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Lot 8
LIONEL DALHOUSIE EDWARDS (1878-1966, BRITISH) Signed in Pencil to Margin Coloured Print Circa 1929 Point-to-Point Racing at Gibraltar 10” x 14” and AFTER LIONEL DALHOUSIE EDWARDS (1878-1966, BRITISH) Chromolithograph Published by Lawrence & Jellicoe Ltd “Returning Home” 11” x 27” and three further small framed prints after the same artist (5)
Lot 527
After BOB RICHARDSON; five large limited edition coloured prints "Spring Morning Batsons Creek, Devon", "The High Street Burford", "October Morning Wye Valley", "The Days End" and "Evening Lights Whitby", a small signed limited edition print and two Helen Bradley prints, all framed and glazed (8).
Lot 530
After NEIL CAWTHORNE; two artist proof signed prints "The July Course" and "The Canal Turn", after STEPHEN SMITH; a signed limited edition coloured print "Montjeau", 67/500, after JOHN WORSDALE; signed limited edition coloured print "Aldaniti", 686/850, after SJ WINGATE; signed limited edition coloured print "Bosra Sham", 56/500, after CLAIRE EVA BURTON; signed limited edition coloured print "Sonic Lady At Goodwood", 604/700 and a limited edition Derby chart montage dedicated to Aboyeur, winner of the Derby stakes 1913, 250/410, all framed and glazed.
Lot 107
Andy Warhol (American, 1928 - 1987) Marilyn Suite of Ten, Screenprint on museum board, ""Andy Warhol (American, 1928 - 1987) Marilyn Suite of Ten, Screenprint on museum board, From Sunday B. Morning Portfolio. Published December 2011, with Sunday B. Morning Certificate of Authenticity. Dimensions: h: 36 x w: 36 in. each. Published in Switzerland from Warhol`s original screens, Sunday B. Morning prints are authorized reproductions which are noted in the Andy Warhol Catalogue Raisonne. Sunday B. Mornings were originally intended as a Warhol joke...with a stamp on the back which said `fill in your name here`. They are considered to be authentic reproductions and were authorized and included in the Catalogue Raisonne. Barbara DeVorzon writes on her website: In 1967, Andy Warhol made a Portfolio of 10 screen print portraits of Marilyn Monroe from the publicity photo for the 1953 film """"""""Niagara."""""""" The portfolios of 10 screen prints were printed in an original edition of 250. All of the prints from the original edition of 250 were signed in pencil and numbered with a rubber stamp on verso; some signed in pen; some initialed on verso; some dated. Aside from this edition, 26 complete sets of Artist`s Proofs were printed, signed and lettered A-Z on verso. The first edition of the Marilyn and Flowers series were very successful and many hoped the artist would print another edition. In the 1970`s Warhol worked with German and Belgian printers for his European exhibitions. They proposed an edition of the Marilyn`s and Flower`s for the European market. However, Warhol was not interested and refused to help with a European edition. The original screens were brought to Europe anyway and the first unauthorized prints were produced in slightly different colors from the original portfolio. The edition of 250 unauthorized prints were stamped in black on verso, """"""""Published by Sunday B. Morning"""""""" and """"""""Fill in Your own Signature."""""""" Andy Warhol inscribed some prints, """"""""This is not by me"""""""" and was well aware of the European editions and came to accept them as they were printed and published by two of his close friends. Due to the popularity of the first unauthorized edition, Sunday B. Morning has continued publishing the prints from the original screens. The subsequent editions are published in original colors, not numbered, and are stamped in blue ink to mark the difference with the first edition. Starting Price: $1600
Lot 679
Battles of Morales & Busaco Hand Coloured Aquatints Prints. The first print the Battle of Morales June 1813 depicts Light Cavalry engaging the enemy who are about to turn and flee ... The second The Battle of Busaco September 1810 depicts British Infantry advancing and firing, while shape shooters of the Green Jackets harass the enemy. Both prints mounted into card. Overall size 14 1/2 x 12 1/2 inches.
Lot 681
Charge of the 3rd Light Dragoons at Sabraon 1846 Chronograph Print. This print depicts the 3rd charging swords drawn towards the Sikh lines during the dramatic Battle of Sobraon during the Sikh War. Colours and detail good. Printed Circa 1897. Mounted into a modern giltwood frame. GC Overall size 19 x 15 1/2 inches.
Lot 682
Victorian Hand Coloured Lithograph of The Highlanders circa 1846. This print depicts Officers and Men of the various Highland Regiments 78th, 79th, 42nd, 71st, 72nd, 92nd and 93rd. Detail is good, but colours slightly faded. Mounted into a period wood and glazed frame. Overall size 16 1/2 x 17 1/2 inches.
Lot 499
Collection of Large Lithographs of Steam Trains: Produced as a Supplement to The Engineer in the Late 19th Century to include Express Passenger Locomotive Great northern Railway, Compound Express Locomotive North Eastern, Six Coupled Good Engine Highland Railway, Express Passenger Locomotive North Eastern, Compound Express Locomotive London & North Western Railway, Narrow Gauge Loco Cape Government Railway together with a Printed Plan of four coupled Tank Engine and 2 Plans on Tracing Paper also litho print of the Fourth Bridge
Lot 510
Cold War TSR-2 Wing Blue Print: First plans 1961, this is an amended large plan 1963. The British Aircraft Corporation TSR-2 was a cancelled Cold War strike reconnaissance aircraft developed by the British Aircraft Corporation (BAC) for the Royal Air Force (RAF) in the late 1950s and early 1960s. The TSR-2 was designed to penetrate a well-defended forward battle area at low altitudes and very high speeds, and then attack high-value targets in the rear with nuclear or conventional weapons
Lot 359
Deeds That Thrill the Empire in 2 Volumes Foreword by Rt Hon the Earl of Derby: Condition overall worn with some damage to spines contents clean. 900pp Approx with 24 illus in colour & 936 in b/w illus plus index Sub-titled True Stories of the Most Glorious Acts of Heroism of the Empires Soldiers and Sailors during the Great War this collection of exploits on land, sea and in the air makes a fascinating, illustrated record. Here are stories recounting in graphic detail acts of gallantry or engagements at sea or in the air, each vividly pictured by artists especially commissioned to bring to life the actions described in the text. Most of them are accounts of individual gallantry, including forty VCs and nearly one hundred DCMs as well as feats that earned the DSO, MC or, in the case of the Indian Army, the IOM (Indian Order of Merit). But apart from these selected cases there are hundreds more illustrations, full plate and smaller, depicting other heroic acts The introduction, which contains illustrations of gallantry medals awarded by the Allies, explains that the men whose actions are described in these pages are chosen as representatives of their fellows. It goes on to say it is the epitaph of those who have laid down their lives in setting so bright an example, and it is a summons, from those who remain, to every fit man in the Empire to go and do likewise. All the events or deeds described occurred between the outbreak of war and the end of 1916, but they are not in chronological order, nor is there any other discernible pattern in the order in which they are presented. They cover all theatres where British, Dominion and Indian troops were involved - Western Front, Gallipoli, East Africa, Salonika, Mesopotamia and, of course, the high seas. One notable error is an illustration of Darwan Sing Negi, 1st Bn 39th Garhwal Rifles, winning the VC (p161); it describes him as the first Indian to be awarded the VC. He wasn`t. That honour belonged to Sepoy (Private) Khudadad Khan, 129th Baluch Regiment, who had won his just over three weeks earlier (31 October 1914), also on the Western Front. When this book appeared in print conscription was in full swing and signs of war weariness were apparent. It is clear that this publication was intended as a morale booster, an appeal to patriotism as Lord Derby`s foreword shows. It really is a gem and something of a gold mine for medal collectors and a potentially valuable source for the growing band of researchers into the records of those whose names appear on local war memorials. There is a remarkably comprehensive index with lists under various headings: names listed alphabetically; by nationality e.g. British, Australian, Canadian etc forces as well as enemy troops; by formations (corps, divisions etc); lists of RN and Merchant Marine ships; lists of German Navy and other enemy ships; aircraft and airships and a geographical index (2)
Lot 11
A `Phillips & Co Sunderland Pottery` creamware jug bearing a W Cockburn print of `His Grace the Duke of Wellington` leading a charge on horseback on one side and with the iron bridge across the Wear on the other, inscribed to the `Remembrance of Mr Robt Mellanby` below the spout, 20cm (8in) high (W)
Lot 195
*Childs (G., late 18th/early 19th century). “Clifton”, after Samuel Jackson, hand coloured litho. published by O.C. Lane, 21.5 x 31cm (8.5 x 12in), together with another similar print titled “St. Vincents Rocks & Part of Clifton & The Hotwells”, the pair framed in matching period gilt frames with verre eglomise, plus. Hassell (John, 1767-1825). To the most Noble the Marquis of Worcester, this View of the City of Bristol is humbly Inscribed, aquatint etching, published T. Jones & J. Hassell, 1795, 27 x 34cm (10.5 x 13.in), and Baynes (Thomas Mann, 1794-1854). Piercefield Mansion and Park, Chepstow, lithograph after G. Eyre Brooks, printed by Day & Haghe, 18 x 32cm (7 x 12.5in), and a similar litho. by Baynes after Brooks titled “View from the Wynd Cliff”, 18 x 32cm (7 x 12.5in), and another similar sized lithograph depicting the Oxbow bend on the Wye at Piercefield Park, all framed & glazed (6).
Lot 721
*Argentina. An album containing over 200 gelatin silver print photos, c. 1920s, mostly postcard size and relating to farming and agriculture, the majority of images arranged as multiples to stiff card leaves, rectos and versos, the majority with ink annotations in English to the negative, areas include Santa Martica, El Palomar, The Potreros and cattle of Don Jose Mia Jimenez, Bejucal, Malabet, San Marcos, packing house Covenas, Venezuala (Guatabaro), San Sebastian, etc., contemp. half morocco, worn and upper cover det., oblong folio (1).
Lot 722
*Baron Studios. Queen Elizabeth II as a Princess, large colour photograph, 49 x 37cm, mat mount with studio wet stamp to verso, signed and dated by the sitter ‘Elizabeth, 1951’ in ink to lower mount, together with an albumen panel print of Princess Alexandra, Princess of Wales by Lafayette, c. 1880s, 54.5 x 38.5cm, orig. thick card mount (trimmed at foot with loss of photographer’s and sitter’s details) (2).
Lot 725
*Cartes de visite. A group of eleven cartes-de-visite albums, late 19th c., containing a quantity of assorted albumen print cartes de visite and cabinet cards, etc., mostly window mounted, numerous gaps, mostly unidentified, family portraits, all contemp. morocco, some wear and some covers detached, 4to, plus a group of approx. 250 loose cartes de visite and cabinet cards (a carton).
Lot 726
*Cartes de visite. A complete album containing 120 window-mounted albumen print cartes de visite portraits, c. 1860s, the majority from life and including portraits of Queen Victoria, Prince Albert, the Prince and Princess of Wales, Emperor Napoleon III, Princess Alice, Said Pasha of Egypt, Garibaldi, Charles Kean, Madame Albani, Madame Grisi, Charles Blondin, William Makepeace Thackeray, Charles Dickens, Alfred Lord Tennyson, Rossini, Verdi, Victor Hugo, Giuglini, Abraham Lincoln, Jefferson Davis, Andrew Johnson, etc., pencil list and note to front endpaper indicating that the collection was made in 1862, messy pencil identification captions to mounts throughout, some spotting and soling, contemp. embossed morocco with gilt clasps, some wear to head and foot of spine, 4to (1).
Lot 727
*Cartes de visite. A photograph album containing forty-five albumen print cartes de visite portraits, c. 1860s, mostly window-mounted plus a few pasted to leaves, including Florence Nightingale (with autograph sentiment) pasted beside Pope Pious IX, Cardinal Wiseman, Alfonse Lamatine, Elizabeth of Bavaria, the Prince Imperial and the Imperial Family of France, Viscount Canning, Japanese Embassy 1862, Dom. Pedro V, The Prince and Princess of Wales, with new-born child, Abraham Lincoln, etc., mostly European dignitaries, plus a number not from life, mostly with neat ink captions tipped into mounts beneath, pencil signature of Eliza M[into] Howard, Corby Castle [Cumbria] dated 1861 to front free endpaper, some spotting to mounts, a.e.g., contemp. red morocco with gilt clasps (one broken), rubbed, oblong 8vo (1).
Lot 732
*Garibaldi (Giuseppe, 1807-1882). Three-quarter length portrait by Gustave Le Gray (1820-1884), c. 1860, showing Garibaldi full face with one arm akimbo and one hand clutching the guard of his sword, oval albumen print, signed by the photographer in the negative, 25 x 19.5cm, mat mount with caption beneath, mount somewhat spotted and soiled (1).
Lot 733
Germany. Deutsche Gaue von Alfons von Czibulka, Munich, 1938, 200 silver print stereocards of German views (complete), some mounted as issued within book, the remainder loosely inserted into front and rear pastedowns with accompanying stereo viewer, front endpaper detached, orig. cloth-backed boards, rubbed and soiled, folio (1).
Lot 737
*Greece & Turkey. An album containing thirty-eight mounted albumen prints, c. 1880, including ten albumen print views of Greece, thirteen photos of Greek sculptures, friezes, etc., plus fifty mounted albumen prints of the Aga Sophia and artworks, mostly approx. 25 x 20cm and mounted to rectos only, scattered captions and the Turkish photos captioned in the negative, all somewhat faded, partly broken in contemp. half morocco, soiled and worn, folio, together with three further photograph albums, c. 1880s, one containing approx. fifty albumen print views of Italy, the remaining two albums containing views of UK and Europe, all contemp. half morocco, some wear, oblong folio (4).
Lot 742
*India and Burma. An early photograph album containing twenty-eight views of India and Burma, c. 1860s, mostly temples, buildings, and rural scenes, approx. 23 x 29cm and mostly much smaller, mostly mounted to album leaf rectos only, some other contemporary albumen print views of Europe, etc, scattered throughout, a few leaves detached, contemp. half morocco, rubbed and some wear, folio (1).
Lot 745
*India. Chakiah Benares, January 26 1889, with the Viceroy of India and Lady Curzon, large albumen print of a hunting group with four elephants behind and dead trophies in front, indistinct signature lower left, 34.5 x 43cm, framed and glazed, with printed caption beneath and gilt title plaque tacked to frame, together with a hand-coloured albumen print of an Indian river scene with mountains in the background by J. B. Holmes, signed in the negative, 21.5 x 27cm, framed and glazed (2).
Lot 750
Japan. A concertina-style Japanese lacquered photo album, late 19th century, containing twenty-four mounted albumen print photos, all coloured in the negative, half showing Japanese women dressing cloth, playing music, etc., the others mostly rural views plus a few streets, etc., a few titled in the negative, each 9 x 13.5cm, lacquered boards with pictorial design in gilt and silver to upper cover, minor chipping to a few corners, oblong 8vo (1).
Lot 751
*Japan. A Japanese photo album, late 19th century, containing fifty mounted albumen print photos, all coloured in the negative, and most with English captions, including views of Nagasaki, Kobe, Nara, Kyoto, Fujiyama, Tokyo, etc, 19 x 25cm, mounted back to back on stiff card leaves, a.e.g., contemp. morocco backed laquer boards with gilt decoration, the upper cover with two stalks in mother of pearl (one leg and one stalk deficient), slightly rubbed, oblong folio (1).
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314783 item(s)/page