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Uta Gawa Hiroshige (Japanese 1797-1858) - Coloured wood block print on paper, 35.5 x 24cm approx sheet size, together with a further coloured wood block print after the same artist showing the artificial island at Tsukudajima, 37 x 25cm approx sheet size, unframed but with old backing boards inscribed with artists names and titles, together with a large boxed Chinese fan with painted landscape, bridge and bird in flight decoration on a gilded ground, 88.5cm long approx (3)
A set of three late 18th century sepia coloured caricature engravings after Bunbury including One Way to Stop Your Horse and How to Pass a Carriage, 22.5cm x 18cm approx visible sheet size, together with a further coloured print of a mule fitted with a military saddle pack, a small watercolour of coastal buildings, 10 x 12cm, etc, various sizes, all framed (8)
Jack Russell MBE (B. 1963) Adelaide - Fourth Test Win 1995, coloured limited edition print, signed by the artist and members of the team, edition number 125/350, 50 cm x 76 cm approximate visible sheet size, together with further coloured signed limited edition prints subjects including The Ashes 89-The Lords Test, Botham's Ashes, The Hall Of Fame, etc, various sizes, all framed, together with a Duncan Fearnley Ian Botham pack cricket bat with signature (6)
Attributed to Percy Hague Jowett (British 1882-1955) - Interior scene with open window, watercolour and bodycolour on paper, signed and dated 1927, 41 x 31cm approx, together with a collection of monochrome prints after 18th and early 19th century engravings of scenes including St Pancras Church, Hampstead, etc, 21 x 27.5cm approx, a coloured print of a Golden Tench, etc, various sizes all framed (12)
Victor Pasmore (British 1908-1998) - Coloured print of abstract forms, with facsimile signature and printed inscription, Victor Pasmore + Marlborough Graphics London, 38.5 x 150cm long approx, framed, together with further pictures and prints in the modern manner including Peter Burke (20th century) - Recur, abstract study in blue and turquoise on canvas, signed verso Peter Burke, with original purchase invoice from the Hotbath Gallery dated 96, 33 x 33cm, a further abstract study on canvas in brown and turquoise, unsigned, a monochrome limited edition screen print, signed Anthony & Sunny Abrahams, dated 2012, etc, various sizes, mostly framed (11)
Brian C Lancaster (British 1931 - 2005) - View of the Black Horse at North Nibley, watercolour and bodycolour on paper, signed 24 x 34cm, together with a further signed watercolour by the same artist - street scene at Kingswood, near Wotton Under Edge, 27 x 36.5cm approx, and a signed limited edition print by the same artist of Waterley Bottom, edition 1/250, 28 x 36cm approx, all framed (3)
An early 20th century sepia coloured photograph of an American family seated outside their house with a vintage motor car, 40 x 49.5 cm, together with a black and white photographic print of a man painting a car whilst observed by a small boy, with smaller sepia version of the photograph verso, 47 x 34.5 cm, and a 1946 photograph of a Caribbean street scene with smaller original photo verso, all framed (3)
After Terence Cuneo, D'Artagnan and Three Mouseketeers, signed limited edition print number 123/850, 52 x 65 cm approx, together with a bust length portrait of a gentleman, probably with over painted finish on a photographic ground, 60.5 x 50 cm, a pair of continental oleographs after Defuggen? of Tyrolean type interior scenes, 26 x 36.5 cm in pierced brass frames, an engraved portrait of Georgina Duchess of Devonshire, oval 54 cm max, a 19th century gouache botanical study, etc, with label verso St Gervais and dated 1873 30 x 22.5 cm, oil painting on canvas of a landscape signed Peter Oliver and dated 86 28 x 38.5 cm, and a Victorian needlework picture, all framed, (8)
Joan Roobottom (British 20th century) - Estuary scene with fishing boats, pastel on paper, signed with initials JR and with artists Leicestershire address details verso, 30 x 40cm, framed, together with a set of six 19th century coloured botanical engravings (in three frames) some published by W Curtis, 1793 and some by S Curtis 1832, approx 21.5 x 14cm, also together with a reproduction 19th century coloured print of river fish, after Lorrette, 23.5 x 29.5cm approx all framed (5)
An interesting collection of unframed pictures and prints including Steam Press Portfolio number Three, 17/50, including prints by Ralph Steadman, Roger McGough, a monochrome print after Stanley Spencer - Me greeting Hilda, dated 72, 54/75, 55 x 36 cm approximate sheet size, Derriere Le Miroir - Ubac, published France 1974, containing prints of abstract subjects, 38 x 28 cm, etc, (collection)
Mark Adlington (British B.1965) - Ice Bath - Polar Bear, conte and pastel on paper, signed and dated 2016, 40.5 x 58cm approx, framed, together with a coloured print of a coastal landscape with lightening with printed signature Vega? framed, a monochrome study of a classical sculpture of a male torso and a 19th century watercolour of a Venetian lagoon scene, 17 x 25.5cm, both unframed (4)
Simon W Fisher (20th century British school) - Bismarck, The Fateful Salvo, 1941, signed limited edition coloured print, number 204/850, 30 x 54cm approx, together with a further signed coloured limited edition print after the same artist, HMS Hood, The Final Moment 1941, 29 x 53cm approx, both with certificates, and a further monochrome print of a marine battle scene after the same artist (3)
A collection of hunting related pictures and prints including a coloured print after Lionel Edwards - The Duke of Beaufort in his car, signature Beaufort to mount, 27 x 38cm in oak frame, a further early 20th century coloured hunting lithograph after Lionel Edward dated 1912, 35 x 44cm, a coloured print of a hunt supper after Cecil Aldin with further hunting scene after Cecil Aldin, caricature prints, etc, various sizes all framed (15)
Circle of James Whistler RBA (American 1834-1903) - Three early 20th century monochrome etchings of a female figure and architectural scenes possibly Italy, no signature visible, 12 x 21cm approx max, in wide silk mounts and gilt frames, together with further pictures and prints including bust length pencil study of a smiling boy, signed coloured screen type print of boats on a shore signed Steven Doyle, etc, mostly framed, (collection)
A black and white etching - Head of a man, inscribed verso Etching By AE Lawrance, dated 1886, after Van Dyke 19.5 x 14cm approx sheet size, a small black and white engraving of a group of three men at a table in a 17th century Dutch manner, indistinctly inscribed A Oustde, 10.25 x 9cm approx, a further print of a black and white etching - Expulsion from Paradise, attributed to Hans Sebeld Beham (1502-1540) 8 x 6cm approx, also together with one other mounted print of a black and white etching of a seated woman, all unframed (4)
Octavia Thomson (20th century Liverpool artist) - Harbour scene with fishing boats, oil on board, signed and dated 1978, 29 x 121cm, a further oil on board by the same artist, together with further pictures and prints including a watercolour of a lake scene signed Robert Goldsmith, an oil on board of an Irish coastal scene signed Marjorie Franklin, inscribed verso Ballwhoorisky, dated 1959, 24 x 34cm, a small black and white signed limited edition wood cut print by Clare Leighton of Blackcurrants 7/30, 14 x 10cm approx, a pastel study of three badgers, signed Alan England and two further landscape studies by the same artist, etc, various sizes, all framed (18)
A pair of late 19th century coloured prints after D.G. Rowlandson, 39 x 61cm in shaped oak frames with applied relief hunting motifs, together with further hunting pictures and prints including a coloured print - A Fox Hunting Constellation, after Bede, 38 x 51cm a set of three monochrome proof lithographs after George A Fothergill, of huntsmen and hounds, etc (two signed and inscribed, the other unsigned) 29 x 35.5cm approx, etc, various sizes all framed (8)
Jonathan Sainsbury (British B.1951) - Blackgame at the Lek, watercolour and bodycolour on paper, signed and dated 86 with William Marler Gallery label verso, together with two signed, coloured limited edition prints of springer spaniels after the same artist, a signed coloured limited edition print after Claire Eva Burton of a horse racing scene and one other limited edition print, various sizes, all framed (5)

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314796 item(s)/page