Tom Hammick (b.1963) Moonlight (3rd Sea Interlude), 2018 Edition variable reduction woodcut, E.V 11/15 70 x 53 cm Tom Hammick is a British painter and printmaker who gives painting and printmaking equal importance in his practice, with each process feeding the other, both informed by a wide range of source materials distilled through drawing. He prints in London and paints in East Sussex, where he is also Senior Lecturer in Fine Art Painting and Printmaking at the University of Brighton. “With a visionary understanding of the printmaking medium and a beautiful Technicolored palette, he weaves together references to opera, poetry, cinema, architecture, myth and memory,” writes Nerissa Tayson, curator at Glyndebourne Opera House where Hammick has been associate artist since 2019. Hammick has exhibited widely in the UK as well as in the USA, France, Canada, Singapore and Ireland. His awards include the V&A Prize at the International Print Biennale, Newcastle, UK in 2016. His prints are held by many institutions, including the British Museum (Prints and Drawings Collection); Victoria and Albert Museum (Prints Collections); Yale Centre for British Art, USA; the Chinese Academy of Fine Art; the Bibliothèque nationale de France, Paris; the Library of Congress Print Collection, USA.
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Matthew Radford(b.1953)Red Bus, 2018 Giclee print edition of 35, signed 75 x 89 cm. Fascinated by crowds since childhood, painter and printmaker Mark Radford’s subject is the city as a place of constant motion and flux, of surging and receding human tides. Peter Ackroyd, author and ‘biographer’ of London, says of Radford: “He is pre-eminently an urban artist entranced by the life of the city all around him. He understands the variety of the city and he also comprehends its darkness. His work is concerned with the movement of crowds and with the great general drama of the human spirit. He has a sense of energy and splendour, of ritual and display, and he shares the sublime indifference of the city itself.” After graduating from Camberwell School of Art London, Radford has held teaching posts both there and at the Slade School of Art in London, the New York Studio School and Camberwell Art School, UAL. He lives and works in south-east London. Radford has exhibited widely in the UK and has also had solo shows in Los Angeles, New York, California, and Germany. His work is in many private and public collections, including the Victoria and Albert Museum, the Metropolitan Museum of Art, the New York Public Library and the Yale Centre for British Art.
Tom Hammick (b.1963) Sunday Morning (2nd Sea Interlude), 2018 Edition variable reduction woodcut, E.V 11/15 70 x 53 cm Tom Hammick is a British painter and printmaker who gives painting and printmaking equal importance in his practice, with each process feeding the other, both informed by a wide range of source materials distilled through drawing. He prints in London and paints in East Sussex, where he is also Senior Lecturer in Fine Art Painting and Printmaking at the University of Brighton. “With a visionary understanding of the printmaking medium and a beautiful Technicolored palette, he weaves together references to opera, poetry, cinema, architecture, myth and memory,” writes Nerissa Tayson, curator at Glyndebourne Opera House where Hammick has been associate artist since 2019. Hammick has exhibited widely in the UK as well as in the USA, France, Canada, Singapore and Ireland. His awards include the V&A Prize at the International Print Biennale, Newcastle, UK in 2016. His prints are held by many institutions, including the British Museum (Prints and Drawings Collection); Victoria and Albert Museum (Prints Collections); Yale Centre for British Art, USA; the Chinese Academy of Fine Art; the Bibliothèque nationale de France, Paris; the Library of Congress Print Collection, USA.
Screen Print in colors of Indian horseback riding in a mountain pass, signed lower left. Fred Grayson Sayre was a highly successful illustrator who later became one of California's best known desert landscape painters in both oil and watercolor. Overall size: 16 1/2 x 11 in. Sight size: 13 3/4 x 8 1/4 in. Please note that all sales are final. No refunds will be given under any circumstances.
American / New York print. Hand signed in pencil lower right. "Trout Fishing." Ogden Pleissner is known for Fishing-hunting genre and landscape painting. Sight size: 14 1/2 x 22 1/2 in. Overall size: 26 1/2 x 34 1/2 in. Please note that all sales are final. No refunds will be given under any circumstances.
Titled “Seagulls”, silver-gelatin darkroom print, numbered 28/100, signed and dated ’09 in pencil. Bodyscapes, by artist Allan I. Teger, are photographs created by placing miniature figures directly on the body and making a single photograph. Much of Teger’s work is derived from his interest in consciousness and mysticism and from the practice of meditation. Overall size: 20 1/4 x 24 1/4 in. Sight size: 14 x 18 in. Please note that all sales are final. No refunds will be given under any circumstances.
Hedley Fitton (1859-1929) "Gateway, Hever Castle Kent" Original Proof Etching, Signed in pencil, 34cm x 21.5cm, Label to verso for Robert Dunthorne, Print Publisher, The Rembrandt Gallery 5 Vigo st London Condition reportThe picture is beneath glass.The subject looks in good condition.Age staining and foxing to the paper mount.
A quantity of Prints to include limited edition Print No. 35/45 by I. Kaqetzakh, Bridge and Cathedral possibly Hereford by C. Marshall, a quantity of unframed Prints from the collection of The Hong Kong Museum of Art, a Watercolour of a dog initialled A.M.K 1979 and an unsigned Oil on board of a river scene etc.
An Oak framed copyright Print of Photograph by Russell & Sons., Baker Street depicting Queen Victoria, attached verso is a note stating this photograph once belonged to Queen Victoria's daughter, Princess Louise, hung in her bedroom at Kensington Palace. On the princess's death it was given to her housekeeper, Miss Edwards of Shelsley Beauchamp whose sister then left it to a Mr. David Lockwoor. 13 3/4'' x 17 3/4''

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