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Lot 19
A framed and glazed National Portrait Gallery edition James Abbe (1883-1973) photographic print on Portriga paper, Rudolf Valentino & Natasha Rambova, New York. Released in 1995 by Kathryn Abbe after the 1922 original photograph and numbered 12 of 100. Signed by Kathryn Abbe verso. Image size 27cm x 34cm
Lot 151
Laurence Stephen Lowry RA (1887-1976)' Deal Beach Sketch - an original signed L S Lowry lithograph print of the preliminary sketch depicting a beach scene in Deal. Signed in pencil LR Lowry to lower right corner with the Fine Art Trade Guild blindstamp and letters EKC. Venture Prints Ltd 1973 copyright to corner. Measures approx; 28cm x 36cm border) / 17cm x 25cm (print).
Lot 171
A group of three small miniature pictures dating from the 19th Century comprising an early 20th Century Sailors shell framed display with pictorial of the White Star Line ship Titanic, embroidered panel of oval form with bridge and the other being a hand coloured print depicting two classical women. Measures approx; 16cm x 20cm.
Lot 138
AFTER MALCOLM COWARD,THE PEDICURElimited edition no. 355/850, signed in pencil, mounted, framed and under glass, 63cm x 76cm, along with two further signed limited edition prints after Malcolm Coward, also a signed limited edition print after Neil Cawthorne (4)Condition of all prints and frames is good, no signs of foxing or bleaching.
Lot 382
AFTER CLAIRE EVA BURTON,THE START, CHELTENHAM,Limited edition coloured print, signed, titled and dated 1982 in pencil, also numbered 406/500,overall size 74cm x 82cm,mounted, framed and under glassCondition is good overall, no foxing present. The framer's tape on the back of the frame needs to be replaced.
Lot 42
BARBARA ROBERTSON,THE WINTER MOX,limited edtion colour print, 11/18, signed in pencil and dated 83,image size 60cm x 39cm, overall size 81cm x 61cm; along with another limited edition colour print by the same artist, The Great Sub Tropical Star, 5/20, signed in pencil and dated 81, image size 38cm x 50cm, overall size 58cm x 69cm, both mounted, framed and under glass (2)
Lot 12
Malick Sidibé (Mali, 1935-2016)Nuit de Noël (Happy Club), 2012 signé, daté et titré en bas à droite dans la marge 'Nuit de Noël (Happy-club) 1963 Malick Sidibé/ 2012' tirage argentiquesigned, dated and titled 'Nuit de Noël (Happy-club) 1963 Malick Sidibé/ 2012' to the lower margingelatin silver print24 x 17,5cm. 9 7/16 x 6 11/16in.Footnotes:ProvenanceCollection privée, FranceExpositionsGothenburg, The Hasselblad Center, Malick Sidibé, 25 October 2003 – 11 January 2004, p. 82 (another print illustrated and exhibited)Houston, USA, African Art Now: Masterpieces from the Jean Pigozzi Collection, 29 January – 8 May 2005, pp. 33, 184 & 221 (another print illustrated and exhibited, pp. 47 & 185)Houston, USA, The Menil Collection; Lagos, Nigeria, Centre for Contemporary Art; and St. Louis, USA, The Pulitzer Foundation for the Arts, The Progress of Love, 2 December 2012 – 20 April 2013, pp. 30 & 69 (another print illustrated and exhibited)Paris, Fondation Cartier pour l'art contemporain à Paris, Malick Sidibé, Mali Twist, 20 October 2017 – 25 February 2018, pp. 195 & 259 (another print illustrated and exhibited)LittératureGiovanna Cugini, ed., Collection of Contemporary African Artists (Lugano, Switzerland, 2020), p. 361 (another print illustrated)Chika Okeke-Agulu et al., African Artists From 1882 to Now (London, 2021), p. 295 (another print illustrated)Malick Sidibé étudie d'abord la joaillerie à l'Ecole des artisans soudanais de Bamako avant d'être embauché pour décorer le studio du photographe français Gérard Guillat. Devenu apprenti, il adopte rapidement la technique et l'oeil d'un photographe professionnel à part entière.Initié et amateur des clubs de Bamako dans les années 1960 et 1970, Malick Sidibé capture des scènes et des moments spontanés comme Nuit de Noël, illustrant simultanément l'intimité et l'anticipation d'une rencontre impromptue, ainsi que la fierté et l'exubérance d'une nation nouvellement libérée.'Sa photographie était pensée sur le mode de ce qui surgit, de ce qui arrive au hasard, de la bonne rencontre. Il était dans la présence, immortalisait des moments. Nuit de Noël, d'une douceur et d'une tendresse 'infinies', est un instant volé au temps. Ses images dévoilent une conscience aiguë de coïncidences heureuses qui l'ont voulu infatigable, généreux, aimant.' (M. Sidibé, p.9; André Magnin.)BibliographieMalick Sidibé, Mali Twist, exh. cat., Fondation Cartier pour l'art contemporain, Paris, 20 October 2017 – 25 February 2018Malick Sidibé began his creative practice studying jewellery making at the Maison des artisans du Soudan, Mali (known as the Maison des Artisans de Bamako since 2006). From there, he was hired to decorate the studio of French photographer Gérard Guillat, who eventually offered him a position as an apprentice. Sidibé quickly picked up the professional studio techniques which he coupled with his unique creative vision in his own photography practice. In 1957, Guillat's studio closed, prompting Sidibé to begin recording Bamako nightlife on film. Drawn particularly to the Bamako clubs in the 1960s and 1970s, Sidibé captured spontaneous scenes of the vibrant youth culture of the Malian capital, such as that depicted in Nuit de Noël – a photograph which illustrates both the intimacy and anticipation of an impromptu encounter, as well as the exuberance of a newly liberated nation. '[Sidibé's] photography is conceived out of the fashion in which it arises, what happens by chance, the right encounter. He was in the present, immortalising moments. Nuit de Noël, with its 'infinite' softness and tenderness, is a moment stolen from time. His images reveal an acute awareness of happy coincidences which made him tireless, generous, and loving' (André Magnin, 2017: p. 9).BibliographyMalick Sidibé, Mali Twist, exh. cat., Fondation Cartier pour l'art contemporain, Paris, 20 October 2017 – 25 February 2018For further information on this lot please visit Bonhams.com
Lot 2115
Darchinger, Josef Heinrich. Wirtschaftswunder. Deutschland nach dem Krieg, 1952-1967. Mit signierter und nummerierter Original-Photographie von J. H. Darchinger sowie zahlreichen meist ganzseitgen photographischen Abbildungen. Köln, Taschen, 2008. 288 S. 34,5 x 41 cm. Farbig illustrierter Original-Halbleinenband mit goldgeprägtem Rückentitel in Original-Leinenschuber mit montierter Deckelvignette und Blindprägung (minimal lichtrandig).Eins von 1000 (GA 1200) nummerierten, auf dem Vortitel von J. H. Darchinger signierten Exemplare mit dem Pigment-Print "Berlin, Reichstag, 1958", verso signiert und auf einem Etikett nummeriert und bezeichnet. - Der schöne Bildband aus der TASCHEN Collector's Edition dokumentiert Darchingers Reise durch die junge BRD. - Tadellos.
Lot 2188
Photobücher - - Picturing America. Edition 46. Mit einer signierten Original-Diavographie von Chuck Close, einem Original-Photo sowie einem Original-Dia von Robert Bechtle, jeweils einer signierten Original-Photographie von Don Eddy und John Salt, einer signierten Photocollage von Ben Schonzeit u.a. Berlin, Deutsche Guggenheim, 2009. Unpaginiert. 40 x 35 cm. Lose Blatt in Original-Kartonage mit orangefarbenem Deckeltitel und Schließbändchen sowie Schraubenbindung (Rücken etwas geblichen, minimal fleckig).Eins von 50 (GA 85) nummerierten Exemplaren. - Die anlässlich der Ausstellung "Picturing America: Fotorealislmus der 70er Jahre" erschienene Mappe enthält neben Bild- und Textbeiträgen, Briefen und Reprints unterschiedliche, teils signierte Photographien und Prints. So ist der auf 50 Exemplare limitierte Reprint des Proof Sheets für "Big Self-Portrait, 1967" von Chuck Close (Blattmaße: 36 x 25 cm) verso auf einem roséfarbenen Etikett signiert. - Außerdem enthalten sind Arbeiten von Tom Blackwell (1 Farbprint), Robert Cottingham (1 signierter Farbprint und 1 Schwarz-Weiß-Porträt), Richard Estes (2 Farbprints, einer signiert), Audrey Flack (2 Farbprints, einer signiert), Ralph Goings (3 Farbprints auf einem Blatt und ein Schwarz-Weiß-Porträt), Ron Klemann (signierter Farbprint und Aufkleber) und neben der signierten Photographie von John Salt ein weiterer Schwarz-Weiß-Print von ihm. - Tadellos.
Lot 528
Globus - - Geographisches Puzzle Deutsches Reich. Dresden, um 1877, "Schulkarte vom deutschen Reiche, von Hugo Friedemann, Dresden, Verlag von Alwin Kuhle (Carl Adler's Buchhandlung) 1877", von Hand kolorierter Stahlstich, komplett in Pappschachtel mit Deckeltitel. Größe Karte: Ca. 32 x 40 cm, Größe Pappschachtel: Ca. 12 x 5 x 5 cm.A geographical puzzle. Dresden/Saxony c. 1877, "Schulkarte vom deutschen Reiche, von Hugo Friedemann, Dresden, Verlag von Alwin Kuhle (Carl Adler's Buchhandlung) 1877", hand-coloured print, complete in cardboard box. Size of the map c. 32 x 40 cm, dimensions box c. 12 x 5 x 5 cm.
Lot 2178
Photobücher - - Gisele Bündchen. Art Edition. Mit der signierten Original-Photographie von Juergen Teller sowie zahlreichen ganzseitigen, meist farbigen Abbildungen. Köln, Taschen, 2015. 532 S., 1 Bl. 40 x 29 cm. Illustrierter Original-Pappband mit farbigem Original-Kunststoffschutzumschlag in verspiegeltem Acrylschuber mit Rückentitel, der Giclee-Print lose in schwarzer Original-Pappmappe, zusammen im bedruckten Original-Versandkarton (die Mappe minimal berieben, der Acrylschuber noch mit Schutzfolie beklebt).Eins von 100 (GA 1220) nummerierten Exemplaren, im Druckvermerk von Gisele Bündchen signiert. - Der Fine Art Print von Juergen Teller auf Canson Baryta-Fotopapier (31 x 41,5 cm) verso auf dem Etikett betitelt und nummeriert. - Die aufwendig gestaltete Publikation aus der TASCHEN "Collector's Edition" zeichnet Giseles Weg zum Supermodel anhand von über 300 Photos von Starphotographen wie David LaChapelle, Juergen Teller, Inez & Vinoodh, Mert Alas & Marcus Piggott und Corinne Day nach . - Tadellos.
Lot 22
Botany.- Evelyn (John) Sylva, or A Discourse of Forest-Trees, and the Propagation of Timber in His Majesties Dominions..., second edition, initial order-to-print leaf, engraved arms to title, woodcut initials, engraved illustrations, one full-page, with final errata leaf, I3 & 4 towards end of Pomona misbound after K2, a few ink or pencil markings, one or two rust spots or tiny holes, tear to lower margin of Ff1 just extending into text but no loss, slight worming to lower margin, David Bellamy's copy with his signed bookplate, contemporary speckled calf, rubbed, a few worn patches or gouges, corners worn, rebacked, [Henrey 133; Keynes 41; Wing E3517], folio, for Jo. Martyn and Ja. Allestry, printers to the Royal Society, 1670.⁂ A protest against the destruction of the forests of England in order to fuel industry; includes sections on cider and vegetables & salads.David Bellamy (1933-2019), botanist, ecologist, conservationist, and television presenter.
Lot 222
Fashion.- Femina, 26 issues from September 1922-December 1938, a broken run, some colour illustrations, original paper wrappers, some chromolithograph gilt, one or two wrappers detached (one lacking), spines worn (some with loss), some chipping to edges and some fore-edges brittle or creased, some discolouring to wrappers, Paris, Editions Pierre Lafitte, tall 8vo, 1922-1938; and a collection of 8 1920s gelatin silver print fashion photographs (sml qty).⁂ Femina was a French magazine created on February 1, 1901 by Pierre Lafitte and discontinued in 1954. The title gave its name to the Femina award from 1922 and targeted a female readership of the bourgeoisie. It won immediate success; by the end of its second year, it achieved a circulation of 100,000 and reached a high of 135,000 between 1905 and 1910. Full list of issues available on request.
Lot 223
Grimaldi (Joseph).- Anonymous (early 19th century) Mr. Grimaldi & Mr. Norman in the Epping Hunt from the popular pantomime The Red Dwarf, etching with hand-colouring, c. 247 x 344 mm (9 3/4 x 13 1/2 in), paper remains to top edge verso, [not in BM Satires], unframed, 1811; and 7 others similar, v.d., v.s.; together with Playbill for Robinson Crusoe, c.310 x 209mm., slightly trimmed at lower edge?, edges lightly creased and frayed, light spotting, once laid down on paper, remnants remaining along right edge and on verso, November 11th 1800 (9)⁂ Playbill featuring Joseph Grimaldi as Robinson Crusoe, "for the first time", performed at the Theatre Royal, Drury Lane. Another playbill features Grimaldi in the role of Friday, with "a young Carib attached to him", while a further 5 playbills feature him in more comic roles such as, as Granny Rose in Little Red Riding Hood, and afterwards in his famous character of "The Clown". The two prints in the lot depict Grimaldi in his clown attire, the second print also showing a scene from the Red Dwarf, this time facing a creature described as "the Nonedescript".
Lot 267
Space.- Mailer (Norman) Moonfire. The Epic Journey of Apollo 11, one of 1969 copies, profusely illustrated, original cloth, dust-jacket, housed in a white resin box with convex plexiglass window, in original cellophane wrapping, accompanied by a framed photographic print signed by Buzz Aldrin to verso, both in the original packaging, folio, Cologne, Taschen, 2009.⁂ Made to commemorate the 40th anniversary of the historic Apollo 11 Moon landing.
Lot 33
Emma Bormann (1887-1974) - Austrian Artist - A hand coloured woodcut print depicting a central temple / pagoda building with altar surrounded by lush foliage & trees with staggered set of steps and figures descending. Entitled Peking Hei San and signed by artist to lower right corner. Held within a frame that is painted green with glazed front. Frame measures approx; 58cm x 47cm. Soe minor fading to the colour however overall in very good condition.Emma Bormann (1887–1974) was an Austrian artist (primarily a printmaker) who lived in Vienna, Shanghai, Tokyo, and Riverside, California.
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314753 item(s)/page