affected. Scarce issue. As described

Lot 184

LEEDS UTD Home programme v Grimsby, 24/3/45, punch-holes but minimal print affected, pencil score, changes etc otherwise good. As described.

Lot 176

BLEK LE RAT. Signed in pencil limited edition screen print on paper 41/150 `Beggar`, see verso, (Letter of Authenticity Available). 26.3/4" x 20"

Lot 547

Pair large French prints After Emmanuel Brune, dated 1862 and 1863, "Pavillon d`Agremont sur en Etang" and "Arc de Triomphe", together with a aerial view of Rome print

Lot 5

A box of assorted brassware to include a brass bell, porthole rings, etc plus a box of assorted chinaware to include plates, ornaments, etc, plus two signed Red Arrows prints and a limited edition print of a fox

Lot 66

A 19th Century Chinese export blue and white meat plate decorated with bamboo and chrysanthemums, together with a bronzed Chinese plate, and a framed print in the Persian taste

Lot 236

An oak framed tantalus with brass mounts together with a Tremane pottery table lamp and a box containing billiard balls ,a parasol , spy print "Southwell" and two other prints

Lot 408

AFTER GUY MALET "Rye Harbour", black and white engraving, signed limited edition print No`d 4/25, titled to margin

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