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Lot 1524
W. Piggott (Sheffield Artist), Herding Sheep on a Woodland Path, watercolour, signed lower left, 29 x 15cm; Jemma Rix, 'Seascape' collage, an original artwork, 26 x 21.5cm; Jenny Devereux 'Fruit Bowl, limited edition print of 250 plus two others; Jemma Rix, 'Seascape', collage original artwork, 26 x 21.5cm; Jenny Devereeux 'Fruit Bowl', limited edition print of 250, signed, Edward Cherry 'Bath Abbey' signed etching, Pheasant Study, original artwork.
Lot 332
A Victorian Overprinted Print on Opaque White Glass, depicting a lady in flowing white dress sitting in an interior, a bronze vase on a gueridon at her side, her foot on an upholstered stool30cm by 18.5cm, in a gilt frame and glazed outer frame, the reverse with paper label MESSRS BASSANO By Royal Warrant PHOTOGRAPHERS TO THE QUEEN 25 Old Bond Street London & 132 King's Road Brighton
Lot 377
A Collection of Various Shells, in a box with geometric section dividers and sliding coverA Sailor's Shell Valentine Diorama, late 19th/early 20th century, of circular form, with a print of a yacht over seaweed and shells under glass within a shell border15cm diameterA Similar Picture of a Dog, within a mirrored and shell frame24.5cm wideA Heart-Shaped Plaque, inscribed FROM YOURS AFFECTIONATE10cmTwo Hinged Rectangular Needle Cases9.5cm and 7.5cm (5)
Lot 212
Charming set for three decorated with transfer print depicting different wild animals; elephant, giraffe, and cougar. Saucers are decorated with a band of tall foliage; gold trim. Crown Staffordshire backstamp. Saucers measure: 5"W. Cups measure: 3.25"L x 2.25"W x 2.25"H. Issued: 20th c.Manufacturer: Crown StaffordshireCountry of Origin: EnglandCondition: Age related wear.
Lot 184
Great Exhibition.- Catalogue Officiel de la Grande Exposition des Produits de l'Industrie de Toutes les Nations, 1851, edited & translated by G.F.Duncombe and F.M.Harman, first French edition, title with border of wood-engraved national coats-of-arms, a few identified in ink manuscript, folding plan & guide loosely inserted, 18pp. advertisements at end, ink manuscript cross-references to margins at beginning (due to differences to the English catalogue), original printed grey-blue wrappers, upper cover with different coats-of-arms, most identified in ink, rubbed and slightly frayed at edges, a few chips, old ink stamp to cover and title, preserved in modern cloth drop-back box with manuscript leaf of notes loosely inserted, 1851 § Doyle (Richard) An Overland Journey to the Great Exhibition showing a Few Extra Articles & Visitors, 8 double-page wood-engraved plates conjoined to form a continuous strip, some foxing, original printed pale blue boards, rubbed & soiled, spine worn (reinforced), 1851, small 4to & oblong 8vo (2) *** Although there are several copies of the first in institutional libraries and the print run was 10,000 copies this is probably a rare survival, particularly as many of the numbers did not correspond to those in the English catalogue and it had to be reissued.The second item shows a procession of people on their way to the Exhibition dressed or carrying objects to identify their countries (America with slaves in chains and cowboys, Germany with large pipe, beer tankard & brass band, Scotland in kilts with cabers, Italy with opera singers and double bass etc.).
Lot 222
Botany.- China.- Lei An (Zhaoxiang Zhang) Bai Hua Shi Jian Pu: A Hundred Flowers, 2 vol., 100 whole-page illustrations, in colour, text leaves, original blue wrappers in oriental style, with paper title labels, housed within custom fabric-covered wrap-around slipcase, bookplate to interior, paper title label to upper cover, large 8vo, Beijing, by China Bookstore and others, 1992*** A facsimile re-print edition of the original from 1911; as a suite of letter-papers depicting floral designs, produced in the third year of the Xuantong era, a complete copy of the original is extremely rare to find.
Lot 49
Samuel and Nathaniel Buck (British 17th/18th century) "The South-West Prospect of Manchester, in the County Palatine of Lancaster" 1728, engraving with script.25 x 70.5cm (framed 43.5 x 88.5cm)The print is in good, original condition. There are some minor spots of foxing across the paper. There is a centre crease running down the sheet which has split in the lower portion and some small holes across the paper. The print is ornately reframed and glazed.
Lot 640
After Fra Angelico - The Annunciation, a 19th century chromolithographic print with gilt haloes, probably 1864 by Storch & Kramer after the 1863 watercolour by Marianecci for the Arundel Society (now in the Birtish Museum), in turn after Fra Angelico's original fresco in the Convent of San Marco, Florence, 31cm x 41.5cm including margins, within altarpiece-type gilt frame with traces of inscription 'Ave Maria Gratia Plena Dominus Tecum Be'di'ta [Benedicta] Tu', under glass, 46.5cm x 53cm overall For the Marianecci watercolour and detail of the 1864 print see https://collections.vam.ac.uk/item/O1011138/copy-after-the-annunciation-fra-watercolour-angelico-fra/
Lot 526
Joachim Christian Geelmuyden Gyldenkrantz Frich (1810-1858) Norangsfjord, Stranda muncipality, Møre og Romsdal county, Norwayoil on board21 x 29cmThe present view is known from an 1848 print after the original by Frich.36 x 45cm framedOverall appears in good, original, stable condition with no signs of restoration under UV light. One small area of loss to the outer edge of the board, top centre. Very light surface dirt commensurate with age. Framed and glazed, the frame with evidence of repairs, with one area of repair now absent (see image).
Lot 570
A group of 7 Cornwall and Suffolk related pictures, 20th century, to include John Higgins, Cornish ruins, signed (lower right), watercolour, 29 x 34.5cm; George Miller, Orford Castle, signed (lower right), watercolour, 21.5 x 16cm; Alan Dunkley, St Just, ink, 8 x 13cm; Diana Marsden, South Lookout, Aldeburgh, signed (lower right), ink and wash, 21 x 14.5cm; Margaret Seekins, Ding Dong Mine, Near Penzance, signed (lower right), hand coloured print, 19.5 x 15.5cm; a facsimile engraving of Cornish Tin Mines, 23 x 34cm; and a metal relief picture of a tin mine, 16 x 11cm (7)
Lot 362
A 19th century pearlware pottery table centre piece. Decorated in blue and transfer print, height 11cm together with various other 19th century and later blue and white pearlware including two small tureens and covers, a tureen stand, twin handled loving cup, two soup plates, three diner plates, small bowl and a teacup. (12)
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314753 item(s)/page