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MIGUEL DE CERVANTES (Alcalá de Henares, 1547 - Madrid, 1616)"L'enginyós cavaller Don Quixot de La Manxa".Sant Feliu de Guíxols: Octavi Viader, 1936.Guarro paper.2 vols.Copy no. 19. Print run of 560.Measurements: 32 x 24,5 cm.Beautiful 1930s Catalan edition of "Don Quixote", in two volumes, with rich Renaissance-style decorations, in bright colours, on the title page, at the beginning of the chapters and in the capital letters.
Utagawa Kunisada (1786-1865), 'Mirrors for Collage Pictures in the Modern Style: Nakamura Shikan IV as Shirabyoshi Sakurako', woodblock print, published circa 1860, 35cm x 25cm; also Toshi Yoshida (1911-1995) 'Cherry Blossoms by the Gate', woodblock print, published mid 20th century, 39cm x 26cm (2)
Imao Keinen (1845-1923) 'Joseph?s Coat, Grey Ouzel', woodblock print, published 1891, 33cm x 24cm; also Utagawa Hiroshige (1797-1858) 'Kinryuzan Temple in Asakusa', woodblock print, published circa 1845, 24cm x 35cm; unknown Japanese artist 'Woman Pruning Iris Flowers, Mt. Fuji in the Distance', woodblock print, probably 20th Century, 34cm x 25cm; and unknown Japanese artist 'Priest Offering Flowers', woodblock print, probably 20th Century, 33cm x 24cm (4)
Ohara Koson (1877-1945), 'Spider and Bull-Headed Shrike', woodblock print, published early 20th century, 34.5cm x 18.5cm; also Ohara Koson 'Crow on a Snowy Branch', woodblock print, published early 20th century, 34cm x 18cm; Ohara Koson, 'Three White Mice and a Feather', woodblock print, published early 20th century, 34.5cm x 18.5cm; and Ito Sozan (b. 1884), 'White Egret', woodblock print, published circa 1930, 38cm x 16cm (4)
Utagawa Hiroshige (1797-1858), 'Maisaka: View of Imagiri', woodblock print, published 1833, 23cm x 33cm; also, by the same hand 'Cherry Blossoms on the Tama River Embankment', woodblock print, published 1856, 33cm x 22cm; 'Ueno in Iganokuni', woodblock print, published mid 20th Century, 28cm x 19cm; and 'Ishiyana Temple on Lake Biwa in Omi Province', woodblock print, published mid 20th Century, 27cm x 19cm (4)
In the manner of Utagawa Kunisada (1786- 1865), 'Warrior and Servant', woodblock print, probably 19th Century, 35cm x 23cm; also 'Man?s Head', woodblock print, probably 19th Century, 35cm x 24cm; 'Warrior', woodblock print, probably 19th Century, 35cm x 24cm; and unknown Japanese Artist, 'Two Priests and a Goddess', hand-coloured print, probably 20th Century, unframed, 39cm x 30cm (4)
Utagawa Hiroshige (1797-1858), 'Snow at Night Depicting a House, River and Ornamental Garden Under Falling Snow', woodblock print, published 19th Century, 25cm x 38cm; also, by the same hand 'Tokaido Goju-san Tsugi', woodblock print, 19th Century, 22cm x 18cm; and two Japanese woodblock prints, probably 20th Century 'An Opening Pomegranate', 24cm x 32cm and 'A Long-Tailed Bird Catching a Fly', 24cm x 37cm (4)
Stage & Screen Icons - Marilyn Monroe Interest, Frank Worth photographic print, from How To Marry A Millionaire, estate blind stamp, No 32/270, with certificate ; Billy Wilders Some Like it Hot, The Funniest Film Ever Made; the complete book, Taschen 2002 with box; assorted Marilyn Monroe calendars, mostly sealed qty
Various albums of photographs, Norway 1950's, photographic print cards, others, Austria, Cortina 1954, street scenes in Innsbruck, Marino, other Italy to include milkman with dog cart 1954, others Austria 1950's other printed books, photographs, photographs of Belgium in the 1950's, some official prints, other photographs, etc. (3 albums)
English School. Highland Landscape with cows grazing, 1868, watercolour, signed with monogram (CPP), and dated lower left, 27.5 x 46 cm (10.75 x 18 ins) mount aperture, gilt frame, glazed, together with an early 20th century watercolour view of an Indonesian harbour scene by M.T. Hla (some toning), an early 20th century watercolour of houses by a bridge by Hugh Adair, and a signed limited edition colour print by Arthur Briscoe, all framed and glazed (the latter with glass cracked)Qty: (4)
Hale (Kathleen, 1898-2000). Manda, the Jersey Cow, watercolour and pencil on paper, some light spotting (mainly at edges), mount aperture 26.0 x 34.0cm (10 1/4 x 13 3/8ins), framed and glazed (49.3 x 56.1cm), verso with red ink number 116, relating to the Kathleen Hale Memorial Exhibition held at the Redfern Gallery in 2001, and 2 pencilled numbers, together with: Hassan and Grace go for a Drive, circa 1958, two preliminary sketches for facing pages in Orlando's Magic Carpet (pp.20-21), which together form a continuous scene of the car journey, with camels and donkeys sharing the road with Hassan's car, both watercolour and pencil on paper, mount apertures 14.4 x 18.8cm (5 5/8 x 7 3/8ins), & 16.1 x 19.1cm (6 1/4 x 7 1/2ins) respectively, framed and glazed (36.6 x 40.0cm & 38.6 x 40.5cm respectively), the first with pencilled title on verso, with inscription 'Goldmark No 13', plus label of Goldmark Gallery, Rutland, and several numbers in coloured inks, one of which (no.87) relates to the Kathleen Hale Memorial Exhibition held at the Redfern Gallery in 2001, the second with 'Orlando's Magic Carpet' inscribed on verso, with the number 88A[?], plus: Can you see Mr. Fluff sitting like a Pom-Pom on the old Lady's hat?, 1940s, pen & blue ink and watercolour on paper, with some white bodycolour corrections, title inscribed by the artist in blue ink, a few spots and minor marks, mount aperture 31.0 x 21.5cm (12 1/4 x 8 1/2ins), framed and glazed (53.2 x 42.5cm), verso with pencilled 'No. No.', and number 32, and with red ink number 71, relating to the Kathleen Hale Memorial Exhibition held at the Redfern Gallery in 2001, with a print of the oil painting 'Orlando reclining amongst flowers', mount aperture 15.8 x 19.4cm (6 1/4 x 7 5/8ins), framed and glazed (27 x 29.8cm)Qty: (5)Footnote: Manda the Jersey Cow is also listed in the Michael Parkin exhibition A Summer Picnic of Pictures, 2002 (number 29) as 'Jersey Cow'. 'Can you see Mr.Fluff ...?' is a proposed illustration for an unpublished children's story 'Mr. Fluff', part reproduced in colour in Kathleen Hale's autobiography A Slender Reputation (plate 16).
Hardinge (Charles, Stewart). Gulab Sing, Kashmir, 1847, colour lithograph, published by Thomas Fairland, plate size 38 x 29cm, sheet size 53 x 36.5cm, together with The Relief of Lucknow & Triumphant Meeting of Havelock, Outram, & Sir Colin Campbell, monochrome print after the original by Thomas Jones Barker, 1859, published by S. Lipschitz, London, poor condition, plate size 43 x 62cm, sheet size 54 x 71cm, plus In the Karwan, A Suburb of Hyderabad, 1834, colour lithograph, image size 22 x 26cm, sheet size 34 x 42cm, all unframedQty: (3)
Havell (William, 1782-1857). Clifden Spring and Woods, near Maidenhead, 1818, aquatint engraving on paper, by Robert Havell (1769-1832) after William Havell, printed title and imprint to lower margin, few pale spots, mainly to sky area, mount aperture 39.0 x 50.5cm (15 3/8 x 19 7/8ins), framed and glazed (57.2 x 69.0cm), verso with label of The Parker Gallery, London, with pencilled note 'May '83 reframed. Print cleaned', verso also with ink manuscript annotation to lower area, regarding artist, origin of engraving, and suggested provenanceQty: (1)Footnote: Provenance: Ink manuscript annotation on verso: "This picture could have belonged to Ben Maggs [of Maggs Bros.]and have been removed after his widow's home was bombed. Stored in the 40's by F.B. and not in good condition - well restored by Parkers in '83." One of 12 aquatint engravings produced for the book A Series of Picturesque Views of the River Thames. Originally published in 1812 by both Robert and Daniel Havell, by 1818 when the second edition was published by Thomas McLean (from which this item is taken), Daniel had left the family business. Therefore the imprint has had Daniel's initial removed, leaving 'Engraved by R. Havell', with a space between 'R.' and 'Havell'.
Military Portraits. The Right Honourable Francis Earl of Moira, stipple engraving after F. Bartolozzi RA., engraved by H. Landseer, published by C. Willonson, London, image size 47 x 37.5cm, sheet size 55 x 42.4cm, together with General Francois Severin Desgraviers Marceau (1769-1796), colour engraving after Antoinne Francois Sergent, image size 43 x 32, sheet size 53 x 40.5cm, The Honble Robert Henry Clive, M.P., monochrome engraving after H.W. Pickersgill, RA, engraved by G.T. Payne, image size 63 x 41cm, John Walker Pease, mezzotint after Sir Francis Grant, engraved by Thomas Lewis Atkinson 1876, Print Sellers association blind stamp lower right, image size 66 x 39cm, another by the same artist, engraved by S.W. Reynolds 1850, 69 x 42cm and othersQty: (8)
Military Prints. London Scottish Rifle Corps, Lord Elcho, M.P., Lieut. Colonel Commandant 1860, colour lithograph after H. Fleus, printed by M & N Hanhart, 47 x 29cm mount aperture, together with The Turkish Contingent, colour print after Henry Martens from designs of uniforms made by Landon, Morland & Landon 1856, published by Rudolph Ackermann, 36 x 25.5cm mount aperture, Reminiscences of the Camp The Rifle Brigade, monochrome lithograph, published by Messrs Preston, London 29 x 37.5cm, The Ninth (Queen's Royal) Lancers and other printsQty: (35)
Palmer (Henry). Indian Life Sketches, 1816-1866, 1st edition, Mussoorie: Mafasilite Printing Works, [1888], [iv], 67 pp., 6 mounted albumen print photographs including 2 after drawings, errata slip tipped in before title, Lucknow Regimental red, blue and gilt label pasted to upper margin of preface leaf recto, some spotting and scattered minor soiling, upper inner hinges cracked, original limp brown cloth lettered in black, rubbed with some soiling and fading, slight edge fraying, slim 8voQty: (1)Footnote: This privately printed memoir by General Henry Palmer of the Bengal Staff Corps includes his reminiscences of the siege of Lucknow. The photographs of Baillie Guard Gate, Lucknow residency, city of Kandahar, Bala Hissar (Kabul), Ghuznee Fortress and Kot (Kangra), the last two not from life. Very rare with no other institutional copies traced.
Sendak (Maurice). Pictures by Maurice Sendak, London: Bodley Head [cover-title], 1971, 19 colour and black & white illustrations on single sheets, reproduced from books illustrated by Sendak, with four-leaf artist's explanatiory text (with colour illustration at head), with an additional illustrated poster for Dear Mili, by Wilhelm Grimm and illustrated by Maurice Sendak, loose as issued in original drop-spine box, upper cover with decorative floral print paper from a design by Sendak, some light fading to edges, printed paper label to upper cover, folio, (limited edition, 144/1000 copies)Qty: (1)Footnote: Included are illustrations from Where the Wild Things Are, Lullabies and Night Songs, In the Night Kitchen, Mr. Rabbit and the Lovely Present, and others.
Brooke (Ralph). A Discoverie of Certaine Errours [& A Second Discoverie of Errours], Published in print in the much commended Britannia, 1594..., to which are added, the learned Mr. Camden's answer to this book; and Mr. Brooke's reply..., 2 parts in one, 1724 & 1723 respectively, engraved portrait frontispiece (repaired to inner blank margin), title in red and black, early marginal notes throughout, volume separated throughout by several contemporary vellum slips each with manuscript sectional caption written at end, 19th century half calf, rubbed, 4to, together with: Valerius Maximus, Valerius Maximus: editionis Pighianae, [Leyden]: ex officina Plantiniana Raphelengii, 1612, some browning to title, toned throughout volume, front free endpaper with ownership of Franciscus Within dated 1649 (leaf torn at head), contemporary calf, upper joint split, worn at head and foot of spine with loss, paper label to spine, 16mo in 8s, Ambulator: or, A pocket companion in a tour round London, within the circuit of twenty-five miles..., 7th edition, corrected and improved, London: Scatcherd & Whitaker, 1794, folding hand-coloured engraved map (cropped to margins), contemporary half calf, morocco title label, light wear, 8vo, and other miscellaneous antiquarian, some odd volumes, including 3 volumes set of Gough's edition of Camden's Britannia, lacking all mapsQty: (a carton)
Imcos Journal. A broken run, nos. 40, 42, 46, 48 - 167, 125 issues, Spring 1990 - December 2021, numerous illustrations throughout, publisher's card wrappers, each approximately 250 x 190 mm, together with The Map Collector. A broken run, nos. 7, 10, 21, 30, 41, 42, 45, 46, 52 - 74, 31 issues, June 1979 - Spring 1996, numerous illustrations throughout, publisher's card wrappers, each approximately 300 x 210 mm, with the indexes for issues 41- 50 and 51 - 60, with Mercator's World. Volume 1 nos. 1 - 6, Volume 2 nos 1 - 6, Volume 3 nos. 1 - 6, Volume 4 nos. 1 - 4, 22 issues, 1996 - July/August 1999, plus five map reference volumes and eleven issues of The Bookman's Journal and Print Collector, various sizes and conditionQty: (194)
Gulf War Period Escape "Goolie" Chit 16 x 13 inch, printed nylon panel. American and British flags with language panels in English, Arabic, Kurdish, Turkish and Farsi. Together with a small selection of prisoner of war paperwork ... Framed print of a F-111F of 524 Fighter Squadron. Various signatures. Payment by BANK TRANSFER ONLY
Military Officer 1833 Dated Watercolour fine watercolour of a British Officer with two steam ships in the background. Dated to the base 1833. Modern frame and glazed. Together with book print of ""The Rt Hon Earl St Vincent"" ... Similar example ""Sir John Douglas"". Both framed and glazed. 3 items. Payment by BANK TRANSFER ONLY
Six Various Military Prints consisting 5 x coloured etchings of various Royal Marine costumes. All framed and glazed. Together with a WW1 period Memorial print commemorating the Royal Navy and Royal Marines who served their country in WW1. Contained in period oak frame. 6 items. Payment by BANK TRANSFER ONLY

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314766 item(s)/page