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Lot 100
Gerhard Richter (b.1932) - Ifrit, 2014 diasec-mounted chromogenic print on aluminium, numbered on the reverse from the edition of 500, published by Heni Productions, London, 13 x 17 3/8 in., 33 x 44 cm Provenance: Private Collection, Germany. This editioned work is derived from an original enamel on glass work of 2010 [catalogue raisonne 915-20. IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 4
** Jeremy Deller (b. 1966) - I Love Melancholy, 1993 wall painting comprising stencilled text in black gloss paint on black matt paint, from the edition of 5 stencil sheet 24 x 87 in., 61 x 221 cm, overall dimensions variable Provenance: Cabinet, London. This work is accompanied with a certificate of authenticity from the artist, signed and dated 2000. The work was exhibited to much acclaim at the artist's recent retrospective at the Hayward Gallery, London, in 2012. The artist himself describes this work as follows: "This work was a reaction against the whole 'I ♥ ' or 'I'd rather be " culture in the 1990s. I wanted to celebrate something that wasn't active, dangerous or 'manly'. Something that is actually introverted, non-active and potentially depressing. It was originally a print, but then I later made a wall-painting and then a t-shirt. When this is installed as a wall painting, it often has a human component, a young person quietly reading in the corner of the room." One of Britain s best loved and most popular contemporary artists, Jeremy Deller uses populist media such as posters, T-shirts, television documentaries even bouncy castles to examine the eccentricities of what we consider to be the British psyche. His work is witty and playful, but not disposable: through much of the work lies a charming sentimentality, a poignant inclusiveness and above all a powerful meaning. IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 5
** Jeremy Deller (b. 1966) - Keith Moon: A Retrospective, c1995 silkscreen print on paper, published in the artist's series 'Posters' 1994-6 25 1/4 x 17 1/2 in., 64.2 x 44.4 cm (frame) Provenance: Cabinet, London. IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 66
Angus Fairhurst (1966-2008) - Single Page Spread, 2006 encaustic over reproduction print and mounting crad, framed in the artist's frame, signed, titled and dated on the reverse of the backing board overall 21 1/2 x 17 in., 54.6 x 43.3 cm Provenance: Grimm Gallery, Amsterdam, The Netherlands. IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 488
William Edward Trevithick, British 1899-1958- Rolls-Royce T62; gouache/collage with white opaque and air brushing on artist's board, 54.7x38.1cm: together with two others by the same artist- Plane angled front view, & Spitfire front view: gouache with white opaque and air brushing on artist's board, 54.7x38.1cm ea., (3) (unframed) (may be subject to Droit de Suite) Provenance: Gifted to the present owner by the artist's widow Bessie Trevithick CONDITION REPORT: Unframed - on artists board (stuck down) discolouration of paper inside/yellowing/tape marks on two edges handling marks on paper round the edges/margins inscribed down one side and print instructions minor stain mark in picture near small planes and wing of large plane otherwise in good general condition Unframed - on artists board (stuck down) with grey front cover, and paper cover with print directions inscribed discolouration of paper inside/yellowing handling marks on paper round the edges/margins inscribed on margins Yellow mark in the centre - not sure if deliberate or not. otherwise in good general condition Unframed - on artists board (stuck down) discolouration of paper inside/yellowing handling marks on paper round the edges/margins inscribed bottom right otherwise in good general condition
Lot 489
William Edward Trevithick, British 1899-1958- Rolls-Royce with RAF logo on planes; gouache/collage with white opaque and air brushing on artist's board, initialled and numbered 46, 54.7x38.1cm: together with two other works by the same artist- "Armstrong Whitworth Officially Recommend", & Design for Castrol aircraft; gouache with white opaque and air brushing on artist's board, and the other on scraper board (monochrome), 54.7x38.1cm ea., (3) (unframed) (may be subject to Droit de Suite) Provenance: Gifted to the present owner by the artist's widow Bessie Trevithick CONDITION REPORT: Unframed - on artists board (stuck down) discolouration of paper inside/yellowing on margins (3 sides) handling marks on paper round the edges/margins/minor tear on margin inscribed down one side with print instructions minor discolouration/stain/spot on first and largest plane in picture initialled and numbered under Rolls Royce logo otherwise in good general condition Unframed - on artists board (stuck down) with tracing paper over the top A/F discolouration of paper inside/yellowing on margins handling marks on paper round the edges/margins/minor loss on three corners inscribed down one side with print instructions painted lettering on lower half and blank circle for logo otherwise in good general condition Unframed - scraper board stuck down on artists board grey protective cover handling marks and minor surface dirt pencil marks with instructions for printers otherwise in good general condition
Lot 490
William Edward Trevithick, British 1899-1958- Rolls-Royce with three RAF planes in formation; gouache with white opaque and air brushing on artist's board, initialled and numbered 43, 54.7x38.1cm: together with one other by the same artist- KLG plug detail; gouache on artist's board, initialled, 54.7x38.1cm., (2) (unframed) (may be subject to Droit de Suite) Provenance: Gifted to the present owner by the artist's widow Bessie Trevithick CONDITION REPORT: Unframed - on artists board (stuck down) discolouration of paper inside/yellowing on margins and minor tears on edges handling marks on paper round the edges and surface dirt inscribed bottom edge with print instructions minor discolouration/stain/spot on first and largest plane in picture initialled and numbered under Rolls Royce logo otherwise in good general condition Unframed - on artists board (stuck down) - with cover page and details of client Messrs. KLG Sparking Plugs Ltd tracing paper sheet with printer instructions over artwork inscribed on the sheet with pencil yellowing round the edges of the sheet and minor losses to the edges of the paper minor stain on the paper otherwise in good general condition
Lot 491
William Edward Trevithick, British 1899-1958- "The Aeroplane - Rolls-Royce Aero Engines For Speed and Reliability"; gouache/collage with white opaque and air brushing on artist's board, initialled and numbered 67, 50x38cm: together with four other works by the same artist- Rolls-Royce engine, Rolls-Royce decorative border for Phantom III, Rolls-Royce Mayfair 6201 & Rolls-Royce border; gouache/collage with white opaque and air brushing on artist's board, & pencil and pen drawing on paper on artist's board, 54.7x38.1cm (2), 37x51cm, 38x55cm., (5 in the lot) (unframed) (may be subject to Droit de Suite) Provenance: Gifted to the present owner by the artist's widow Bessie Trevithick CONDITION REPORT: Unframed - on artists board (stuck down) discolouration of paper inside/yellowing on margins handling marks on paper round the edges and surface dirt inscribed down the sides with print instructions minor black dot in body of image initialled and numbered under tag line otherwise in very good general condition Unframed - on artists board (stuck down) discolouration of paper inside/yellowing on margins handling marks on paper round the edges Foxing/major discolouration down right side of image otherwise in reasonable general condition Unframed - on artists board (stuck down) - with artist's cover page and tracing paper drawing on paper, which is stuck down board handling marks on paper round the edges/margins & instructions for printers on margins in pencil otherwise in good general condition Unframed - on artists board (stuck down) - with artist's cover page and tracing paper drawing on paper, which is stuck down board handling marks on paper round the edges/inscription on work otherwise in good general condition Unframed - on artists board (stuck down) - with artist's cover page and tracing paper drawing on paper, which is stuck down board handling marks on paper round the edges/ yellowing of margins, inscription on work otherwise in good general condition
Lot 114
1919 London Underground MAP OF THE ELECTRIC RAILWAYS OF LONDON 'What to See & How to See it' with print-code 209-500M-18-6-19. Has the black, open, bullseye circle on the cover and opens out in 8 panels to 13.7" x 10.9" (34 x 28cm). In unmarked, used condition with a couple of fold-partings and general wear. [1]
Lot 22
Capital Transport BOOK 'LONDON TRANSPORT CAP BADGES', the definitive and only reference work on the subject, written by David Lawrence. Fully illustrated in b&w, it was published in 1989 and, being long out of print, is now much sought after. Hardback book in good condition, lightly read. [1]
Lot 229
WW2 London Transport 'Sunday Outlook' LEAFLETS, a weekly series issued when the authorities wished to boost wartime morale by encouraging limited leisure travel on Sundays. There are 2 copies each of the issues with print-codes 4821, 4835, 4873 and 4921 - all issued in 1940. Few of these have survived. One has age-spotting but the others are in very good condition. [8]
Lot 288
First-year edition of the BECK UNDERGROUND MAP 'Underground Railways of London", this being the undated edition without a print-code issued in approx August 1933 with mention of the reconstructed & re-named stations at Green Park and Holborn opening in September that year. A fold-out card map with some creasing but otherwise unmarked and good. [1]
Lot 32
1919 London Underground MAP OF THE ELECTRIC RAILWAYS OF LONDON 'What to See & How to Travel' with print-code 395-500M-2-10-19. Has the red, open, bullseye circle on the cover and opens out in 8 panels to 13.7" x 10.9" (34 x 28cm). In very good, unmarked condition with just minor age-darkening in places. [1]
Lot 397
First-year edition of the BECK UNDERGROUND MAP 'Underground Railways of London", this being the undated edition with print-code 33-2791 issued in approx September 1933 and showing the escalator connection between Bank and Monument stations. A fold-out card map in lightly-used, unmarked condition. [1]
Lot 5
First-year edition of the BECK UNDERGROUND MAP 'Underground Railways of London", this being the undated edition without a print-code issued in approx August 1933 with mention of the reconstructed & re-named stations at Green Park and Holborn opening in September that year. A fold-out card map in excellent condition. [1]
Lot 87
1913 official UNDERGROUND MAP OF LONDON, "What to see and how to see it". Print-code: 187-150 M-1-6-13.This is the map shown on p59 of Capital Transport's "No need to ask" reference work and shows the planned extensions of the Bakerloo, Central and Hampstead Tubes. The cover features one of the first printed versions of the bullseye logo, forerunner of today's roundel. Ex-guidebook issue with small edge-trim. Light wear but generally good. [1]
Lot 92
2nd edition of the Harry Beck London Underground diagrammatic, fold-out MAP issued in February 1933 with print-code 376-20,000-17-2-33. This is the special version relating to the opening of the stations at Southgate and Enfield West. This was a limited print-run and this is a scarce issue. A little light wear but overall in very good condition [1]
![Ginger' Limited edition signed print (167/500) of the Spitfire/Hurricane [check] by EA Mills 2'6'' x 2'.](https://cdn.globalauctionplatform.com/51ff9c19-1bfa-4cca-a1ed-a4b5009d731f/cd4e1cdb-7d40-4811-b3b7-dc3e23d67e40/468x382.jpg)
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314783 item(s)/page