Claire Kerr Lake, 2023 Pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Claire Kerr is a painter based in Dublin; she also uses drawing, print, objects and text. Modest in scale, her work invites intimacy with a viewer but leaves open the question of meaning and interpretation. Often concerned with the fundamental properties of an image - surface, depth, context - her work seeks out the idiosyncratic or peculiar, trains of thought at a tangent, an unobtrusive weirdness. Education Wimbledon School of art and IADT, Dun Laoghaire Select Exhibitions/Awards Selected one-person exhibitions One Thing Turns into Another: New Work, BravinLee Programs, New York, opening 24 October, 2019 What else do I believe in?, Purdy Hicks Gallery, London, 5 May - 5 June, 2017 Madrid Paintings, New Work, espacio artkunstarte, Madrid, 26 February - 31 July, 2016 Should we have stayed at home and thought of here? Galerie Stefan Röpke, Cologne (Düsseldorf-Cologne Open Galleries), 05 September - 11 October, 2014 Selected group exhibitions Summer Show 2022, Graphic Studio Dublin, 30 July - 3 September, 2022 The Golden Fleece Award: 21 Years, Solstice Arts Centre, Navan, Co. Meath, 23 April - 4 June, 2022 Eye on Nature, Purdy Hicks Gallery, London, 27 January - 28 February, 2022 Paint on a Photo of a Painting Based on a Photograph, espacio artkunstarte, Madrid, 10 September - 23 December, 2020 Selected Awards 2021 Print Residency, Graphic Studio Dublin (DLR) 2021 Arts Council of Ireland, Visual Arts Bursary (an Chomhairle Ealaíon) 2016 Residency, r/e projects, Madrid 2013 Culture Ireland/Cultúr Éireann 2012 Golden Fleece Award 2009 Thomas Dammann Jr Memorial Trust Award 2002 Fergus O'Ryan Memorial Award Gallery Representation Purdy Hicks Gallery, London Statement about AOAP Submitted Artwork The lake in this drawing is the mysterious Loe Pool in Cornwall, one of the locations associated with Excalibur and the Lady of the Lake. I visited the lake last spring and with no-one else around, it seemed timeless in the sunny afternoon. The ripples on the surface of the water and the rushes by the water's edge were exactly as I had imagined from reading about Sir Bedevere in Tennyson's Idylls of the King, when, instead of throwing the sword into the depths of the lake as he had promised, he at first hides it at the water's edge, replying to Arthur's question as to what had happened, ''I heard the water lapping on the crag/ And the long ripple washing in the reeds'', giving himself away by his answer. I drew the lake as if through a monocular or lens, or perhaps as if at the end of an old film, wanting to give a sense of both nearness and distance in time and space. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
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Ines Fernandez De Cordova Trickle A, 2023 Screenprint Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Ines Fernandez de Cordova (b. 1992) was born in Santa Cruz de la Sierra, Bolivia. Since 2011, she lives and works in London, UK. She currently works as a printer for Jealous Print Studios and artist Anita Klein to support her practice. Education MA Visual Arts: Printmaking 2015-2017. Camberwell College of Arts BA Hons Illustration 2012-2015. Camberwell College of Arts Foundation Diploma in Art and Design 2011-2012. CCW University of the Arts London You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Paul Hawdon Floating Drawing, 2023 Pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) Education 1978 - 82, Saint Martin's School of Art, London 1982 - 85, Royal Academy Schools of Art, London 1985 - 86, Italian Government Scholarship 1987 - 88, Artist-in-Residence, Radley College, Oxford 1988 - 89, Prix de Rome in Printmaking, Rome Select Exhibitions/Awards 2016 'Alternative Realities', East Wing Biennial, The Courtauld Institute of Art, Somerset House, London 2015 Royal Academy Summer Exhibition, London, Wildlife Artist of the Year, Mall Galleries, London, London Original Print Fair, Royal Academy of Arts, London, 'Hive', National Open Art Competition, Harrogate, The Original Print Show curated by Norman Ackroyd, Zillah Bell Gallery, Thirsk 2014 Royal Academy Summer Exhibition, International Print Exhibit 2014, National Taiwan Museum of Fine Arts, ROC, National Open Art Competition, Somerset House, London (and Chichester), London Original Print Fair, Royal Academy of Arts, London, '49 Regards', Trelase, France, Royal West of England Academy, Bristol, Society of Wildlife Artists, Mall Galleries, London You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Paul Hawdon Conversation Piece, 2023 Pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) Education 1978 - 82, Saint Martin's School of Art, London 1982 - 85, Royal Academy Schools of Art, London 1985 - 86, Italian Government Scholarship 1987 - 88, Artist-in-Residence, Radley College, Oxford 1988 - 89, Prix de Rome in Printmaking, Rome Select Exhibitions/Awards 2016 'Alternative Realities', East Wing Biennial, The Courtauld Institute of Art, Somerset House, London 2015 Royal Academy Summer Exhibition, London, Wildlife Artist of the Year, Mall Galleries, London, London Original Print Fair, Royal Academy of Arts, London, 'Hive', National Open Art Competition, Harrogate, The Original Print Show curated by Norman Ackroyd, Zillah Bell Gallery, Thirsk 2014 Royal Academy Summer Exhibition, International Print Exhibit 2014, National Taiwan Museum of Fine Arts, ROC, National Open Art Competition, Somerset House, London (and Chichester), London Original Print Fair, Royal Academy of Arts, London, '49 Regards', Trelase, France, Royal West of England Academy, Bristol, Society of Wildlife Artists, Mall Galleries, London You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Sinéad Rice Geometric Study In Black + Blue II (1), 2023 Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Born Ireland, 1975. Now lives and works in Dublin. Exhibits mainly in London. Mainly a painter, the artist uses a variety of mediums including painting, drawing, sculpture, ceramics and most recently photography has become important in her work. She is interested in nature, meditation and the sea, and loves to travel the world with her camera, scuba diving whenever possible. Education B.A. ARTS ENGLISH AND PHILOSOPHY (HONOURS) NATIONAL UNIVERSITY OF IRELAND, GALWAY 2001 NATIONAL DIPLOMA IN FINE ART (WITH DISTINCTION) CRAWFORD COLLEGE OF ART AND DESIGN 2002 B.A. FINE ART PAINTING (FIRST CLASS HONOURS) CRAWFORD COLLEGE OF ART AND DESIGN 2007 M.A. ARTS - CERAMIC DESIGN NATIONAL COLLEGE OF ART AND DESIGN Select Exhibitions/Awards 2004 - Impressions - National Open Print Exhibition - Galway Arts Centre. 2005 - Studio Artists Exhibition - Customs House Gallery. 2007 - 40 Year Retrospective Exhibition - Lavit Gallery. 2008 - Winter Exhibition - Lemonstreet Gallery. 2010 - Backwater Twenty 10 - Crawford Art Gallery. Curated by Stephen Brandes and Vera Ryan. 2010 - Impressions, National Open Print Exhibition - Galway Arts Centre. Curated by Chris Orr R.A. 2011 - Summer Exhibition - Leitrim Sculpture Centre. 2013 - Small is Beautiful, Who's afraid of Red Yellow and Blue - Flowers East Gallery, Kingsland Road, London. 2014 - 184th Royal Hibernian Academy Annual Exhibition, Royal Hibernian Academy Dublin. 2015 - AIB Eigse - Visual Centre For Contemporary Art, Carlow. Curated by Lewis Biggs. 2016 - DRAW 2016 - Backwater Artists Studio's, Cork 2017 - Small is Beautiful XXXV - Flowers Central Gallery, Cork Street, London 2018 - Small is Beautiful XXXVI - Flowers Central Gallery, Cork Street, London. 2019 - Small is Beautiful XXXVII - Flowers Central Gallery, Cork Street, London. 2020 - Small is Beautiful XXXVIII - Flowers Gallery, London. 2021 - Small is Beautiful XXXIX - Flowers Gallery, Cork Street, London. 2022 - In and of Itself, Abstraction in the Age of Images - RHA Gallery, Dublin. 2022 - Small is Beautiful XL - Flowers Gallery, Cork Street, London. Statement about AOAP Submitted Artwork These minimal, geometric paintings are non representational, concerned with reductive colour and are a series. The surfaces are built up through intense layering over time to achieve physical depth in the paintings. The layers relate to the way in which layers are built up and worn down through the natural processes of time in nature. This process also helps to create a sense of "Yugen" an Asian concept which means inexpressible depth or invisible beauty. This idea arises from the Japanese aesthetic of Wabi - Sabi which describes the inexpressible beauty which things especially natural objects attain with the passage of time. It incorporates the idea of the beauty of imperfection and irregularity or roughness and avoids ornamentation in structure. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Alasdair Wallace Blue Green Unicorn, 2023 Acrylic on card Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Painter and sometimes printmaker. Lives and works in Glasgow. Education Glasgow School of Art 1987-91 Select Exhibitions/Awards SOLO EXHIBITIONS 2020 Settlements - Linlithgow Burgh Halls 2019 Orbiteering - Tatha Gallery, Newport on Tay 2019 Oscillate Vacillate Orbit & Revolve - Glasgow Print Studio 2018 Incidences - Open Eye Gallery, Edinburgh SELECTED GROUP EXHIBITIONS 2021 'Curle', The Revelator, Glasgow 2021 LOWLANDS, Lowlands Artists Collective, Oxford House, Glasgow 2020 Society Of Scottish Artists, Edinburgh 2019 Royal Academy Summer Show, London 2018 Littlejohn Award Exhibit - Royal Scottish Academy, Edinburgh AWARDS John Gray Award - RSW Edinburgh 2018 W Gordon Smith Award - SSA Edinburgh 2018 William Littlejohn Award - Royal Scottish Academy 2017 City Of Glasgow College Award - RGI Glasgow 2016 The Walter Scott Award - RSW Edinburgh 2015 Armour Award - Royal Glasgow Institute 2005 Noble Grossart Painting Prize 2001 Guthrie Medal, Royal Scottish Academy 1999 COLLECTIONS Glasgow Museums & Galleries Collection, Walter Scott And Partners, City Of Glasgow College, Fleming-Wyfold Art Foundation, Cromarty Arts Trust, The Royal Scottish Academy, North Lanarkshire Council, Grampian Hospitals Art Trust Statement about AOAP Submitted Artwork I sometimes like to make images which are humorous or whimsical and which usually feel emblematic but are always ambiguous. A chubby cart horse/unicorn chasing an unattainable carrot seems like a metaphor. For what? I'll leave it up to the viewer to decide. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do
Helen Fay Moon, 2023 Etching Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About For many years my work has been about the beauty, dignity and character of animals. The poise and movement of animals, their behaviour and nature are an area I find endlessly fascinating. I like to think of them observing the world as I am observing them and then try to deduce what it is that they rely on to navigate their way through life. Whether it is the curiosity of a primate or the heightened senses of a hound, each and every creature has unique adaptations and behaviours, skills and strengths and these are what I try to convey in my work. Education 1990-1992 Royal College of Art, London. M.A. (R.C.A) Natural History Illustration. 1987-1990 Sunderland University. B.A. Hons. Fine Art Printmaking. 1986-1987 Newcastle College of Art and Design. Foundation studies in Art and Design Select Exhibitions/Awards 2017 Featured artist show at Glasgow Print Studio. 2016 Exhibition at Fotheringham Gallery, Bridge of Allan 2016 Group show at Fisherton Mill 2016 Group show at Moy McKay Gallery, Peebles. 2016 Mixed show at Framed Gallery, Perth. 2015 Selected from the Royal Academy exhibition, Zillah Bell Gallery, Thirsk. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Natasha Michaels Replacement II, 2023 Monotype Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Natasha Michaels was born in 1969 in London. She studied communication design at St Martins College of Art and at the Royal College of Art in London where she specialised in Printmaking. Her work is in the collections of private individuals and museum collections Over the years, her illustration has been commissioned by the likes of Penguin Books, Vintage, Random House, The Guardian, and Blue Source. She lives and works in London. Education Royal College of Art 1994-1996 St Martins School of Art 1989-1992. Select Exhibitions/Awards 2021 Woolwich Contemporary Print Fair Royal Academy Summer Exhibition Everywoman Biennial Acedia at Purslane Art An Intimate Distance - Eileen Cooper RA, Craigie Aitchison RA, Natasha Micheals and Jo Taylor, Rabley Gallery. 2020
 Rabley Gallery Summer Exhibition
 LOPF September - Feature Artist with Rabley Gallery You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Hannah Gilson Ziggy Says (use your imagination), 2023 Fine art print/mixed media collage Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Hannah Gilson is a London based illustrator and educator whose mixed media practice combines painting, screen printing and drawing. Evolving from a predominately fine arts background, her work has naturally settled with hand drawn and digital illustration, where she engages with popular culture and aesthetics. Education BA Fine Art, Winchester School of Art Select Exhibitions/Awards Winner of the Boodle Hatfield Printmaking Prize, 2022. Gallery Representation Air Contemporary, Aunt Joy Statement about AOAP Submitted Artwork I discovered art and visual pop culture during long hours spent in record shops as a child (my dad was a collector). I passed the time by looking at the album covers and this sparked an interest in the relationship between art and music which would develop more specifically into looking at the role of the artist in creating and sustaining an icon. Both 'Debs' and 'Ziggy says..' link back to these early visual influences, whilst 'Dry your eyes mate' is a more playful take on Michelangelo's David and his masculinity. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Kit Boyd Nest Builders, 2023 Linocut with hand-colour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Kit Boyd follows in the British romantic tradition, in the footsteps of Samuel Palmer and the Neoromantics, finding escape from the frantic modern world in rural idylls. Education Visual Art BA University of Wales, Aberystwyth 1991 Select Exhibitions/Awards 2022 - 6 Railway Posters for the Darent Valley in Kent from Sevenoaks to Swanley 2020 & 2022 - Royal Academy Summer Exhibition 2021 - Queer as Folklore, Gallery 46, Whitechapel with DuoVision Arts 2018 - Rural Surrealism - Twenty Twenty Gallery, Ludlow 2017 In Print - British Landscape, Watts Contemporary, Guildford 2013 - World in My Eyes - solo show at the Barbican Level 2 Gallery 2012 - The Etchings of Samuel Palmer, his Peers & Followers, Chipping Campden 2010 - Figures in the Landscape - Brixton Village Gallery Gallery Representation Pallant House Gallery, Elizabeth Harvey-Lee, Greenwich Printmakers Gallery, Roe and Moore, Prints at galleries across the UK Statement about AOAP Submitted Artwork The Ink and Gum Arabic picture is one of the Man on a Laptop series, where a figure is surrounded by glowing nature using modern technology. The linocuts are just made - hand coloured artists proofs before the editions are printed. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Sinéad Rice Geometric Study In Black + Blue II (2), 2023 Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Born Ireland, 1975. Now lives and works in Dublin. Exhibits mainly in London. Mainly a painter, the artist uses a variety of mediums including painting, drawing, sculpture, ceramics and most recently photography has become important in her work. She is interested in nature, meditation and the sea, and loves to travel the world with her camera, scuba diving whenever possible. Education B.A. ARTS ENGLISH AND PHILOSOPHY (HONOURS) NATIONAL UNIVERSITY OF IRELAND, GALWAY 2001 NATIONAL DIPLOMA IN FINE ART (WITH DISTINCTION) CRAWFORD COLLEGE OF ART AND DESIGN 2002 B.A. FINE ART PAINTING (FIRST CLASS HONOURS) CRAWFORD COLLEGE OF ART AND DESIGN 2007 M.A. ARTS - CERAMIC DESIGN NATIONAL COLLEGE OF ART AND DESIGN Select Exhibitions/Awards 2004 - Impressions - National Open Print Exhibition - Galway Arts Centre. 2005 - Studio Artists Exhibition - Customs House Gallery. 2007 - 40 Year Retrospective Exhibition - Lavit Gallery. 2008 - Winter Exhibition - Lemonstreet Gallery. 2010 - Backwater Twenty 10 - Crawford Art Gallery. Curated by Stephen Brandes and Vera Ryan. 2010 - Impressions, National Open Print Exhibition - Galway Arts Centre. Curated by Chris Orr R.A. 2011 - Summer Exhibition - Leitrim Sculpture Centre. 2013 - Small is Beautiful, Who's afraid of Red Yellow and Blue - Flowers East Gallery, Kingsland Road, London. 2014 - 184th Royal Hibernian Academy Annual Exhibition, Royal Hibernian Academy Dublin. 2015 - AIB Eigse - Visual Centre For Contemporary Art, Carlow. Curated by Lewis Biggs. 2016 - DRAW 2016 - Backwater Artists Studio's, Cork 2017 - Small is Beautiful XXXV - Flowers Central Gallery, Cork Street, London 2018 - Small is Beautiful XXXVI - Flowers Central Gallery, Cork Street, London. 2019 - Small is Beautiful XXXVII - Flowers Central Gallery, Cork Street, London. 2020 - Small is Beautiful XXXVIII - Flowers Gallery, London. 2021 - Small is Beautiful XXXIX - Flowers Gallery, Cork Street, London. 2022 - In and of Itself, Abstraction in the Age of Images - RHA Gallery, Dublin. 2022 - Small is Beautiful XL - Flowers Gallery, Cork Street, London. Statement about AOAP Submitted Artwork These minimal, geometric paintings are non representational, concerned with reductive colour and are a series. The surfaces are built up through intense layering over time to achieve physical depth in the paintings. The layers relate to the way in which layers are built up and worn down through the natural processes of time in nature. This process also helps to create a sense of "Yugen" an Asian concept which means inexpressible depth or invisible beauty. This idea arises from the Japanese aesthetic of Wabi - Sabi which describes the inexpressible beauty which things especially natural objects attain with the passage of time. It incorporates the idea of the beauty of imperfection and irregularity or roughness and avoids ornamentation in structure. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Irvine Peacock The Strongest Woman in the Whole Wide World, 2023 Archival ink digital print and acrylic paint on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Irvine Peacock makes highly detailed oil paintings often combined with sign writing, construction and assemblage exploring the playoff between words and images. His subject matter is typically based on ephemera and popular culture. An established visual artist, originally trained in Fine Art, he has worked extensively in illustration, advertising and Higher Education. He lives and works in Shrewsbury. Education Sheffield College of Art Hornsey School of Art Gallery Representation Represented by The Portal Gallery since 1978 and Portal Painters since 2016 You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Cliona Doyle Paeony II, 2023 Etching and Watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Cliona Doyle was born in Dublin in 1968. She studied fine art at National College of Art and Design, Dublin. She received an Honours Degree in fine art in 1991. Since then Cliona has been a member of the Graphic Studio Dublin and has exhibited widely at home and abroad. Her work has been exhibited in the following Institutions - The National Gallery, Dublin, The Hugh Lane Gallery, Dublin, The Chester Beatty Library, Dublin, The Royal Hibernian Academy, Dublin. Her work is in many public and private collections. Cliona was a director of the Graphic Studio, Dublin (2005-2009). She teaches etching classes and drawing workshops. Education National College of Art and Design, Select Exhibitions/Awards Selected Solo Exhibitions 2012 "The Orchard" The Droichead Arts Centre 2018 "The Art of Perfume" So Fine Art Editions 2018 "Bower" The Graphic Gallery Dublin Two-Person Exhibitions 1996 Exhibition with Mary Rose O'Neill at the Original Print Gallery, Dublin. 2000 "Into the Garden" The Mullingar Arts Centre. 2000 Exhibition with Jessica Grehan at The Print Room. Selected Group Exhibitions 2004 Blooming Fields of Ireland , Origin Gallery, Dublin. 2006 "Gardens of Earthly Delight", The Chester Beatty Library 2007 Royal Hibernian Academy Annual Exhibition 2008 " Revelation", The National Gallery, Ireland 2010 Yeats and the Golden Age of Print, Sligo Art Gallery 2011 Royal Hibernian Academy Annual Exhibition 2013 " A Natural Selection" at The Botanic Gardens, Glasnevin 2014 Variations on a Theme II, Graphic Studio Gallery 2015 Flowing Forms, Visitors Centre Gallery, Botanic Gardens 2016 RHA Hibernian Academy Annual Exhibition 2017 Another Bite of The Cherry, National Botanic Gardens 2019 Water Colour Society of Ireland Annual Exhibition You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Martyn Brewster Monoprint No 55, 2023 Silkscreen print on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Painter and Printmaker making abstract colour works. Education BA. Fine Art, Painting, 1Class Hons. 1994. Brighton University MA. Printmaking, Distinction 1995. Brighton University Select Exhibitions/Awards Elected Associate member of the Royal Society of Painter- Printmakers 2022 Recent Solo Exhibitions (Selected) 2012 'Coastal Light' Waterhouse & Dodd, London 2014 'Night Poetry' Waterhouse & Dodd, London 2016 'Martyn Brewster: Ocean Light Seascapes 1990- 2015,' Russell-Cotes Art Gallery & Museum, Bournemouth 'Recent paintings & drawings' Waterhouse & Dodd, London 2017 'Monoprints 1990-2010' Waterhouse & Dodd online 2018 'Shadows & Light' Waterhouse & Dodd, London 'Nocturnes' The Gallery, Arts University of Bournemouth Gallery Representation Portland Gallery. London and Waterhouse & Dodd, New York You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Ruby Wright Boy on Train, 2023 Pencil and crayon on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About I am an illustrator with a particular interested in picture books. I am represented by Jodie Hodges at United Agents. Previously I worked for BBC Radio 4, Arts Council England and The Architecture Foundation, and had radio pieces broadcast on Resonance FM in London and NPR in the United States. Education Wimbledon School of Art (sculpture, BA) Select Exhibitions/Awards 2022: Group exhibition at Soulshine Cafe, Bridport 2021: The Sketch Show, Sussex Contemporary Illustrators & Printmakers, Seaford 2021: Picture Hooks Exhibition 2021, Scottish Storytelling Centre , Edinburgh 2021: Dorset Art Weeks, The Old Bakery, Bridport 2018: Dorset Art Weeks, The Old Bakery, Bridport 2018: Spoilt Rotten, The Gallery at Number 42, Notting Hill, London 2017: Portrait Exhibition, Candid Arts Trust, London 2016: National Original Print Exhibition, Bankside Gallery, London 2016: Inspired By..., Morley Gallery, London 2016: Visions of the Future, Constellations, Liverpool 2015: Tiny Carnival, 100 Union St, London 2014: Stillville, 100 Union St, London 2012: Game On, Westwerk, Hamburg 2011-2012: Deep Time, Artsreach touring exhibition, Dorset Statement about AOAP Submitted Artwork The postcards are based on two observational sketches I made: one of my son on the train in January 2023 and one from beside the duck pond in st james' park on Boxing Day 2022. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Emma Turpin Buildings, 2023 Mixed Media on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About In recent years, Emma Turpin has been exploring the notion of shelter in landscape. There are structures hidden in forests, and there are others that have almost become part of the landscape with trees bursting from inside them. In other works we see nothing built or man-made but rather shelter suggested by an area of light emerging through a tangle of branches. Emma uses these familiar natural forms to try and find a harmonious resolution between colour and form. Education The Slade School of Art, 1985-1987 West Surrey College Of Art, 1982-1985 Hastings College of Art, 1980-1982 Select Exhibitions/Awards 2022 November 2022, Flowers Gallery, Cork Street, London - 'Small is Beautiful' October 2022, Fosse Gallery, Cheltenham October 2022, Rye Art Gallery, East Sussex - 'The Art of British Printmaking' 2021/22 Flowers Central, Cork Street, London 'Small is Beautiful' Rye Art Gallery, Rye, East Sussex 2020 Flowers Central, Cork Street, London 'Small is Beautiful' Rye Art Gallery, East Sussex 'Miniatures and Masterstrokes' 2019 Flowers Central, Cork Street, London. 'Small is Beautiful' JP Art Gallery, 'Spring Exhibition', Blackheath, London 2018 Flowers Central, Cork Street, London 'Small is Beautiful' JP Art Gallery, Black Heath, London. The Restless Gallery, 'In Arcadia' Penzance JP Art Gallery London SE22 2017 The Bohun Gallery, Henley on Thames The Stone Space Gallery, Leytonstone 2015 The Bohun Gallery, Henley on Thames, 'Small paintings Exhibition' 2013 The OpenSky Museum, Nantes, France 2012 Shop Mixed Show, London 2009 The Bohun Gallery, Henley on Thames. 'Small Paintings Exhibition.' 2008 New Brewery Arts. Cirencester. 'A Winter's Tale' Portal Gallery Summer Exhibition, London '35 Years of the Bohun Gallery', Henley-on-Thames The Easton Rooms Summer Exhibition, Rye 2002 to 2008 Bohun Gallery, Henley-on-Thames 2006 Gallery 12, London NW3 2001 The Portal Gallery, Dover Street, London W1 1998 The Bohun Gallery, Henley-on-Thames 1996 Portal Gallery, Bremen, Germany. 'Distaff Power' The Easton Rooms Gallery, East Sussex 'Musicians', Portal Gallery, London 'Artists in Spain' Stormount Gallery, East Sussex 'Alternative Arts' Baker Street, London 'Idiosyncratic British Art' Brewery Arts Gallery, Cirencester, Glos. 1995 'Childhood Remembered' The Easton Rooms Gallery, East Sussex 1994 Portal Gallery, London 'Portal Painters', Palais Royal, Paris, France 'Angels', Terifa Gallery, Spain Portal Gallery, Bremen, Germany The Royal Commission, Geneva The Sassoon Gallery, Folkstone, Kent 1993 Rye Society of Artists, Summer Exhibition The New Ashgate Gallery, Farnham, Surrey Easton Rooms Gallery, Rye 1992 Portal, Gallery, London 1990 Print to Print Touring Exhibition, Sunderland Victoria Gallery, Hastings The Wax Kiln Gallery, Farnham, Surrey The Corner House, Manchester Statement about AOAP Submitted Artwork 'Buildings in a Landscape' mixed media on card You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Alasdair Wallace Red Pink Unicorn, 2023 Acrylic on card Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Painter and sometimes printmaker. Lives and works in Glasgow. Education Glasgow School of Art 1987-91 Select Exhibitions/Awards SOLO EXHIBITIONS 2020 Settlements - Linlithgow Burgh Halls 2019 Orbiteering - Tatha Gallery, Newport on Tay 2019 Oscillate Vacillate Orbit & Revolve - Glasgow Print Studio 2018 Incidences - Open Eye Gallery, Edinburgh SELECTED GROUP EXHIBITIONS 2021 'Curle', The Revelator, Glasgow 2021 LOWLANDS, Lowlands Artists Collective, Oxford House, Glasgow 2020 Society Of Scottish Artists, Edinburgh 2019 Royal Academy Summer Show, London 2018 Littlejohn Award Exhibit - Royal Scottish Academy, Edinburgh AWARDS John Gray Award - RSW Edinburgh 2018 W Gordon Smith Award - SSA Edinburgh 2018 William Littlejohn Award - Royal Scottish Academy 2017 City Of Glasgow College Award - RGI Glasgow 2016 The Walter Scott Award - RSW Edinburgh 2015 Armour Award - Royal Glasgow Institute 2005 Noble Grossart Painting Prize 2001 Guthrie Medal, Royal Scottish Academy 1999 COLLECTIONS Glasgow Museums & Galleries Collection, Walter Scott And Partners, City Of Glasgow College, Fleming-Wyfold Art Foundation, Cromarty Arts Trust, The Royal Scottish Academy, North Lanarkshire Council, Grampian Hospitals Art Trust Statement about AOAP Submitted Artwork I sometimes like to make images which are humorous or whimsical and which usually feel emblematic but are always ambiguous. A chubby cart horse/unicorn chasing an unattainable carrot seems like a metaphor. For what? I'll leave it up to the viewer to decide. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do
Cliona Doyle Paeony Rose, 2023 Etching on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Cliona Doyle was born in Dublin in 1968. She studied fine art at National College of Art and Design, Dublin. She received an Honours Degree in fine art in 1991. Since then Cliona has been a member of the Graphic Studio Dublin and has exhibited widely at home and abroad. Her work has been exhibited in the following Institutions - The National Gallery, Dublin, The Hugh Lane Gallery, Dublin, The Chester Beatty Library, Dublin, The Royal Hibernian Academy, Dublin. Her work is in many public and private collections. Cliona was a director of the Graphic Studio, Dublin (2005-2009). She teaches etching classes and drawing workshops. Education National College of Art and Design, Select Exhibitions/Awards Selected Solo Exhibitions 2012 "The Orchard" The Droichead Arts Centre 2018 "The Art of Perfume" So Fine Art Editions 2018 "Bower" The Graphic Gallery Dublin Two-Person Exhibitions 1996 Exhibition with Mary Rose O'Neill at the Original Print Gallery, Dublin. 2000 "Into the Garden" The Mullingar Arts Centre. 2000 Exhibition with Jessica Grehan at The Print Room. Selected Group Exhibitions 2004 Blooming Fields of Ireland , Origin Gallery, Dublin. 2006 "Gardens of Earthly Delight", The Chester Beatty Library 2007 Royal Hibernian Academy Annual Exhibition 2008 " Revelation", The National Gallery, Ireland 2010 Yeats and the Golden Age of Print, Sligo Art Gallery 2011 Royal Hibernian Academy Annual Exhibition 2013 " A Natural Selection" at The Botanic Gardens, Glasnevin 2014 Variations on a Theme II, Graphic Studio Gallery 2015 Flowing Forms, Visitors Centre Gallery, Botanic Gardens 2016 RHA Hibernian Academy Annual Exhibition 2017 Another Bite of The Cherry, National Botanic Gardens 2019 Water Colour Society of Ireland Annual Exhibition You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
David Eustace The Antiquarian Soul, 2023 Photo print Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About David Eustace (born 23 November 1961) is an international artist and director, primarily known for his portrait photography. He has worked on campaigns for clients worldwide and travelled extensively. His photographic works are included in several collection, both private and public including the Scottish National Portrait Gallery, Glasgow Museum of Modern Art, Deutsche Bank Collection and The City of Edinburgh Art Collection. Education Edinburgh Napier University Select Exhibitions/Awards 'Still / Landscape / Life' at the Scottish Gallery, 2018. 'Unique Work Polaroids' at SWG3, February 2019. 'Mar A Bha / Desert Lines' at the Royal Glasgow Institute for the Fine Arts, March 2019. Exhibiting two portfolios. 'Conversations with David Eustace' at Marchmont House, April 2022. 'Memento Mori' at The Fine Art Society, London 2022. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Corinna Button Now It's My Turn IV, 2023 Oil and mixed media on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About After completing a BA honours degree in painting, I pursued a printmaking postgraduate degree in the UK, where I am from. It was during this time that I was impacted by the German Expressionists, whose works, particularly in printmaking, left an indelible impression on me. I dedicated many subsequent years to developing my work in etching and other forms of printmaking. Today, printmaking continues to be a medium that intrigues me and is hugely influential in the way I approach my painting and sculpture. People are the subjects of my work and I am intrigued by moments that, despite initially appearing quite commonplace, are (for me) charged with great significance and meaning. My inspiration is drawn from experiences or predicaments I encounter in daily life, such as social gatherings, images from social media and words from a song or a poem. All these generate ideas for themes that I can build upon, "dress-up" and weave into my work. I compose figures either in groupings or as a single figure or just a face. My aim is not to create exact likenesses, but rather to create prototypical or archetypal figures whose personality or identity is both partly exposed and partly hidden beneath the surface. Everything about the way I work (both technique and subject) is motivated by the desire to reveal or "bring something to light." Thus, my process involves layering then scraping back, building then excavating; otherwise, peeling back layers to "carve out" and reveal something hidden beneath the surface. Select Exhibitions/Awards Selected Solo Shows 2020 Caught in a Fast Lane - Cupola Gallery, Sheffield UK 2017 Interfaces' - Hyde Park Arts Centre, Chicago (Featuring sculpture, printmaking and painting) Media made Great, Chicago 'Caught in an act II '(Featuring sculpture, printmaking and painting) 2016 Caught in the Act Cupola Gallery, Sheffield UK Watching you, watching me Sculpture and painting. Pistachio, Chicago 2014 Moments of Being, Gallery C, Dubuque, IA, USA University of Illinois, ULC Health in the Arts clinic, Chicago USA Specially Selected Exhibitions 2023 & 2020 Royal Academy Summer Show, London 2020 & 2019 ING Discerning Eye, Mall Galleries, London 2020 In Print; 20/20 Vision: Watts Contemporary, Watts Gallery Artists' Village, Surrey 2019 The Prince's Trust Auction, Highgrove House, Doughton, Gloucestershire. 2019 'Not Just Another Pretty Face', Hyde Park Art Center, Chicago. USA 2019 International Open Juried exhibition of Original Prints, 'NOPE' Bankside Gallery, London. 2017 Shakespeare: A celebration, Kwan Fong Gallery of Art and Culture, California, USA 2015 Chicago Invasion, Blue Rider Gallery, Taipei, - Taiwan 2015 Artress, Research House for Asian Art, Chicago, USA 2015 Elmhurst Museum; Artists Interpret Shakespeare, USA Collections The Victoria and Albert Museum, London Jiangsu Art Museum, China Ashmolean Museum Oxford BBC Sheffield Castle Lesley, Ireland University of Aberystwyth, Wales You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Hannah Gilson Debs, 2023 Fine art print, mixed media and collage Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Hannah Gilson is a London based illustrator and educator whose mixed media practice combines painting, screen printing and drawing. Evolving from a predominately fine arts background, her work has naturally settled with hand drawn and digital illustration, where she engages with popular culture and aesthetics. Education BA Fine Art, Winchester School of Art Select Exhibitions/Awards Winner of the Boodle Hatfield Printmaking Prize, 2022. Gallery Representation Air Contemporary, Aunt Joy Statement about AOAP Submitted Artwork I discovered art and visual pop culture during long hours spent in record shops as a child (my dad was a collector). I passed the time by looking at the album covers and this sparked an interest in the relationship between art and music which would develop more specifically into looking at the role of the artist in creating and sustaining an icon. Both 'Debs' and 'Ziggy says..' link back to these early visual influences, whilst 'Dry your eyes mate' is a more playful take on Michelangelo's David and his masculinity. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Simon Laurie Big Fish and Wine, 2023 Pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Simon Laurie is a contemporary Scottish landscape and still life artist, whose paintings are characterised by references to Scottish life and society, incorporating fish, boats, religious symbols and everyday items. These objects are arranged upon a rich textural ground created by the application of multiple layers of acrylic paint. He has worked with acrylic paint for almost 30 years, developing his own individual style and fundamental visual language. Simon was born in Glasgow and studied at Glasgow School of Art from 1982 to 1988. He was elected a member of the Royal Scottish Society of Painters in Watercolours (RSW) in 1991 and the Royal Glasgow Institute (RGI) in 2000, where he served as convener for six years. He has had many solo shows, both in the UK and abroad, and has won many prestigious and major awards. His work is held in many public, private and corporate collections. Education Glasgow School of Art Select Exhibitions/Awards Selected Solo Exhibitions 2020 Scottish Arts Club, Edinburgh 2017 Veneer Gallery, Glasgow 2017 Artists' Open House, Dulwich 2016 Open Eye Gallery, Edinburgh Leiper Fine Art, Glasgow 2014 Fidra Fine Art, North Berwick 2013 Panter and Hall Gallery, London 2013 Open Eye Gallery, Edinburgh 2013 Artists' Open House, Dulwich 2010 Open Eye Gallery, Edinburgh 2009 John Davies Gallery, Moreton on Marsh Scottish Arts Club, Edinburgh Panter and Hall Gallery, London 2008 Open Eye Gallery, Edinburgh 2007 Panter and Hall Gallery, London 2006 Gatehouse Gallery, Glasgow 2005 The Open Eye Gallery Panter and Hall Gallery, London 2004 Roger Billcliffe Gallery, Glasgow 2003 Open Eye Gallery, Edinburgh Panter and Hall Gallery, London 2001 Open Eye Gallery, Edinburgh Panter and Hall Gallery, London 2000 Roger Billcliffe Gallery, Glasgow 1999 Open Eye Gallery, Edinburgh 1998 Glasgow Print Studio 1996 Scottish Arts Club, Edinburgh 1995 Mercury Gallery, London 1993 Mercury Gallery, London Elektra Fine Art, Toronto 1991 Mercury Gallery, London Kelly Gallery, Glasgow Gallery Representation Panter and Hall, Morningside Gallery Edinburgh, Lemond gallery Glasgow Statement about AOAP Submitted Artwork The paintings are fairly representative of my work but obviously on a much smaller scale. Simple objects on strong colour. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Larissa Bates Untitled (Framed) Print Signed on Verso 14.6 x 19.7cm (5½ x 7¾ in.) Description For our last lot we have something a bit different. This unique print by Larissa Bates is slightly larger than our usual postcard size and comes with a white A5 frame and custom mount. The print is hand-signed and dated on the back. Bidding for this lot will start at £75. Print dimensions (within border): 14.6cm x 19.7cm Print dimensions (including border): 15.2cm x 20.2cm Frame dimensions: 21cm x 27cm About Using the family as a microcosm of social, political, and historic forces, Larissa Bates's work uses fantasy to explore social dynamics of a very blended family. The work explores processes of transculturation with visual painting languages pulled from 1600's Latin America, Persian miniature painting, and the textile designs of Josef Frank. Education Hampshire College Select Exhibitions/Awards Larissa Bates was born in Burlington in 1981, and grew up between Vermont and Vara Blanca, Costa Rica. She currently has a solo show at Taymour Grahne Gallery in London, and is part of a touring museum show, Gilded, curated by Emily Stamey from the Weatherspoon Museum of Art. Bates has had solo exhibitions nationally and internationally, including GNYP Gallery (Berlin), Richard Heller Gallery (Los Angeles), Galeria Espacio Minimo (Madrid), NADA Art Fair (Miami), and Mogadishni (Copenhagen). Bates has been represented by Monya Rowe Gallery (New York) since 2004. Her work has also been included in exhibitions at the Ulrich Museum, and the DeCordova Museum and Sculpture Park. The New York Times, The New Yorker, and others publications have reviewed Bates's work. Gallery Representation Monya Rowe Gallery Statement about AOAP Submitted Artwork This painting draws from a repeating cast of characters that make up many vignettes, including Bates's grandmother and aunt. Grandmother Mimi (Maria del Carmen Guttierez Chamberlain de Chittenden, Costa Rica) was the first female ambassador to represent a country to the court of England. She kneels at her daughter's feet to measure her before sewing her a gown to meet the queen. This image was drawn from a photograph of the event. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Kate Gibb In The Moment, 2023 Silkscreen on Gesso Board Signed on Verso 12.7 x 17.8cm (5 x 7 in.) About Kate Gibb has worked as a printmaker and illustrator for over fifteen years, based at her print studio in Paddington, London. Her early studies in printed textiles fuelled her inherent love of colour and pattern, which continually provide the basis for the majority of her art prints. As a self-taught artist, Kate Gibb is inspired by the silkscreen process, the random hiccups and 'happy accidents' that happen within this process. Commercially she is renowned for her Music related sleeve artworks, notably for her relationship with 'The Chemical Brothers' - but her clients also include brands such as Apple, Nike, Stussy, Dries Van Noten and Adidas Originals. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do. N.B. The back of this card includes the War Child UK logo; please note that proceeds from this card will go towards The Hepatitis C Trust, not War Child UK.
Corinna Button From A Distance, 2023 Oil and mixed media on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About After completing a BA honours degree in painting, I pursued a printmaking postgraduate degree in the UK, where I am from. It was during this time that I was impacted by the German Expressionists, whose works, particularly in printmaking, left an indelible impression on me. I dedicated many subsequent years to developing my work in etching and other forms of printmaking. Today, printmaking continues to be a medium that intrigues me and is hugely influential in the way I approach my painting and sculpture. People are the subjects of my work and I am intrigued by moments that, despite initially appearing quite commonplace, are (for me) charged with great significance and meaning. My inspiration is drawn from experiences or predicaments I encounter in daily life, such as social gatherings, images from social media and words from a song or a poem. All these generate ideas for themes that I can build upon, "dress-up" and weave into my work. I compose figures either in groupings or as a single figure or just a face. My aim is not to create exact likenesses, but rather to create prototypical or archetypal figures whose personality or identity is both partly exposed and partly hidden beneath the surface. Everything about the way I work (both technique and subject) is motivated by the desire to reveal or "bring something to light." Thus, my process involves layering then scraping back, building then excavating; otherwise, peeling back layers to "carve out" and reveal something hidden beneath the surface. Select Exhibitions/Awards Selected Solo Shows 2020 Caught in a Fast Lane - Cupola Gallery, Sheffield UK 2017 Interfaces' - Hyde Park Arts Centre, Chicago (Featuring sculpture, printmaking and painting) Media made Great, Chicago 'Caught in an act II '(Featuring sculpture, printmaking and painting) 2016 Caught in the Act Cupola Gallery, Sheffield UK Watching you, watching me Sculpture and painting. Pistachio, Chicago 2014 Moments of Being, Gallery C, Dubuque, IA, USA University of Illinois, ULC Health in the Arts clinic, Chicago USA Specially Selected Exhibitions 2023 & 2020 Royal Academy Summer Show, London 2020 & 2019 ING Discerning Eye, Mall Galleries, London 2020 In Print; 20/20 Vision: Watts Contemporary, Watts Gallery Artists' Village, Surrey 2019 The Prince's Trust Auction, Highgrove House, Doughton, Gloucestershire. 2019 'Not Just Another Pretty Face', Hyde Park Art Center, Chicago. USA 2019 International Open Juried exhibition of Original Prints, 'NOPE' Bankside Gallery, London. 2017 Shakespeare: A celebration, Kwan Fong Gallery of Art and Culture, California, USA 2015 Chicago Invasion, Blue Rider Gallery, Taipei, - Taiwan 2015 Artress, Research House for Asian Art, Chicago, USA 2015 Elmhurst Museum; Artists Interpret Shakespeare, USA Collections The Victoria and Albert Museum, London Jiangsu Art Museum, China Ashmolean Museum Oxford BBC Sheffield Castle Lesley, Ireland University of Aberystwyth, Wales You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Coral Harding Ember, 2023 Oil on Wood Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Coral Harding (b. 2001, London) is an artist currently in her third year of undergraduate studies at the Slade School of Fine Art, UCL. She studied her Art Foundation at Central Saint Martins. Coral examines the impression of awe and the psychology of perception. She is interested in the exploration and creation of space, and the ability to change the way space is experienced. Working with the material properties of light, she creates work in the forms of sculpture, painting, print and drawing to investigate the way light is both ephemeral and solid and has the power to illuminate and reveal while simultaneously being obscure. Education 2019 - 2020 Foundation Diploma in Art and Design at Central Saint Martins (Currently studying) BA Fine Art at Slade School of Fine Art UCL 2020 - 2024 Select Exhibitions/Awards 2022 - Dwelling - Group Exhibition, Brent Cross Centre, London. 2022 - JUICEBOX - Group Exhibition, RuptureXIBIT, Kingston. 2022 - Colour/Pigment/Poetry - Online Exhibition, Slade School of Fine Art, UCL 2022 - FISHTANK - Group Exhibition, Penarth Centre, Bermondsey. 2021 - 'Obscured' at the Royal Academy Summer Exhibition. The Royal Academy of Arts. Selected by Yinka Shonibare. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Kit Boyd The Coast Pt 2, 2023 Linocut wirh hand-colour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Kit Boyd follows in the British romantic tradition, in the footsteps of Samuel Palmer and the Neoromantics, finding escape from the frantic modern world in rural idylls. Education Visual Art BA University of Wales, Aberystwyth 1991 Select Exhibitions/Awards 2022 - 6 Railway Posters for the Darent Valley in Kent from Sevenoaks to Swanley 2020 & 2022 - Royal Academy Summer Exhibition 2021 - Queer as Folklore, Gallery 46, Whitechapel with DuoVision Arts 2018 - Rural Surrealism - Twenty Twenty Gallery, Ludlow 2017 In Print - British Landscape, Watts Contemporary, Guildford 2013 - World in My Eyes - solo show at the Barbican Level 2 Gallery 2012 - The Etchings of Samuel Palmer, his Peers & Followers, Chipping Campden 2010 - Figures in the Landscape - Brixton Village Gallery Gallery Representation Pallant House Gallery, Elizabeth Harvey-Lee, Greenwich Printmakers Gallery, Roe and Moore, Prints at galleries across the UK Statement about AOAP Submitted Artwork The Ink and Gum Arabic picture is one of the Man on a Laptop series, where a figure is surrounded by glowing nature using modern technology. The linocuts are just made - hand coloured artists proofs before the editions are printed. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Helen Fay Tangle, 2023 Etching Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About For many years my work has been about the beauty, dignity and character of animals. The poise and movement of animals, their behaviour and nature are an area I find endlessly fascinating. I like to think of them observing the world as I am observing them and then try to deduce what it is that they rely on to navigate their way through life. Whether it is the curiosity of a primate or the heightened senses of a hound, each and every creature has unique adaptations and behaviours, skills and strengths and these are what I try to convey in my work. Education 1990-1992 Royal College of Art, London. M.A. (R.C.A) Natural History Illustration. 1987-1990 Sunderland University. B.A. Hons. Fine Art Printmaking. 1986-1987 Newcastle College of Art and Design. Foundation studies in Art and Design Select Exhibitions/Awards 2017 Featured artist show at Glasgow Print Studio. 2016 Exhibition at Fotheringham Gallery, Bridge of Allan 2016 Group show at Fisherton Mill 2016 Group show at Moy McKay Gallery, Peebles. 2016 Mixed show at Framed Gallery, Perth. 2015 Selected from the Royal Academy exhibition, Zillah Bell Gallery, Thirsk. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Ruby Wright St James' Park, 2023 Pencil and paint stick on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About I am an illustrator with a particular interested in picture books. I am represented by Jodie Hodges at United Agents. Previously I worked for BBC Radio 4, Arts Council England and The Architecture Foundation, and had radio pieces broadcast on Resonance FM in London and NPR in the United States. Education Wimbledon School of Art (sculpture, BA) Select Exhibitions/Awards 2022: Group exhibition at Soulshine Cafe, Bridport 2021: The Sketch Show, Sussex Contemporary Illustrators & Printmakers, Seaford 2021: Picture Hooks Exhibition 2021, Scottish Storytelling Centre , Edinburgh 2021: Dorset Art Weeks, The Old Bakery, Bridport 2018: Dorset Art Weeks, The Old Bakery, Bridport 2018: Spoilt Rotten, The Gallery at Number 42, Notting Hill, London 2017: Portrait Exhibition, Candid Arts Trust, London 2016: National Original Print Exhibition, Bankside Gallery, London 2016: Inspired By..., Morley Gallery, London 2016: Visions of the Future, Constellations, Liverpool 2015: Tiny Carnival, 100 Union St, London 2014: Stillville, 100 Union St, London 2012: Game On, Westwerk, Hamburg 2011-2012: Deep Time, Artsreach touring exhibition, Dorset Statement about AOAP Submitted Artwork The postcards are based on two observational sketches I made: one of my son on the train in January 2023 and one from beside the duck pond in st james' park on Boxing Day 2022. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Corinna Button 1N Transit II, 2023 Oil and mixed media on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About After completing a BA honours degree in painting, I pursued a printmaking postgraduate degree in the UK, where I am from. It was during this time that I was impacted by the German Expressionists, whose works, particularly in printmaking, left an indelible impression on me. I dedicated many subsequent years to developing my work in etching and other forms of printmaking. Today, printmaking continues to be a medium that intrigues me and is hugely influential in the way I approach my painting and sculpture. People are the subjects of my work and I am intrigued by moments that, despite initially appearing quite commonplace, are (for me) charged with great significance and meaning. My inspiration is drawn from experiences or predicaments I encounter in daily life, such as social gatherings, images from social media and words from a song or a poem. All these generate ideas for themes that I can build upon, "dress-up" and weave into my work. I compose figures either in groupings or as a single figure or just a face. My aim is not to create exact likenesses, but rather to create prototypical or archetypal figures whose personality or identity is both partly exposed and partly hidden beneath the surface. Everything about the way I work (both technique and subject) is motivated by the desire to reveal or "bring something to light." Thus, my process involves layering then scraping back, building then excavating; otherwise, peeling back layers to "carve out" and reveal something hidden beneath the surface. Select Exhibitions/Awards Selected Solo Shows 2020 Caught in a Fast Lane - Cupola Gallery, Sheffield UK 2017 Interfaces' - Hyde Park Arts Centre, Chicago (Featuring sculpture, printmaking and painting) Media made Great, Chicago 'Caught in an act II '(Featuring sculpture, printmaking and painting) 2016 Caught in the Act Cupola Gallery, Sheffield UK Watching you, watching me Sculpture and painting. Pistachio, Chicago 2014 Moments of Being, Gallery C, Dubuque, IA, USA University of Illinois, ULC Health in the Arts clinic, Chicago USA Specially Selected Exhibitions 2023 & 2020 Royal Academy Summer Show, London 2020 & 2019 ING Discerning Eye, Mall Galleries, London 2020 In Print; 20/20 Vision: Watts Contemporary, Watts Gallery Artists' Village, Surrey 2019 The Prince's Trust Auction, Highgrove House, Doughton, Gloucestershire. 2019 'Not Just Another Pretty Face', Hyde Park Art Center, Chicago. USA 2019 International Open Juried exhibition of Original Prints, 'NOPE' Bankside Gallery, London. 2017 Shakespeare: A celebration, Kwan Fong Gallery of Art and Culture, California, USA 2015 Chicago Invasion, Blue Rider Gallery, Taipei, - Taiwan 2015 Artress, Research House for Asian Art, Chicago, USA 2015 Elmhurst Museum; Artists Interpret Shakespeare, USA Collections The Victoria and Albert Museum, London Jiangsu Art Museum, China Ashmolean Museum Oxford BBC Sheffield Castle Lesley, Ireland University of Aberystwyth, Wales You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Helen Fay Night, 2023 Etching Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About For many years my work has been about the beauty, dignity and character of animals. The poise and movement of animals, their behaviour and nature are an area I find endlessly fascinating. I like to think of them observing the world as I am observing them and then try to deduce what it is that they rely on to navigate their way through life. Whether it is the curiosity of a primate or the heightened senses of a hound, each and every creature has unique adaptations and behaviours, skills and strengths and these are what I try to convey in my work. Education 1990-1992 Royal College of Art, London. M.A. (R.C.A) Natural History Illustration. 1987-1990 Sunderland University. B.A. Hons. Fine Art Printmaking. 1986-1987 Newcastle College of Art and Design. Foundation studies in Art and Design Select Exhibitions/Awards 2017 Featured artist show at Glasgow Print Studio. 2016 Exhibition at Fotheringham Gallery, Bridge of Allan 2016 Group show at Fisherton Mill 2016 Group show at Moy McKay Gallery, Peebles. 2016 Mixed show at Framed Gallery, Perth. 2015 Selected from the Royal Academy exhibition, Zillah Bell Gallery, Thirsk. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Irvine Peacock Spaceman, 2023 Archival ink digital print and acrylic paint on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Irvine Peacock makes highly detailed oil paintings often combined with sign writing, construction and assemblage exploring the playoff between words and images. His subject matter is typically based on ephemera and popular culture. An established visual artist, originally trained in Fine Art, he has worked extensively in illustration, advertising and Higher Education. He lives and works in Shrewsbury. Education Sheffield College of Art Hornsey School of Art Gallery Representation Represented by The Portal Gallery since 1978 and Portal Painters since 2016 You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Zoe Anker Connections, 2023 Multi Layered, paper stencil screenprint with hand embossing Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Zoe Anker studied MA Design for Textiles Future at Central St Martins College of Art and Design, London; graduating in 2004. Since that time she worked within the fashion Industry, before returning to her passion for printmaking full time. Silkscreen printing has always been Zoe's medium of choice, whether that be art pieces on paper or fashion fabrics. Zoe has a strong passion for the juxtaposition of colour, geometric shape and mark making, with the use of layers to create interesting and unique forms. Zoe is currently based at Wimbledon Art Studios, London. Where she has held a studio for over four years. Zoe is very much a "process" led artist and loves to work in a playful and free manner. "The process always influences the outcome of my work- I would say I am very impulsive, free and playful. I use mainly paper stencils within my art work, I love the freedom working this way and having the ability to evolve shapes and layers at a rapid pace." Zoe rarely produces a full edition of work and prefers to work with one off pieces. Often a small mini range on various scales. This "capsule collection" type of process and body of work is a nod towards her Fashion Industry background. Zoe draws inspiration from pop culture, travel, nature and brutal architecture. Education MA Design for Textiles Futures, Central St.Martins, London. 2004. BA (Hons) Fashion and Textiles, University College Northampton. 2002 Select Exhibitions/Awards Debut Solo show "Electric Bloom" at BSMT Space gallery, Dalston, London. May 2020 "Who runs the world?" Electric Gallery, London. May 2021 "Just be nice" A collaboration with The Real Hackney Dave AKA Dave Buonaguidi. East Art Gallery, London. December 2022 "The Other Art Fair" Santa Monica, Los Angeles, March/April 2023 Gallery Representation BSMT Space Electric Gallery Look up Prints Statement about AOAP Submitted Artwork Inspired by brutal architecture in terms of shape, composition and form, and looking at the relationship between architecture and pattern. This one off pieces originate from a multi layered hand pulled screen print, using hand stencil cut stencils. Sections have also been hand embossed. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Kit Boyd The Golden Day, 2023 Ink on gum arabic Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Kit Boyd follows in the British romantic tradition, in the footsteps of Samuel Palmer and the Neoromantics, finding escape from the frantic modern world in rural idylls. Education Visual Art BA University of Wales, Aberystwyth 1991 Select Exhibitions/Awards 2022 - 6 Railway Posters for the Darent Valley in Kent from Sevenoaks to Swanley 2020 & 2022 - Royal Academy Summer Exhibition 2021 - Queer as Folklore, Gallery 46, Whitechapel with DuoVision Arts 2018 - Rural Surrealism - Twenty Twenty Gallery, Ludlow 2017 In Print - British Landscape, Watts Contemporary, Guildford 2013 - World in My Eyes - solo show at the Barbican Level 2 Gallery 2012 - The Etchings of Samuel Palmer, his Peers & Followers, Chipping Campden 2010 - Figures in the Landscape - Brixton Village Gallery Gallery Representation Pallant House Gallery, Elizabeth Harvey-Lee, Greenwich Printmakers Gallery, Roe and Moore, Prints at galleries across the UK Statement about AOAP Submitted Artwork The Ink and Gum Arabic picture is one of the Man on a Laptop series, where a figure is surrounded by glowing nature using modern technology. The linocuts are just made - hand coloured artists proofs before the editions are printed. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Simon Laurie Bottle and Fish, 2023 Acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Simon Laurie is a contemporary Scottish landscape and still life artist, whose paintings are characterised by references to Scottish life and society, incorporating fish, boats, religious symbols and everyday items. These objects are arranged upon a rich textural ground created by the application of multiple layers of acrylic paint. He has worked with acrylic paint for almost 30 years, developing his own individual style and fundamental visual language. Simon was born in Glasgow and studied at Glasgow School of Art from 1982 to 1988. He was elected a member of the Royal Scottish Society of Painters in Watercolours (RSW) in 1991 and the Royal Glasgow Institute (RGI) in 2000, where he served as convener for six years. He has had many solo shows, both in the UK and abroad, and has won many prestigious and major awards. His work is held in many public, private and corporate collections. Education Glasgow School of Art Select Exhibitions/Awards Selected Solo Exhibitions 2020 Scottish Arts Club, Edinburgh 2017 Veneer Gallery, Glasgow 2017 Artists' Open House, Dulwich 2016 Open Eye Gallery, Edinburgh Leiper Fine Art, Glasgow 2014 Fidra Fine Art, North Berwick 2013 Panter and Hall Gallery, London 2013 Open Eye Gallery, Edinburgh 2013 Artists' Open House, Dulwich 2010 Open Eye Gallery, Edinburgh 2009 John Davies Gallery, Moreton on Marsh Scottish Arts Club, Edinburgh Panter and Hall Gallery, London 2008 Open Eye Gallery, Edinburgh 2007 Panter and Hall Gallery, London 2006 Gatehouse Gallery, Glasgow 2005 The Open Eye Gallery Panter and Hall Gallery, London 2004 Roger Billcliffe Gallery, Glasgow 2003 Open Eye Gallery, Edinburgh Panter and Hall Gallery, London 2001 Open Eye Gallery, Edinburgh Panter and Hall Gallery, London 2000 Roger Billcliffe Gallery, Glasgow 1999 Open Eye Gallery, Edinburgh 1998 Glasgow Print Studio 1996 Scottish Arts Club, Edinburgh 1995 Mercury Gallery, London 1993 Mercury Gallery, London Elektra Fine Art, Toronto 1991 Mercury Gallery, London Kelly Gallery, Glasgow Gallery Representation Panter and Hall, Morningside Gallery Edinburgh, Lemond gallery Glasgow Statement about AOAP Submitted Artwork The paintings are fairly representative of my work but obviously on a much smaller scale. Simple objects on strong colour. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Kate Gibb Warmer Climes, 2023 Silkscreen on Gesso Board Signed on Verso 12.7 x 17.8cm (5 x 7 in.) About Kate Gibb has worked as a printmaker and illustrator for over fifteen years, based at her print studio in Paddington, London. Her early studies in printed textiles fuelled her inherent love of colour and pattern, which continually provide the basis for the majority of her art prints. As a self-taught artist, Kate Gibb is inspired by the silkscreen process, the random hiccups and 'happy accidents' that happen within this process. Commercially she is renowned for her Music related sleeve artworks, notably for her relationship with 'The Chemical Brothers' - but her clients also include brands such as Apple, Nike, Stussy, Dries Van Noten and Adidas Originals. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do. N.B. The back of this card includes the War Child UK logo; please note that proceeds from this card will go towards The Hepatitis C Trust, not War Child UK.
James Bond : The Bond Girls (2021) - Paul Mann limited edition print featuring all of the leading Bond actresses from Connerys tenure, Ursula Andress, Daniela Bianchi, Honor Blackman, Claudine Auger, Mie Hama and Jill St.John - Hand-Numbered & Signed by the Artist, number 174 of 200, rolled, 21 x 31 inches.
James Bond No Time To Die (2021) Taschen XXL The James Bond Archives, limited edition No. 337/1000, the book signed by Daniel Craig, Michael G. Wilson and Barbara Broccoli, with a signed print from No Time To Die by Greg Williams, boxed as new. Condition Report: Mint condition and now sold out.
A Neo-Assyrian cuneiform clay brick with paw print Circa early 1st Millennium B.C.19.5cm x 18cmFootnotes:Provenance:Collection of the the Spitfire pilot, teacher and amateur archaeologist, Harold James Strickland Taylor (1922-2016), discovered under the ziggurat at Nimrud in 1954; accompanied by a Permit to Export Antiquities (n. 845) listing this piece from the Director General of Antiquities, Iraq, dated 1 May 1954.For further information on this lot please visit Bonhams.com
* HANNAH FRANK (SCOTTISH 1908 - 2008), NIGHT (1930) lithograph on paper, signed in pencil, titled and datedframed and under glassimage size 40cm x 29cm, overall size 44cm x 33cm Provenance: The original pen and ink drawing was exhibited at the Royal Glasgow Institute (RGI) in 1930 and was published in the Glasgow University Magazine in February of the same year. Note: Since McTear's first promoted Hannah Frank's spectacular work in 2011, the prices for her ever more rare signed prints have continued to rise with many current prices being more than five times higher than those achieved barely a decade ago. The latest UK auction record figure for a single signed lithograph was most recently achieved (twice) in our auction on 24th October 2021 and now stands at £820 (hammer). Note 2: Hannah Frank was the last living link to the Arts and Crafts and Art Nouveau period. She studied at the Glasgow School of Art and Glasgow University in the 1920`s and her haunting pen and ink drawings have been exhibited at the Royal Academy, Royal Scottish Academy and Royal Glasgow Institute. A series of lithographs of some of her 90 drawings were made in the 1960's and again in the 1980's to satisfy the demand for her work after exhibitions in Edinburgh and Glasgow. Only a relatively few of these prints were hand signed (in pencil) by Hannah and it's understood that only one print was ever editioned (numbered) in a conventional manner. A major exhibition at the Royal Glasgow Institute in 2006 brought her work to a new generation of admirers and received considerable press coverage. Her work toured for five years in the UK and the USA culminating in an exhibition at Glasgow University which opened on her 100th birthday 23rd August 2008. After her death, she was awarded a posthumous Honorary Doctorate at Glasgow University and Glasgow City Council`s Lord Provost`s Award For Art (2009).
* TIM FRANKLIN ROSS THOMPSON (BRITISH b. 1951), TWO WATERCOLOURS SANTISIMA TRINIDAD, ENGAGED WITH HMS TERPSICHORE and CUSTOMS HOUSE, BARBICAN (PLYMOUTH)watercolour on paper, each signed each mounted, framed and under glass. image size 17cm x 24cm and 16cm x 25cm, overall size 41cm x 47cm and 32cm x 39cmQty: 2Label verso: Barbican Gallery, Devon.Note: Tim was born in Hull, Yorkshire but spent his early years in the Channel Islands. On Herm his home, Belvoir House, was 2 minutes from the sea and so he had an all year round view of the sea in all weathers and has called on those memories many times in his career. Tim’s art has been collected by marine art connoisseurs around the world. His work is in the collections of many British, American and European Captains of Industry including Ted Turner, Wm. Koch and David Rosow. His book on the America’s Cup has a foreword by Ted Turner and his RNLI Gold Medal Rescue book was commended by Queen Elizabeth the Queen Mother. He was commissioned by the Royal Navy and his largest individual work still hangs at HMS Drake. He has had a limited edition print signed by HRH Prince Philip. He has produced work for European Royalty and HRH Prince Charles and Diana, Princess of Wales attended his America’s Cup Exhibition in London. Tim’s largest project has been the America’s Cup, depicting a dramatic moment from each winning race to date. He has painted Arabian Dhows and historic craft off Oman and around the Arabian Gulf. He worked with the Vasa Museum to show the ship as she would have appeared in her original red livery. He has also been the Official Artist to one of the BOC Races and several of the America’s Cup races. Widely regarded as one of the world's leading marine artists.
* PETER HOWSON OBE (SCOTTISH b. 1958), NIJINSKY limited edition giclee print on canvas number 1/100unframed.overall size 103cm x 69cm Note: Scan of Certificate of Authenticity issued by The Third Step Gallery is available to the buyer. This print has also been authenticated by the Peter Howson studio (June 2023).Note 2: Collectors and Howson enthusiasts will be excited by the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist taking place at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh from May this year until the beginning of October, bringing together over 100 major works from his early years until the present time. Initial visitor numbers suggest that this exhibition is likely to set new records for a living artist in Scotland. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.See ''Peter Howson'' by Robert Heller page 90. Of Howson's ''Nijinsky'' the art critic Peter Jenkins wrote ''Nijinsky I see as an heroic figure: clumsy yet nimble, his macho prance is a dance of defiance; his leaden, booted feet may hold him down but his head is in the clouds, jaw jutting like a dancing bear, he is a noble beast made an object of derision. We may see something of the tragic predicament of the individual in the twilight of the gods''. Heller describes Howson's ''Nijinsky'' as ''vastly powerful''.
* PETER HOWSON OBE (SCOTTISH b. 1958), PATRIOTS limited edition giclee print on canvas number 2/100unframed.overall size 76cm x 102cm Note: Scan of Certificate of Authenticity issued by The Third Step Gallery is available to the buyer. This print has also been authenticated by the Peter Howson studio (June 2023).Note 2: Collectors and Howson enthusiasts will be excited by the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist taking place at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh from May this year until the beginning of October, bringing together over 100 major works from his early years until the present time. Initial visitor numbers suggest that this exhibition is likely to set new records for a living artist in Scotland. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.
Graham Twyford Limited Edition Signed Print, 'Ambleside by Twilight', image size 12" x 19", mounted framed and glazed, overall size 20" x 27". Together with a signed print of a river scene and boat, mounted, framed and glazed, overall size 12" x 14". Also, a Burnett Oil Painting 'Parisian Scene', framed, measures 20" x 24".
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