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Lot 623

`The Tower of London` a school print by Edwin La Dell, S.P.6, printed by the Banyard Press, 75.5 x 48.5cm

Lot 624

A school print by Kenneth Rowntree, S.P.3, published by School Prints Ltd 74 x 48cm.

Lot 625

`Harbour` a school print by Julien Trevelyan, S.P9, printed by the Banyard Press, 75 x 48.5cm.

Lot 627

`Timber Felling In Essex` a school print by Michael Rothenstein, S.P.5, printed by the Banyard Press 75 x 48.5cm.

Lot 628

`Letter Makers - The Luminor Sign Co` a lithographic print by Eric Ravilious,from the High Street series, framed unsigned image 26 x 14.5cm.

Lot 636

`The Electric St Gotthard Line, Switzerland` a lithographic railway poster by Buzzi, published by J C Muller, Zurich, framed signed Bvzzi dated 24 in the print 102 x 64cm.

Lot 641

`Life of the World - Air France` a set of sixteen advertising posters designed by Roger Bezombes (1913-1994), 1981, comprising; `Sun` advertising board, `Where The Blue Begins`, `Gastronomy`, `Orients`, `Islands`, `Refinements`, `Place de Concorde`, `Gather Life`s Roses`, `Joy Festival of Life`, `Exoticism`, `The New World`, `Freedom`, `Mediterranean`, `Vacation`, `This Marvellous Earth`, and `Sound Barrier`, printed by Imprimerie, Mourlot, Paris signed in the print, 100 x 60cm. Roger Bezombes was a French painter, sculptor and designer whose works shows the influence of Henri Matisse. He produced tapestry designs for Aubusson, posters (winning the Grand Prix de L`Affiche Francaise in 1984), and costumes and sets for ballets produced at the Metropolitan Opera in New York.

Lot 147

An aboriginal print on bark, horizontal rows of geometric motifs

Lot 534

Seaby: a signed colour print, Kingfisher, in oak strip frame

Lot 290

A selection of framed pictures to include a dog print after Landseer, 20-30

Lot 1541

Charles Keene, `De Minimis`, signed pen and ink, 13cm x 10cm, framed with similar print, and five further pen and ink illustrations possibly by the same hand (7)

Lot 1601

Sir William Russell Flint (1880-1969), `Flametta`, coloured print, and another `Mardau` (2)

Lot 1602

Sir William Russell Flint (1880-1969), `Gipsy Festival of St Eulalia, Andalusia`, coloured print, and two others `Silver and Gold`, and `Madame du Barry as a Bachante` (3)

Lot 1603

Sir William Russell Flint (1880-1969), `Artemis at Clione`, limited edition coloured print

Lot 1604

Sir William Russell Flint (1880-1969), `The Bloom of Youth`, coloured print, signed in pencil

Lot 1605

Sir William Russell Flint (1880-1969), `The Melingerer, Breteneoux`, coloured print, and two others `The Swimmers Bastion` and `The Garden Tap` (3)

Lot 1606

Sir William Russell Flint (1880-1969), `Pepita, Serafina and Romira`, coloured print, and another `Seven Springs of Vers` (2)

Lot 1607

Sir William Russell Flint (1880 - 1969), `Janelle and the Volume of Treasures` limited edition coloured print

Lot 173

A 19TH CENTURY TORTOISESHELL CASE of rounded and hinged rectangular form, the cover with central oval print of two nude young women in a brass surround under glass, the case opening to reveal two material pockets. 14cm(h) x 8cm(w).

Lot 328

AN 18TH CENTURY CREAM WARE PLATE of dished circular form, having a moulded bird and vine border enclosing an underglaze blue transfer-print of horse, jockey and groom vignette. 17cm(d).

Lot 436

Toyokuni A COLOURED WOODBLOCK PRINT, a tea house scene, a kneeling female carrying a large bowl, various character marks, within a wash line mount and gilt framed under glass. 36cm(h) x 24cm(w).

Lot 579

A 19TH CENTURY PORTRAIT MINIATURE, watercolour on an oval ivory panel, a young man in period clothing, within a gilt slip and ebonised frame with oak leaf and acorn form hanging mount, 8cm(h) x 6cm(w); sold along with a 19th century portrait miniature print, of oval form depicting a military gentleman, the reverse with hand written inscription ‘General Gillespie died in the arms of Major McMahon at the battle of Sobian India’, in a near matching frame 9cm(h) x 8cm(w); and an early 20th century portrait miniature print of a young woman in opulent dress, within a sectioned ivorine frame. 5cm.

Lot 335

MARC CHAGALL Bride and groom limited edition print 837/950, facsimilie signature 67cm x 52cm

Lot 336

MARC CHAGALL Flowers in a vase with nude female below limited edition print 687/950, facsimilie signature 67cm x 52cm

Lot 337

MARC CHAGALL Flowers in a vase with purple backdrop limited edition print 355/950, facsimilie signature 71.5cm x 53.5cm

Lot 109

AFTER ALBERTO MORROCCO OBE FRSA FRSE RSW RP RGI LLD (1917 - 1998) Figures on the beach signed limited edition print 4/500

Lot 319

MICHAEL WRIGHT: A Limited Edition Print, 1908 Grand Prix de l` A.C.F, signed by the artist, no 35 of 350

Lot 321

A coloured Print of Bentley cars at Le Mans 1929

Lot 335

BRYAN DE GRINEAU: Limited edition colour Print showing Jack and Clive Dunfee 1924 3 litre supercharged Sunbeam during the 1930 BRDC 500 mile race at Brooklands, signed by Anthony Heal

Lot 336

BRYAN DE GRINEAU: Limited edition colour Print showing Jack Denfee in the winning Bentley passing the Mercedes of Zehender in the Brooklands 500 mile race in 1931, signed by chief Bentley mechanic in the 1920`s 30`s, Walter Hassan

Lot 337

A colour Print of the SSC Thrust Supersonic Record Attempt, signed by Richard Noble and the artist Pittaway, (proceeds of this lot are being sent to Orchid Male Cancer Charity)

Lot 341

After NICHOLAS WATTS: Limited edition Print titled, `Jody and the six wheeler` signed by Jody Scheckter, Derek Gardiner and Patrick Depailler, no 53 of 500

Lot 163

‡ Dress Miniatures: Military Cross, George V, in silvered 18 carat gold, 26mm, with gold retaining pin suspension, in Wilson and Gill fitted case, good very fine; Distinguished Service Order, Elizabeth II, in silver-gilt and enamels, 19.5mm; miniature Victoria Cross mounted on riband bar, 9mm; silvered ‘dog tag’, Great War Period (2nd Lt J. E. Weatherly Royal Berks Regt Wes.); 17th Hussar badge, 19th century, in white bone, with crowned garter bearing the inscription PENINSULA WATERLOO XVII HUSSARS, 39 x 30mm; silver locket, 18th or 19th century, with print of Charles I, 19 x 17mm generally very fine (6)

Lot 167

CHURCHILL, Winston S. (1874-1965). A sheet of glass used by Churchill as a paint palette, approximately 32 samples of oils still present, framed and laid over a card mount with two photographs by J. Luscher of Nyon, of Churchill using the palette whilst painting at an easel in the open air, one with Clementine and their daughter Mary looking on, and labelled 'Vacances de Rt Hon. Mr Winston Churchill Août - Septembre 1947 à Choisi', frame 465 x 635mm. [With] another large print of the second photograph, laid down and signed on the mount,'J. Luscher Nyon', 250 x 311mm. Churchill is shown with two canvases depicting the 'Island of Choisi', his painting which was subsequently featured in a Christmas card printed by The Soho Gallery. (2) View on Christie's.com

Lot 208

ROWLING, J.K. Harry Potter and the Philosopher's Stone. London: Bloomsbury, 1997. 8°. (Margins very lightly browned). Publisher's pictorial stiff wrappers (worn). Provenance: bookplate on inner pastedown. FIRST PAPERBACK EDITION, INSCRIBED BY J.K. ROWLING ON HALF-TITLE AND WITH A NOTE BY HER ON PAGE 53. The owner of the book asked J.K. Rowling to sign this copy and also questioned her why '1 wand' was mentioned twice in the list of other equipment for Hogwarts School of Witchcraft and Wizardry (page 53). J.K. Rowling wrote in the margin: 'this was taken out in the next print of the book (a mistake). Keep this copy, it might be valuable on day! JKR'. View on Christie's.com

Lot 264

EGGLESTON, William. William Eggleston's Guide. New York: The Museum of Modern Art, 1976. 4° (230 x 225mm). 48 colour photographs. Original black textured leatherette, colour print mounted on the front cover. Eggleston's signature in black marker on the title-page. FIRST EDITION, SIGNED BY EGGLESTON. A fine copy of 'one of the seminal photobooks... the Guide heralded the birth of colour photography, or more accurately, it marked the moment when it was perceived as artistically respectable;' it 'has irrevocably changed the way in which we look at the world in photographs (The Photobook). 101 Books, pp.234-35 ('A MILESTONE'); Auer & Auer 598; The Open Book, pp.308-9; The Photobook, vol. I, p.265. View on Christie's.com

Lot 357

BOGDANOVICH, E.V. Sinop. 18 Noiabria 1853 goda. St. Petersburg: by V. Kirshbaum, 1878. 8° (218 x 140mm). 6 plates, one of these an albumen print and the others colour and tinted lithographs. (Some spotting.) 19th-century Russian quarter roan, title mounted on the upper side perhaps part of the original wrapper (spine chipped and faded, later label on the spine, extremities rubbed). Provenance: E.V. Bogdanovich (presentation inscription to:) -- Grigorii Aleksandrovich Kovalevskii (1842-1882) -- Z.G. Kovalevskii (inscription) -- 'L.H.S.' (stamped cipher). FIRST EDITION, PRESENTATION COPY INSCRIBED BY THE AUTHOR to General Grigorii Aleksandrovich Kovalevskii, Commander of the Life-Guards Dragoons regiment, and a very highly regarded soldier who distinguished himself in the Russo-Turkish war of 1877-1878. Published to commemorate the 25 years since Russia's decisive victory against the Ottoman Empire in the naval battle at Sinop, the battle which led to Great Britain's joining the Crimean War against Russian in 1854. View on Christie's.com

Lot 374

NABOKOV, Vladimir Vladimirovich (1899-1977). Poems and Problems. New York and Toronto: McGraw-Hill, 1970. 8° (210 x 145mm). Original black cloth, upper side blocked in blind, spine blocked in gilt, top edge red, original dust-jacket. Provenance: Vladimir Nabokov (presentation inscription to:) -- Vera Nabokov -- by descent to the consignor. FIRST EDITION, THE DEDICATION COPY. PRESENTED BY THE AUTHOR TO HIS WIFE WITH TWO FINE BUTTERFLY DRAWINGS, each of the colourful insects with taxonomic labels playing on qualities Nabokov found in his wife. The book is further inscribed, in Russian, 'to darling Vera from V', and dated 'Montreux March 15 1971'; Nabokov notes on the copyright page that, though copyrighted 1970, this first bound copy reached him on the day he inscribed it to Vera, to whom the book is dedicated in print. Nabokov has also made a correction to the solution of one of the chess problems. The poems in this edition are in Russian with facing translation in English. View on Christie's.com

Lot 70

HELEN BRADLEY guild stamped coloured print - sunset river scene with swimming ducks, signed to margin, 12 x 15

Lot 71

HELEN BRADLEY guild stamped coloured print - children and figures playing in snow by a farmstead, signed to margin, 12 x 15

Lot 72

HELEN BRADLEY guild stamped coloured print - a trip in a carriage with farmer by gate entitled `Summer`, signed to margin, 10 x 12.5

Lot 73

HELEN BRADLEY guild stamped coloured print - figures and bridesmaid walking by a river, entitled `Spring`, signed to margin, 10 x 12.5

Lot 74

HELEN BRADLEY guild stamped coloured print - entitled `Winter`, signed to margin, 10 x 12.5

Lot 82

LUCY KEMP-WELCH coloured print - First World War soldiers and horsemen in snow dragging a gun carriage, signed in margin, 16.5 x 29.5

Lot 83

LAURENCE STEPHEN LOWRY limited edition 56/75 print - `Bloomsbury Square, June 1967, London WC1`, signed in the margin, 22 x 29

Lot 429

After John Yardley, Garden scene, coloured print, pencil signed and a book ` The art of John Yardley`, by Ron Ranson.

Lot 437

After George Stubbs, The Prince of Wales Phaeton, coloured print and another coloured print, (2).

Lot 454

After Bartlett, White Haven Harbour, coloured print and other topographical prints, various.

Lot 456

English School, study of a horse in a stable, possibly an over painted print.

Lot 463

After Clive Madgwick, `Bringing to Net a fine Trout`, limited edition coloured print, signed, No. 69/500, a print and a mirror, (3).

Lot 466

After Bartolozzi, `A Sculpture`, coloured print, in a verre eglomise, in a gilt gesso frame and other similar 19th century engravings, (a large collection).

Lot 474

Rover Scout E Farrer, Thatched cottage, pencil sketch, signed with initials, dated 35, inscribed verso - "Presented to Captain Arnold S. Wills, by the 9th Northampton Boy Scouts with an expression of appreciation for his kindness in taking a very practical interest in the welfare of the group", a print after Munnings, a photographic print and after Morland, "Juvenile Navigators", (4).

Lot 476

After Lionel Edwards,,"Morpeth Hunt", coloured print, limited edition 599 of 600, with indistinct blind stamp.

Lot 479

19th Century print on glass, St. Mark and two others similar, St. John & St. Luke, each in a stained wood frame.

Lot 634

Robert Heslop - Limited Edition Print of Dean and Chapter Colliery, Ferryhill

Lot 640

E J Jones - oil on panel, Lake Scene and Russell Flint Print

Lot 653

Beige Ground Block Print Silkwork, 2.60m x 2.20m

Lot 482

Coloured print, figures, framed and modern oil painting, still life, (2).

Lot 681

Kenneth Broad (Exh. 1922-35) THE CIRCUS - SOUTHWOLD Signed in pencil and titled, No. 51, coloured woodblock print 24.5 x 24cm

Lot 682

Kenneth Broad (Exh. 1922-35) A BRETON FAIR Signed in pencil and titled, no. 8/150, coloured woodblock print 18 x 34cm

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