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Lot 77
Five Albums Consisting Mostly of Engravings and Printed PapersIncluding: After Albrecht Dürer (1471-1528) St. Jerome in His Study, engraving on paper; After Gaspard Poussin (1615 - 1675) engraving on paper; Joan Hassall (1906 - 1988) engraving on paper; Laid paper with foolscap watermark; engravings of Ireland and the Isle of Wight; After George Woodward (1706 - 1809), The Royal George coloured print on paper; Broadsheet - the Trial and Jury's Verdict in the case of Edward Oxford for the attempt to shoot the Queen & Prince Albert in the park near the palace; After Van Dyck (1599 - 1641) Montagu Early of Lindsey, engraving on paper by R. Dunkarton; Two engravings of Yorkshire After J.M.W. Turner (1775 - 1851) engraved by J.T. Willmore and T.Jeavons; Thomas Rowlandson (1756-1827) The Double Disaster of New Cure for Love - Rowlandson del et Sculp, engraving on paper.
Lot 84
Four Prints of Planes Including World War II PlanesGerald Coulson, Night of the Hunter, print on paper, Signed by Gerald Coulson, Lady Aitken and The Rt. Hon. Viscount Rothermere.Eubert Taylor, print on paper, bearing multiple signaturesStuart Black, Bravo Tango, Signed in pencil, Print 210/1000
Lot 72
Ronnie Wood (The Rolling Stones)Abstract Stones IIIA limited edition print (67/150) signed in pencil 66 x 45 cm, unframed and rolled up*Please note this Lot is subject to 44% on the hammer price*This lot qualifies for Artist Resale Rights. For further information, please visit https://www.gov.uk/guidance/artists-resale-right
Lot 27
Rebecca Lardner (British, b. 1971)High and Dry ILimited edition artist proof print (15/20) on canvas, signed bottom, certificate of authenticity verso.64.5 x 39cm (framed)This lot qualifies for Artist Resale Rights. For further information, please visit https://www.gov.uk/guidance/artists-resale-right
Lot 28
Rebecca Lardner (British, b. 1971)Breakfast TableLimited edition print (2/195) on canvas, signed bottom right, certificate of authenticity verso.50 x 50cm (framed)This lot qualifies for Artist Resale Rights. For further information, please visit https://www.gov.uk/guidance/artists-resale-right
Lot 440
* Woodville (Richard Caton, 1856-1927). Attack on the Laager of Wagons, 1893, watercolour and gouache on card, signed lower right, damage and loss to the corners, and some scratches, 30.5 x 44cm, unframed, together with a colour print showing the revised version which appeared in the Illustrated London News, 31.5 x 45.5cm, framed and glazed plus a page removed from the Illustrated London News featuring this printQty: (3)NOTESThe Matabili War in South Africa: Attack on the Laager of Wagons was painted by Richard Caton Woodville and published in the 9 December 1893 edition of The Illustrated London News. The First Matabele War was fought in 1893-94 between the British South Africa Company and the Ndebele (Matabele) people. The Battle of Shangani was fought near the Shangani River on 25 October 1893 in what is now Zimbabwe. A large force of Matabele warriors attacked a column of the British South Africa Compay but were repulsed with heavy loss of life to the Matabele force. A laager comes from the obsolete Afrikaans word lager, which comes from the German word Lager (camp or lair) referring to the ancient defensive formation used by travellers throughout the world in dangerous situations in which they would draw wagons into a circle and place cattle and horses on the inside to protect them.
Lot 149
* Taylor (Robert, 1946 -). "Duel of Eagles", colour print, To Commemorate the 40th Anniversary of the Battle of Britain, signed by Douglas Bader and Adolf Galland (signatures faded), 33 x 47cm, framed and glazed, frame size 59 x 72cm, together with a colleciton of signed prints including Berryman (Ivan) Shuttleworth Collection, numbered 91/250, Huxley (Roy), Gloster Gladiator, numbered 264/950, Galloway (Nixon). Tiger in the Fall, numbered 9/650, Tomlin (Robert). Perpetual Motion, numbered 115/750 and Bailey (Robert). Unscheduled Arrival, numbered 52/400, all framed and glazedQty: (6)
Lot 340
* Wallis (Barnes Neville, 1887-1979). A signed black and white print from artwork by John Larder, c. 1970s, showing the Lancaster Bomber City of Lincoln in flight over Lincoln, signed in various pens by Barnes Wallis, Arthur T. Harris, Ralph Cochran, Leonard Cheshire, Ben Lockspeiser, the artist John Larder, and Oliver Fiennes, Dean of Lincoln, printed on card, a little soiling and corner bruising, heavier diagonal crease to lower right corner, 29 x 42 cm, together with 2 further signed prints of aircraft, 'Wellingtons over Wellesbourne' by Nicolas Trudgian, 2009, signed in pencil by the artist and Tony Iveson, Johnny Johnson, Arthur Poore, Rusty Waughman, Bob Stow, Phil Farquharson and Benny Goodman, the second of 'The Boultbee Spitfire', c. 2010, signed to Mary [Stopes-Roe] in pencil by Willy Halkett and Steve B.B., both 29.5 x 42 cmQty: (3)NOTESProvenance: From the family of Barnes Wallis, by direct descent.
Lot 161
* Wootton (Frank, 1911-1998). D-Day June 6th 1944, colour print, numbered 14/850, signed by the artist, Geoffrey Page, Bill Reid, Johnnie Johnson, Roland, L.W. Stark and Roland Beaumont, image size 42 x 62cm, framed and glazed, frame size 66 x 82cmQty: (1)NOTESWing Commander J.E. 'Jonnie' Johnson leads Spitires of No.144 (Canadian) Wing over the beach-bead on the morning of D-Day.
Lot 150
* Taylor (Robert, 1946 -). "St. Croix-Sur-Mer", colour print, numbered 97/1250, signed by the artist, Johnnie Johnson, Danny Browne and Larry Robillard, image size 44 x 66cm, framed and glazed, frame size 89 x 71cmQty: (1)NOTESJohnnie Johnson with Spitfires of his 144 Canadian Wing make their historic first take-off from the temporary airstrip at St. Croix-Sur-Mer on 10th June 1944, recording the first Allied air operation from French soil since the Fall of France in 1940.
Lot 384
Churchill (Clementine, 1885-1977). Photograph signed, 'Clementine S. Churchill', 1945, vintage gelatin silver print by Dorothy Wilding with label and photographer's facsimile signature to mount verso, image 20.5 x 15.5 cm, signed and dated by the sitter on the lower mount, together with a copy of a first edition of her book My Visit to Russia, Hutchinson & Co., [1945], portrait frontispiece, original printed wrappers, a little soiled, small 8vo, plus a Lovell tablecloth embroidered in coloured silks by Mrs F.A. Allen and her two daughers of Nottingham, c. 1941-42, the white cloth embroidered with several hundred autographs including Clementine Churchill, the Duke and Duchess of Portland, the Marquess and Marchioness of Titchfield, the Lord Mayor and Lady Mayoress of Nottingham, the members of parliament for Nottingham, Lord Chatfield and many other public men and private citizens, 125 x 130 cm, plus 2 Typed Letters Signed by Mrs Churchill's private secretary B.M. Crawden, on 10 Downing Street letterhead, 27 November & 11 December 1941, in relation to the tablecloth, the first agreeing to add her signature but regretting that the Prime Minister cannot do the same owing to 'the ever increasing number of similar requests he receives', the second returning the tablecloth which she has now signed, both with some slight soiling and creasing, one page, 4to, plus a similar letter on behalf of the Duke and Duchess of Portland and a related news cutting about the tablecloth from 5 February 1942Qty: (5)NOTESThe embroidered tablecloth was produced for Mrs Churchill's Aid to Russia Fund and according to the news cuttings raised £61. It notes that the tablecloth was to be presented to the Lord Mayor of Nottingham who was to then auction it, the proceeds going to the same cause.
![Churchill (Winston Spencer, 1874-1965). Photograph Signed, 1955, vintage gelatin silver print [by Vivienne], Churchill full f](https://cdn.globalauctionplatform.com/99b16446-913a-4f76-a304-ac6300d3f665/1ed7efd0-1e91-4ac7-a177-ac6400bcbd30/468x382.jpg)
Lot 373
Churchill (Winston Spencer, 1874-1965). Photograph Signed, 1955, vintage gelatin silver print [by Vivienne], Churchill full face and seated, with jacket and bow tie, small white ‘tippex’ mark to right of head, 16.5 x 13 cm, original card mount, signed and dates in brown ink to lower mount, ‘Winston S. Churchill, 1955’, framed and glazedQty: (1)NOTESProvenance: From the Winston Churchill Collection of Major Alan Taylor-Smith (1928-2019).
Lot 448
* Smith (Major General Charles Hodgkinson, 1826-1897). An archive of documents and ephemera, comprising: 8 commission documents, pre-printed on vellum or paper and completed in brown ink, appointing Charles Hodgkinson Smith to various military positions, dated 1845-1877, with embossed paper seals, 5 signed upper left by Queen Victoria, vertical folds as issued, 2 dust-soiled and rubbed, one spotted and toned, approximately 30 x 40 cm (12 x 15.75 ins); an albumen print photograph of 4 soldiers beside a field gun (Charles on left), circa 1860, frayed and marked, trimmed along left-hand edge; a photographic studio portrait of Charles in cravat and bowler hat in later years; a pre-printed letter completed in brown ink dated 27 May 1841, accepting Charles for admission to the Royal Military Academy at Woolwich; and the related commission document dated 1 August 1841 admitting Charles as a Gentleman Cadet in the Royal Artillery, large bifolium, pre-printed and completed in brown ink, horizontal folds as issued, watermarked 'Joseph Coles 1837', together with: Smith (Captain John Weatherell, 1790-1839). An archive of documents and ephemera, comprising: 5 commission documents pre-printed on vellum and completed in brown ink, appointing John Weatherell Smith to various military positions, dated 1807-1832, with embossed paper seals, variously signed upper left by George III, George IV, or William IV, vertical folds as issued, some light dust-soiling and creasing but generally in good condition, approximately 29 x 39 cm (11.5 x 15.25 ins); and 8 items of correspondence, mostly relating to the Captain's retirement, including a printed document stipulating in detail the uniform to be worn whilst on half pay, dated 25th March 1833, and a bifolium written in manuscript entitled 'The Memorial of John Weatherell Smith, Second Captain and Adjutant in the Royal Regiment of Artillery'Qty: (-)NOTESMajor General Charles Hodgkinson Smith was the only son of Captain John Weatherall Smith (1790-1839), grandson of General Sir John Smith (1754-1837), Governor of Gibraltar, and the fifth of six successive generations of one family to serve in the Royal Artillery (of which five are documented). He entered the Royal Artillery in 1845 and saw a great deal of active service overseas whilst serving in the Crimean War, Indian Mutiny, Australia and New Zealand. He was by all accounts a brave and flamboyant young gentleman, apparently risking his own life when cholera was rife during the Crimea, by visiting his men in hospital and rubbing their stomachs to try and relieve their suffering. He was a magnificent horseman and a fine shot, and at one time he owned a famous race horse called Muster Roll. Charles is remembered for his nerves of steel, particularly evident in an incident documented by his cousin: on one occasion, when crossing a narrow bridge over a deep gorge, his nervous charger reared up and pivoted round to face oncoming troops in the opposite direction, necessitating him to force the horse onto its hind legs again and repeat the manoeuvre. He was made a Companion of the Order of the Bath, and was awarded the Crimean Medal, the Turkish Medal and the Indian Mutiny Medal. John Weatherall Smith was the father of Major General Charles Hodgkinson Smith, and the son of General Sir John Smith, and was therefore the fourth of six successive generations of one family to serve in the Royal Artillery. He entered that regiment in 1807 and in 1810 he served as aide-de-camp under his father in Gibraltar. He subsequently saw active service in the Peninsular War, after which he served in Gibraltar under his father again between 1812 and 1814. Here he suffered a severe attack of the prevailing fever; he survived and went on to fulfil the role of Permanent Adjutant of the Royal Artillery at Woolwich, but he never recovered from the effects of the fever, and died a comparatively young man.
Lot 143
* Perring (Bill, 20th century). Flying Fortress, 1993, oil on canvas, showing a Flying Fortress flying over Pin Mill, River Orwell, Suffolk, signed and dated lower left, 51 x 91cm, framed, inscribed verso 'This is the first version of "Flying Fortress!" which was completed in 1993. A second version in which the aircraft was enlarged was painted in 1994 and subsequently published as a limited edition print.'Qty: (1)
Lot 151
* Taylor (Robert, 1946 -)."Last Flight Home", colour print, numbered 171/850, signed by the artist, Bill Reid, Leonard Cheshire, Rod Learoyd and Norman Jackson, image size 36 x 56cm, framed and glazed, frame size 61.5c x 78cm, Broad Street Gallery label verso and certificate of authenticity, together with another colour print by the same artist "Climbing Out", numbered 645/850, signed by the artist and Arthur T. Harris, image size 40 x 61cm, framed and glazed, frame size 67 x 83.5cmQty: (2)
Lot 341
* Wallis (Barnes Neville, 1887-1979). Portrait of Barnes Wallis at his desk holding a pencil and slide rule in the light of an anglepoise desk lamp, 2014, giclee print in pigmented inks by Gary Saunt, signed by the artist in lower image, 48.5 x 39.5 cm, framed and glazedQty: (1)NOTESProvenance: From the family of Barnes Wallis, by direct descent.
Lot 148
* Taylor (Robert, 1946 -). "Broken Silence", colour print, numbered 1071/1250, signed by the artist, Ivor Broom, Leonard Cheshire and John Cunningham, image size 45 x 67cm, framed and glazed, frame size 78 x 96cmQty: (1)NOTESde Havilland Mosquito B.IV's head out over the Norfolk Broads on a summer evening in 1943.
Lot 327
* Wallis (Barnes Neville, 1887-1979). A photograph of ‘twins’ Barnes Wallis and the actor Michael Redgrave dressed in the role of Barnes Wallis during the filming for The Dam Busters (released 16 May 1955), vintage gelatin silver print, numeric code in the negative lower right, signed [for Barnes Wallis] by the actor ‘Sincerely Michael Redgrave’ in dark ink across light grey area of his coat, 17 x 24.5 cmQty: (1)NOTESProvenance: From the family of Barnes Wallis, by direct descent. According to the film’s director Michael Anderson, Wallis initially did not approve of Redgrave’s casting in his role when they all met just before the film’s shooting began. Anderson wrote: ‘Barnes took one look at Redgrave and said, “Good God, you have to be joking, You’re much too young and good looking”.’ However, by the end of the meal at the Cafe Royal Hotel in London Wallis had come round and approved. The photograph’s survival in fine condition among the Wallis family’s possessions for the last 65 years is further testament to that approval.
Lot 517
Title: Curtis Mann (1979): Two various works, mixed media on paperDescription: * 'Loudspeaker (Beirut)', clear acrylic varnish and graphite on bleached found photograph, ed. 1/5, dated 2008Ê Work: 59,5 x 50 cmÊ Frame: 66 x 56,5 cmÊ Provenance: With a 'Galerie Kusseneers' label at the reverse (Antwerp, Belgium).Ê Ê * 'Sculpture, remnant (Lebanon', acrylic varnish on bleached chromogenic development print, ed. 5/15, dated 2008Ê Work: ca. 36 x 28 cmÊ Frame: 53 x 43 cmÊ Provenance: With an 'Aperture Foundation' label at the reverse (New York, USA).
Lot 48
Thomas Tompion portraitThomas Tompion Automatopaeus Mezzotint by John Smith after Godfrey Kneller, 1697, half length with three quarter turn holding a watch movement in his left hand, within a patterned oval border, titled below.(unframed)Dimensions. Height: 34cms/13.5ins Width: 25cms/10ins. (1)Footnotes:Similar examples were sold in these rooms:Fine Clocks, 6 July 2016, lot 106; Fine Clocks, 16 December 2015, lot 159; Fine Clocks, 20 June 2012, lot 75.Godfrey Kneller (1646-1723) was the foremost portrait painter in England and court painter for Charles II to George II.John Smith (1652-1743) was a popular and independent print maker who worked closely with Kneller.For further information on this lot please visit Bonhams.com
Lot 6
Greece.- Dilessi murders.- The Seven Heads of the Greek Brigands, carte-de-visite albumen print on card mount, top corners clipped, London Stereoscopic Co., 1870.⁂ In April 1870 three aristocratic British travellers and an Italian diplomat were kidnapped by bandits near Athens. Ransom negotiations were bungled and three of the hostages were killed near Dilessi before the bandits were captured and executed. The incident caused a serious rift in Anglo-Greek diplomatic relations.
Lot 125
John Wells (British, 1907-2000)Filet dans la Rue Éternelle signed and dated 'John Wells. 1946' (lower right); further signed, titled and dated 'John Wells 1946/Filet dans la rue éternelle.' (on backboard)pen and ink, gouache and crayon on paper13.5 x 21cm (5 5/16 x 8 1/4in).together with a further pen and ink drawing of a cat and a bird, and a linocut print, of the Madonna and Child, both by the same hand(3)Footnotes:Please note that the present lot is offered with a letter from the Artist, from 1950.ProvenanceThe Artist, from whom acquired directly by Trudie Berger, and thence by descent to the present ownerPrivate Collection, U.K.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 208
Ann Christopher R.A. (British, born 1947)Shadow of Lightsterling silver 15.5cm (6 1/8in) highConceived in 2002, the present lot is number 2 from the edition of 9Footnotes:ProvenanceWith Pangolin London, LondonPrivate Collection, U.K.LiteratureA. Christopher and A. Heath, Selected Work 1995-2007; Sculpture, Drawing, Print, Pangolin London, 2010, pp.28-9, illustrated on p. 29This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 668
EVE PAYNE "Cowboy on bucking horse", charcoal study, signed bottom right, approx 53 cm x 44 cm including frame, together with 19TH CENTURY SCHOOL "Study of a donkey's head", oil on canvas, unsigned, approx 45 cm x 37 cm including frame, AFTER LEGRAS "Gentleman on horse back" chromolithograh, a pair, and AFTER JOHN BRIAN EVANSON "He said he could ride!", limited edition signed coloured print
Lot 318
A group of three pictures to include Lucy Strachan - The Artist as a Young Horse, circa 1984, signed, titled and dated print in pencil to lower margins, 74.5 x 50cm, mounted in clip frame; Arlene Slater - Riviera House, Santa Fe, At Sunset, watercolour, singed, 30 x 54cm mounted in glazed frame (condition: crack to glass, some fixing to both top corners), Indistinct artist monogram - standing figures - paper collage, 40.5 x 54.5cm glazed frame, Mary Setchell Ainslie - Cock and Hens Pecking, circa 1995, pastel drawing signed lower right corner, inscribed title verso with artist label 69 x 49cm in a glazed frame, and by the same hand Study of a Topless Woman, pastel, signed and dated in pencil to lower left corner 34 x 49.5cm, mounted in a glazed frame, and Untitled - extensive landscape painting with trees, on board, unsigned 81 x 101.5cm unframed
Lot 129
* Cartes de visite. A cartes-de-visite album, c. 1860s/1880s, containing 50 window-mounted albumen print portraits of clergy, artists and literary figures, including David Livingstone, Cardinal Wiseman, John Leech, Martin Tupper, Charles Dickens, William Makepeace Thackeray, Harriet Beecher Stowe, Alexandre Dumas, plus numerous bishops and deans, two not from life, pencil identifications to many mounts, contemporary embossed morocco with gilt clasps, spine cracked and split along joints, small 8vo, together with a similar album containing 40 photographic cartes de visite from life of British and French subjects, a few in military dress and some identified on mounts, contemporary embossed morocco with gilt and bone clasps, rubbed, small 8vo, preserved in contemporary card box with marbled sides and contemporary manuscript labelQty: (2)
Lot 130
* Cartes de Visite. A collection of approximately 140 albumen print cartes de visite, 1860s and later, mostly portraits and a few topographical interest, plus a group of approximately 100 cabinet cards, mostly portraits but including some topographical and miscellaneous interest, plus a group of 14 stereoviews including one with Herbert Ponting photographs of JapanQty: (approx. 250)NOTESFrom the photography collection of Dr Richard Sadler FRPS (1927-2020).
Lot 133
* Rejlander (Oscar Gustave, 1813-1875). Young boy in a sailor suit, c. 1870, albumen print carte de visite, the young boy full length and smiling with his hands clasped around a pole, photographer's name and address details printed at foot (No. 1, Albert Mansions, Victoria Street, SW) and to verso, additionally inscribed in pencil 'Temple Clay', together with 10 further carte-de-visite portraits, 1860s/1880s, including the photographer Francis Frith as an old man (by Silas Eastham), a large group of the Gladstone family, the swimmer Matthew Webb, John Bright (2), Lord Bathurst, the chemist Alexander Crum Brown, Professor John Wilson, Louis Jules of Prussia in military dress and Prince & Princess Henry of Battenberg with infant Prince, plus one additional carte de visite of Edwin Landseer in his studio (not from life)Qty: (12)
Lot 134
* Russia. A group of 15 albumen print cabinet card views of St Petersburg by A. Felisch, c. 1880s, images 9.5 x 15.5 cm, printed series details to mounts and multilingual printed caption labels to versos, together with 12 stereoviews of Russia and 3 of Budapest, Hungary, all by H.C. White Co., c. 1902, gelatin silver prints, most mounts with printed English descriptions to versos, some curling, plus 6 postally unused Russian postcards, circa 1920s and a sheet with 6 mounted carte-de-visite-size albumen prints, c. 1860s, featuring 5 portraits and 1 street viewQty: (37)
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